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I adore Horrorpops! You should adore Horrorpops! How could you not with a name like that and the fun sound they do? Patricia is a lovely woman with superb talent. She’s an utter joy to watch onstage, whether she’s singing or thumping away on her stand-up bass. There’s just something about a woman that talented with a musical instrument that gives me an instant crush. The shows they put on are interesting and fun on many levels. First, you have to appreciate their fashion sense. They are really committed to carrying out the look their name and genre appreciates. They stay in character, if you will. It’s a gimmick perhaps but it’s a good one. The crowd usually dresses the same way, so enjoy people-watching when you see this band! You also have to appreciate that no matter how they play any of their particular songs, revved up harder than on the album or softer, they always work. That’s how good of songwriters they are. Also, Kim’s voice is always top-notch and dreamy live as it rides on the dark waves of morbidly fun, fast-paced music behind it. Did I mention the go-go dancers onstage?

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I heard almost a whole song .the girl in front of me smelled like she ate a cat turd .some boy who didn't look more than 15 moshed me so before I put my cane up his butt I left.walked back to the ferry.i did however meet a few girls that were friends of Franks and Dean .they were so nice .told me how cute I looked Not too shabby for 57. That was my highlight,for buying three tickets and going in alone.

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Live At The Wiltern

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Horrorpops Denmark

Danish punk band that formed in 1996. The band's sound is rooted in psychobilly, rockabilly, and punk rock.

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Patricia Day of HorrorPops Discusses Highly Anticipated “Live at the Wiltern” Release

Monday, June 21, 2021 | Interviews

By RACHEL REEVES

For those who hit their teenage years in the late 90s and early 2000s, punk bands didn’t get much cooler than the HorrorPops. Fusing elements of psychobilly, punk, surf, ska and even new wave into one infectiously raucous sound, the Danish band easily racked up fans around the globe. Consisting of drummer Henrik “Niedermeier” Stendahl, lead singer/bassist Patricia Day and guitarist Kim “Nekroman” Gaarde, the band toured heavily during this time period. Known for their incredibly energetic stage presence, the HorrorPops often accompany their high-energy sound with theatrical wardrobe choices, Go-Go dancers and of course, Day’s iconic upright bass that may as well be the unofficial fourth member of the band.

After being signed to Hellcat/Epitaph Records in 2003 off of the strength of their demo tape alone, the band released three well-received albums over 4 years. They played hundreds of shows and became a familiar presence on the Warped Tour roster. Due to their popularity and strong fanbase, it came as a subtle shock to many when the band simply never followed up their 2008 release of Kiss Kiss Kill Kill with another album. Although Nekroman could (and still can) be found on stage alongside his band the Nekromantix, it seemed like the HorrorPops may have quietly retired as a band. However, everything changed when the band announced they would be reuniting for a short run of shows in early 2020. 

A true force to be reckoned with, the HorrorPops delighted fans and sold out venues once again. Further maximizing on the magic contained in this historic HorrorPops moment, the band decided to use this opportunity to release their very first live album. Filmed and recorded in early 2020 at The Wiltern in Los Angeles, the release features 19 tracks of classic HorrorPops hits and a newly recorded interview. To celebrate this highly anticipated release, Rue Morgue spoke with the one and only Patricia Day all about the HorrorPops return to the stage, her Danish upbringing, how the global pandemic is still affecting musicians, and so much more.

Thanks so much for taking the time to speak with me today Patricia! I’m so excited to chat with you.

I’m so happy to be talking to Rue Morgue again! It’s been 10 years since the last interview with you guys. 

I definitely wanted to ask you a little bit about that. It’s been awhile since the last album and the band took a little hiatus for a while. What was it that prompted this return of the HorrorPops?

We never decided to stop being a band or stop touring, and we also never really decided to start touring. So, hiatus…that’s been the word to use I guess, but nothing in the HorrorPops is ever planned. I don’t know what made us want to do a few shows again. Henrik Niedermeier moved back to Denmark about eight or nine years ago. He became a father and well, you know how that goes. Then, a few more years passed and we actually started missing each other a lot. Henrik and I have known each other since I was 12 or 13. He’s like my brother from another mother. We just missed each other! So, I was like, “Should we try and see if there’s any interest? It could be fun getting on the road!” Then we were checking around to see if anybody was interested in seeing the HorrorPops at all. We really didn’t know, but our booking agent was convinced that he could set up shows for us and sell some tickets. And he was right. We did!

