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Günther & The Sunshine Girls

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Vi som älskar 90-talet

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At Arts, Beats & Eats 2018...Best Artist We Have Seen! Out of a 2 day total! 9 stages & 20 performers! Wish we could have listen to him for the next Week! Love him! First time! Won't be the last! Hope You Make It Huge! You Are Fantastic!

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An Evening with Guenther Steiner

Don’t miss a hugely entertaining access-all-areas conversation with former Haas Formula 1 team principal Guenther Steiner , star of Netflix’s smash hit docuseries Drive to Survive.

Reflecting on his decade in charge of Haas, Guenther will offer an unobstructed view of what really takes place behind the scenes. Through this unique lens, Guenther takes us on the thrilling rollercoaster of life at the heart of elite motor racing. 

This is the first time Guenther will be telling his story to a public audience from the stage. This is not an event any fan of Formula 1 can afford to miss. 

We'll be announcing another London date soon. SIGN UP HERE for updates.

“Fearless and candid...A gleeful guide to a bonkers sport from a loveable rogue insider.” The Times  

For those who are unable to attend the live show, the event at G Live on 08 October will be live streamed via Fane Online. Worldwide viewing is available and the stream will be available for one week on demand after the initial broadcast, so you can watch at anytime if the initial broadcast time doesn't suit your timezone.  

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Usher Hall, Edinburgh

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Tyne Theatre and Opera House, Newcastle

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Megadeth’s upcoming tour lineup is an odd yet interesting mix.

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DERBY, ENGLAND - AUGUST 13: Dave Mustaine of Megadeth performs at Bloodstock Open Air Festival 2023 ... [+] at Catton Hall on August 13, 2023 in Derby, England. (Photo by Katja Ogrin/Redferns)

It wasn’t long ago when Megadeth had one of the hottest metal tours on the block which was fittingly coined ‘The Metal Tour Of The Year.’ The 2021 and 2022 co-headlining tour consisted of Megadeth and modern heavyweights Lamb of God with opening acts Trivium, Hatebreed, and later In Flames. Nearly every band on the bill offered something unique yet sonically similar enough to make it an air tight package. Not to mention, the tour sold exceptionally well with averaging 7,000 tickets sold across 24 dates from its first leg. To say it was a smashing success for Megadeth would be an understatement, and with their recent Grammy nomination for their well received 2022 LP The Sick, The Dying… And The Dead , the band was experiencing quite a moment to say the least.

However, despite the recent wins for Megadeth guitarist Kiko Loureiro exiting the band was a pretty big blow to the fans, as he’s made significant contributions to Megadeth since joining in 2015. In fact, in the past Megadeth founder Dave Mustaine had been fairly open about his admiration for Loureiro and he’s gone as far as saying , “Megadeth has had guys like Jeff [Young] and Marty [Friedman], but Kiko is the best we’ve ever had.”

Now with the band’s new guitarist Teemu Mäntysaari, who was recommended by Loureiro prior to exiting the band, Megadeth aren’t quite in the same position they were in a couple years ago, though at no fault of Mäntysaari who is in fact filling the shoes of lead guitarist incredibly well, according to Mustaine.

With all that being said, the band’s recent headlining tour announcement comes as a surprise to many fans, particularly with the supporting lineup Megadeth has in place. Nu metal giants Mudvayne and metalcore pioneers All That Remains are slated to support Megadeth on their upcoming late summer North American, which is titled the Destroy All Enemies tour. Maybe the tour’s title is an attempt at the band poking fun at themselves because it doesn’t appear they’ll be making any new friends with a tour lineup that’s such a stark contrast from their recent North American tours.

After one look at the comments section on Megadeth’s instagram post for the tour announcement, it’s clear that the most upvoted comments are from fans being harshly critical or puzzled by Megadeth’s decision to have Mudvayne and All That Remains as support, and that’s putting it lightly. No disrespect to either Mudvayne or All The Remains as both bands have made significant contributions to early 2000s metal and are great on their own merits, but the three bands together just seems at odds with Megadeth status as a legacy band. If they’d added another opener that was more sonically like minded and a newer act like Havok, Enforced, or even Power Trip the bill would possibly seem a little less jarring to fans. Better yet, a co-headlining tour with Pantera, whom are currently headlining arenas across the states, would do wonders for both bands especially given the demand for the recent Pantera reunion.

