yung lean tour stardust

YUNG LEAN - STARDUST Tour

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By Nadine Smith

World Affairs

April 20, 2022

Since the release of his breakout single “ Ginseng Strip 2002 ” almost a decade ago, Swedish artist Yung Lean has fought to be treated as more than a gimmick. Though the song’s dreamy instrumentals signaled that it wasn’t just comedy rap, Lean was unquestionably imitating his favorite American rappers, dropping profane bars about sex acts and drug trips swaddled in an ironic vaporwave aesthetic. But as much as the record seemed tongue-in-cheek, there was always an obscured sincerity at the core, perhaps exemplified by Lean’s stage moniker: On the one hand, “Yung Lean” is something of a joke about carbon-copy rap names, but it’s also a legitimate play on his government name, Jonathan Leandoer.

Stardust is the next step in Lean’s shedding the mantle of wannabe rapper and fully embracing a more comfortable role as a pop experimentalist. After blowing up stateside, his early work suggested an attempt at a more mainstream rap career. He scored a feature from Travis Scott and a cameo on a Gucci Mane mixtape, but his flow and voice were still developing, and his attempts at straight-up rap felt awkward and out of place. Like many who experience sudden onset virality, he had to learn how to be a musician, working out his creative and personal growing pains in the public eye. Fame in America came with easy access to drugs, and Lean’s early success was marked by a series of tragedies , including the death of his manager, Hippos in Tanks founder Barron Machat. Lean opens up about his time in rehab and inpatient facilities in the documentary Yung Lean: In My Head , and it’s evident that he’s worked to find the clarity and strength now mirrored in his music. On Stardust , he exudes newfound confidence, but he’s also learned to make the flawed vulnerability of his voice work in his favor.

Lean’s voice has often been unfairly described as inaccessible or grating. But the very dissonance of his delivery and persona explains his appeal: the emotionality of the sad boy aesthetic juxtaposed against material flexes, a frequently imperfect voice over ornate and beautiful beats. On the outright ballad “Waterfall,” he stretches into a yearning falsetto, while on “Lips,” his voice withdraws into a more intimate mumble. His direct rapping now has a considerably more developed sense of cadence, like on “Nobody else,” where he flips effortlessly between a vocal-fried sing-song delivery and a more clipped flow. Set against the glistening voices of his Drain Gang associates Bladee and Ecco2k on “SummerTime Blood,” Lean’s tone is rougher and more down to earth, whereas his collaborators tilt toward the angelic. On “Starz2TheRainbow,” featuring Thaiboy Digital , several layers of overdubs circle and collide with one another, transforming Lean into an erratic choir.

Though promoted somewhat modestly as a mixtape, Stardust contains the most high-profile collaborations of Lean’s career. Alongside FKA twigs on album opener “Bliss,” Lean approaches post-punk, channeling New Order with guitar tones and a drum machine. Lean is a hopeless romantic, but twigs gives the song an outright sensuality, making it less a feature and more a duet where the two artists circle each other in a heated frenzy. On “Lips,” Skrillex lays down a smooth instrumental somewhere between UK speed garage and jazzy lounge piano, a leftfield sound for the EDM monolith and Yung Lean alike. The palette Skrillex employs on “SummerTime Blood” recalls “Where Are Ü Now,” but Yung Lean’s voice could not be more different from the spick-and-span choirboy vocals of Justin Bieber . If you took a time machine back to 2013 and told a music writer that the face of brostep and that weird Swedish kid who raps about AriZona Iced Tea would work together, they’d probably laugh you back to the future. In 2022, the union sounds natural.

The appearance of Salem ’s Jack Donoghue on “All the things” is less surprising. Witch house influenced and ran parallel with American cloud rap from groups like Raider Klan, TeamSESH, and Green Ova, who laid the groundwork for the sound of Yung Lean’s Sad Boys production collective. A woozy trap ballad that turns into a stomping rave banger midway through, “All the things” retrofits the chorus from “All the Things She Said,” the signature hit from queerbaiting Russian duo t.A.T.u. The infamous trance-pop duo is, in many ways, a symbol of the kind of career Yung Lean could have had: an imported one-hit wonder mainly remembered for their lost-in-translation take on American pop. The t.A.T.u. reference almost knowingly places Lean in a lineage of global pop, but his work stands apart as a genuine melange of international influences that’s found an organic audience across borders rather than a blatantly commercial product.

