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Journey To Italy (1954)

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IFFR 2023 Big Screen Competition

Review: Voyages en Italie

by  Fabien Lemercier

31/01/2023 - Sophie Letourneur delivers a mischievous and light-hearted conjugal comedy about a four-day island break embarked upon by a Parisian couple bored stiff by their routine

"We need to get away, that’s the answer – If we’ve got problems, leaving isn’t going to solve them – We have to make the ordinary extraordinary – No, because the ordinary isn’t extraordinary". For a couple caught up in the routine of married life and sucked dry by the daily grind of parenthood, punctuated by the ever-quickening pace of life in a big, modern town, taking time to breathe and recentre ourselves isn’t always an easy thing, not least because of the different perspectives and expectations involved, not to mention the structurally dissimilar characters which paradoxically cement the longevity of many relationships. Things, in this sense, are simple yet complicated, and it’s this shifting sentimental zone that Sophie Letourneur has decided to explore in her 5th feature film Voyages en Italie   [ + see also: trailer film profile ] , a bittersweet and borderline-slapstick comedy unveiled in the Big Screen competition of the IFFR (which the French filmmaker previously attended with Chicks – Life At the Ranch   [ + see also: trailer film profile ] in 2010 and Enormous   [ + see also: film review trailer film profile ] in 2020).

Young forty-somethings Sophie (played by the director herself) and Jean-Philippe ( Philippe Katerine ) are at the hot-cocoa-in-bed stage of their lives, where fatigue has pretty much obliterated any trace of sexual activity. Sophie knows something needs to be done, and she toils, despite her spouse’s reluctance, to find a destination for four days of escape far away from Paris and from their young son Raoul. She tries to avoid Italy where Jean-Phi has sojourned countless times with his exes, but needs must, and Sicily and the Aeolian Islands win out. Thus, we find our duo touching down in Catalonia, travel guide in hand.

A travel story offering a nod to Roberto Rossellini ’s famous Journey to Italy  (1954), the film weaves together an ensemble of trivial things, a succession of snapshots of run-of- the-mill couples tourism (the quality of the hotel, renting a car, where to park it, sharing "cannolis" and "granita di limone" on a bench, strolling through streets, visiting the Agrigento Valley of the Temples and the beach set against the towering white cliffs forming part of the Scala dei Turchi, gabbling Italian on terraces, complaining about mosquitos and the heat, renting a scooter, catching a ferry to Vulcano, setting off on walks, swimming, etc.), all while the grandparents babysit in Paris, just a phone call away, lending an ear to quiet concerns.

The landscape might be different, but our two protagonists nonetheless struggle to let go, stymied by their rarely synchronised personalities which the film plays on with plenty of affectionate humour and repeated irony. Because, ultimately, this escapade intended at taking stock turns out to reveal a deep, complicit love which goes far beyond surface antagonisms. It’s on this basis (according to the filmmaker) that their shared memories and scenarios of life as a couple play out, like a collection of little pebbles which don’t seem like much at the time, but which gain in splendour once roughened by time.

A seemingly improvised and artisanal fiction film about real life, Voyages en Italie is full of charm as it follows in the wake of its two endearing actors, across picture-postcard landscapes illuminated by Jonathan Ricquebourg . Light-hearted, though ever so slightly tinged with melancholy, the movie distils the elusive scent of a brief, existential detour under the Mediterranean sun.

The film is produced by Tourne Films (who are also managing international sales) in co-production with Arte France Cinéma .

(Translated from French)

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more about: Voyages en Italie

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Interview: Sophie Letourneur – Voyages en Italie

Obviously it was always going to be Italy. Not Spain. Misadventures that take place in real life are matched by the very creative adventures that take place in our minds (or from the comfort of our beds) in Voyages en Italie — the fifth feature by French filmmaker Sophie Letourneur . A dramedy that follows a straight line until it doesn’t, Letourneur is a filmmaker who is marching to the beat of her own drum and in this specific case rethinks the narrative and the notion of memory. Employing situational humor and chatty banter, if this film feels scrappy — it’s a deliberate, pre-planned, very precise set-up.

