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Helene Fischer tour dates

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Helene Fischer 2026 Stadium Tour: Tickets, dates, venues and more

H elene Fischer 2026 Stadium Tour will be held in European venues from June 13, 2026, to July 14, 2026. The tour will feature a unique 360-degree open stage and celebrate the 20th anniversary of the singer-songwriter's debut studio album, Von hier bis unendlich.

The stadium tour, which will feature performances in cities such as Berlin, Cologne, Vienna, and Zurich, among others, was announced via a post on the singer's official Instagram page on November 24, 2023, in which she stated,

"My dears, together with you I have experienced an incredibly beautiful and intense time on my Rausch Tour. I felt your love and energy at every concert. Still to this day, still overwhelms me and moves me when I think back on it."

The singer continued,

"Carried by these emotions and impressions, I dare a new challenge: I want to surprise you with a new spectacular tour - in June/July 2026 I will rock the stadiums on a unique 360° stage! I know it will be some time until then, but we need to push you all up a notch with an impressive show in the summer of 2026."

Presale for the tour will be available from November 27, 2023, at 09:30 am CET and can be accessed by registering at the singer's official website. General tickets for the tour will be announced after the presale is over.

Helene Fischer 2026 Stadium Tour dates

Helene Fischer announced her 2026 stadium tour in celebration of the 20th anniversary of her platinum-certified debut studio album. Von hier bis unendlich was released on February 2, 2026, and peaked at number 16 on the Austrian album charts and 19 on the German album charts, respectively.

The complete list of dates and venues for the Helene Fischer 2026 Stadium Tour is given below:

• June 13, 2026 – Berlin, Germany at Olympic Stadium
• June 16, 2026 – Stuttgart, Germany, at MHP Arena
• June 20, 2026 – Frankfurt, Germany, at Deutsche Bank Park
• June 23, 2026 – Gelsenkirchen, Germany at VELTINS Arena
• June 27, 2026 – Cologne, Germany at Rhein Energie STADION
• July 4, 2026 – Hamburg, Germany at Volksparkstadion
• July 11, 2026 – Vienna, Austria, at Ernst Happel Stadium
• July 14, 2026 – Zurich, Switzerland, at Letzigrund Stadium

More about Helene Fischer's music career

After the success of her debut album, Helene Fischer released her second studio album, So nah wie du, on June 29, 2007. The platinum-certified album peaked at number 5 on the German album chart.

The singer subsequently had her first chart-topper with her fourth studio album, So wie ich bin, released on October 9, 2009. The platinum-certified album peaked as a chart-topper on the Austrian album chart.

The singer's fifth studio album, Für einen Tag , was released on October 14, 2011. The multi-platinum certified album peaked as a chart-topper on the German and Dutch album charts.

Farbenspiel , the sixth studio album by the singer, was released on October 4, 2013. The multi-platinum certified studio album peaked as a chart-topper on the German, Austrian, and Swiss album charts.

After her sixth studio album, the singer collaborated with the Royal Philharmonic Orchestra out of London, releasing her seventh studio album, Weihnachten , on November 13, 2015. The multi-platinum certified album peaked as a chart-topper on the German and Austrian album charts.

The singer released her eponymously titled eighth studio album, Helene Fischer , on May 12, 2017. The multi-platinum-certified album peaked on the German, Austrian, and Swiss charts.

Helene Fischer's latest studio album, Rausch, was released on October 15, 2021. The platinum-certified album peaked as a chart-topper on the German, Austrian, and Swiss album charts.

Helene Fischer Tickets

Helene Fischer Theatre Tickets

Prepare for the entertainment with Helene Fischer tickets from TicketSmarter. One of the most successful German artists of all time, Helene Fischer rose to fame on the international stage in 2013 when her album 'Farbenspiel' topped the charts in Germany, Switzerland and Austria for several weeks, producing the powerhouse single 'Atemlos Durch die Nacht'. It went platinum several times over and also earned her the nickname of the queen of schlager. Born in Krasnoyarsk, Siberia to German parents who moved the family to West Germany when Helene was three years old, she went on to study singing and acting at the Frankfurt Stage & Musical School.

While there her mother recorded demos of her songs and sent them to record companies which led to the start of her career, releasing her first album 'Von Hier Bis Unendlich' in 2006. She had already made her stage debut in 2005, singing with Florian Silbereisen - who later became her partner - and quickly achieved great popularity in the schlager genre, breaking into the German charts with her second album 'So Nah Wie Du' in 2007. The single 'So Wie Ich Bin' made her name in other parts of Europe and in 2010 she released her first English language album 'The English Ones', following it with another major German hit single 'Für Einen Tag'.

She further expanded her horizons, moving into acting with an appearance in the popular TV series 'Das Traumschiff', leading up to the release of 'Farbenspiel'. While the awards piled up, she continued this success with the Christmas album 'Weihnachten' in 2015 followed by 'Helene Fischer' in 2017, while her 'Das Konzert aus dem Kesselhaus' double-live CD and DVD - filmed during a sell-out concert in Munich - cemented her reputation as one of Germany's greatest pop singers of all time. You won’t want to miss the next show!

Helene Fischer Ticket Prices

You will find that admission costs depend on many factors. The popularity of the event as well as the size and prominence of the hosting venue can impact Helene Fischer ticket prices. The location of your seats can also influence pricing as can demand, upgrades and VIP packages.

How much are Helene Fischer tickets?

It’s common for Helene Fischer ticket prices to run the gamut from low to high. Admission costs can vary by venue location and seating section. A spot in the balcony at the Segerstrom Center for the Performing Arts in Costa Mesa, California can start from around $73 dollars and loge seats can begin in the $98 range. A spot in the gallery of Reynolds Hall at the Smith Center in Las Vegas, Nevada can start from $148 with orchestra spots landing in the $244 - $890 range depending on your position and view of the stage. Check out many levels of pricing when you buy admission from us.

