the visit fridge scene

The Visit Explained (Plot And Ending)

The Visit is a 2015  horror   thriller  directed by M. Night Shyamalan. It follows two siblings who visit their estranged grandparents only to discover something is very wrong with them. As the children try to uncover the truth, they are increasingly terrorized by their grandparents’ bizarre behaviour. Here’s the plot and ending of The Visit explained; spoilers ahead.

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Here are links to the key aspects of the movie:

• – The Story
• – Plot Explained
• – Ending Explained
• – The Sense Of Dread
• – Separation, Remorse, and Personal Fears
• – Frequently Asked Questions Answered
• – Wrap Up

What is the story of The Visit?

The Visit is about two kids visiting their grandparents for the first time. They are also going there to hope and rebuild a bridge between their mom and grandparents and help their mom heal after a painful divorce. The movie is in documentary form.

The Visit is one of the most unnerving and realistic horror stories. A good thing about classic horror movies is that, after the movie ends, you can switch it off and go to bed,  knowing that you’re safe . Vampires, ghosts, and demonic powers don’t exist, and even if you are prone to these kinds of esoteric beliefs, there are safeguards. If your home is not built in an Indian burial ground and you haven’t bought any creepy-looking dolls from your local antiquary, you’re perfectly safe.

However, what about the idea of two kids spending five days with two escaped psychiatric ward patients in a remote farmhouse? Now, this is a thought that will send shivers down your spine. It’s a story that sounds not just realistic but real. It’s  something that might have happened in the past  or might happen in the future.

This is  what  The Visit  is all about . This idea, coupled with documentary-form storytelling, is why the movie is so unnerving to watch.

The Visit: Plot Explained

Loretta’s past.

As a young girl, Loretta Jamison fell in love with her high school teacher and decided to skip her hometown with him. Before leaving, she had a heated altercation with her parents and hasn’t seen them since. At the movie’s start, she is a single mom of 15-year-old Becca and 14-year-old Tyler, and she  hasn’t spoken to her parents in 15 years .

What really happened on the day Loretta left?

Loretta’s mom tries to stop her from leaving the house, and Loretta hits her mom, and her dad hits her. Soon after, her parents try to reach out to Loretta, but she refuses to take their calls, and years go by.

Meet The Grandparents

Years later, Loretta’s parents reach out to  meet their grandchildren . The grandparents are, seemingly, wholly reformed and now even help at the local psychiatric hospital. Although initially not too fond of the idea, Loretta is persuaded by the insistence of her children. While she had no intention of visiting the parents, she permitted her children to pay their grandparents a five-day visit.

At The Grandparents’

Their first meeting with Nana and Pop Pop starts on the right foot. They start getting to know each other, and other than a simple generational gap, nothing seems too strange. The only thing that seems off is that they are warned  not to leave the room after 9:30 in the evening .

The kids break this rule, and on the first night, they notice  Nana acting erratically , projectile vomiting, scratching wallpaper with her bare hands, and running around the house on all fours. Grandpa appears paranoid and hides his adult diapers in the garden shed, and the situation escalates each day.

The Visit Ending Explained: What happens in the end?

The ending of Visit has the kids finally showing the elderly couple to Loretta. She, completely horrified, states that  those are not her parents . The pair posing as Pop Pop and Nana are escaped psychiatric institution patients who murdered their grandparents and took their places.

The kids survive, kill their captors, and are found alive and well by their mom and the police. Becca kills Nana with a shard from the mirror, thus symbolically overcoming her fear of her reflection. Tyler kills Pop Pop by repeatedly slamming him in the head with a refrigerator door after overcoming his germaphobia and anxiety about freezing.

The Sense Of Dread

The elements of horror in this movie are just  perfectly executed . First of all, the film is shot as a documentary. Becca is an aspiring filmmaker who records the entire trip with her camera. From time to time, we see an interview of all the characters, which just serves as the perfect vessel for characterization.

No Ghouls or Cults

Another thing that evokes dread is  realism . There are no supernatural beings or demonic forces. It’s just two kids alone in a remote farmstead with two creepy, deranged people. Even in the end, when Loretta finds out what’s happening, it takes her hours to get there with the police. The scariest part is that it’s not that hard to imagine something along those lines really happening.

The  house itself is dread-inducing . The place is old and rustic. Like in The Black Phone soundproofing a room  could have prevented kids from hearing Nana rummaging around the house without a clear idea of what was happening, but this was not the case, as the old couple weren’t that capable.

The  characters  themselves  are perfectly played . Something is unnerving about Pop Pop and Nana from the very first scene. It’s the Uncanny Valley scenario where you feel that something’s off and shakes you to the core, but you have no idea what it is.

Separation, Remorse, and Personal Fears

What this movie does the best is explore the  ugly side of separation, old grudges, and remorse . The main reason why kids are insistent on visiting their grandparents is out of their desire to help their mom.

They see she’s remorseful for never  working things out with her parents . In light of her failed marriage and the affair that caused it to end, she might live with the doubt that her parents were right all along. This makes her decision and altercation with her parents even worse. Reconciling when you know you were wrong is harder than forgiving the person who wronged you.

The Kids’ Perspective

There are personal fears and  traumas of the kids . Tyler, in his childish naivete, is convinced that his father left because he was disappointed in him as a son. Tyler tells Becca that he froze during one game he played, which disappointed his dad so much that he had to leave. While this sounds ridiculous to any adult (and even Becca), it’s a matter of fact to Tyler. As a result of this trauma, Tyler also developed germaphobia. In Becca’s own words, this gives him a greater sense of control.

On the other hand,  Becca refuses to look at herself in the mirror  or stand in front of the camera if she can help it. Both kids  had to overcome their fears to survive , which is a solid and clear metaphor for how these things sometimes turn out in real life.

Frequently Asked Questions Answered

The visit: what’s wrong with the grandparents who are the grandparents.

The people who hosted Becca and Tyler were runaway psychiatric hospital patients who murdered the real grandparents and took their place. Nana’s impostor (Claire) was actually responsible for murdering her children by drowning them in a well. Pop Pop’s impostor (Mitchell) wanted to give Claire a second chance at having kids / being a grandparent.

How did the imposter grandparents know about the kids’ visit?

It appears Claire and Mitchell hear the real Nana and Pop Pop brag about their grandkids’ visit. They also learned that neither the grandparents nor the kids had seen each other. The real grandparents appear to have been consulting in the same hospital Claire and Mitchell were being treated. The two crazies take this opportunity to break out, kill the real grandparents and go to the station to pick up the children.

The Visit: What is Sinmorfitellia?

Claire and Mitchell believe that Sinmorfitellia is an alien planet, and the creatures from there lurk on Earth. They spit into the waters of wells and ponds all day, which can put people into a deep sleep. They take  sleeping with the fishes  quite literally. Long ago, Claire drowned her children believing they would go to Sinmorfitellia.

The Visit: What happened to the real grandparents?

Claire and Mitchel killed Nana and Pop Pop and put them in the basement. This information went unnoticed because Becca’s laptop’s camera was damaged by Nana, so Loretta could not confirm the imposters. Claire and Mitchel were not present every time someone came to visit, so no one suspected foul play except Stacey, who received help from the real grandparents. As a result, she is killed.

What did Claire and Mitchel intend to do?

They plan to go to Sinmorfitellia with Becca and Tyler. They all plan to die on that last night and enter the well, which they believe is their path to the alien planet where they can be happy together. This is perhaps why the grandparents hang Stacey outside the house because they don’t care about being caught.

The Visit: What’s wrong with Nana?

We don’t know what caused Nana’s mental illness, but she was crazy enough to kill her two children by putting them in suitcases and drowning them in a pond. It appears she suffers from schizophrenia as she has delusions.

The Visit: Wrap Up

From the standpoint of horror, The Visit has it all. An unnerving realistic scenario, real-life trauma, and an atmosphere of fear. Combine this with  some of the best acting work in the genre  and a documentary-style movie, and you’ve got yourself a real masterpiece.

On the downside, the movie leaves you with a lot of open questions like:

• Considering the kids have never seen the grandparents and are going alone, Loretta didn’t ensure her kids knew what her parents looked like?
• How are Claire and Mitchell out and about so close to the hospital without being caught?
• Considering they are mentally ill, how did Claire and Mitchell plot such a thorough plan? (e.g. strategically damaging the camera of the laptop)
• I understand  Suspension Of Disbelief  in horror films, but neither kids drop their cameras despite the terror they go through only so we, the audience, can get the entire narrative?

What were your thoughts on the plot and ending of the movie The Visit? Drop your comments below!