Featuring Letourneur and Philippe Katerine, this began its film festival life in Rotterdam and is still touring the film festival circuit. I had the chance to speak to Sophie at the 2023 Festival du nouveau cinéma in Montreal – in the lengthy sit-down we learned that this is part of a very much planned trilogy , and got to get into her creative process, the film’s aesthetic look and naturally discuss how it was influenced by Roberto Rossellini’s Journey to Italy .

Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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Voyage to Italy (aka Journey To Italy)

Details: 1953, Rest of the world, Cert PG

Direction: Roberto Rossellini

Summary: Post-scandal tale of an English couple on holiday, starring George Sanders and Ingrid Bergman, with director Rossellini at his most lush and seductive.

With: Ingrid Bergman

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Voyages en Italie

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Une escapade romantique peut-elle raviver la flamme dans un couple ? Elle a réussi à le convaincre de partir quelques jours sans enfants. Ce sera où il a envie, sauf en Italie. Il y est déjà allé avec toutes ses ex... L'Espagne ? Les sentiers de l'Aubrac ? Ce sera finalement la Sicile – car selon lui, c'est pas tout à fait l'Italie.

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Voyages en italie.

2023 Directed by Sophie Letourneur

A French couple burnt out by the routine of their daily family life decides after much hesitation to travel to Sicily for a short holiday. Voyages en Italie depicts the neuroses and eccentricities of Jean-Philippe and Sophie, the gracious dynamics of their relationship and the depth of their affection and intimacy.

Sophie Letourneur Philippe Katerine Guillemette Coutellier Mahault Mollaret Philippe Letourneur François Labarthe Jonathan Ricquebourg Charlotte Comte Arnaud Delord Marion Delord Joseph Delord

Director Director

Sophie Letourneur

Producers Producers

Camille Gentet Olivier Père

Writers Writers

Sophie Letourneur Laetitia Goffi

Casting Casting

Sophie Letourneur Philippe Katerine

Editors Editors

Thomas Glaser Sophie Letourneur Laetitia Goffi

Cinematography Cinematography

Jonathan Ricquebourg

Sound Sound

Charlotte Comte Michel Klochendler Vincent Milner Carole Verner Dominique Gaborieau

Ecce Films Tourne Films ARTE France Cinéma Météore Films

Alternative Title

Romance Comedy

Releases by Date

25 jan 2023, 29 oct 2023, 29 mar 2023, 24 aug 2023, 03 oct 2023, releases by country.

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Popular reviews

Review by lenapastori ★★★★½ 1

festival travelling #3 plus j’y repense plus je me dis que j’ai aimé c’est tellement intime, le voyage en amoureux en italie et tout ce qu’il représente socialement, il doit être parfait mais il est un peu raté, la rapport à la honte , au pathétique voir même au moche (thèmes qui m’intéressent de ouff en ce moment dans le cinéma) les différentes textures d’image et notamment le choix de la pellicule pour la scène d’amour (sublime) les corps exposés sans désir, les longs moments d’attente et d’hésitation des activités, ce qui ne se passe pas comme prévu, philippe qui hésite en italien, est-ce qu’on prend deux scooters où est-ce que c’est mieux de s’accrocher à l’autre. et puis le debrief…

Review by Aline ★★★½ 3

voir au cinéma des VRAIES scènes du quotidien où on chasse les moustiques en pleine nuit avec un oreiller; où on se dispute par mauvaise foi, flemme et nonchalance; où finalement le resto où on avait prévu d'aller est fermé

Review by Affreux Jojo ★★★ 1

C’est un voyage mais en fait c’est un vieux couple mais en fait c’est de la grosse libido. Sinon j’ai eu mon BeReal avec Philippe Kaka je suis conteng.

Review by Neil ★½

TW : zizi de Philippe Katerine

Review by RoiElric ★★★★

Premier Letourneur que je regarde et j'ai aimé Bégaudeau va me trouver original j'espère 👉👈

Review by blurvial ★★★★

Mettre en scène ce qui ne se met pas en scène. Ne garder que les creux. Filmer l’ordinaire comme si c’était de l’extraordinaire et par là faire ressortir tout le comique du banal. Le plus beau foulement de cheville du cinéma. Il faut voir ce film.