Helene Fischer Tour Dates & Show Schedule

Helene Fischer tour dates will likely feature performances from venues across the U.S. An abundance of performing arts centers and entertainment platforms have welcomed countless theatre appearances. You might catch a show from the Beverly O’Neill Theater at Long Beach Convention Center in Long Beach, California or the Procter & Gamble Hall at Aronoff Center in Cincinnati, Ohio. There might also be a chance to sit in the audience at the Dorothy Chandler Pavilion in Los Angeles, California or the Saxe Theater - Planet Hollywood Resort & Casino in Las Vegas, Nevada. The Helene Fischer show schedule can also boast east coast appearances at venues like Stage 42 or the Actors Temple Theatre in New York City. Save your seats and get ready for the next show!

When do Helene Fischer tickets go on sale?

It’s a good idea to buy your admission as soon as possible. Helene Fischer show tickets typically go on sale once tour dates have been announced. We make it simple to buy admission early. You can usually get tickets in advance of a public sale when you buy from our site and there is no need for a presale code.

Helene Fischer Seating Chart

There are plenty of seating options to explore. The size and design of the venue will affect the type of spots that are offered. A place like the spacious Dorothy Chandler Pavilion in Los Angeles, California can hold a capacity of 3,156 audience members, boasting multi-tiered views of the stage. You might also enjoy a performance from the intimate 499-capacity Stage 42 in New York City. Our interactive seating chart can help you find a great seat. Check out the filtering tools and narrow your options by date, time, and venue.

Safe and Secure Helene Fischer Ticket Purchasing

Make us your first choice for buying admission. We offer a secure process that lets you buy Helene Fischer show tour tickets without the worry. Easily and conveniently gain access to all of the live performances you have been anticipating. It’s simple and safe and makes a trip to the box-office obsolete. Save your spot today. 

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A high note: Helene Fischer on tour

With more than 715k tickets sold, the Schlager superstar's ongoing 71-date Rausch Live marathon is one of the standout tours of 2023

By Gordon Masson on 06 Jun 2023

image © Sandra Ludewig

Currently undertaking one of the biggest European tours of the year, Schlager superstar Helene Fischer is thrilling audiences with her unique brand of entertainment, mixing her soaring vocals with daring acrobatic performances. Gordon Masson reports on her extraordinary Rausch Live tour…

With more than 715,000 tickets sold, Helene Fischer’s ongoing 71-date marathon around Germany, Switzerland, Austria and the Netherlands is undoubtedly one of the standout tours of 2023, featuring a swathe of never-seen-before elements, both front of house and backstage.

In addition to singing and dancing, Fischer’s role in the extravaganza sees her performing aerial stunts, accompanied by nine musicians, and a Cirque du Soleil cast that includes a ten-strong dance troupe and ten acrobats, who contribute to a hit-laden show offering ticket holders a three-hour visual and aural feast.

Rausch Live is filling arenas throughout the GSA region, typically in week-long mini-residencies where the production loads in on a Monday, before Fischer and the rest of the cast take to the stage for five dates – Tuesday, Wednesday, Friday, Saturday and Sunday – to sold-out auditoriums where audience demographics cover everyone from kindergarten to great-grandparents.

The tour’s producer and promoter, Live Nation GSA chief executive Marek Lieberberg, is just one of those in awe of Fischer, with whom he is working for the first time.

“We were with our previous promoter for about ten years, but sometimes you need to shake things up, so that’s why we ended up going to Marek and Live Nation”

Indeed, Lieberberg admits he was initially cautious about getting involved in Fischer’s career, despite the fact she is one of Germany’s biggest stars. “German pop music is not my expertise, and I had really refrained from promoting artists in that genre, so I had to ask myself if this was the right thing – would it fit the later days of my career? And was Helene an artist that would match well with Live Nation whereby her career would benefit?” Lieberberg says.

“Contrary to the rumour mill in Germany, I did not approach them; Helene’s manager, Uwe Kanthak, and I met by coincidence. And then, basically, it was down to meeting Helene: getting to know her and allowing her to understand what I’m all about. It was not a matter of us pitching for it, nor putting in an offer.”

Kanthak confirms this, telling IQ , “We were with our previous promoter for about ten years, but sometimes you need to shake things up, so that’s why we ended up going to Marek and Live Nation.”

Having first spoken to Kanthak three years ago, Lieberberg says he and Fischer first met over an informal dinner in Hamburg to explore common ground and figure out if working together would be a good move. “I think it’s very important that the formula of characters and of interests mix well,” says Lieberberg. “Thankfully, we both felt good about it and decided to re-meet and meet again. And through the meals we grew closer and developed an understanding that we would get along well.”

Recalling his initial reticence about Kanthak’s approach, Lieberberg reveals, “I looked at Helene’s previous tours and her versatility, which is absolutely unique. Globally, I don’t see any other artist that combines the capacities of singing, dancing, and acrobatics in the way Helene does. And that mixes in with a genuinely mellow, pleasant, understanding character. Don’t get me wrong, that doesn’t mean Helene is not one of the most demanding artists on Earth. But that’s in a good way: she is looking for the Olympic record – faster, wider, higher. And those demands are all directed toward herself.”

“She is one of a kind. She has the capacity to learn and be ramped up to an acrobatic performance level at a very rapid pace. The acrobats are super-impressed by her: she’s very daring”

Resident show director Gabriel Dubé-Dupuis has been working with Helene since 2017 and has been involved in more than 100 shows with the artist. He agrees with Lieberberg, noting, “One of the challenges is that Helene wants to be pushed to her limit and beyond. She is one of a kind. She has the capacity to learn and be ramped up to an acrobatic performance level at a very rapid pace. The acrobats are super-impressed by her: she’s very daring.”