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Regardless, both Mudvayne and All That Remains can draw on their own, but it’ll be interesting to see if Megadeth fans are the primary ticket buyers for this tour or if there’s a healthy mix from each of the acts’ core fanbases. Or better yet, maybe there’s a more shared appreciation for all acts than the comments suggest. It’s entirely possible, but tickets sales and the crowd response at the shows will no doubt be the deciding factors.

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All the proof Taylor Swift is making first major change to Eras Tour

Welcome to "The Tortured Poets Department" (Eras Tour Version).

It looks like Taylor Swift 's Eras Tour is getting a brand new era, straight from the Tortured Poets Department .

Since the announcement of her new 11th studio album ( which dropped April 19 ), fans have been anxiously waiting to see if her worldwide, career-spanning tour would get a shakeup to accommodate the new music. While Swift is remaining mum, and a rep for the singer didn't respond to an EW request for comment, a new YouTube Short posted to Swift's account seems to provide all the clarity Swifties needed that a change is imminent.

In the video, which is part of Swift's #ForAFortnightChallenge tied to the album's first single, "Fortnight," the 14-time Grammy winner can be seen rehearsing for tour with her backup dancers. While some shots are obviously from the Folklore , Lover , and other existing "eras" of the show, several blink-and-you'll-miss-it moments have never been seen before.

In one, Swift, clad in workout gear, appears to be wearing the same boots seen in her "Fortnight" video . She's holding on to a banister that looks like it has the Tortured Poets Department emblem on it — the "P" and the "D" can just be made out.

taylor swift/youtube

Although the video is in grayscale, and therefore exact colors are impossible to identify for sure, several shots feature what looks like a new white-ish mic, which has never been seen before. The new era's color, of course, is also an off-white hue.

Perhaps the most interesting moment of the new clip, though, is one that features what looks like new choreography and costumes. Swift's backup dancers can be seen in top hats and dancing with canes, while she sings in the front middle of the group — choreography and props which have so far not been featured in the concert.

This is all speculative until the tour resumes in Paris, France, on May 9, of course, but if Swift is adding a whole new era, it would mark the first major change to the setlist since Swift began performing it last March.

Throughout the tour, she's made little swaps here or there: She added performances with some of the artists who opened for her like HAIM or Phoebe Bridgers, and she added "Long Live" to the Speak Now section when that re-recorded album released during tour. She also swapped out "Invisible String" for the "The 1" in the Folklore section after news of her split with Joe Alwyn broke.

But, nothing has majorly been added or subtracted from the show, which is already a whopping three-and-a-half hours long. Now, if anyone could pull off adding more runtime to Eras, it's the "Mastermind" herself, but it's more likely that some songs will be getting cut to make room for new material. Fans have theorized that the tracks that didn't make it into the VOD rental of the Eras Tour concert film — "The Archer," "Wildest Dreams," "Cardigan," and "Long Live" — could be first on the chopping block, but we'll just have to wait and see what Ms. Swift has up her cryptic and Machiavellian sleeve.

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• Ethan Hawke and Post Malone experiment on Taylor Swift's mind in surreal 'Fortnight' music video
• Emma Stone credited for contributing 'oddities' to new Taylor Swift song 'Florida!!!'
• All the famous people Taylor Swift name-drops in the song 'The Tortured Poets Department'

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How Singer Paula Cole Found Her 'Authentic' Self on New Album After Realizing 'Fear' Was Keeping Her 'Small' (Exclusive)

The "I Don't Want to Wait" singer is back with a new tour and album, years after taking a hiatus to raise her daughter

Ebru Yildiz

She’s made a living off honest storytelling and vulnerable truths in her music, but singer-songwriter Paula Cole is not exactly fond of talking about herself.

“I find interviews really hard,” she admits in a recent phone call with PEOPLE. “It’s so much safer just to be quiet and to make music and not talk about the music or talk about my life. Sometimes I feel emptied in some way after an interview.”

It’s no surprise that the “I Don’t Want to Wait” singer, 56, is not exactly comfortable in the spotlight. She did, after all, take a career hiatus in the early 2000s to raise her daughter Sky, leaving behind the celebrity of it all to give her daughter as normal a life as possible.