Review by laterrebleue ★★★★

Philippe Katerine en italien ça vaut 10. Askip c’est du mignonisme.

Review by Val ★★★★

C'est si intimiste et si vrai. C'est doux de voir des vrais scènes du quotidien, imparfaites. Pleins de sujets de réflexions nous sont lancés, subtilement, de sorte que l'on continue à y penser. J'ai envie de retourner en Italie.

Review by Jim Basse-Bourdieu ★★

Je comprends la démarche, elle est intéressante.

Mais sa mère c'est chiant.

Review by cremefouettey

Des bobos parisiens chiants qui font un voyage chiant en Italie

Review by athil ★

watch out for the recurring dick jumpscares

Review by SaintPauly ★★½ 3

Like watching stand-up in an airport bar, you alternate chuckles and checking your watch.

Voyages en Italie takes a magnifying glass to the banal in order to find the funny in the mundane. We follow an average couple on vacation in Italy and laugh at the familiarity of the neurotic man and his complaining wife as they try to decide if they should rent one or two scooters, where they should eat dinner, and if they're on the right boat to visit the volcano.

There are some genuine moments of joy in the film, but sadly the insistence on the common place drags down a film that's meant to be light.

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Voyage en Italie Viaggio in Italia

Avec Ingrid Bergman, George Sanders, Maria Mauban.

En voyage à Naples, entre musées et visites archéologiques, un couple se délite progressivement, avant de se retrouver.

Dans les rues de Naples, la renaissance d'un amour à son crépuscule, écrite au jour le jour par Rossellini. Drame intime sur l'incommunicabilité et la force de l'attachement, Voyage en Italie raconte le flot d'une vie conjugale, rythmée par l'ennui et le manque de désir. De malentendus en doutes constants, l'absurdité des blessures morales contamine la relation de couple entre Katherine et Alexander, qui se fuient mais continuent à s'aimer. Une œuvre quasiment autobiographique, citée par Rivette et Truffaut comme l'exemple du « film moderne ».

Un couple d'Anglais se rend dans les environs de Naples pour régler un héritage familial. « A business trip », explique-t-il à des amis. « But a pleasure trip too », s'empresse-t-elle d'ajouter. Ce séjour, plongée intime dans leurs tourments conjugaux, ne sera ni l'un ni l'autre. Du roman Duo de Colette (1934), Rossellini ne garde que les conflits d'un couple : « Un grand nombre de mariages sont de véritables sociétés. L'épouse se charge des relations publiques, le mari des opérations économiques. En dehors de leurs devoirs quotidiens, ils ne savent pas quoi se dire », déclare le réalisateur. Il ajoute un troisième personnage, la culture et les paysages italiens, compose le film au jour le jour et intensifie les sentiments de solitude et de désarroi des deux acteurs principaux sur le tournage. Ingrid Bergman, enfermée dans son corps raide, et George Sanders, prisonnier de son cynisme britannique, semblent incapables de s'abandonner à la sensualité et à la lumière du sud. Les deux étrangers se confrontent à un monde fait pour les vivants mais aussi pour les disparus, où les statues, la terre fumante du Vésuve et les amants ensevelis de Pompéi semblent avoir leur propre vitalité. Le traitement documentaire des lieux, le relatif détachement de Rossellini, son refus du sentimentalisme, nous font épouser les mouvements secrets de leurs pensées – de la tentative d'un flirt à l'amertume, de la lâcheté à l'espoir –, avant qu'ils réalisent n'avoir jamais cherché à comprendre l'autre.

Florence Tissot

Séances passées

Roberto Rossellini / Italie-France / 1953 / 97 min / DCP / VOSTF

Roberto Rossellini / Italie-France / 1953 / 88 min / DCP / VOSTF

Roberto Rossellini / Italie-France / 1953 / 88 min

Roberto Rossellini / Italie / 1953 / 15 min

Gert Engström / Suède / 1953 / 5 min

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Voyages en Italie

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Voyages en Italie (2023)

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A French couple burnt out by the routine of their daily family life decides after much hesitation to travel to Sicily for a short holiday. Voyages en Italie depicts the neuroses and eccentricities of Jean-Philippe and Sophie, the gracious dynamics of their relationship and the depth of their affection and intimacy.