Every musician is inevitably shaped by their origins, but Lean’s music has never been regionally specific, and he’s always performed in English. Stardust acts as a bridge between two worlds, uniting English-language pop stars with a long tradition of Swedish hip-hop known as “Svensk rap,” which conforms much more squarely to traditional rap beats than Lean does and is generally performed in Swedish. “Paradise Lost” features fellow Swedish singer Ant Wan, whose music reflects his mixed heritage as a Swede of Assyrian descent, blending reggaeton, Afrobeats, drill, and R&B with a bilingual flow. That Lean’s music is distinctly Swedish yet more popular than ever indicates pop’s global turn; Ant Wan’s sound isn’t too far off from a multilingual icon like Bad Bunny .

Though Lean first gained exposure through mimicry, he’s found his own voice, and a clear confidence in it, by abandoning imitation as a form of flattery. Rather than emulating Travis Scott or Drake, he’s found a niche more like that of FKA twigs, a pop provocateur and distinctive visual stylist who glides seamlessly between the mainstream and the esoteric. Memes still contribute to his success, with “Ginseng Strip 2002” recently worming back into the public consciousness as a TikTok phenomenon, but Lean has moved beyond the limits of genre and easy gimmicks. Stardust shows his potential for invention.

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Washington Square News

Review: ‘Stardust’ sees Yung Lean strip rap back to its most guttural

The Swedish rapper’s latest mixtape packs a star-studded slew of features who take turns stabbing away at the triteness of rap’s current formulaity.

Susan Behrends Valenzuela

Yung Lean released his latest mixtape on April 8. The first track,“Bliss,” features FKA twigs. (Staff Illustration by Susan Behrends Valenzuela)

Nicolas Pedrero-Setzer , Arts Editor April 13, 2022

Yung Lean’s newest mixtape, “Stardust,” revives cloud rap by embracing its haziest features: its mumbled murkiness, vaporwave production and shape-shifting sonic grammar. Like a vape’s discarded smoke, “Stardust” soars in its strange configuration before fizzling out into nothingness, leaving listeners with the lingering desire to partake in the bygone enchantment again and again.

Kicking off with “Bliss,” a track that pairs the young Swedish rapper with FKA twigs, Lean’s newest album embraces a funky flow from the get-go. The music video that accompanies the mixtape’s opening track, one that sees the aforementioned artists immersed in a Lynchian joyride across suburbia, is as eye-catching as the song is engrossing to the ear. With FKA twigs and Yung Lean re-modulating the song’s catchy chorus of “Bliss on bliss on bliss on”  — ping-ponging it through their contrasted voices; twigs’ diaphanous, Lean’s gravely — “Bliss” takes on an air of unpredictability that keeps the song lively and foreshadows a mixtape full of exciting rearticulations of the rap genre.

“Trip,” the next track on the mixtape strikes back against the airy funk of “Bliss.” Featuring producers Woesum and Art Dealer, who slap the song with a strong bass, “Trip” sees Yung Lean indulging in the braggadocious lyricism often associated with popular rap songs. As he raps about a girl that smells “like peppermint” and boasts about his swagger (“Let me change your life / Southside, motorcycles in the summer, leather jacket life”) Lean creates a sonic portal meant to allow listeners to entertain their own ideas about reveling in hedonism.

This epicurean zeal rings through in tracks like “Gold” and “SummerTime Blood,” where Yung Lean raps about being an icon and his “all-gold wardrobe.” Lean’s assumption of the persona of an egocentric rapper is so histrionic it evades otherwise-warranted criticism by transforming his entire musical act into an exercise in elaborate theatrics.

For all his incomprehensible bars and unintelligent brags, there’s a brain behind Yung Lean. He understands the identity of the contemporary rapper so well that he is able to cloak himself in their ridiculous traits while simultaneously subverting them, something he accomplishes through such simple feats as melancholically rapping over upbeat productions. This is the case with “Lips,” in which he raps about lovelorness over a slowed drum n’ bass beat. This move recalls the brilliance of Morrissey’s penning melodramatic poetry to croon atop jaunty rock strumming as part of The Smiths (that is, before he outed himself as a right-wing nationalist). But Yung Lean best exemplifies his finesse when it comes to reinventing rap through transgressive attempts at restarting the genre, such as bringing in off-kilter features such as Skrillex to assist him in laying the foundational bricks for what’s to come in the world of rap.