Stacey is a talented freelance writer passionate about all things pop culture. She has a keen eye for detail and a natural talent for storytelling. She’s a super-fan of Game of Thrones, Cats, and Indie Rock Music and can often be found engrossed in complex films and books. Connect with her on her social media handles to learn more about her work and interests.

The Visit Explained (Plot And Ending)

The Visit is a 2015  horror   thriller  directed by M. Night Shyamalan. It follows two siblings who visit their estranged grandparents only to discover something is very wrong with them. As the children try to uncover the truth, they are increasingly terrorized by their grandparents’ unconvincing behaviour. Here’s the plot and ending of The Visit explained; spoilers ahead.

Here are links to the key aspects of the movie:

• – The Story
• – Plot Explained
• – Ending Explained
• – The Sense Of Dread
• – Separation, Remorse, and Personal Fears
• – Frequently Asked Questions Answered
• – Wrap Up

What is the story of The Visit?

The Visit is well-nigh two kids visiting their grandparents for the first time. They are moreover going there to hope and rebuild a underpass between their mom and grandparents and help their mom heal without a painful divorce. The movie is in documentary form.

The Visit is one of the most unnerving and realistic horror stories. A good thing well-nigh archetype horror movies is that, without the movie ends, you can switch it off and go to bed,  knowing that you’re safe . Vampires, ghosts, and demonic powers don’t exist, and plane if you are prone to these kinds of esoteric beliefs, there are safeguards. If your home is not built in an Indian solemnities ground and you haven’t bought any creepy-looking dolls from your local antiquary, you’re perfectly safe.

However, what well-nigh the idea of two kids spending five days with two escaped psychiatric ward patients in a remote farmhouse? Now, this is a thought that will send shivers lanugo your spine. It’s a story that sounds not just realistic but real. It’s  something that might have happened in the past  or might happen in the future.

This is  what  The Visit  is all about . This idea, coupled with documentary-form storytelling, is why the movie is so unnerving to watch.

The Visit: Plot Explained

Loretta’s past.

As a young girl, Loretta Jamison fell in love with her upper school teacher and decided to skip her hometown with him. Before leaving, she had a heated wrangling with her parents and hasn’t seen them since. At the movie’s start, she is a single mom of 15-year-old Becca and 14-year-old Tyler, and she  hasn’t spoken to her parents in 15 years .

What really happened on the day Loretta left?

Loretta’s mom tries to stop her from leaving the house, and Loretta hits her mom, and her dad hits her. Soon after, her parents try to reach out to Loretta, but she refuses to take their calls, and years go by.

Meet The Grandparents

Years later, Loretta’s parents reach out to  meet their grandchildren . The grandparents are, seemingly, wholly reformed and now plane help at the local psychiatric hospital. Although initially not too fond of the idea, Loretta is persuaded by the insistence of her children. While she had no intention of visiting the parents, she permitted her children to pay their grandparents a five-day visit.

At The Grandparents’

Their first meeting with Nana and Pop Pop starts on the right foot. They start getting to know each other, and other than a simple generational gap, nothing seems too strange. The only thing that seems off is that they are warned  not to leave the room without 9:30 in the evening .

The kids unravel this rule, and on the first night, they notice  Nana vicarial erratically , projectile vomiting, scratching wallpaper with her yellowish hands, and running virtually the house on all fours. Grandpa appears paranoid and hides his sultana diapers in the garden shed, and the situation escalates each day.

The Visit Ending Explained: What happens in the end?

The ending of Visit has the kids finally showing the elderly couple to Loretta. She, completely horrified, states that  those are not her parents . The pair posing as Pop Pop and Nana are escaped psychiatric institution patients who murdered their grandparents and took their places.

The kids survive, skiver their captors, and are found working and well by their mom and the police. Becca kills Nana with a shard from the mirror, thus symbolically overcoming her fear of her reflection. Tyler kills Pop Pop by repeatedly slamming him in the throne with a refrigerator door without overcoming his germaphobia and uneasiness well-nigh freezing.

The Sense Of Dread

The elements of horror in this movie are just  perfectly executed . First of all, the mucosa is shot as a documentary. Becca is an aspiring filmmaker who records the unshortened trip with her camera. From time to time, we see an interview of all the characters, which just serves as the perfect vessel for characterization.

No Ghouls or Cults

Another thing that evokes dread is  realism . There are no supernatural beings or demonic forces. It’s just two kids vacated in a remote farmstead with two creepy, deranged people. Plane in the end, when Loretta finds out what’s happening, it takes her hours to get there with the police. The scariest part is that it’s not that nonflexible to imagine something withal those lines really happening.

The  house itself is dread-inducing . The place is old and rustic. Like in The Black Phone soundproofing a room  could have prevented kids from hearing Nana rummaging virtually the house without a well-spoken idea of what was happening, but this was not the case, as the old couple weren’t that capable.

The  characters  themselves  are perfectly played . Something is unnerving well-nigh Pop Pop and Nana from the very first scene. It’s the Uncanny Valley scenario where you finger that something’s off and shakes you to the core, but you have no idea what it is.

Separation, Remorse, and Personal Fears

What this movie does the weightier is explore the  ugly side of separation, old grudges, and remorse . The main reason why kids are insistent on visiting their grandparents is out of their desire to help their mom.

They see she’s remorseful for never  working things out with her parents . In light of her failed marriage and the topic that caused it to end, she might live with the doubt that her parents were right all along. This makes her visualization and wrangling with her parents plane worse. Reconciling when you know you were wrong is harder than forgiving the person who wronged you.

The Kids’ Perspective

There are personal fears and  traumas of the kids . Tyler, in his unwise naivete, is convinced that his father left considering he was disappointed in him as a son. Tyler tells Becca that he froze during one game he played, which disappointed his dad so much that he had to leave. While this sounds ridiculous to any sultana (and plane Becca), it’s a matter of fact to Tyler. As a result of this trauma, Tyler moreover ripened germaphobia. In Becca’s own words, this gives him a greater sense of control.

On the other hand,  Becca refuses to squint at herself in the mirror  or stand in front of the camera if she can help it. Both kids  had to overcome their fears to survive , which is a solid and well-spoken metaphor for how these things sometimes turn out in real life.

Frequently Asked Questions Answered

The visit: what’s wrong with the grandparents who are the grandparents.

The people who hosted Becca and Tyler were runaway psychiatric hospital patients who murdered the real grandparents and took their place. Nana’s impostor (Claire) was unquestionably responsible for murdering her children by drowning them in a well. Pop Pop’s impostor (Mitchell) wanted to requite Claire a second endangerment at having kids / stuff a grandparent.

How did the imposter grandparents know well-nigh the kids’ visit?

It appears Claire and Mitchell hear the real Nana and Pop Pop brag well-nigh their grandkids’ visit. They moreover learned that neither the grandparents nor the kids had seen each other. The real grandparents towards to have been consulting in the same hospital Claire and Mitchell were stuff treated. The two crazies take this opportunity to unravel out, skiver the real grandparents and go to the station to pick up the children.

The Visit: What is Sinmorfitellia?

Claire and Mitchell believe that Sinmorfitellia is an wayfarer planet, and the creatures from there lurk on Earth. They spit into the waters of wells and ponds all day, which can put people into a deep sleep. They take  sleeping with the fishes  quite literally. Long ago, Claire drowned her children yoyo they would go to Sinmorfitellia.

The Visit: What happened to the real grandparents?

Claire and Mitchel killed Nana and Pop Pop and put them in the basement. This information went unnoticed considering Becca’s laptop’s camera was damaged by Nana, so Loretta could not personize the imposters. Claire and Mitchel were not present every time someone came to visit, so no one suspected foul play except Stacey, who received help from the real grandparents. As a result, she is killed.

What did Claire and Mitchel intend to do?

They plan to go to Sinmorfitellia with Becca and Tyler. They all plan to die on that last night and enter the well, which they believe is their path to the wayfarer planet where they can be happy together. This is perhaps why the grandparents hang Stacey outside the house considering they don’t superintendency well-nigh stuff caught.

The Visit: What’s wrong with Nana?

We don’t know what caused Nana’s mental illness, but she was crazy unbearable to skiver her two children by putting them in suitcases and drowning them in a pond. It appears she suffers from schizophrenia as she has delusions.

The Visit: Wrap Up

From the standpoint of horror, The Visit has it all. An unnerving realistic scenario, real-life trauma, and an undercurrent of fear. Combine this with  some of the weightier vicarial work in the genre  and a documentary-style movie, and you’ve got yourself a real masterpiece.