Sophie Letourneur

Director, Screenplay

Laetitia Goffi

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Philippe Katerine

Guillemette Coutellier

Mahault Mollaret

La blonde de la place Gambetta

Philippe Letourneur

Le frère en Bretagne

François Labarthe

Mec en short en bas du volcan

Jonathan Ricquebourg

Charlotte Comte

La serveuse française

Arnaud Delord

Le copain Arnaud

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Original Language French

Budget $1,297,000.00

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Voyages En Italie

Film 2023 | Commedia 91 min. Dettagli 

Regia di Sophie Letourneur . Un film con Philippe Katerine , Sophie Letourneur . Genere Commedia - Francia , 2023 , durata 91 minuti.

Ultimo aggiornamento sabato 28 gennaio 2023

Una coppia francese si prende una vacanza dalla quotidianità e arriva in Italia.

Una coppia francese, stremata dalla routine della vita familiare quotidiana, decide dopo molte esitazioni di recarsi in Sicilia per una breve vacanza. Il film descrive le nevrosi e le eccentricità di Jean-Philippe e Sophie, le graziose dinamiche della loro relazione e la profondità del loro affetto e intimità.

Non solo Icaro è caduto ma anche io non mi sento molto bene, potrebbe dire Woody Allen. Una vena alleniana che troviamo, sottile, nell'ultimo film di Sophie Letourneur Voyages en Italie, presentato in concorso al 22 Festival Internacional de Cine de Las Palmas de Gran Canaria, dopo l'anteprima a Rotterdam. Jean-Philippe e Sophie, la coppia protagonista, sono davanti alla statua dell'Icaro caduto dello [...] Vai alla recensione »

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Voyages en Italie

A couple takes a trip to Sicily to reignite their romance. A couple takes a trip to Sicily to reignite their romance. A couple takes a trip to Sicily to reignite their romance.

• Sophie Letourneur
• Laetitia Goffi
• Philippe Katerine
• 1 User review
• 2 Critic reviews
• 3 nominations

• Jean-Philippe

• All cast & crew
• Production, box office & more at IMDbPro

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User reviews 1

• anxiousgayhorseonketamine
• Aug 29, 2023
• How long is Voyages en Italie? Powered by Alexa
• March 23, 2023 (France)
• Viajes a Italia
• Tourne Films
• Arte France Cinéma
• See more company credits at IMDbPro

Technical specs

• Runtime 1 hour 31 minutes

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IFFR 2025 30 Jan – 9 Feb 2025

Voyages en italie.

Sophie Letourneur

Big Screen Competition

A French couple burnt out by the routine of their daily family life decides after much hesitation to travel to Sicily for a short holiday. Voyages en Italie depicts the neuroses and eccentricities of Jean-Philippe and Sophie, the gracious dynamics of their relationship and the depth of their affection and intimacy.

With brilliant dialogue, breathtaking authenticity and masterful performances by music star Philippe Katerine and filmmaker Sophie Letourneur herself, the film is an endless parade of delightful moments, mood switches, hilarious situations and romantic arguments. Grabbing you from the very beginning, Voyages en Italie amusingly conveys how the mere choice of a holiday destination exponentially increases the stress that this duo is desperately trying to alleviate, while also managing to capture the extraordinary in the ordinary, walking with a steady rhythm the tightrope of expectation and disillusionment.

The film’s three-part structure takes us from the preparations for the journey to its reflective aftermath – while cleverly dissecting the clichés about transformative tourist trips. A self-conscious rewriting for contemporary times of Roberto Rossellini’s Voyage to Italy (1954), Letourneur’s return to IFFR ( La vie au Ranch , IFFR 2010; Énorme , IFFR 2020) comes as a rendition of a zany romantic comedy that has the right mixture of freshness, humour and intelligence.

– Cristina Álvarez López

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