Skrillex died to the world when we collectively moved past the non-culture that defined the early 2010s. But, armed with too much courage, Yung Lean’s decision to feature the dubstep pioneer — and force him to step out of the same noisy wheelhouse he’s inhabited since 2010’s “Scary Monsters and Nice Sprites” — demonstrates how once-pronounced dated artists can still use the expertise that made them famous to re-interpret today’s sonic language.

In looking to the past, Yung Lean is laying the foundation for the future. Perhaps this makes sense given Yung Lean’s geographical distance from the United States, the cultural capital that defined the rhythms of the rap movement he would soon immerse himself in after leaving his short-lived, albeit first-rate, punk band. 

At the turn of the ’10s, SoundCloud sent a million musical notes out into the world, dislodging and revamping strict musical formats. The pudgy Swede known as Yung Lean spit back refractions of rap in gargles of garbled grammar upon being enveloped in the cloud rap scene that would quickly burst before his rise to fame and the world’s shift to mumble rap. Yung Lean’s music is more often funny than profound, his accent often making his verses come off as nonsensical. But in seemingly dragging the English language to its most Neanderthal, its most primeval, he seems to be reframing rap as the guttural expression of a soul searching for words. 

Contact Nicolas Pedrero-Setzer at [email protected] .

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• SummerTime Blood

Nicolas Pedrero-Setzer is a senior double-majoring in journalism and cinema studies. He has written for Le Cinéma Club and ScreenSlate, as well as programmed...

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Yung Lean Concert Setlists & Tour Dates

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Stardust Tour 2022 Tour

Upcoming shows.

• Date and Venue Doors Scheduled
• May 02 2024 La Cigale Paris, France Add time Add time Add times
• May 30 2024 Vivid Live 2024 Sydney, Australia Add time Add time Add times

Yung Lean at For a better day 2023

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Yung Lean at Leeds Festival 2023

• Afghanistan
• Boylife in EU
• Gatorade / Ginseng Strip 2002 / Ghosttown / Yoshi City
• Smirnoff Ice

Yung Lean at Reading Festival 2023

• Miami Ultras

Yung Lean at Festival Paredes de Coura 2023

• french hotel
• Gatorade / Hurt / Ginseng Strip 2002 / Ghosttown / Yoshi City

Yung Lean at Dour 2023

• Chinese Restaurant
• Ginseng Strip 2002

Yung Lean at Ruisrock Festival 2023

Yung lean at rolling loud rotterdam 2023, yung lean at splash 2023, yung lean at roskilde festival 2023.

• Gatorade / Ginseng Strip 2002 / Yoshi City / Hurt / Ghosttown

Yung Lean at Primavera Sound Barcelona 2023

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• Diamonds ( 63 )
• Ginseng Strip 2002 ( 63 )

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342 people have seen Yung Lean live.

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• UPCOMING TOURS

Australian Tour January 2023

Astral People and Handsome Tours are thrilled to present… Yung Lean

As part of his massive festival return down under, Yung Lean will be stopping off at Sydney’s Enmore Theatre and Melbourne’s Forum for two not-to-be-missed headline shows.

As a project birthed from the early days of digicore and the Soundcloud Era, Yung Lean has been leading a new wave of hip hop since 2013. A fusion of disparate influences from 50 Cent, Young Thug and Chief Keef, his sound is one of early internet aesthetics, late 90s southern rap rolled together with a punk mindset.

After emerging to the music scene in 2013 with his now viral sensation ‘Ginseng Strip 2002’, Yung Lean has made a name for himself as a prominent figure in the early cloud rap genre. The track’s recent revival on TikTok has propelled him into icon status, with the song reaching close to 200 million streams to date.

The release of Yung Lean’s third studio album helped to only further assert himself as a serious player in the realms of left field rap. The album received high acclaim for his emotive lyrics and pop-punk inspired bridges, winning him a Swedish Grammy in 2018 for Hip-Hop Album of The Year.

His 6th studio album ‘Stardust’ released in 2022 saw his first drop since 2020. Yung Lean’s experimentations on this album highlight a matured approach to lyric writing. The album takes new ventures within the rap genre, featuring ambitious collaborations with big industry names such as Skrillex, FKA Twigs, Ant Wan and Thaiboy Digital.

In a live setting Yung Lean does not fail to impress audiences; combining fashion, art, videos and music for his live performances. Over the years he has captivated audiences with his high energy sets, featuring on some massive festival lineups such as Rolling Loud and Reading Festival.

Returning this January for his third Australian tour, don’t miss out on the one and only Yung Lean.