Hitting New Heights With spectacular pyro, an incredible water installation, a giant robot called Pauline, and breath-taking individual and ensemble performances by Fischer and the acrobats, the production that the artist, Cirque du Soleil, and Live Nation have produced is setting new standards, prompting creative directors from around the world to sit up and take notice.

“The show is exceptional,” states Lieberberg. “It’s a three-hour show, and costume changes aside, there’s not a moment that Helene isn’t present. And she takes her audience very seriously: there is no way she will perform to a click track. Even when she is on the trapeze or is hanging face down or doing a somersault, her singing is always live. And I think that’s why every- body in the entourage and all the acrobats from Cirque du Soleil have learned to respect her.

“It’s Helene who pushes everything and everyone forward. And she has been relentless in that way. Wherever we were – rehearsals in Antwerp or Montreal, it was always Helene asking Cirque du Soleil certain questions. It’s a quest for excellence. It’s a quest for beauty. And it’s a quest for entertainment in a wonderful way, be- cause she embraces the audience every night and makes them feel that they’re so special – that’s something she really cares about.”

Resident show director Dubé-Dupuis comments, “We are tweaking the show on a daily basis because Helene can see little things that she wants to improve. You can rehearse everything except the audience, so there are programming things where Helene wants to hold and pause at certain moments for her fans, for instance.”

“We went to Las Vegas – Helene and her boyfriend, and me with my wife – and when we saw the Cirque du Soleil shows that is what gave us the idea to do something a bit different”

Joining The Circus Explaining how the concept of involving Cirque du Soleil evolved, artist manager Kanthak says, “We went to Las Vegas – Helene and her boyfriend, and me with my wife – and when we saw the Cirque du Soleil shows that is what gave us the idea to do something a bit different.”

Kanthak says that they arranged an initial meeting with Cirque du Soleil, and as a result, the Helene Fischer Live tour that straddled 2017- 2018 was created in collaboration with Cirque du Soleil Special Events Division.

On the current tour, the Cirque du Soleil elements have taken the show to the next level, necessitating a seriously complex and technical production that requires more than 100 crew members to build and operate.

“It’s our second collaboration with the Helene Fischer team,” confirms Marie-Hélène Delage, creative director for Cirque du Soleil. “Having worked with Helene back in 2017, we know that she’s really strong, and she likes to be challenged – she always wants to try something new. And because her music is at the core of the show, what we create has to be connected to the feeling and emotion of each song.”

In addition to Cirque du Soleil’s 20 performers in the show – split evenly between dancers and multidisciplinary acrobats – the resident show director, Dubé-Dupuis, is a long-time collaborator with the circus troupe, while the personnel can also count on a head coach and an athletic performance therapist “to make sure that everyone stays healthy and can offer the best performance every night,” says Delage. The tour also employs specialist acrobatic riggers, as there are no fewer than 14 automatic winches that Fischer and the other performers fly from during the show.

“We were literally ready to start the race and were waiting for the flag. But then that flag was red, so it was a real shocker”

An Unexpected Break Despite close to seven weeks of rehearsals, the intricate timing, complexity, and danger of the show was highlighted in dramatic fashion when Fischer had an accident and fractured a rib during final preparations, throwing the entire project into jeopardy.

“It was devastating,” says Lieberberg. “We were literally ready to start the race and were waiting for the flag. But then that flag was red, so it was a real shocker.”

Nevertheless Helene and her team took a pragmatic approach to the setback. Delage reports: “It was just a few days before we were launching the tour. We made the best of a dire situation by analysing, reviewing, and improving the scenario with Helene to ensure flow and finesse when she was ready to perform again.”

Lieberberg recalls, “We quickly had to scramble to find substitute dates. Our best-selling city is Cologne, so the fact that we had to reschedule those dates and try to salvage that situation was incredibly challenging. But we kept our composure, analysed our options, and found a solution. I always had a plan B, but I don’t think too many people want to see Marek Lieberberg on the trapeze,” he laughs.

As a result, the tour was put on hold for two weeks, during which Fischer’s injuries quickly healed, meaning that Hamburg’s Barclays Arena became the first dates for the tour.

That enforced downtime gave everyone involved in the production a few days off, while the decision was made to schedule a further five-day rehearsal before the premiere show in Hamburg. “Everyone was a little bit more rested and super-energised, so it actually turned out to be a great way to launch the tour,” adds Delage.

“The postponement was a real challenge because we had to cancel hotels and reschedule everyone going home and coming back when Helene recovered”

Such an unexpected spanner in the works put the skills of tour manager Dave Salt and his team to the test, having to quickly arrange travel for all the international personnel on the road – a major task given that the tour party and crew hail from 23 different countries.

“We had 127 people touring, including the dancers, band, and Cirque du Soleil performers,” says Salt. “So, the postponement was a real challenge because we had to cancel hotels and reschedule everyone going home and coming back when Helene recovered. We use IBERA as our travel agent partner and can access part of their booking system so we can do the bookings directly on a daily basis, which helped,” he adds.

Fischer’s Army Helping Fischer and the other performers to entertain hundreds of thousands of fans is a small army of live music professionals and experts, giving a very international feel to a production which is, to all intents and purposes, a national tour.

Lieberberg pays tribute to his colleague Robert Fülöp, managing director of Live Nation Theater GmbH and his team for taking the helm in getting the show on the road. “That’s the difference – we are not just the promoter, we are also the producer, who is employing 150 people, putting them on the road, and taking care of them. Anyone can buy a show, but to be part of the creative, organisational, and financial process all in one, is far more complicated.