That has to be a strange emotional crossroad to navigate, not knowing how a band reunion will be received. What was the general vibe from the fans once you did announce the new show dates? Were you at all surprised with the fan reception?

Yes! Super surprised! We were thinking, “Oh, we’re just going to do tiny clubs.” You know, 200 capacity rooms just for our own sake. But then it turned out to be bigger rooms and these rooms were selling out like, so fast. We were all speechless. We couldn’t believe what was going on, but it’s also a difficult edge to walk. On the one hand it was, “Wow.” With this kind of response, all these people coming to these shows, it’s great. But does that mean there’s a constant need for the HorrorPops? Or was that just because people were excited to relive a ‘high school days’ kind of situation? It’s hard to judge. To continue to the next logical question, are we now fully back as a band? I don’t know if we are. It depends. If people want us to play, we’ll play. But are we going to record a new album? Well, if people really want one, maybe. But we’re not really going to plan things. We’re going to do what feels right, when it feels right. 

I love that. It seems very organic, and, I would imagine, helps keep it fun.  

Yeah, definitely. 

While a future studio album is still up in the air, you recently released your first live album and concert video, Live at the Wiltern . Tell us a little bit about this release and why you chose to return with your very first live album. 

So there’s a couple of things. For one, it’s weird how our generation of bands, like bands that came out basically in the late ’90s and early 2000s, there’s not a lot of stuff about them online. Then Myspace started happening, which then died of course, but, we were in our prime when Myspace was at its peak. So anything that’s ever been about HorrorPops was basically on Myspace, and there was a lot. You know, people didn’t have the iPhone yet so there wasn’t a lot of filming the band live. You can’t find a lot of old, old tour stuff on YouTube. There’s certainly not a lot when compared to other bands. There’s some, but really crappy quality because it’s that old. So it’s like, “You know what? We should have something.” 

It’s kind of sad, you know, because we should have something online that shows who we are as a band live. I always thought that HorrorPops is a live band, a band you want to go see. It’s not just listening, it’s also watching. So I thought, “Let’s just record this so there is something out there for people to watch.” Basically that was the thought process. Again, it’s HorrorPops – we don’t really think that deep about any decisions that we make, but if I have to try and explain it, that would be my kind of excuse as to why we did it.   

You’re so right. HorrorPops is so wonderfully theatrical. I vividly remember the first time I saw you play at Warped Tour. To be honest, between you and Brody Dalle (of the Distillers), you were really the first live female fronted groups that I had ever seen and that ultimately had a huge impact on me. That makes me curious, who are some of the women who have inspired you along the way or are still inspiring you?

Well, it’s weird because being Danish means that I’ve grown up in a time, in a country, where there is no difference between men and women. Like, men don’t see women as any less than themselves. In Denmark, there’s also equal pay and equality is a real thing. So, you know, even though I chose a career in music where it’s very male-dominated still, being a Danish woman, it didn’t hit me in the same way as it has for a lot of American girls who still have this weird way of seeing themselves. 

And there’s this weird way that men see American women. For example, the whole engagement ring thing. Like, what the hell is that? You want the man to buy you? Is that what it means? There’s some cultural things there that are different being Danish. So, I didn’t really need to have girls to look up to in order to do what I did. That was the thing, I’m a person picking up an instrument. I’m not a gender, you know? It doesn’t matter for playing. I’ve been extremely lucky in that way. Of course, moving to the U.S, I started experiencing a lot of this basic sexism. But luckily, not in my formative years. But, who do I look up to today? Well, there’s not a lot of women in this business that are above even 30. Having a career doing this, there’s this idea that it’s only for young girls with bouncy body parts. Mine are more droopy than bouncy, but that happens with age. So, who do I have to look up to? What woman has done this, let’s say past 50 or 60? You’re getting down to less than five women, you know? There’s Dolly Parton. There’s Tina Turner, but that’s not a lot is it. So, I don’t really have anybody to look up to. 