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Swedish cloud rap superstar Yung Lean headlines two nights at the Knockdown Center on his Stardust Tour. It’s his first NY appearance since 2018 and the release of his film “Yung Lean: In My Head.”

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• 3NDLES5 presents Yung Lean

Australian Exclusive 30 May 2024

In the Joan Sutherland Theatre

Contemporary Music

Swedish hip-hop prince Yung Lean makes his long-awaited return to Australia for his first-ever performance at Vivid LIVE. Presented by Sydney underground hero 3NDLES5, the pioneering cloud rapper and pop experimentalist plays the Joan Sutherland Theatre for one night only.

$8.95 booking fee applies per transaction

Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.

The only authorised ticket agency for this event is  Sydney Opera House . For more information about Authorised Agencies, see the frequently asked questions below.

Sydney Opera House Insiders pre-sale 10am, Tuesday 12 March 2024

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The duration of this event is yet to be confirmed.

Event duration is a guide only and may be subject to change.

Suitable for all ages, recommended for ages 15+

Children aged 15 years and under must be accompanied at all times.

The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our  Child Safety Policy . 

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Getting here

Covid-safe information, frequently asked questions, the return of sweden’s pioneering hip-hop star.

Swedish hip-hop phenomenon Yung Lean returns to Australia for his debut performance at Vivid LIVE, presented by Sydney legend and underground prophet 3NDLES5.

From viral internet star to pioneering cloud rapper and pop experimentalist, the Swedish rapper, producer and singer-songwriter Yung Lean has captured the sound and spirit of an era. 

He first came to attention – and notoriety – in 2013 with his breakout track “Ginseng Strip 2002”, a viral smash that blew up on YouTube. While critics suspected the track to be a novelty hit, Yung Lean not only endured, he thrived. As an innovator in the world of SoundCloud rap, he released a string of acclaimed albums and mixtapes – including  Unknown Memory  (2014) and  Warlord , (2016), and  Stranger (2017) – that defined a buzzy new wave of dissociative hip-hop. 

Yung Lean expanded his dream-trap sound on 2020’s  Starz , and leaned into pop experimentalism on 2022’s mixtape  Stardust , which featured ambitious takes on rap, post-punk and electro, and featured high-profile collaborations with fka twigs (“Bliss”) and Skrillex (“SummerTime Blood”). Later that year, “Ginseng Strip 2002” experienced a massive viral resurgence on TikTok, captivating a whole new generation of kids.

Don’t miss one of the most creative young artists in the game.

Channelling the chaos and beauty of the deep, dank Sydney underground, 3NDLES5 is the off-kilter electronic music project from Mitch Tolman, a former member of local post-punk legends Low Life. In 2023, 3NDLES5 curated the Posh isolation event for Vivid LIVE.

Presented by Sydney Opera House

VIVID LIVE 2024

• Air play Moon Safari
• Devonté Hynes: Selected Classical Works with the Sydney Symphony Orchestra
• Snoh Aalegra
• Sky Ferreira
• Thelma Plum
• 3NDLES5 presents jonatan leandoer96 x Frederik Valentin, Ecco2K, oqbqbo & Scandinavian Star, Aya Gloomy
• Spunk Records 25 Finale feat. Explosions In The Sky, Aldous Harding & The Middle East
• South Summit

Astral People present Spice Trail feat. Sid Sriram, Priya Ragu, Raf-Saperra with Munasib & Rakish

• Elefant Traks 25th Anniversary - The Finale feat. Hermitude, Horrorshow, Urthboy, The Herd, OKENYO & more
• Jonti presents The Moonblades
• Tia Gostelow
• Maple Glider
• Tasman Keith, Flewnt & Inkabee
• Cult Shφtta
• Zion Garcia
• Studio Party: Fred P (USA) presented by Mad Racket
• Studio Party: Mala (DMZ / Digital Mystikz), Alec Sander (DUNJ) & Jungist presented by Astral People
• Studio Party: Radioactive Man (UK), Mark N, au4r33y & Magda Bytnerowicz by Barney Kato presents Alien
• Studio Party: mad miran (NL), Piezo (IT), Kate Miller b2b Emelyne presented by dstreet
• Lighting of the Sails: Echo (2024) by Julia Gutman & Pleasant Company, soundtrack by Angus Mills

Other information

Venue information.

Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.

All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.

Visitors and ticketholders are strongly encouraged to plan ahead and allow extra travel time and use public transport whenever possible when arriving for an event or performance. Large crowds are expected on the Opera House precinct and around the CBD, and road closures may be in place.