“Thankfully, we have a wonderful group of international people – the best of the best in the mix. We’ve got the greatest people for video, we’re the first tour to use this fantastic new sound system that doesn’t need delays, and then of course there are the fire elements and the water elements that nobody has seen before. In that respect, we pitched for the best companies and people, and we got them.”

In charge of the various departments is production manager Sebastian Pichel, who is genuinely relishing taking such a ground-breaking show on the road.

“We need 31 trucks for the tour, but once we get to each venue, we maintain a core team of drivers, allowing the others to take on other duties during the week”

“We load-in to each venue on a Monday,” he says. “In the beginning, load-in was 12 hours, but that’s speeding up week to week. We have a core crew of 70 people assisted with up to 100 local crew for load-in at each venue and as many as 150 local crew for load-out.

“Then, on a Tuesday, every element has to be validated for safety, and there’s a full rehearsal with all of the performers, because we have A-, B- and C-trims for the production depending on the height of the roof for each arena.”

Those roof configurations mean that Fischer and the acrobats have to retrain for the different heights, while winches and other automation needs to be reprogrammed, along with the centrepiece water feature.

The mini residency feel to the tour also presents an alternative routine for Pichel’s drivers. “We need 31 trucks for the tour, but once we get to each venue, we maintain a core team of drivers, allowing the others to take on other duties during the week.

“However, we keep our buses and use them for shuttles to and from hotels, while the night-liners can be used by crew to rest during the day if they can find the time.”

Steven Kroon at trucking contractors Pieter Smit says, “We have four drivers that remain with the tour permanently, while the rest we re- call for the duration of the stay in each city and then have them return for load-out.”

“It’s a gigantic show, in many ways”

While all of the company’s trucks are the lowest emission – Euro 6 – Kroon says figuring out how to most efficiently use the fleet can become convoluted. “We try to minimise the empty kilometres, so we can opt to leave the truck and trailer behind and get the driver to travel back to base by train and then have them on another truck. Or they can drive the truck away to the next job if that makes more sense,” he says.

Kroon discloses that while the original plan for the production was 20 trucks, as the company’s drivers picked up equipment from the likes of WICreations and various other vendors, it became apparent that more of the Pieter Smit fleet would be required. “That’s how we ended up with 29 plus the two rigging trucks,” he says. “We have some stadium business this year, too, but Helene Fischer is definitely one of the biggest tours we’ll be working on in 2023.”

However, there could have been more vehicles involved had sound, lights, and video supplier Solotech not taken a chance to become the first tour to use L-Acoustics’ brand-new L Series speakers, which are smaller and lighter than anything else on the market according to the manufacturers.

“L-Acoustics are massively important to the show because we have weight issues everywhere we go – we’re flying 75 metric tonnes. The L-Acoustics speakers allow us to do that without compromising anything else,” says Pichel.

“It’s a gigantic show, in many ways,” says Germain Simon, head of product and technology marketing for L-Acoustics. “It’s gigantic in the technicality of the system, the way it’s deployed, but also involves a lot of acrobats – there’s a lot of things happening in the air, which brings a lot of restrictions, in terms of placement of product.

“It’s the first time that the L Series system has gone on tour in a real-life environment, and it’s started at the maximum – Helene Fischer is using the largest array that we can do, so it’s super-exciting and scary at the same time.”

“If, at the end of the day, the production can save one or two trucks, it’s drastic for them in terms of budget”

Noting that the speakers’ sound quality remains the number-one criterion, Simon notes that the smaller, lighter units – which are still in their pilot phase – offer huge benefits. “If, at the end of the day, the production can save one or two trucks, it’s drastic for them in terms of budget. But it also means that the show consumes less power and has lower emissions as well.”

Pichel notes that the innovative speakers allow better sightlines for the audience – a factor that was taken into account throughout the production design. “We also use robotic remote spotlights so that we don’t have to take out any seats in the arena for the spot operators,” he says.

Heavily involved in the production planning were set and automation wizards WICreations, whose equipment accounts for 14 trucks on the tour, while up to 16 staff from the company are working on the crew each week.

Among the show’s biggest features is a giant water feature that WICreations teamed up with French special effects pioneers Crystal to perfect for touring. Using 800 nozzles assembled in a ring above the stage, the water feature is a pixel-fall system that allows operators to create images with the cascading water – an effect Crystal has been honing in environments such as theme parks in recent years.

Crystal project manager Ysabel Vangrudenberg says, “It’s a 4,000-litre, closed-circuit system, which allows us to recycle the water. We use industrial quality pumps and nozzles to minimise the maintenance, while there’s also a heating system for the comfort of the performers, meaning the water temperature is a constant 33 degrees.”

“We use the water feature immediately before the interval so that we can clear up the splashed water from the rest of the stage”

Taking such an intricate system on tour is no mean feat. The water installation splits into five parts and takes one and a half trucks to transport. And while an onstage waterfall poses obvious hazards to the electricity powering the show, WICreations’ Raf Peeters highlights one of the main challenges that they had to overcome with Crystal’s designers.

“Some of the venues we use have ice rinks, but if there is any leakage at all from our production onto that ice, it would be catastrophic,” he explains. “We had to assume that we’d always have leaks on the seals between the units, so we included a series of gutters beneath the seals to negate that issue.”

Vangrudenberg notes that the installation, which also features a reflection pool, was designed with minimal connections but needed to be retrofitted with special filters to prevent confetti from blocking the water nozzles. “There’s a real danger of leakage when the unit is dismantled, but we’ve been able to meet that challenge,” she reports.