“…even though I chose a career in music where it’s very male-dominated […], it didn’t hit me in the same way as it has for a lot of American girls who still have this weird way of seeing themselves.”

Well, you’re paving your own road and that’s part of what makes you such an icon. Also, thank you for calling me out: I told on myself and my own subconscious, culturally-ingrained thinking by asking that question, so I appreciate you discussing it a bit. The fact that you were raised in a culture that’s so much more progressive in regards to gender equality, I’m quite jealous of that. Poly Styrene from the X-Ray Spex once wrote about how she got into punk music because she thought it was this really inclusive creative space. But then once she got into it, she realized it was just as misogynistic as any other industry. Having that gender-neutral background, do you think that strong foundation helped you navigate the music business when you came over to the U.S.? Was there anything that surprised you about how you were treated over here?

Yeah, of course. And luckily for most things I just think they’re hilarious. Like, I actually enjoy standing on stage for a soundcheck and there will be some local sound engineer that will not communicate with me about what I need because I’m a woman. Like I don’t know any technical details of what I want in my monitors. They’ll communicate with Kim or Henrik like, “What does she want in her monitor?” And I’m just dying laughing because first of all, Kim and Henrik don’t know how to handle that situation at all. Because the last thing you want to do is fuck around with the local sound guy. That can ruin the night for everybody, you know? So, watching them trying to navigate this timebomb between them, dealing with it, and keeping on the good side of the local sound engineer and not having me either fucking die laughing or throw a fit, that’s always an entertaining moment. 

I don’t know if it helped me navigate anything. It’s like asking, “What’s it like being a woman?” I can’t answer that question. I have my own perspective. However, I was surprised when we went into recording the second album Bring it On! , Brett Purvis was producing it, and Brett was talking about [how] he was going to release a Suicide Girls DVD. And what I thought about that, again, this says something about how long ago it was, was, it’s weird because I have all my tattoos and all that. I didn’t want to be a sex object. I wanted to be one of the guys or whatever. It was considered very unfeminine to be heavily tattooed. And now, all of a sudden, it’s becoming sexual and objectified and I’m not sure I like that turn. Then Brett said, “Wow, you’re a feminist.” And I was like, “I didn’t know that was being feminist. I thought it was just not wanting to be objectified.” So that’s an example of, “Okay. What am I going to do in this situation?” Other than going like, “Well, that says more about you than it does about me.”

The HorrorPops have been together for nearly 25 years now, which is a feat for any band. What do you still love about creating with Kim and Henrik after all this time?

Well, our 25th anniversary is coming up in August. That’s when we started at the first practice, Kim, Henrik, and I. That’s how we started out, and we are truly the best of friends. Like, we were the best of friends and we’re all kind of like an old marriage. We all know what each other’s thinking. Half the time we’re laughing without even having to say what is making us laugh because we all know, you know? It’s so bad that people will say, “We don’t understand hanging out with you guys.” [Laughs] It’s not just the language barrier most of the time either. We’re just non-communicative because we just know. It’s very, to use a Danish word, hygge [ a quality of coziness and comfortable conviviality that engenders a feeling of contentment or well-being]. It’s very, very comfortable and homey to just be the three of us. It’s such a joy and personally, I could spend the rest of [my] life on the road with Kim and Henrik without it being any kind of a problem. I love them.  

That dynamic really translates. It genuinely seems like you three are always having the best time on stage.

We are! And we’re pointing and laughing at each other a lot . [Laughs] 

So, on this new release, there’s a little interview, and you were asked a question, but I wanted to re-ask you the same question because so much has happened over the last year and a half. The question was, why does the world need this type of art right now?

So, why do we need live music? I think COVID really answered that question for us. We need to be together in a room with a lot of people singing the same tune or you know, moving to the same beat. It’s just, what’s the word…primal. We just need that. As human beings, we connect on a different level when we are together with people that like the same music as we like. There’s just a connection. But why do we need HorrorPops as a live band right now? I don’t know. I hope somebody needs us to play. That would be nice. I cannot say that we have more to offer than any other live band, but that would be a question to our fans, not us. 

Between the HorrorPops and Kim’s other band the Nekromantix, there’s a lot of spooky and horror imagery present. Are you or any of the other band members fans of the genre?