On the downside, the movie leaves you with a lot of unshut questions like:

• Considering the kids have never seen the grandparents and are going alone, Loretta didn’t ensure her kids knew what her parents looked like?
• How are Claire and Mitchell out and well-nigh so tropical to the hospital without stuff caught?
• Considering they are mentally ill, how did Claire and Mitchell plot such a thorough plan? (e.g. strategically rabble-rousing the camera of the laptop)
• I understand  Suspension Of Disbelief  in horror films, but neither kids waif their cameras despite the terror they go through only so we, the audience, can get the unshortened narrative?

What were your thoughts on the plot and ending of the movie The Visit? Waif your comments below!

The post The Visit Explained (Plot And Ending) appeared first on This is Barry .

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M. Night Shyamalan had his heyday almost 20 years ago. He leapt out of the gate with such confidence he became a champion instantly. And then...something went awry. He became embarrassingly self-serious, his films drowning in pretension and strained allegories. His famous twists felt like a director attempting to re-create the triumph of " The Sixth Sense ," where the twist of the film was so successfully withheld from audiences that people went back to see the film again and again. But now, here comes " The Visit ," a film so purely entertaining that you almost forget how scary it is. With all its terror, "The Visit" is an extremely funny film. 

There are too many horror cliches to even list ("gotcha" scares, dark basements, frightened children, mysterious sounds at night, no cellphone reception), but the main cliche is that it is a "found footage" film, a style already wrung dry. But Shyamalan injects adrenaline into it, as well as a frank admission that, yes, it is a cliche, and yes, it is absurd that one would keep filming in moments of such terror, but he uses the main strength of found footage: we are trapped by the perspective of the person holding the camera. Withhold visual information, lull the audience into safety, then turn the camera, and OH MY GOD WHAT IS THAT? 

"The Visit" starts quietly, with Mom ( Kathryn Hahn ) talking to the camera about running away from home when she was 19: her parents disapproved of her boyfriend. She had two kids with this man who recently left them all for someone new. Mom has a brave demeanor, and funny, too, referring to her kids as "brats" but with mama-bear affection. Her parents cut ties with her, but now they have reached out  from their snowy isolated farm and want to know their grandchildren. Mom packs the two kids off on a train for a visit.

Shyamalan breaks up the found footage with still shots of snowy ranks of trees, blazing sunsets, sunrise falling on a stack of logs. There are gigantic blood-red chapter markers: "TUESDAY MORNING", etc. These choices launch us into the overblown operatic horror style while commenting on it at the same time. It ratchets up the dread.

Becca ( Olivia DeJonge ) and Tyler ( Ed Oxenbould ) want to make a film about their mother's lost childhood home, a place they know well from all of her stories. Becca has done her homework about film-making, and instructs her younger brother about "frames" and "mise-en-scène." Tyler, an appealing gregarious kid, keeps stealing the camera to film the inside of his mouth and his improvised raps. Becca sternly reminds him to focus. 

The kids are happy to meet their grandparents. They are worried about the effect their grandparents' rejection had on their mother (similar to Cole's worry about his mother's unfinished business with her own parent in "The Sixth Sense"). Becca uses a fairy-tale word to explain what she wants their film to do — it will be an "elixir" to bring home to Mom. 

Nana ( Deanna Dunagan ), at first glance, is a Grandma out of a storybook, with a grey bun, an apron, and muffins coming out of the oven every hour. Pop Pop ( Peter McRobbie ) is a taciturn farmer who reminds the kids constantly that he and Nana are "old." 

But almost immediately, things get crazy. What is Pop Pop doing out in the barn all the time? Why does Nana ask Becca to clean the oven, insisting that she crawl all the way in ? What are those weird sounds at night from outside their bedroom door? They have a couple of Skype calls with Mom, and she reassures them their grandparents are "weird" but they're also old, and old people are sometimes cranky, sometimes paranoid. 

As the weirdness intensifies, Becca and Tyler's film evolves from an origin-story documentary to a mystery-solving investigation. They sneak the camera into the barn, underneath the house, they place it on a cabinet in the living room overnight, hoping to get a glimpse of what happens downstairs after they go to bed. What they see is more than they (and we) bargained for.

Dunagan and McRobbie play their roles with a melodramatic relish, entering into the fairy-tale world of the film. And the kids are great, funny and distinct. Tyler informs his sister that he wants to stop swearing so much, and instead will say the names of female pop singers. The joke is one that never gets old. He falls, and screams, "Sarah McLachlan!" When terrified, he whispers to himself, " Katy Perry ... " Tyler, filming his sister, asks her why she never looks in the mirror. "Your sweater is on backwards." As he grills her, he zooms in on her, keeping her face off-center, blurry grey-trunked trees filling most of the screen. The blur is the mystery around them. Cinematographer Maryse Alberti creates the illusion that the film is being made by kids, but also avoids the nauseating hand-held stuff that dogs the found-footage style.

When the twist comes, and you knew it was coming because Shyamalan is the director, it legitimately shocks. Maybe not as much as "The Sixth Sense" twist, but it is damn close. (The audience I saw it with gasped and some people screamed in terror.) There are references to " Halloween ", "Psycho" (Nana in a rocking chair seen from behind), and, of course, " Paranormal Activity "; the kids have seen a lot of movies, understand the tropes and try to recreate them themselves. 

"The Visit" represents Shyamalan cutting loose, lightening up, reveling in the improvisational behavior of the kids, their jokes, their bickering, their closeness. Horror is very close to comedy. Screams of terror often dissolve into hysterical laughter, and he uses that emotional dovetail, its tension and catharsis, in almost every scene. The film is ridiculous  on so many levels, the story playing out like the most monstrous version of Hansel & Gretel imaginable, and in that context, "ridiculous" is the highest possible praise.

Sheila O'Malley

Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program. Read her answers to our Movie Love Questionnaire here .

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Film credits.

The Visit (2015)

Rated PG-13 disturbing thematic material including terror, violence and some nudity, and for brief language

Kathryn Hahn as Mother

Ed Oxenbould as Tyler Jamison

Benjamin Kanes as Dad

Peter McRobbie as Pop-Pop

Olivia DeJonge as Rebecca Jamison

Deanna Dunagan as Nana

• M. Night Shyamalan

Cinematography

• Maryse Alberti
• Luke Franco Ciarrocch

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Film / The Visit

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The Visit is a 2015 horror film from M. Night Shyamalan . Two children staying with their grandparents while their mother is on vacation realize that something is horribly wrong with Nana and Pop Pop when strange things start happening after 9:30 pm.

No relation to the play or video game of the same name.

This movie provides examples of:

• Subverted when she realizes that her children have been staying with strangers and not their real grandparents. She immediately calls the police and sets out to save them, telling them to escape to the neighbors as soon as possible.
• All There in the Script : The credits gives the names of the grandparents as Marja and Fredrick Jamison (the grandparents) and Claire and Mitchel (the imposters).
• Alone with the Psycho : The entire movie is the children stuck in the house with the two deranged "grandparents".
• An Aesop : Don't hold on to anger so much that you can't forgive/reconcile with someone, especially if they're your loved ones. Or they might end up killed and replaced by escaped mental patients before you get the chance.
• Ate His Gun : Becca walks in on the grandfather seemingly about to do this.
• Arbitrary Skepticism : Becca is adamant that there's nothing abnormal about grandma, even when they see her crawling on the floor and scratching the walls like an animal.
• Ax-Crazy : The grandparents, especially the grandma.
• Bittersweet Ending : Tyler and Becca kill "Nana" and "Pop Pop", but are initially traumatized by what they endured and what they had to do , though the final scene shows they largely grew out of the trauma and they seem better than ever. In addition, their real grandparents are dead and Loretta never got a chance to reconcile with them. She urges Tyler and Becca not to hate their father like she hated her parents.
• Brick Joke : Becca scoffs at Tyler's request for him to rap at the end of the documentary, saying no documentary would dare do it. Not only does Tyler himself rap, but another rap song by East Coast Connection is played over the credits.
• Cassandra Truth : Tyler is the only one convinced in the beginning that something is wrong with the grandparents. Both Becca and their mother insist that "they're just old," and Becca doesn't come around until she finds her nana laughing at nothing in a rocking chair.
• Chekhov's Skill : Tyler's interest in football. Midway through the film, he confesses the reason why he thinks his father left: he froze in the middle of an important peewee league football game, allowing the other team to win. In the end, after freezing up when the grandfather assaults him, he takes the old man down after he threatens Becca, first by tackling him into the kitchen drawers, then slamming the fridge door into his head repeatedly.
• Deadpan Snarker : Becca. Becca: ( after Tyler spits a rap for her documentary ) Yes, 'cause that's exactly what an Oscar-winning documentary has over the end credits. A song about misogyny.
• Disappeared Dad : Becca and Tyler's father ran off with another woman prior to the events of the movie. They both have a lot of pent-up anger towards him because of it.
• Evil Old Folks : Something is most definitely wrong with Nana and Pop Pop.
• Excrement Statement : The fake Pop Pop smears Tyler's face with a used adult diaper.
• Fairytale Motifs : From the trailer and the poster, this seems to be something of a Hansel and Gretel tale. And the ultimate explanation for why everything happens is straight out of Little Red Riding Hood .
• Fan Disservice : The grandmother, oh so much. First flashing a pale, wrinkly naked buttcheek at the children as she turns away, then later scratching at a door like an animal while completely in the nude.
• Foreshadowing : The mundane explanations for the figure under the porch and what is in the woodshed predicts the non-supernatural twist at the end of the film.
• Found Footage Films : The kids are recording their trip and this footage seems to make up most of the film. Surprisingly for this genre, the footage is gorgeously shot, with Becca even setting up camera angles that provide full views of rooms — both resulting in longer, steadier takes than this genre is known for.
• Genre Savvy : Both of the kids, Becca for being an aspiring filmmaker and Tyler being... a 13-year-old, are pretty savvy in regards to what to do when dealing with horror-esque situations.
• Harmful to Minors : The protagonists are two kids who end up getting exposed to appalling violence, including finding the bodies of their murdered grandparents, and having to kill the unstable old couple they're staying with themselves.
• Irony : Becca catches all of the crazy on her cameras and still doesn't notice what is going on right in front of her.
• Insane Equals Violent : Nana's sundowning. She claws at walls and tries stabbing children in their sleep. Downplayed with Pop Pop who only gets violent once he's been exposed.
• Kick the Dog : In the climax, as he's getting ready to kill the boy, "Pop Pop" tells him, "You know what? I never liked you."
• Kill and Replace : The real Nana and Pop Pop were replaced by two of their own patients who were jealous of them and their perfect lives.
• Lampshade Hanging : Becca uses cinematography terms often and describes a scene's actual importance to the plot right after it happens.
• Done intentionally at the end of the climax when the mother's favorite song, a sappy classical string piece, blares as the children soaked in blood and crap flee into their mother's arms.
• Never Got to Say Goodbye : Overlaps with Parting-Words Regret . The mom's parents have been killed, and she never got the chance to reconcile with them.
• Offing the Offspring : Claire is revealed to have killed her own children during a schizophrenic episode, and the visit with the "grandchildren" was meant to be a way to make her feel like a mother again.
• Potty Failure : Pop Pop suffers from incontinence and has to excuse himself during the family game night after an embarrassing and very audible bowel movement.
• Precision F-Strike : Tyler lets one out after killing "Pop Pop" (and subsequently working through his greatest fear) .
• Red Herring : The Shed and the well are ominous and creepy, but they're ultimately irrelevant to the actual plot.
• The Reveal : "Nana" and "Pop Pop" are actually escaped mental patients that killed the real grandparents and stole their identities.
• Running Gag : Tyler decides to substitute curse words with the names of female pop stars.

• Deanna Dunagan's performance as Nana really drives this home. The "hide and seek" sequence is a perfect example of how much of a masterful Mood Whiplash the film can be.
• Snow Means Death : It's winter at the house, and the bleak landscape adds to the creepiness.
• Supernatural-Proof Father : Given a Gender Flip . Mom doesn't believe anything's wrong. At first .
• Too Dumb to Live : Stacey, you know these people are the escaped mental patients. You know that the people living at the house you're visiting haven't been seen for days. You're actively confronting said mental patients. Why are you going to follow them behind the house instead of getting help?
• Wham Line : "Those aren't your grandparents."
• "What Do They Fear?" Episode : Becca is afraid of mirrors and Tyler is afraid of germs. Becca irrationally believes her father left because he didn't think she was his pretty girl anymore. Tyler is obsessed with cleanliness as a method of controlling his life. Both of these get used against them, and they manage to conquer both of them .
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The Visit (I) (2015)

• Parents Guide

Certification

• Sex & Nudity (3)
• Violence & Gore (4)
• Profanity (3)
• Alcohol, Drugs & Smoking (1)
• Frightening & Intense Scenes (7)
• Spoilers (6)

Sex & Nudity

• Mild 105 of 169 found this mild Severity? None 26 Mild 105 Moderate 31 Severe 7 We were unable to submit your evaluation. Please try again later.
• An old woman is seen nude scratching the walls, it's ark but thesis light on her so u can see full back nudity. Edit
• After crawling around quickly, an elderly woman turns around to reveal that her dress is ripped and part of her buttock is exposed. Played for laughs. Edit
• Boy raps mildly sexually suggestive lyrics, such as having a girl "in [his] bed", and using the word "hoe". Edit

Violence & Gore

• Moderate 59 of 86 found this moderate Severity? None 4 Mild 16 Moderate 59 Severe 7 We were unable to submit your evaluation. Please try again later.
• Some images of dead bodies are shown towards the end of the film. Edit
• The children, particularly towards the end of the film, are cruelly terrorised. Edit
• A body is seen hanging from afar. Brief. Edit
• It is implied that the the boy has been hit on the head with an object. Brief mild injury detail. Edit
• Mild 51 of 82 found this mild Severity? None 2 Mild 51 Moderate 27 Severe 2 We were unable to submit your evaluation. Please try again later.
• 2 uses of the f-word. Edit
• A middle finger gesture and some uses of "shit" is also present. Edit
• Various uses of "G-damn", "douche", "ass", "shit", "hell", "bitch", "hoe" in dialogue and in rap songs. Edit

Alcohol, Drugs & Smoking

• Mild 45 of 76 found this mild Severity? None 29 Mild 45 Moderate 1 Severe 1 We were unable to submit your evaluation. Please try again later.
• Grandmother smokes a cigarette at one point in the film. Edit

Frightening & Intense Scenes

• Severe 64 of 99 found this severe Severity? None 2 Mild 7 Moderate 26 Severe 64 We were unable to submit your evaluation. Please try again later.
• Grandma crawls around, chasing the kids through the crawl space. She is very fast in this scene, and it contains a couple jump scares. Edit
• Towards the end of the film, a boy who is severely germophobic has a used adult diaper smeared on his face. We don't see the direct act happening but we hear the noise and see the aftermath. Edit
• A psychotic old lady vomits onto a young girl and she cries. Edit
• A girl opens a door to leave the house and sees a corpse hanging from a noose. Edit
• An elderly man is seen putting a rifle in his mouth before pulling it out when he realizes he is being watched. Edit
• An elderly woman asks a young girl to climb inside of an oven to clean it. This happens twice, but nothing comes of it. Edit
• A woman turns into a monster and tries to devour another person alive, until she gets stabbed in the head with the shards from a broken mirror. Edit

The Parents Guide items below may give away important plot points.

• The murder of the real grandparents is implied, and the dead bodies are briefly shown. Edit
• The fake 'Nana' is stabbed with a shard of glass repeatedly, with some brief blood. The act is brief and dark, which lessens the impact. Edit
• The fake 'Pop Pop' is repeatedly tackled shoved, then it is implied that his head is smashed between a fridge and a fridge door. Edit
• 1 use of "f---", pretty hard to hear however. (Any of you bitches wanna f--- with me now?), said by a 13 year old boy, after he kills the main villain. Edit
• Multiple intense scenes where the fake grandparents chase the kids. Some intense jump scares, and a scene where the fake nana runs around the house with a butcher knife. This movie has a very eerie vibe. Edit
• A young girl is going through a basement and briefly sees the corpses of her real grandparents in a dumpster. Edit

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Common sense media reviewers.

Shyamalan's found-footage spooker has teens in peril.

A Lot or a Little?

What you will—and won't—find in this movie.

Teens learn to overcome past fears to deal with cu

The main characters are teens (13 and 15) who try

Dead bodies, one hanged. Elderly man killed in a s

Minor innuendo involving 13-year-old boy who imagi

"F--k" is used once. Other words include

Skype is used as part of the plot. Sony laptop sho

Adults occasionally smoke cigarettes. A boy mimes

Parents need to know that The Visit is a found-footage horror movie from director M. Night Shyamalan. There are plenty of spooky images, sounds, and dialogue, as well as jump scares and a small amount of blood and gore. Viewers see dead bodies (including one killed in a rather shocking way), and two teens, 13…

Positive Messages

Teens learn to overcome past fears to deal with current situations. They sometimes work together but at other times are forced to split up.

Positive Role Models

The main characters are teens (13 and 15) who try their best to survive a bad situation; they're brave, but their situation isn't one anyone would emulate. The adults in the story aren't particularly admirable.