The results make all the effort worthwhile. “We have 40 different images we can show in the water to suit Helene’s thematic. But those images have to be altered and reprogrammed depending on the venue and the height restrictions we have to meet,” adds Vangrudenberg.

Production manager Pichel applauds those efforts, “Crystal had a steep learning curve to make their installation something that we could use on a tour, but I’ve been really impressed by the way they’ve worked with us to achieve those goals.

“We use the water feature immediately before the interval so that we can clear up the splashed water from the rest of the stage.”

“I am not exaggerating when I say that the concert and the acrobatic performance of Helene Fischer and her team was one of the best I have ever seen”

And embodying Fischer’s desire to pack in as many elements as possible to entertain her fans, the show’s interval sees her technical crew perform another unusual trick.

“The B-stage ‘sails’ into position through the audience during the interval, after it is detached from the main stage,” says Peeters. Not content with that impressive deed, the B-stage splits after its use by Fischer and slowly glides back through the audience to its original position as part of the main stage during Fischer’s visit to the C-stage – a giant industrial robot arm, named Pauline by the production crew.

Playing down the complexity of the automotive robot’s part in the show, Pichel notes, “Pauline is approved for industrial use, but she was not cleared for use in an entertainment role, so it was an interesting process getting that approval.”

Venue Delight The tour is providing some welcome business for the cities and venues it is visiting, with arena bosses keen to highlight their part in the process.

Steve Schwenkglenks, managing director of the Barclays Arena in Hamburg, which hosted the tour’s first shows following the premiere’s postponement, says, “Helene Fischer is one of Europe’s most successful female pop stars, and we were the first to experience her new show live for the tour opener at Hamburg’s Barclays Arena – five shows that were sold out completely. Helene not only has an incredible voice, but the athletic performance of her at the age of 38 is absolutely admirable. I am not exaggerating when I say that the concert and the acrobatic performance of Helene Fischer and her team was one of the best I have ever seen here at Barclays Arena.”

“There aren’t many German artists left who can sell out five shows in a row”

Those sentiments are echoed by René Otterbein at the Hanns-Martin-Schleyer-Halle in Stuttgart. “It fills us with great pride that we are part of the selection,” he says. “There aren’t many German artists left who can sell out five shows in a row. It was thrilling from the beginning until the end, and we were very happy when we finally made the contract.

“It’s a great honour for the capital city of Stuttgart. The hotels and all the other tourism benefit from the shows and over 55,000 visitors. This encourages us even more that we absolutely need a new big arena for Stuttgart.”

Mirco Markfort of SMG Entertainment Deutschland comments, “We are thrilled to welcome one of Germany’s most successful artists for five amazing shows. Helene Fischer goes above and beyond in order to put on a phenomenal show for her fans, and we are expecting a [fantastic] stage spectacle that will leave everyone in awe. It makes us proud to be able to put Oberhausen on the map of such an extraordinary tour and contribute to increasing the occupancy rate of our city’s hotels and restaurants.”

And in Cologne, which Lieberberg refers to as “Helene’s special city,” Lanxess Arena boss Stefan Löcher underlines this status by noting that she has confirmed seven concerts at the venue. “Hosting the highest number of shows per city on the whole tour in Germany makes us very proud,” says Löcher. “For the arena and for the whole city of Cologne, her visit has a great cultural value since Helene’s shows are always unique and popular. Therefore, we will be welcoming a huge fan base in August and September. Our whole team is looking forward to this exciting time.”

Meanwhile, in the Netherlands, promoter Rob Trommelen at Mojo Concerts is counting the days until Fischer’s 13 September show at the Gelredome in Arnhem for what will be the biggest date of her Rausch Live tour. With the stadi- um roof closed, the capacity for the concert has been set at 33,000.

“We sold 22,000 tickets in the first day, and we’re currently about 90% sold for the show,” Trommelen states.

“I did a lot of research on Helene Fischer back in 2017 and discovered that she has a massive following in Holland, mostly in the east and the south of the country”

Having missed out on Fischer’s last visit to his market, Trommelen reveals he’s delighted to be involved this time around, working with Live Nation colleague Lieberberg. “I did a lot of research on Helene Fischer back in 2017 and discovered that she has a massive following in Holland, mostly in the east and the south of the country,” he says. “In the end, the 2018 date went to Greenhouse Talent, so the date in September will be the first time I have promoted Helene – I’m really looking forward to it.”

You Let Me Shine With several cities now complete, the production crew is steadily becoming more efficient, but on stage, the evolution of the show continues on a day-to-day basis, according to Dubé-Dupuis.

“We are still tweaking things, and I’m confident there are still some surprises to introduce,” he tells IQ . “We have eight weeks off in the summer, then five days of rehearsal before we resume.”

While Dubé-Dupuis believes the tour provides Cirque du Soleil with a platform to develop content for other live shows, he notes that Fischer’s unique talents mean a similar production to Rausch Live would be unlikely.

“Her ambition and work ethic are incredible – if she calls, I am here,” he says. “But if I need her on stage at 4pm, I tell her that I need her at 3:30, because she needs to hug everyone and have a chat with everyone on the crew before she gets to the stage. That’s created a strong bond and a very happy touring party.”

“I must say, in my short period of 50-plus years in this industry, I have not met an artist with such a unique attitude”

It’s also made a certain promoter ecstatic.

“Helene is on stage bang on eight o’clock every night, Tuesday, Wednesday, Friday, Saturday, Sunday. And she’s the last person off stage, caring for her ensemble, the crew members, and so forth,” reports Lieberberg.

“I must say, in my short period of 50-plus years in this industry, I have not met an artist with such a unique attitude. She puts herself forward in every which way as the best example – the leader. And she will not ask anyone to do anything that she wouldn’t do herself.