First of all, if we’re talking horror movies, that’s definitely Nekroman’s department. And Niedermeier. There’s a generational shift between them too that’s interesting. Like, Nekroman loves all the, you know, the early horror movies— Suspiria , the ’70s and ’80s. Also, he’s into the end of the ’80s stuff where it’s what was then called splatter and where Evil Dead came from. But, I’m not into horror movies. They don’t do shit for me. I don’t need to get scared and I do get scared watching horror movies. I actually do jump and scream and pee my pants. I don’t find it funny. Horror is for people who have, I believe, a secure life where they haven’t experienced a lot of actual horror. But that’s just my personal theory. Now, if we are talking books, that’s definitely my department. Especially horror that crosses with sci-fi. Like, The Bible for example. No, I’m kidding. [Laughs] But if you’re talking Lovecraft, that’s more down my alley. 

So, right after this 2020 tour that we see on the Live at the Wiltern release, the world shut down due to COVID. As musicians, I imagine that had a huge impact on you and a lot of people that you know. How did the global pandemic end up impacting you and how did you all end up coping career-wise?  

It’s interesting because you’re asking that question in the past tense. 

Oh wow, you’re right. Yikes. I’m so sorry.  

It’s just that it’s not. It’s not past tense for us. Not for me personally anyways. The Nekromantix played a show right as California opened up and allowed outdoor shows. Like, two days later, he was on stage. Lucky him. But that doesn’t happen for a lot of people. For most musicians, they’re starting now to book shows, but tours usually book six months in advance, that’s just industry standard. So, you’ve got every fucking band at every level who wants to go out and play every venue. Plus, a lot of them have closed and have not survived. Then, the ones that have survived don’t have any personnel because they had to fire everybody. Now they’re having to rehire people for everything. So when a venue is ready to say, okay, we can start booking bands, it’s tough. 

Even six months from now when you start seeing shows, since everybody wants to play, every venue has at least a hundred bands each night to choose from. Each musician is in a hardcore competition with each other and the venues know that. And, they’re going to do everything they can to save money because they’ve had it fucking tough too. But that means the offers for bands to play are very, very low. So as a musician, when you do get the chance to come out and play again, you’re going to be playing for a lot less money. Now, the fan going into the show ain’t going to see a difference. They’re still going to pay the same ticket price as they did last time they went to a show. But the band now only gets maybe a third of what they used to because the venues need to make that profit. And there’s a whole thing about that that pisses me off. 

Long story short, the venues asked fans to please help out in this crisis. Asked musicians, “Please help us.” There was this whole thing called Save Our Stages. I don’t know if you’ve read about it or heard about it, but that was a thing. So, every band that could did a live stream or whatever and made fans donate. Right. So now business is coming back. Now, every venue that’s out there—including venues that were asking musicians to help—now these venues are putting in clauses into the contracts saying basically, if tickets don’t sell as they were expected to, they can cut whatever fee. So now there’s nothing called a ‘guarantee.’ You’re not guaranteed any kind of pay any longer as a musician. You can be having to drive a thousand miles across the country to play a show and you don’t know what you’re going to get paid. It can be nothing. 

Yeah, that’s messed up.

It’s so messed up. But, there’s so much of this industry that…oh, it makes me so angry. And I guess that was the reason why I needed a break from it. Because I’ve always been very heavily involved in everything that we did. We never had managers or management of anything. I’ve done it all. Which then means I dealt with all these assholes taking advantage. It makes me so tired. Another example is that most fans don’t know, and I wish more people were aware, that every venue that a band plays charges 20% minimum for the band to sell their t-shirts. Now, that 20% is before costs. So the whole cost of the shirt or whatever is on the band. I mean, the venues are actually making more per shirt sold than each member in the band is making per shirt sold. That’s just how the industry worlds.      

I’m really glad you’re talking about this. I think fans deserve to know where their money is going. 

Yeah. But I mean, there’s not a musician’s union and it’s the name of the game. Everybody’s competing with each other, so there’s not really going to be any chance. All the venues can figure it out together and band together to make an industry standard, but we musicians can’t because we’re hungry. We’ll take whatever we can get. So, we always end up fucking ourselves. That’s just the name of the game I guess. 