Violence & Scariness

Dead bodies, one hanged. Elderly man killed in a shocking way. Some blood. Spooky images, spooky dialogue, and jump scares. Stabbing with a mirror shard. Teens in jeopardy. Vomiting and poop. A man briefly assaults another man. Rifle briefly shown.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

Minor innuendo involving 13-year-old boy who imagines himself a ladykiller. Nana's naked bottom is shown twice.

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

"F--k" is used once. Other words include "s--t," "ass," "ho," "bitch," "goddamn," "hell," "douche," and possibly "a--hole." Middle finger gesture.

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Products & Purchases

Skype is used as part of the plot. Sony laptop shown. A Yahtzee! game, with references to toy companies Hasbro and Milton Bradley.

Drinking, Drugs & Smoking

Adults occasionally smoke cigarettes. A boy mimes "pot smoking" with his fingers.

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that The Visit is a found-footage horror movie from director M. Night Shyamalan . There are plenty of spooky images, sounds, and dialogue, as well as jump scares and a small amount of blood and gore. Viewers see dead bodies (including one killed in a rather shocking way), and two teens, 13 and 15, are frequently in peril. The 13-year-old boy fancies himself a ladykiller, which leads to some minor innuendo, and the "Nana" character's naked bottom is shown a couple of times. Language includes a use of "f--k," plus "s--t," "bitch," and more, most frequently spoken by the 13-year-old. Adult characters infrequently smoke cigarettes, and there's a very brief, mimed reference to smoking pot. Shyamalan is a filmmaker whom horror hounds love to hate, but this movie could be a comeback that fans will want to see. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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Community Reviews

• Parents say (19)
• Kids say (82)

Based on 19 parent reviews

What's the Story?

Thirteen-year-old Tyler ( Ed Oxenbould ) and 15-year-old Becca (Olivia DeJonge) agree to spend a week with their grandparents while encouraging their mom ( Kathryn Hahn ) to take a vacation with her boyfriend. The kids have never met their grandparents, "Nana" (Deanna Dunagan) and "Pop Pop" (Peter McRobbie), at least partly because when their mother left home 15 years earlier, something terrible apparently happened. At first things seem fine, but then Nana and Pop Pop start behaving strangely. Even if it can all be explained -- Nana gets "sundown" syndrome, and Pop Pop requires adult diapers -- it doesn't quite ease the feeling that something's wrong. Meanwhile, Becca documents their visit on video, hoping to capture something that explains it all.

Is It Any Good?

After several perplexing misfires, writer/director M. Night Shyamalan has scaled back, gone for a lower budget and a lighter tone, and emerged with his most effective movie in over a decade. THE VISIT begins interestingly; the potentially creepy moments can be easily explained away and even laughed off, but the director still manages to create a subtle, creeping dread that steadily builds toward the climax.

Shyamalan uses the found-footage concept with more creativity than most other filmmakers, displaying his usual intriguing grasp of three-dimensional space, as well as empty space. The characters themselves are even aware of certain cinematic theories that could make their "documentary" more interesting. They're refreshingly intelligent and self-aware, and they never blunder stupidly into any situation. If the movie has a drawback, it's that fans will be looking hard for clues to one of Shyamalan's big "twists." As to what it is, or whether there is one, we're not saying.

Talk to Your Kids About ...

Families can talk about The Visit 's violence . How much is shown, and how much is suggested? How did it affect you? What's the impact of media violence on kids?

Tyler considers himself a "ladykiller." Is his dialogue inappropriate for someone his age?

Tyler likes to rap and posts videos of himself. Is he expressing himself, or is he merely seeking fame? What's appealing about fame? Is it OK for kids to start their own online channels?

Movie Details

• In theaters : September 11, 2015
• On DVD or streaming : January 5, 2016
• Cast : Kathryn Hahn , Ed Oxenbould , Olivia DeJonge
• Director : M. Night Shyamalan
• Inclusion Information : Female actors
• Studio : Universal Pictures
• Genre : Horror
• Run time : 94 minutes
• MPAA rating : PG-13
• MPAA explanation : disturbing thematic material including terror, violence and some nudity, and for brief language
• Last updated : April 7, 2024

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Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

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Screen Rant

Indiana jones' most controversial scene was originally in a completely different movie.

Indiana Jones' most polarizing moment sees Indy surviving a nuclear blast in a fridge. But that scene was conceived for a completely different movie.

• The "nuke the fridge" scene in Indiana Jones and the Kingdom of the Crystal Skull was originally written for a different movie but was later included in the Indiana Jones franchise by Steven Spielberg.
• The original script for Back to the Future also featured a similar scene where the main character had to climb inside a fridge to survive a nuclear explosion.
• The fridge scene in Kingdom of the Crystal Skull was highly criticized because it required the audience to suspend their disbelief in a way that previous Indiana Jones films did not, as it involved real scientific principles instead of supernatural elements.

The most controversial moment in the Indiana Jones franchise sees Indy surviving a nuclear explosion in a lead-lined fridge – but that scene was originally conceived for a completely different movie. There are plenty of ludicrous action scenes in Indiana Jones and the Kingdom of the Crystal Skull – from Mutt Williams swinging with CG monkeys to a flying saucer leaving Earth – but the fridge-nuking scene is the most notorious by far. In Indiana Jones and the Dial of Destiny , Indy travels back in time to meet Archimedes, and even that sequence wasn’t criticized as much as Kingdom of the Crystal Skull ’s “nuke the fridge” scene.

While the Indiana Jones franchise will forever be synonymous with the term “nuking the fridge,” this absurd set-piece was initially included in an early draft of a totally different movie’s script. After it was excised from that script, Steven Spielberg held onto it and eventually included it in an Indiana Jones movie decades later. If the fridge nuke had been included in the movie it was intended for, it might have ruined that other movie, but it might have also saved Indiana Jones and the Kingdom of the Crystal Skull from ridicule.

RELATED: How Accurate Indiana Jones 4's Infamous "Nuke The Fridge" Scene Actually Is

Back To The Future Nearly 'Nuked The Fridge' First

A nuked fridge first appeared in the original script for Back to the Future (via /Film ). This draft featured a version of Doc Brown who bootlegged movies, and his time machine was a laser-based device and not a DeLorean car. In the climactic sequence of this script, the time machine was attached to a fridge and taken out to a nuclear bomb testing site in the Nevada desert. The fridge was strapped to the back of a truck and driven out into the blast zone to harness the power of the nuclear explosion. As the truck headed into the blast radius, Marty McFly had to climb inside the fridge.

This isn’t quite the same as the fridge-nuking scene that ended up in Indiana Jones and the Kingdom of the Crystal Skull . The fridge was already on the testing site as part of a fake suburban home when Indy got there. But the most far-fetched part of the scene is the same: the hero climbs inside the fridge in the hope that the lead lining will protect them from the explosion and the ensuing radiation. Since the idea was scrapped from Back to the Future ’s final draft, Spielberg saved it for an Indiana Jones movie.

Why The Fridge Scene Ruined Indiana Jones

The “nuking the fridge” scene from Indiana Jones and the Kingdom of the Crystal Skull has become the most infamous moment in the entire franchise. There had been sequences in the earlier Indiana Jones films that required the audience to suspend their disbelief – from the voodoo rituals in Temple of Doom to the Grail Knight in The Last Crusade – but there was always a supernatural element that allowed the audience to suspend their disbelief. Since fridges and nuclear bombs are both real things with real scientific principles, this scene went beyond the pale.

Source: /Film

This 'Indiana Jones' Scene Was Almost Used In 'Back To The Future'

That wild 'Indiana Jones and the Kingdom of the Crystal Skull' scene didn't come out of thin air.

With Indiana Jones and the Dial of Destiny marking the character's long-awaited return, many fans are returning to his previous screen adventure in anticipation. 2008's Indiana Jones and the Kingdom of the Crystal Skull was directed by Steven Spielberg and was met with lackluster reviews compared to the original trilogy . This was due in no small part to its sci-fi elements which could arguably have worked with a different execution. One element of the film that fans find difficult to defend, however, was its science-defying scene in which Indy ( Harrison Ford ) hides in a fridge to survive the blast of a nuclear bomb. In a scene that inspired the term "Nuking the Fridge" which became synonymous with "Jumping the Shark", the scene sees the bomb send the fridge flying, only for our hero to roll out of it safely. But did you know this scene was very nearly used for a different Spielberg-produced film?! Yes, we almost got a Nuking the Fridge scene in Back to the Future and in another science fiction film after that.