But now, Sky’s all grown up. And with a new album out, a tour that’ll keep her on the road through September, and a TikTok resurgence of her 1996 classic “I Don’t Want to Wait,” Cole is back in it.

“Mother is able to stretch her wings, try flying again,” she says. “It’s a nice time in life.”

For Cole, getting to this time was a marathon, not a sprint (“I'm not a hare, I'm a tortoise,” she says). Though she’s released five records over the last decade, her latest release Lo , which came out in March, is her first collection of original songs in 10 years. The record comes 30 years after her debut album, Harbinger , hit shelves in 1994.

The star says that returning to a place in which she felt comfortable being open and vulnerable with her lyrics was “difficult,” as she’d been “living smaller” for years. Still, she found the writing process “cathartic,” and soon realized she’d been in her “own way” when it came to growth.

“I wasn’t rising to my ability to be my largest self, my brightest self, and I’m trying to do that now,” she says. “And it feels like a transition I’m going through in life. It’s very psychological — I’ve gone back to therapy. I’m working on myself. I’m recognizing my old roadblocks of fear and post-traumatic stress, and realizing that they’re not doing me any good anymore, they’re keeping me small.”

For years, Cole was content living out of the spotlight. In 2001, she gave birth to Sky with ex-husband Hassan Hakmoun, whom she divorced in 2007. Upon becoming a mother, she realized that her personal life needed to be her biggest priority, and adjusted her career accordingly.

More than once she debated throwing in the towel for good, first when she was a new mom. But being her family’s breadwinner at the time put a wrench in that plan, and when she became a single mom a few years later, it was even harder to leave. Soon, though, career pressures came to a head and she stepped away for several years in the mid-2000s.

Though she stayed busy, launching her own label, 675 Records, Cole stopped touring the way she wanted to, and wasn’t able to give her career the care and attention it needed to grow.

“It wasn’t the career I envisioned, so I just needed to step away and have a reset,” she says, citing overexposure and bad business contracts. “I took an eight-year hiatus and allowed that ill-fitting snake skin of a career to slip off. The music business does not support that kind of personal life when you’re a woman in the music business. There are actually very, very few role models for me, for women who have raised family and had long successful marriages and still have a legacy in music. It’s hard doing that.”

Bill Tompkins/Getty

Now, though, she has her priorities in check. Married to her partner of 17 years, Cole has also embraced the role of stepmom to son Faolán and daughter Eva James, all of whom have creative aspirations. Sky, 22, has dreams of becoming a director, and will soon graduate from NYU’s Tisch School of the Arts. Faolán is set to graduate from Berklee College of Music, where Cole has been a visiting scholar and professor for the past 11 years. And Eva James is a musician, too, with Cole set to produce her debut album.

Cole now feels that after years of living authentically, it’s rubbed off on her music.

“That was absolutely the most important thing for me, to have my family and have a healthy personal life,” she says. “I have a wonderful marriage, wonderful human being I’ve been with for 17 years now. I have three adult kids who are finding their way in the world. I’m closer to my parents now. I wouldn’t trade that for anything.”

Cole was born and raised in Rockport, Massachusetts, and initially had dreams of becoming a jazz singer. “I set out thinking I was going to be a female Chet Baker,” she says. “[But] I needed to write my own truths, and then it came out as songs.” 

She grew up in a musical family, and was singing made-up songs before she was speaking. “I would sing from the stroller apparently, like at full volume,” she says. “My poor mom.”

Cole first gained recognition when Peter Gabriel brought her on tour with him in 1993, and the mid-’90s brought several successful singles, including “Where Have All the Cowboys Gone?” and “I Don’t Want to Wait,” which took on a life of its own after it was used as the opening credits of the teen soap Dawson’s Creek .

Her lyrics have often carried social justice themes, as Cole finds it important for to speak out for those don’t have a voice. “I might lose fans at times, and I certainly have, but I think the artists that dare to speak socially and politically are the lasting greats,” she says. “It’s a delineator between entertainers and artists.”

Still, her signature hit remains “I Don’t Want to Wait,” and a video of her singing the song at a piano recently went viral on TikTok , opening doors to a whole new audience of younger fans.

“I’m proud that [my songs] live on the way they do,” she says. “That was so heartwarming to see younger generations touched by that or remembering the song as young kids watching Dawson’s Creek . I don't really watch television, but what Dawson’s Creek did was expose my music to younger kids, and now it lives on.”