The HorrorPops Live at the Wiltern is out now. You can purchase the Blu-ray/DVD and CD set via MVD Entertainment Group or snag a limited vinyl version of the release from Cleopatra Records. Rue Morgue is also giving readers a chance to win a copy for FREE! Click here for further details. 

Subscribe today to win a copy of Horrorpops – Live at the Wiltern Blu-ray/DVD courtesy of MVD Entertainment Group and Cleopatra!

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HORRORPOPS-THE QUAKES-FRANKS & DEANS 2020

  Direct support for The Horrorpops    

FRI-1/31 - Brick By Brick-San Diego CA- SOLD OUT

SAT-2/1 -Nile Theater- Phoenix AZ- SOLD OUT

TUE-2/4 -Oriental Theater-Denver CO- SOLD OUT

WED-2/5 -Metro Music hall- Salt Lake City UT

THU-2/6 -The Olyimpic-Boise ID

FRI-2/7 -El Corazon-Seattle WA- SOLD OUT

SAT-2/8 -Dantes-Portland OR- SOLD OUT

TUE-2/11-Virginia st Brewhouse-Reno NV

WED-2/12-Goldfield Trading Post-Sacramento CA- SOLD OUT

THU-2/13-Slims-San Francisco CA

SAT-2/15-The Wiltern-Los Angeles CA- SOLD OUT

SUN-2/16-Fremont Country Club-Las Vegas NV- SOLD OUT      

We had a real good tour with The Horrorpops and Franks and Deans! We want to thank Patricia Day for inviting us. Thanks to the Horrorpops crew (Brian,Boris,Matt and dancers Kelly and Rita) and of course Neidermayer and Nekroman. A big thanks to Rob,Cam,Hoss,Sampson and Nicole from Franks and Deans who were just great. Thanks to our merch guy Jeremy who was called “jammer” by one of the production staff in a certain venue and now he’s stuck with it. :-)

There were a couple of weather related issues for us driving on ice. Luckily I’m from Buffalo and we did not end up in the ditch as so many cars and trucks had on I-80 from Denver to Salt Lake City. (almost though). Then there were two main highway closures from Boise to Seattle that made us three hours late for load in. We are sorry we had to Cancel the show in Boise. At the Wiltern in Los Angeles Patricia’s bass was not working on the first song. We took Wes’ pre amp and switched it and it worked fine. The very next night it was our turn… Wes’ bass was shorting out on the first two songs in Las Vegas and Patricia let Wes use her bass for our set. That is the thing about this scene and the people in it, we are all in it together.

The Horrorpops took us bowling in Las vegas after our last show there and The Koffin Kats showed up! They were flying home after some shows in Denver and again it was great to be around all of our musical friends.

Most of the shows on the tour were sold out. I think things are starting to pick up again for our scene. Hopefully we can come back to the cities we played in and do our own full length show. We had a 45 minute spot on the show and we tried to cram as much from 34 years in as we could.I know we made a lot of new fans out there. If you were seeing us for the first time and you are reading this, check out our whole history. We have had a wide range of styles over the years. Thank you to all those fans who told us how much The Quakes music means to you. It feels good to know you are out there!

A special thanks to all those people who helped us with our set up each night,all the promoters and Brando at Atomic booking. Photos by Kalie Capadona, Andrew Gourd #thequakes #thehorrorpops #franksanddeans

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The HorrorPops current tour is covered by Billboard.com!

"We love touring," says vocalist Patricia Day, who also plays the upright bass. "Everything else like recording an album or doing photo shoots and interviews are all things we do in order to get the f*** back on the road."

The group, which hails from Copenhagen but is currently based in Los Angeles, has been able to do just that and more. HorrorPops is on its first U.S. headlining tour in support of "Bring It On!" which entered Billboard's Top Heatseekers chart last week at No. 23.

"It's really exciting, but it's a bit fuzzy 'cause there's lots of alcohol involved," she says. "The first few shows we played in the U.S., there were quite a lot of psychobillies at them because of the upright bass and our image. Now we hardly see any. Now there's a lot of punk kids and rock'n'rollers. Even the pretty, pretty girls with their Louis Vuitton bags are there, too! It's a very diverse crowd, which is so cool."