For further information, please visit Transport NSW’s Vivid Sydney page.

The Sydney Opera House and Circular Quay precincts are very popular and attract large crowds during Vivid Sydney. Visitors are strongly encouraged to leave the car at home and use public transport wherever possible. During this time, there will be changes to transport timetables so allow extra travel time. 

Visit Transport NSW’s Vivid Sydney page for more details on service changes

There will be a range of road closures in the Sydney CBD during Vivid Sydney. For detailed information on road closures during Vivid Sydney, please visit Live Traffic NSW.

The Sydney Opera House car park will be open every evening during Vivid Sydney, however it is expected to reach capacity early. Patrons are encouraged to use public transport wherever possible and allow extra travel time.

Please note that if you drive and arrive early for parking, you may not be able to exit if there are road closures in place. For detailed information on road closures during Vivid Sydney, please visit  Live Traffic NSW .

The health and wellbeing of everyone attending the Opera House is our top priority. We’re committed to making your experience safe, comfortable and enjoyable, with a number of measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. We remind our audiences and visitors to please stay home if you feel unwell. If you need to discuss your ticketing or booking options, contact our Box Office team on 02 9250 7777.

The health and wellbeing of everyone attending the Opera House is our top priority. We have a number of safety measures in place including regular cleaning of high-touch areas, air conditioning systems that maximise ventilation, and hand sanitiser stations positioned in all paths of travel. While face masks are no longer required, we ask all our patrons and visitors to practise good hygiene. Please stay home if you feel unwell and read more about our flexible ticket options .

The Sydney Opera House no longer requires patrons to show that they are fully vaccinated against COVID-19.

The Lighting of the Sails during Vivid Sydney is a free event. You do not need a ticket to view the incredible animations by Julia Gutman on the Sails every night from 24 May – 15 June.

If you are attending a performance as part of the Vivid LIVE program, a valid ticket is required. It’s highly recommended that you purchase tickets in advance.

It is highly recommended to purchase tickets in advance, as tickets may not be available at the door. 

As a condition of entry, bag inspections and electronic screening will be carried out at the entry to the site. Please follow the directions of Opera House staff and security.

Please travel lightly and do not bring items that require cloaking e.g. handbags bigger than A4-size, backpacks and umbrellas, which are not permitted inside our venues.

The following items are prohibited:

• BYO alcohol
• Glass beverage containers
• Professional cameras or recording devices
• Laser pointers or selfie sticks
• Illegal substances including controlled, dangerous or illicit drugs
• Offensive signage or clothing

For further information about items that are prohibited on site can be found in our  Conditions of Entry .

Yes, cloaking will remain available but it is strongly encouraged that you travel lightly and leave large, bulky items at home. Cloakroom attendants will use disposable paper tickets to keep track of your items.

The Sydney Opera House is a smoke-free site. Read our  Smoke-free Environment Policy .

For patrons who are blind or have low vision, the Opera House will be hosting some audio-described sessions of this year’s images projected onto the sails, with specific dates to be announced soon. For more information please visit the event page.

A complimentary shuttle bus and buggy service will be in operation during Vivid Sydney. Please contact the Box Office to confirm operating hours on 02 9250 7777.

Gig Buddies, an organisation that pairs adults with intellectual disability with volunteers to attend social events have been offered to attend some events at Vivid LIVE. For more information contact  [email protected] .

Ticketholders are welcome to bring their own water bottle (as long as it isn’t made of glass) but no other food and drinks are permitted inside our venues. BYO alcohol is strictly prohibited from the Opera House.

The Opera House has a range of onsite bars and restaurants which are perfect for a pre-show drink, quick snack or sit-down meal.

Cashless payment methods are strongly recommended. Please bring a credit or debit card for any on-site purchases to assist with swift transactions.

You may also like

Grammy-nominated UK electronic music legends Underworld return to Vivid LIVE for three pulse-pounding euphoric nights in the Sydney Opera House Concert Hall.

Tastemakers Astral People return to Vivid LIVE with a huge night of music exploring the sounds from the South Asian diaspora, featuring genre-spanning superstar Sid Sriram and the Australian debuts of Priya Ragu and Raf-Saperra.

Making their long-awaited Australian debut, visionary Swedish iconoclast – and co-founder of The Knife – Fever Ray brings their electrifying, radically romantic synth pop to Vivid LIVE.

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