Lieberberg has worked as Cirque du Soleil’s partner in the German-speaking territories for many years, while his history of promoting some of the biggest acts in the world dates back more of those 50-plus years.

Nonetheless, he states, “I don’t think there is a show that can rival this. I must say, I was blown away by Lady Gaga last summer. It’s tricky to make comparisons, but I would say that Helene has reached a new level.”

And harking back to some of the initial conversations he had regarding Rausch Live – and the very different ways that artist manager Uwe Kanthak wanted to market the tour, Lieberberg admits that he is beyond impressed by Fischer’s pulling power.

“We are not playing to Germans in the GelreDome – these are Dutch people who are coming to see the show. So, it definitely translates”

“It was a dogma of Uwe to play five shows per city and to put all the shows on sale at the same time – the Tuesdays and Wednesdays on sale alongside the Fridays, Saturdays, and Sundays. That was a hurdle, and I have to admit we would have liked to do it a little bit differently. But it was a precondition, so we were happy to go along with it. And, of course, it worked.”

Indeed, Lieberberg pays tribute to Live Nation CEO Michael Rapino for his faith in Fischer. “He was not really familiar with the artist, at first, but he trusted our opinion, and trusted our expertise, and completely endorsed the project.”

As for future plans beyond the 2023 tour, it’s evident that Lieberberg and Live Nation believe Fischer could take her talents to other countries – a fact backed up by September’s stadium show in Arnhem. “We are not playing to Germans in the GelreDome – these are Dutch people who are coming to see the show. So, it definitely translates,” says Lieberberg, noting that if Fischer had some more English-language repertoire, he has no doubt her superstar status could be replicated internationally.

But he concedes that what comes next is truly in the hands of the artist. “After 71 shows, Helene will take a very well-earned break and a leap back into privacy that she deserves (after devoting so much time to being on the road) with her family.”

He concludes, “I must say, this tour is one of the pillars and one of the highlights of my career. I’ve had the privilege of dealing with some incredible artists over the decades, and I’ve also had the great pleasure of falling out with some of the most incredible artist managers. But I’m so pleased that at this stage of my career there is something so unique and so successful to be involved with. That’s what we promoters live for. We work for success, and we strive for perfection. And I’m very, very proud of Helene, her whole entourage, and especially of my team here at Live Nation GSA.”

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Helene Fischer tour dates 2026

Helene Fischer is currently touring across 3 countries and has 8 upcoming concerts.

Their next tour date is at Olympiastadion in Berlin, after that they'll be at Mhp Arena in Stuttgart.

Currently touring across

• 🇨🇭 Switzerland

Upcoming concerts (8) See nearest concert

Olympiastadion

Deutsche Bank Park

VELTINS-Arena Gelsenkirchen

RheinEnergieStadion

Volksparkstadion

Ernst-happel-stadion

Stadion Letzigrund

Past concerts

Messe Düsseldorf

Festhalle Frankfurt

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Recent tour reviews

Amazing show, as always. Helene Fischer is beautiful from the inside and outside and I am always impressed about her ability to to anything. I am convinced, there is nothing she can't do!

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It was a great and very intertaining show. Very “summer” and “loose” stile. Summer party. As always Helene sang fantastic. The costumes very beautiful and sexy. I liked the colourful setup with lots of glitter. Really good dancers.

But Helene.... was unmatched.

The show was worth the 600 km drive.

And also a great great audience.

At only 30, German songstress Helene Fischer has pretty much accomplished anything she ever could have dreamed for. A Multiple award winner, she has also sold over 9 million albums and her most recent album, 2013’s Farbenspiel, went Platinum in just 5 days. There wasn’t much else left for Helene to do than to take her amazing show on the road and reach as many people as possible.

With the confidence and feel of someone of the great 80’s and 90’s singers like Mariah Carey or Whitney Houston, Helene absolutely dominates the stage. Even in front of sold out arenas, she strides with a poise that fans just love to see. Her spectacular voice can fill a venue with ease, and fans can’t fully appreciate the true power and beauty of her music till they have seen it live, surrounded by other loyal fans. With dancers, lights and an amazing stage setup all helping to boost the ambience, Helene’s shows become huge events, more than just a gig and you realise then that whether on record or in the flesh, Helene Fischer is absolute star.

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German music superstar Helene Fischer extends long term partnership with Universal Music Germany

Germany’s most successful female artist of the 21st Century, will release new album ‘Rausch’ in October

Helene Fischer

Berlin / Hilversum, NL – 16 September 2021 – Germany’s most successful musical artist, Helene Fischer, and Universal Music Germany, a division of Universal Music Group (UMG), the world-leader in music-based entertainment, today announced a new long-term extension of their hugely successful partnership.

Having first signed with EMI Records in 2005, before moving to Universal Music Germany in 2013 after the companies merged, Helene Fischer has continued to reach unprecedented career heights in Germany and Central Europe, consistently breaking sales records and achieving career milestone after milestone, with combined album sales exceeding 16.3 million. Since 2013, Helene Fischer has topped Germany’s annual sales charts on five separate occasions, more than any other artist in German chart history. Her much-loved album “Farbenspiel”, has sold more than 2.7 million copies, Germany’s most successful album of the past decade. Her mega-hit “Atemlos durch die Nacht” is the most successful German download single of all time and Helene is one of Germany’s most streamed female artists.

Helene Fischer’s record achievements are only outperformed by her service to the hugely popular genre of pop-schlager music in Germany. With her personality and music, she has successfully repositioned the entire genre. One might even say that she has reinvented it. Through breathtaking concerts to sold-out arenas and stadiums, she has delivered her trademark world-class performances to millions of fans across Europe, and through her own prime-time TV show on ZDF, has enchanted the nation with many special musical moments, collaborations, and performances over the past 10 years.