RELATED: Yes, ‘Star Wars’ Almost Started a Real War

'Back to the Future's Original Script Included a Fridge-Nuking Scene

In 1977, a young and inexperienced filmmaker named Robert Zemeckis found his way into the Amblin Productions offices, ignored the receptionist, and entered Steven Spielberg's office without an appointment. As detailed by Spielberg himself in Tom Shone 's book Blockbuster , he respected Zemeckis' determination, and after watching and adoring Zemeckis' short film A Field of Honor , he hired the young filmmaker to direct his first feature. With Spielberg working as Executive Producer for the first time, the Beatlemania comedy I Wanna Hold Your Hand was written by Zemeckis and his old college friend Bob Gale . Universal Pictures allowed Zemeckis to direct under the condition that if he failed, Spielberg would step in to complete the job , but such circumstances never took place, making Zemeckis and Spielberg mutually trusted collaborators from that point onwards.

After collaborating with Spielberg again on 1941 and Used Cars , Zemeckis and Gale (or "the Bobs") developed a time-travel comedy script titled Back to the Future . The original script was similar to the final film we know today except for a few differences in details. Namely, that the time machine was housed in a refrigerator rather than a DeLorean automobile. This meant that any ideas of reaching 88 miles per hour were yet to be conceived. Another detail that would eventually be changed from this original draft was the way in which the time machine would harness enough power to send Marty back to the future at its climax. The script saw the characters break into a nearby army base and detonate an atomic bomb, a reference to the bomb tests of the 1950s during the fear of the Cold War. That's right, the original Back the Future script saw Spielberg "nuking the fridge" over twenty years before he did it in Kingdom of the Crystal Skull !

As Bob Gale told the Collider Podcast in 2020:

“The idea that the DeLorean was nuclear-powered, literally they needed to harness nuclear energy to send the time machine back to the future. Bob and I had seen The Atomic Café documentary, a movie called The Atomic Kid which we pay homage to on the marquee of the town theater in 1955 – one of the most perverse movies ever made… We were obsessed with the idea of ‘Hey wouldn’t it be cool if we could recreate one of these towns and blow it up?’ And you know, hey, okay yeah you’re a writer, you can write anything in the script that you want. So we wrote this elaborate sequence in, and in the original version, the time machine was built into a refrigerator which was a time chamber. And that was where Marty was gonna be when the nuclear blast went off.”

Why Didn't Nuking the Fridge Stay in 'Back to the Future'?

Universal Pictures President Sid Sheinberg greenlit the film providing the Bobs amended the script . Some requests were for the best, such as "Professor Brown" becoming "Doc Brown" and Brown's pet chimp being changed to a dog. Marty was also written as a VHS video pirate, explaining his camcorder in the time machine test scene, but Sheinberg was unwilling to promote piracy, a crime that directly threatened their revenue. Other Sheinberg suggestions, however, were less brilliant. As Gale told the virtual 2020 Back to the Future reunion , "One day we get this memo, and it says, 'I've come up with the perfect title for this movie: Spaceman From Pluto!' And so Bob and I went to Steven, and we said, 'What do we do?' And he turned to his assistant and he said, 'Let's send Sid a memo; Dear Sid, thank you for your most humorous memo of November 14th. We all got a big laugh out of it. Keep 'em coming!' And we knew that Sid would be too embarrassed to admit that he was serious, and we never heard about it again."

After the fridge had been replaced with a DeLorean DMC 12, the Bobs wanted Michael J. Fox for the lead role of Marty McFly, but the actor was unavailable due to his involvement in the sitcom Family Ties . Sheinberg cast Eric Stoltz in the role , who Zemeckis liked but did not think was right for the role of Marty . One major demand Sheinberg made was that the Bobs needed to cut a million dollars worth of costs out of the production script. Gale recalls , "Bob and I looked long and hard at the script and said, ‘What do we cut? How do we save $1 million?’ And the most expensive thing was going on location and building this [nuclear test site] town. And we said well, if we can cut that out – if we can cut going on location and building a town and do something on a location that we already have, namely the backlot, that would save us $1 million easy. Over a weekend we spent time walking around on the backlot going back and forth to our offices, and we came up with the whole clock tower sequence."

How Did Replacing the Nuke Save 'Back to the Future'?

The money saved by scrapping the nuke scenes would later come in handy for re-shoots when a deal was later struck with Family Ties' Gary David Goldberg , and Michael J. Fox became available to replace Stoltz. Although an iconic setting for its 1950s period, the nuclear bomb town did very little to intertwine the film's themes with its plot. Instead, the writers opted to use the already-built Hill Valley Town Square set and incorporate its central clock tower into the action. By establishing the clock tower in 1985 as being unfixed since a lightning strike 30 years prior, Marty and Doc are able to pinpoint the exact moment they need to harness the storm's power. This provides the tense action sequence with a literal ticking clock that looms over the familiar town and brings the idea of time as something you can use to your advantage to the fore.

The imagery of a fridge being blown to safety by a nuclear bomb, however, clearly remained in Spielberg's mind. As Bob Gale said , "Flash forward to Indiana Jones 4 and you’ll see that Steven Spielberg was inspired by the original ending to Back to the Future ." With Indiana Jones returning to the big screen for the first time since nuking the fridge, Oppenheimer 's history of the creation of the atomic bomb soon to hit cinemas, and a joke in The Flash about a world in which Eric Stoltz was never replaced by Michael J. Fox, it seems not even cinema can escape the past, and this moment in movie history specifically!

Biden Targets Wealthy in Pennsylvania Tour With a Hometown Visit

Campaign signs and buttons sit on a desk during a U.S. President Joe Biden campaign training event at the Carpenters and Joiners Local 445 in Scranton, Pennsylvania, U.S., April 16, 2024. REUTERS/Elizabeth Frantz

By Jarrett Renshaw and Steve Holland

SCRANTON, Pennsylvania (Reuters) - U.S. President Joe Biden kicked off a multi-city tour of the battleground state of Pennsylvania on Tuesday with a stop in his hometown of Scranton, where he renewed calls to increase taxes on wealthy Americans and large corporations.

Biden is seeking to boost sagging opinion poll numbers for his handling of the U.S. economy by contrasting his plan to impose higher taxes on Americans making more than $400,000 with his Republican rival Donald Trump's promise to preserve his 2017 slashing of the corporate tax rate.

“No billionaire should pay a lower tax rate than a teacher," Biden told a room full of supporters.

Biden is also pushing for middle-class tax cuts, arguing "trickle-down economics" had failed and "the truth is Donald Trump embodies that failure."

With 19 electoral votes, one of the highest counts among all 50 U.S. states, and voters who swing between backing Democrats and Republicans, Pennsylvania is a top prize in the 2024 presidential election that features a rematch between Biden and Trump.

Biden, who spent part of his childhood in working-class Scranton before his family moved to Delaware, won Pennsylvania in 2020 by less than 1.5%, or roughly 80,000 votes. Trump beat Democrat Hillary Clinton there by fewer than 45,000 votes in 2016. Polls show another close race.

Later in the day, Biden visited his childhood home, the backdrop of many political stump speeches where he talks about the folksy life lessons he learned at the family kitchen table.

Biden will head to Pittsburgh on Wednesday and Philadelphia on Thursday as part of an effort to draw contrasts with Trump on tax and economic policies. Trump was in Eastern Pennsylvania on Saturday for a campaign rally that drew thousands of supporters.

The string of events in a battleground state sets up a stark split screen as Biden hits the campaign trail while Trump spends most of the week in a New York City courtroom for his criminal trial over an alleged hush money scheme.

Biden is grappling with voter concerns about the U.S. economy despite job growth, healthy spending and better-than-expected GDP increases. Voters blame Biden for rising costs on an array of items from groceries to construction supplies, along with high interest rates.

“As Joe Biden visits the Keystone State today, Pennsylvanians are struggling because of Bidenomics. Pennsylvania families are suffering from historic inflation, unaffordable gas prices, and record high housing costs," said Republican National Committee Chairman Michael Whatley.

Jennifer Saunders, who owns a coffee shop along the city's central business strip that was recently renamed Biden Street, said she is concerned about the wealthy not paying their fair share in taxes, but it's not a main priority.

"I am more concerned about the rising costs of supplies and how much I can pass on to consumers," Saunders said.

The latest Reuters/Ipsos poll found that voters trust Trump more than Biden to better manage the economy and jobs by a 39% to 33% margin.

Biden is betting his economic populist message, which includes a new billionaire's tax and closing corporate loopholes, will animate voters in a blue-collar region of Pennsylvania that Democrats dominated before Trump emerged. Scranton sits in Lackawanna County, which is whiter, poorer and less educated, on average, than the rest of the state, the latest U.S. Census figures show.

Biden must stem the defections of white, non-college-educated voters in Pennsylvania and other Rust Belt battleground states like Michigan and Wisconsin if he hopes to stay in the White House, campaign aides have said.