For now, Cole is ready to dive back into her career, tour and all.

“It’s very rewarding to come back out to tour and to see the people that have been with me from my very first album and just never stopped believing in me,” she says. “It’s all about the community of coming together. I need them. We all need the music. It’s electrifying. “It kind of is the long, slow career that I always wanted that’s happening now, as opposed to then. My second career is the more authentic one and it feels great.”

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Olivia Dean review – pop-soul singer proves she was born for big stages

SWG3, Glasgow Delicately sipping a Red Stripe and accompanied by a seven-piece band, the Brit School grad loosens up her Mercury prize-nominated album with radiant star power

O ne hand raised to the heavens, the other fixed sharply on her hip, Olivia Dean is beaming. The 25-year-old musician is just three songs into her largest headline tour so far, and Echo – last year’s suave, soulful pop single about possibly misplaced trust – is a chic foil for her glamorous, Supremes-style choreography and her chemistry with her charismatic seven-piece band. With one flick of the wrist she summons a flourish of keys, a cymbal splash or a joyous trombone solo, and Dean looks both thrilled and in total control.

Still: “I’m quite nervous this evening,” she confesses, delicately sipping a Red Stripe. It’s surprising to hear from the Brit School graduate, a week after she delivered a stand-out Coachella set but, then again, Dean’s crowds are growing rapidly. Only last year she played to an audience a quarter of the size, down the road at King Tuts. She’s since been nominated for three Brit awards, and in June she’s bound for Glastonbury’s Pyramid stage.

Her debut album Messy, shortlisted for the Mercury prize, is about post-break up self-discovery and surrendering to artistic imperfections. The title track’s mantra – “it goes if you let it, it’s OK to regret it” – feels particularly resonant tonight, as the song culminates in a loose, rockier rendition of its usual outro. Dean tosses her curls, tambourine in hand, and cathartically shakes off that coiffed Motown composure. On record Messy can feel too manicured, but tonight its tracks bloom in the light of Dean’s radiant stage presence and that luxuriously large band (increasingly rare in today’s touring economy).

The brass trio emphasise the reggae in swooning romance Danger, and Ladies Room becomes a sunny, feel-good excuse for jazzy musical solos. The set lingers too long on a stripped-back middle section, although the hush highlights Dean’s creamy voice, and when the full band reunites behind tracks such as Carmen, dedicated to her Guyanese grandmother and the “bravery of immigrants”, it feels like a street party. “She would be so gassed to hear you screaming!” Dean shouts, glowing with pride, no nerves left in sight. Clearly, the bigger the show, the brighter she shines.

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Travis Kelce Refers to 'Significant Other' Taylor Swift While Attending Patrick Mahomes Gala Together, He Auctions Off 'Eras Tour' Tickets for Charity!

Taylor Swift and Travis Kelce are all loved up at a charity event together!

The 34-year-old singer-songwriter and the 34-year-old Kansas City Chiefs tight end were in attendance at the 15 and Mahomies Foundation Golf Classic Gala on Saturday night (April 27) in Las Vegas.

The charity, run by teammate Patrick Mahomes , is dedicated to improving the lives of children. The Foundation supports initiatives that focus on health, wellness, communities in need of resources and other charitable causes.

Keep reading to find out more…

In videos shared by attendees on social media, the two were seen looking “adorable” together while he took her hand and led her through the room.

Another attendee posted video of Taylor smiling and laughing while Travis caught a football that Patrick threw from the stage.

Travis also got up on stage and surprised guests by announcing that his “significant other” was adding some tickets to her Eras Tou r concerts as part of the live auction.

“Alright, alright, alright, I think I was just talking to my significant other, and we might have one other alternate item that wasn’t on the docket. Um, has anybody heard of the Eras Tour ?” he teased. “Does that fire anybody up right now?!” he screamed while the attendees shouted.

He revealed that Taylor had offered to auction up “four tickets” to shows in New Orleans, Miami or Indianapolis when her tour returns to the United States in the fall.

People began shouting bids of $20,000 and $30,000. The four tickets eventually went for $80,000, according to the auctioneer.

The duo have been enjoying time together before she resumes her Eras Tour in less than two weeks. Fans think she’s adding a new section to the show!

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