Together, Helene Fischer and her long-term Polydor/Island label team, have been united by a constant determination to make progress, turn new musical ideas into reality and create exciting entertainment and hits for her many fans. This new deal marks the beginning of an exciting new era for the collaborative partnership. Next year, Fischer will perform the biggest concert of her career to date in Munich, selling 100,000 tickets in under 24 hours. Her forthcoming new studio album “Rausch”, due out on 15th October 2021, looks set to write the next chapter in her record-breaking success story.

In making the announcement, Helene Fischer said: “To me, a successful partnership consists of mutual trust, professionalism, respect, endurance and the willingness to go that extra mile together. That is exactly what I have experienced with Universal for so many years. I cannot wait to continue realizing new projects and ideas together in the next exciting chapter of our collaboration.”

Frank Briegmann, Chairman & CEO, Universal Music Central Europe and Deutsche Grammophon: “We are very lucky to have been working with an incredible artist like Helene for such a long time and to continue our wonderful partnership together in future. Helping Helene enrich music with her art, again and again, to thrill her legions of fans and challenge them creatively, has been one of the most exciting experiences for our entire company. We are delighted and honored to continue our wonderful partnership for the long term. I wish Helene many more shared highlights and continued success in the years ahead.”

Tom Bohne, President, Music Domestic at Universal Music Germany: “Helene is one of the greatest artists of our time – incredibly successful, dearly loved by her fans, and yet still as likable and down-to-earth today as she was at the beginning of her career. It has not only been an honor to support a superstar of her caliber for so many years now in a professional sense, but it is also an absolute pleasure to work with Helene on a personal level. With this long-running collaboration and trust, we can now help advance Helene’s career sustainably and for the long term. This will allow us to continue to surprise and delight her audience, long into the future.”

Helene Fischer – “Rausch” will be released on Polydor/Island/Universal Music Germany on 15/10/21.

About Universal Music Group

Universal Music Group (UMG) is the world leader in music-based entertainment, with a broad array of businesses engaged in recorded music, music publishing, merchandising and audiovisual content in more than 60 countries. Featuring the most comprehensive catalog of recordings and songs across every musical genre, UMG identifies and develops artists and produces and distributes the most critically acclaimed and commercially successful music in the world. Committed to artistry, innovation and entrepreneurship, UMG fosters the development of services, platforms and business models in order to broaden artistic and commercial opportunities for our artists and create new experiences for fans. Universal Music Group is a Vivendi company.

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Helene Fischer Tour

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Helene Fischer Tour Dates in 2024

You’ll be excited to know that Helene Fischer is on tour in 2024. If you’ve waited a long time to see Helene Fischer live, the wait is over. Check Helene Fischer tour dates to find all tour stops on the upcoming tour & get tickets to see Helene Fischer live on tour at a show near you.

Helene Fischer has been topping the charts with their exciting and entertaining shows that will sure to thrill all Helene Fischer fans. Be sure to be first in line for tickets for Helene Fischer tickets for all tour dates so you don’t miss out. Make sure to take a look at other  concerts ,  sports , and  theater  tickets as well as there are many top events to watch this year!

Helene Fischer Tour Schedule

Are you looking for the Helene Fischer tour schedule? Look no further. Simply take a look above to find the Helene Fischer tour schedule as it’s quite possible that Helene Fischer will be stopping in your city while on their next tour.

Which City Can I See The Helene Fischer Tour?

You may be able to see the Helene Fischer tour to shows in Greensboro, Fresno, Ontario, Albany, Concord, Bethel, Memphis, Atlanta, Bangor, or Holmdel by buying tickets now.

How Much Are Helene Fischer Tour Tickets?

Helene Fischer tour tickets range in price depending on the event. Such as shows in Tampa, Dallas, Orlando, Tulsa, Detroit, Philadelphia, Buffalo, Denver, Wheatland, or Raleigh may be different in price compared to other tour shows in other cities.

Can I Buy Helene Fischer Tour Tickets?

Yes, you can buy Helene Fischer tour tickets to shows in Lincoln, Columbus, Birmingham, Jacksonville, Albuquerque, Cincinnati, Sacramento, Louisville, Charlotte, or Brooklyn online with the click of a button.

Can You Find Helene Fischer Tour Tickets Near Me?

Yes, you can find Helene Fischer tour tickets to events in Chicago, Seattle, Inglewood, Nashville, Scranton, Camden, Houston, Cleveland, Ridgefield, or Wichita via premiumseating.com.

How Can Someone Buy Cheap Helene Fischer Tour Tickets Online?

You can buy cheap Helene Fischer tour tickets online for the following cities Baltimore, Boston, Minneapolis, Pittsburgh, Rosemont, Phoenix, Tennessee, Indianapolis, Hershey, or Tacoma from premiumseating.com.

How Can I Get Tickets To The Helene Fischer Tour?

Helene Fischer may be touring in Columbia, Oakland, Hartford, Saratoga, Rogers, Anaheim, Austin, Newark, Miami, or Portland and you can buy tickets online from us.

How To Buy Helene Fischer Tour Tickets Online?

You can buy Helene Fischer tour tickets online to events in Irvine, Spokane, Milwaukee, Chula Vista, Darien Lake, Ft Lauderdale, Grand Prairie, Grand Rapids, Green Bay, or Kansas City with the click of a button.

Which Tour Stops Will Helene Fischer Be Performing At And Can I Buy Tickets?

Helene Fischer may be stopping at Las Vegas, Los Angeles, New Orleans, New York, Oklahoma City, Salt Lake City, San Antonio, San Bernardino, San Diego, or San Francisco on their next tour. Be sure to buy tickets right away.