Former President Barack Obama won Lackawanna county by roughly 62% in 2008 and 2012, while Hillary Clinton eked out a victory with 49.8% of the vote. Biden won the county by 53%.

The state's Republican and Democratic primary contests take place on April 23.

Biden faces a loosely organized effort by critics who say he has not done enough to stop the humanitarian crisis in Gaza, where Israel's air and ground campaign has led to the enclave's population facing widespread disease and famine.

Amber Viola, a 38-year-old Scranton resident who runs a popular local political podcast, said she was invited by the Biden campaign to attend the Scranton event but turned it down.

"I don't feel comfortable posing for campaign photos when there are people dying," Viola said.

Voters mounted opposition efforts in Democratic primaries in other battleground states like Michigan, Wisconsin and North Carolina to register their protest. Biden has faced protests at many public events in recent months.

(Reporting by Jarrett Renshaw; editing by Jeff Mason, Richard Chang, Jonathan Oatis and Deepa Babington)

Copyright 2024 Thomson Reuters .

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Transfer Portal Primer: Where Does LSU Football Stand During The Second Window?

The spring portal window is officially open with moves being made behind the scenes. Where do the Tigers stand?

• Author: Zack Nagy

In this story:

The NCAA's Spring Transfer Portal window opened on April 16th and will remain open until April 30th with the LSU Tigers set to be active during the 14-day stretch.

Brian Kelly and Co. were active during the first window in the winter with this program set to put all hands on deck to add defensive linemen over the next two weeks.

Now, the fun begins with LSU looking to both get under the scholarship count while bolstering depth to the defensive line.

The Tigers currently sit with 87 scholarship players on roster and must get to 85 or below by the fall. During the next few weeks, it's clear this program will have roster reconstruction made.

The Transfer Portal Tracker:

The December-January Window

LSU saw 14 players enter the NCAA Transfer Portal following the 2023 season with several coming on offense, but the Tigers are solely focused on adding players on defense this time around.

The Offensive Entries:  Running back Armoni Goodwin (UAB), running back  Logan Diggs (Ole Miss), running back Tre Bradford (North Texas), wide receiver Jalen Brown  (Florida State), tight end Jackson McGohan (Wisconsin), offensive lineman Marlon Martinez (Mississippi State) and offensive lineman Lance Heard (Tennessee).

The Defensive Entries: Defensive tackle Bryce Langston (FAU), defensive tackle Tygee Hill (Oregon State), defensive tackle Fitzgerald West (Louisiana), defensive end Quency Wiggins (Colorado) cornerback Laterrance Welch (Arizona State), cornerback Duce Chestnut (Syracuse) and cornerback Denver Harris (UTSA).

The Additions: Vanderbilt quarterback AJ Swann, Liberty wide receiver CJ Daniels, Mississippi State wide receiver Zavion Thomas, Texas A&M safety Jardin Gilbert, Auburn safety Austin Ausberry and Ohio State cornerback Jyaire Brown.

The Current Window (April 16 - April 30)

LSU lost EDGE Jaxon Howard to the NCAA Transfer Portal with his name officially being entered on Tuesday morning.

Howard, a former four-star recruit and the No. 1 prospect in Minnesota for the 2023 cycle, will depart Baton Rouge after one season with the program.

The coveted recruit played in five games as a freshman and showed flashes in LSU's spring game last year with four tackles and a sack. During his lone season down South, he tallied two tackles and one quarterback hurry in 2023.

Brian Kelly's thoughts on the defensive line moving forward:

“We can move (defensive ends) Bradyn Swinson inside and Paris Shand inside, then Da’Shawn Womack on the edge and (linebacker) Harold Perkins on the edge. You have a different configuration. I think we can be really dynamic with some of the defensive linemen and moving the pieces around. On first and second down, we really have to work hard at getting after the quarterback. But in terms of stopping the run, Jacobian Guillory has been outstanding. In terms of what Bo Davis is looking for, he’s been outstanding and been a stalwart. We have to find that other guy. That’s what we are looking for. We are trying to develop that second guy and have some depth pieces behind them.”

With Howard out, LSU has already brought in one player: Wisconsin DL Gio Paez. The veteran interior defensive lineman is set to come in and provide depth for the program after four years with the Badgers.

LSU is set to lose over a handful of players via the NCAA Transfer Portal over the next few weeks.

The Plan: Defensive Tackle Additions

Brian Kelly stated during spring football that this program will only target defensive linemen via the portal during this window. That means LSU is almost certain they will get redshirt freshman running back Trey Holly back after missing the offseason to this point due to off the field issues.

Many believed it was imperative the Tigers added a running back after only rolling with two scholarship backs during spring football, but now with the intentions of getting back Holly, it puts LSU in better position. Not to mention four-star Top 150 RB Caden Durham arriving in Baton Rouge this summer.

Now, the plan is clear: Attack the portal with force in order to bolster depth to the defensive line, and with one addition made already, the Tigers will look to bring in at least two more this offseason.

The NCAA Spring Transfer Portal Notes:

"Southeastern Conference rules call for athletes who transfer inside the league during the NCAA Spring Transfer Portal Window must sit a year before playing. Texas and Oklahoma will follow the rule this year since they join the conference in the fall.

The spring window runs for 14 days, but after a student-athlete is officially in the portal, there is no rush on making a decision as long as they are properly enrolled at a new institution in time for fall camp. Commitments do not have to be made during the two-week window. Graduate transfers, like Paez, are allowed to enter the portal at any time."

Follow Zack Nagy on Twitter: @znagy20 and LSU Country: @LSUCountry_FN for all coverage surrounding the LSU program.

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The Visit tells the story of a woman returning to her hometown after forty-five years to exact revenge on the man that betrayed her—or, as she puts it, to “buy justice.”

The play opens on a gaggle of unemployed townsmen who sit at a railway station in the fictional Swiss town of Güllen, awaiting the arrival of the famed billionairess Claire Zachanassian . They bemoan the deterioration of their home; Güllen was once a renowned cultural capital but has since fallen into a deep and devastating economic depression. Its impoverished citizens nevertheless hold out hope for their township—hope that Ms. Zachanassian, who was born and raised in Güllen, might endow the town’s restoration. Alfred Ill , Güllen’s “most popular man” and mayor-to-be, is leading a campaign to secure Claire’s donation; he was once her lover, and he expects that he should be able to leverage his relationship to her to get to her millions.

Claire arrives in Güllen several hours earlier than expected, throwing the townspeople into nervous disarray. While she and her entourage get off of the train, the Gülleners scramble to pull together the formal welcome they planned for her, frantically convening the choir and changing into their frock coats and top hats. Ill is the first to welcome the billionairess, bringing the two face-to-face for the first time in forty-five years. Ill showers Claire with compliments, hoping to loosen her purse strings with appeals to her vanity, but this fails. Claire bluntly states that she and Ill are old and fat now, and she proceeds to show him her many prosthetic limbs. She also takes a moment to introduce her Butler, Boby ; her henchmen, Roby and Toby ; her seventh husband, Moby ; and the blind eunuchs Koby and Loby . She explains that she gave her attendants rhyming names to suit her own preferences. Claire’s strange retinue, her disarming directness, and her outlandish luggage—which includes a caged panther and a coffin, among other things—unnerves some Gülleners, particularly the Teacher . Nevertheless, all are hopeful about her visit.

While her luggage is moved to her accommodations at the Golden Apostle Inn, Claire revisits her old trysting haunts with Ill. The two reminisce about their young love affair, which ended when Ill left Claire for the then-wealthier Matilda Blumhard , owner of Güllen’s general store. Claire fell into prostitution after Ill abandoned her, and thus met the wealthy john that became her first husband (the oil magnate Zachassian).

Following their walk in the woods, Claire and Ill return to the Golden Apostle, where a banquet is being held in Claire’s honor. The Mayor makes a speech lionizing the billionairess in an obvious grab for money. Claire is unmoved by the insincere speech, but she nevertheless pledges one billion dollars to the town. She has only one condition: that someone kill Alfred Ill. This, of course, catches Ill off guard—until this point, he thought that he had the billionairess eating out the palm of his hand. Furious, he dismisses Claire, but her Butler steps forward to explain. Forty-five years ago, before he was in Claire’s service, the Butler was Güllen’s Chief Justice and he heard a paternity case that a young Claire had brought against Ill. Ill falsely denied that he was the father of Claire’s child, and he bribed two witnesses to corroborate his claim, thus losing Claire the trial and causing her exile from Güllen and her lapse into prostitution. The perjuring witnesses were none other than Koby and Loby, whom Claire tracked down years later and had blinded and castrated. Her campaign of revenge continues now in Güllen with Ill as her target: she only wants “justice,” she says, and now she can afford it. Claire’s murderous proposal takes the Gülleners aback. Citing the town’s commitment to a rich humanistic tradition that values human life over capital, the Mayor emphatically rejects Claire’s offer on behalf of his constituents. Claire simply replies that she will wait for them to change their minds.

In the days following the dramatic banquet, Ill sees Claire’s henchmen regularly changing the wreaths on the empty coffin Claire brought with her to Güllen, presumably for Ill. He also sees an increase in business at the general store he manages; his customers have started buying previously unattainable luxury items on credit. When Ill notices his customers all wearing the same new and expensive yellow shoes , he begins to suspect his neighbors of considering Claire’s proposal—of buying goods in advance of her billion dollar donation (a prerequisite for which is Ill’s death).

A paranoid Ill visits Güllen’s authorities one by one—the Policeman, the Mayor, the Priest—seeking protection, but he finds that they too have begun to live above their means. Though the Gülleners insist that they will not consider Claire’s offer, their increase in spending indicates that they do anticipate Claire’s donation (and, by extension, Ill’s death). Understanding this, Ill attempts to flee town on the train, but he is intimidated into staying by the mob of townspeople that crowd around him at the station. Meanwhile, Claire observes the town from her balcony at the Golden Apostle as a mob of Gülleners hunt down her escaped black panther .

At the start of the play’s final act, Claire has just married her eighth husband, but is already preparing for divorce. In the midst of managing her marital business, she is visited by the Doctor and Teacher. They inform her that the townspeople have drawn up exorbitant debts, and that the town needs her help more than ever, but that no one is willing to kill Ill. They propose an alternative to Claire’s offer, suggesting that Claire invest in Güllen’s industry, which would not only reintroduce paying jobs in town, but would also produce returns for Claire. Much to their consternation, Claire reveals that she already owns the town’s industry. She intentionally ran it into the ground to cause Güllen’s financial collapse and lay the groundwork for her revenge on Ill.

Meanwhile at the general store, Ill’s wife’s customers have taken to openly denigrating Ill and sympathizing with Claire, marking a major shift in public opinion since the Gülleners defended Ill and rejected the billionairess’ offer. When journalists enter the shop asking questions about Claire and Ill’s relationship, the townspeople offer platitudes about young love and nostalgia, but keep mum on the issue of Claire’s ultimatum. The Teacher, drunk and full of guilt, almost breaks the silence, but is kept in check by his fellow citizens until the journalists leave.

After days of keeping to himself above his shop, Ill suddenly reappears. He seeks out the Teacher who, still drunk, admits that the town cannot resist the temptation of Claire’s money. When the Mayor stops by the shop to advertise a public meeting about Claire’s offer, Ill promises to defer to the town’s verdict. The Mayor indirectly advises Ill to kill himself (and save someone else the trouble), but Ill refuses, demanding that the people of Güllen take responsibility for their choices and kill him themselves.

Faced with what seems to be an inevitable early death, Ill spends his last few hours driving with his family and reconciling with Claire in the woods. Claire admits that she never stopped loving Ill, but that years of bitter resentment turned her love into something evil. When Ill is dead, Claire says, she will finally possess him as she’d always wanted to. The couple parts, and Ill heads to his “trial.” The public meeting is well attended by the townspeople and by journalists reporting on Claire’s visit. The Mayor, who moderates the meeting, takes pains not to alert the press to Claire’s deadly ultimatum; he leads Güllen in a vote “to make justice a reality.” The townspeople unanimously vote to accept Claire’s money, and thus sentence Ill to death without saying so. They murder Ill while the journalists are at dinner and inform the press that Ill died from joy when Claire’s endowment was accepted. Later, Claire collects the body and delivers a check to the Mayor. As she leaves Güllen with her former lover’s body, the citizens of Güllen revel in their newfound prosperity.

Stabbing that injured bishop at Sydney church being treated as terrorism

The stabbing of a bishop by a 16-year-old boy during a livestreamed service Monday in Sydney is being treated as an act of terrorism, authorities said.

Police arrested the boy Tuesday after the attack at Christ the Good Shepherd Church. Authorities had said the boy was 15. New South Wales Police Commissioner Karen Webb said the suspect’s comments pointed to a religious motive for the attack.

Bishop Mar Mari Emmanuel was stabbed during a livestreamed sermon, and another priest was injured. Both are expected to survive.

The New South Wales Police Force said earlier in an update on X that it responded to a call from a church in Wakekly, a suburb west of Sydney, at 7:10 p.m. local time (5:39 a.m. ET) Monday, where there were reports that "a number of people were stabbed."

Hundreds of angry people rushed to the scene, and some clashed with riot police, with vehicles damaged. The church and local leaders pleaded for calm.

Acting Assistant Police Commissioner Andrew Holland commended the congregation for subduing the teen before calling police. Asked whether the teen’s fingers had been severed, he said the hand injuries were “severe.”

More than 100 police reinforcements arrived before the teen was taken from the church in the hourslong incident. Several police vehicles were damaged, Holland said.

“A number of houses have been damaged. They’ve broken into a number of houses to gain weapons to throw at the police. They’ve thrown weapons and items at the church itself. There were obviously people who wanted to get access to the young person who caused the injuries to the clergy people,” he said.

Emmanuel and priest Isaac Royel, as well as the teen and at least two police officers, were hospitalized, Holland told journalists.

A video shared widely on social media appears to show a priest being stabbed repeatedly, while delivering a sermon, by a man in a black T-shirt who is then tackled by members of the congregation. The church routinely livestreams its services and events.

Holland commended the congregation for subduing the teen before calling police. When asked if the teen’s fingers had been severed, he said the hand injuries were “severe.”

A subsequent video taken by a churchgoer showed people helping the bishop as he lay on the floor.

Police said the incident took place on Welcome Street, where Christ the Good Shepherd Church, which follows Assyrian Orthodox Christianity, is located. The church advertised an "Assyrian Bible Preaching" event Monday night with Emmanuel .

The church said the bishop and a senior priest were in stable condition at a hospital and asked for people’s prayers. “It is the bishop’s and father’s wishes that you also pray for the perpetrator,” the church said in a statement on social media “We also kindly ask anyone at the church premises to leave in peace.”

The NSW Ambulance service said that it treated a man in his 50s for multiple cuts and that three other people were treated for one or more cuts.

None of the injuries were life-threatening, police said, and the victims were being treated by paramedics. A male was arrested and was “assisting police with inquiries,” the New South Wales police statement noted earlier.

The premier of New South Wales, Chris Minns, described the scenes as “disturbing” on social media and urged the community to remain calm and “stick together.” Religious leaders expressed shock and condolences.

Fairfield Mayor Frank Carbone, leader of the neighboring municipal government, described the bishop as a community leader. “This is a very emotional situation. Obviously the community is very upset,” Carbone told Sky News.

It comes after Saturday's attack at the Westfield Bondi shopping mall in Sydney, which killed six people and injured nine.

Police said earlier Monday that they were examining why the lone assailant in that attack had targeted women while avoiding men, and the killer’s father blamed his son’s frustration at not having a girlfriend.

Patrick Smith is a London-based editor and reporter for NBC News Digital.

Bianca Britton is a reporter for NBC News' Social Newsgathering team based in London.

The Associated Press

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Title: tri-modal confluence with temporal dynamics for scene graph generation in operating rooms.

Abstract: A comprehensive understanding of surgical scenes allows for monitoring of the surgical process, reducing the occurrence of accidents and enhancing efficiency for medical professionals. Semantic modeling within operating rooms, as a scene graph generation (SGG) task, is challenging since it involves consecutive recognition of subtle surgical actions over prolonged periods. To address this challenge, we propose a Tri-modal (i.e., images, point clouds, and language) confluence with Temporal dynamics framework, termed TriTemp-OR. Diverging from previous approaches that integrated temporal information via memory graphs, our method embraces two advantages: 1) we directly exploit bi-modal temporal information from the video streaming for hierarchical feature interaction, and 2) the prior knowledge from Large Language Models (LLMs) is embedded to alleviate the class-imbalance problem in the operating theatre. Specifically, our model performs temporal interactions across 2D frames and 3D point clouds, including a scale-adaptive multi-view temporal interaction (ViewTemp) and a geometric-temporal point aggregation (PointTemp). Furthermore, we transfer knowledge from the biomedical LLM, LLaVA-Med, to deepen the comprehension of intraoperative relations. The proposed TriTemp-OR enables the aggregation of tri-modal features through relation-aware unification to predict relations so as to generate scene graphs. Experimental results on the 4D-OR benchmark demonstrate the superior performance of our model for long-term OR streaming.

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