What’s The Best Place To Get Helene Fischer Tour Tickets From?

The best place to get Helene Fischer tour tickets for the San Jose, St Louis, Virginia Beach, Washington DC, West Palm Beach, Sioux Falls, Grand Prairie, Grand Rapids, Atlantic City shows is from premiumseating.com

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HELENE FISCHER

• Concerts & Touring

WI had the opportunity to breathe to life the vibrant stage design for the Rausch Live Tour 2023 of schlager superstar and acrobatic power lady Helene Fischer and her creative team. Nothing beats the feeling when such a spectacular gig explodes full glory after 6 months of intensive end-to-end preparation. Together with an awesome Cirque du Soleil who created the show and the Live Nation production, our team supported with engineering, fabrication and automation of the complete stage structure with integrated catwalk system and performer winches. 

And besides the numerous performer winches, the kinetic ring is very often used as an acrobatic tool for even more flying effects. A total of 13 winches in the roof: 3 left and 3 right + 4 in the mother grid, 2 in the front for B-stage entry and revolving ladder and 2 for the scenic moon.

KINETIC RING

Central above the diamond is a mother grid that houses the spectacular raining system and the ‘kinetic ring’ playing several parts in the series of show effects. If you haven’t seen the show and don’t know the artist, then here’s a clue: there are many aerial performances by both the artist and her Cirque entourage. 

The ‘kinetic ring’ plays several parts in an amazing series of show effects including aerial performances and the spectacular Ruby reveal opening scene

VIDEO SCREEN

Also hung from the ceiling, a huge automated see-through video screen that can open and close again often used in combination with the band platform upstage on 2 risers that can split open.

REVEAL EFFECT

Moreover the ring is key structure for the spectacular opening scene figuring Helene casted in a brilliant ‘Ruby reveal effect’. Credits to Showtex who used their High Speed Reveal to make this magic happen. The structure smoothly moving combined with the magnificent red fabric unwrapping, is no doubt one of the many highlight show effects.

STAGE ELEVATORS

The stage holds no less than 3 lifts.

Upstage there is a lift of 4x2m in front of the video wall that is used for props, dancers and technicians. This lift also has a complementary scenic plug that can be mounted on the platform to go above stage level. Dancers can appear and disappear in group and a drum set comes up in another segment of the show.

Central in the stage is a fast circular performer lift that has direct access to Helene’s understage quick dressing room for costume changeovers. The lift opening can be instantly filled with smoke via special smoke inlets. 

Moving a bit more downstage we have our amazing TP05 lift that is used frequently during the show to lift the artist(s) high above stage level.

MOVING STAGES

Also count in WIMOTION controlled WITRACKS to move the Fischer stages. “The B-stage ‘sails’ into position through the audience during the interval, after it is detached from the main stage,” says Peeters (WI team lead). Not content with that impressive deed, the B-stage splits after its use by Fischer and slowly glides back through the audience to its original position as part of the main stage during Fischer’s visit to the C-stage”. Quote IQ – A high note Helene Fischer on tour. - https://www.iq-mag.net/2023/06/a-high-note-helene-fischer-on-tour/

The B-stage splits after its use by Fischer and slowly glides back through the audience to its original position as part of the main stage.

WATER EFFECT

WI are truly excited about the collaboration with Crystal Group, the French company based in Paris specialised in water show effects. The structure is WI, pumps and all water management intelligence is Crystal Group.  When engineers find their peers even in different drawing software, a beautiful effect comes to life. Add the touring efficiency that is imprinted in our DNA and a refined and compact automated water effect emerges. The most complex project of the set made easy thanks to a close collaboration of both of our engineering departments. 

The water curtain as such is impressive but what’s also definitely jaw dropping is the basin on stage, being able to flood or drain or even fill with cold fog and always heated water for the performer. A variety of effects all in one nifty touring system built in 30 minutes during load-in. And a close collaboration with the FX team from ER in charge of the flaming ring. 

WIND EFFECT

In the underworld there is a complete grid of ventilators with custom hatches towards the stage for creating the amazing effect of ‘the blowing in the wind dress’. 

WI technically supported for water, wind and fire effects in close collab with the FX teams of our partners.

GREAT OPERATORS

Fair credits go to all the crew and especially to Lukas,  an experienced performer flying operator who controlled the complete automation during the show. Coming from a stunt flying background he only received his training on our WIMOTION platform during the preparations at WI and quickly adapted to run this complex show in a few months.

When during rehearsals a robotic arm was added for a spectacular effect we were asked to provide an additional operator for this effect who could serve a double role as back up operator for WI and operate this robotic arm. David Evans a newly WIMOTION trained operator who found his way to lovely Heist-op-den-Berg has played this role magnificently. If you are interested in becoming a WIMOTION operator or engineer yourself, feel free to apply here… 

Undoubtedly 1 of the most complex but also most fulfilling WI projects of 2023 – Raf Peeters

Credits go to the entire WI team including the star leading our troops or PJ Nouwynck admitting he owns the Hawai-ironed shirt during the fotoshoot for TPi’s review you can read here: https://issuu.com/mondiale/docs/tpi276_digitallr .

• Raf Peeters - Project Lead 
• Stijn Cools -  Project Manager
• Pieterjan Nouwynck – Crew Chief onsite
• Lesly Van Rompaey – WIMOTION Integration Lead
• Wessel Fortuin – Lead Engineer 
• Jonas Vanwezemael – Lead Designer

PRODUCTION PARTNERS

• LiveNation GSA
• Cirque Du Soleil
• Crystal Group

Together with a premium selection of creative, productional and tech suppliers.

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