HorrorPops -- comprised of Day, guitarists Nekroman and Geoff Kresge, drummer Niedermeier and the "Bringin'it'on!" dancers, Kamilla Vanilla and NoNo --- smash together psychobilly, power pop, punk, ska and every genre in between.

"We started this band so we could actually play all styles of music and not limit ourselves to one little subgenre," Day says. "We were kinda like, 'OK, f*** that. We just wanna be able to play whatever we feel like.' You know how like in your record collection there's probably an album or two in there you don't show all your friends? We don't want to hide those records. If we want to play something inspired by Barry Manilow, we go out there and do it. We like having fun with the music."

Because of the members' campy appearances and the fact that Day uses an upright bass, the band is often labeled purely psychobilly, but Day doesn't want anyone getting the wrong impression.

"We do have a psychobilly background -- Geoff and Nekroman come from Nekromantix and Tiger Army, which are basically the two biggest psychobilly bands out there. So we know a lot about psychobilly. Enough to say we're not psychobilly," she says. "It's out of pure respect for the [genre] that we are so strongly against being called psychobilly.

"The good side of being called that, though, is that a lot of kids will start looking for other bands that play that style of music," she continues. "And they'll get introduced to a lot of our friends [laughs]."

Since the Sept. 11, 2001, terrorist attacks on the United States, it's been a struggle for the band to obtain the right paperwork in order to stay in the States. But Day says it's worth the struggle.

"C'mon, Denmark? Five million people, three rock'n'roll venues? It's a s***hole," she laughs. "Getting out of there was the best decision we ever made."

Indeed, Denmark, which is best known for helping break such dance acts as Ace Of Base and Aqua, isn't high on the list of places HorrorPops plans on touring any time soon.

"Let me put it like this," Day says, "we're going on a European tour and we're not even playing Denmark. There's no reason to go there at all, it's all about dance [there]."

So how did a bunch of psychobillies team up in such a dance-oriented country?

"That was really easy," she says. "There would be us and only us that liked the music that we're into and looked the way we did. We basically met each other by saving each other's asses from getting beat up. Then we kind of stuck together because there's safety in numbers. It was like living in the Midwest or something."

In the end, that small town safety net turned into a raucous rock'n'roll band that has toured the world, and they don't plan on turning back any time soon. "We're best friends, we travel all over the world, we get s***faced every night and we get paid for it," Day says. "It doesn't get any better."

HorrorPops are currently on tour with Roger Miret & the Disasters and Left Alone.

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Psychobilly act HorrorPops have announced details on their "It's All Hallows Eve Tour" of the US and Canada. The group will be joined by Beat Union for the first half of the tour and by Longway on the final LA.

We're happy to be able to tell you that our dancer Rita-tah is better! She's been working hard to get her body to do what she wants with out being in pain and we can't wait to tour with her and Tweek again. The bad news is, that due to gas prices etc we can't bring them on the whole tour. It might sound crazy, but the economy actually also affects bands and venues (last tour we spend $13200 on gas alone). We're going to keep touring to keep our name alive and hope for better times where we can again be the 5 people on stage that we like to be. We hope you understand and we promise you to still keep giving you one hell of a show. Rita-tah and Tweek will be joining us on quite a few shows on this tour, but how many and where all depends on how much merch we sell, so go buy a shirt to support your favorite band!

The band released Kiss Kiss Kill Kill earlier this year.

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So-cal hoedown lineup announced, horrorpops' patricia day sues mattel over barbie doll, the horrorpops.

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HorrorPops Concert Setlists & Tour Dates

Horrorpops at when we were young 2022.

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HorrorPops at House of Blues, Anaheim, CA, USA

• Psychobitches Outta Hell

HorrorPops at El Corazón, Seattle, WA, USA

Horrorpops at bossanova ballroom, portland, or, usa.

• Kool Flattop
• Thelma & Louise
• Hit 'N' Run
• Girl in a Cage
• Dotted With Hearts
• Baby Lou Tattoo
• Private Hall of Shame

HorrorPops at Sunshine Theater, Albuquerque, NM, USA

• Walk Like a Zombie

HorrorPops at Greek Theatre, Los Angeles, CA, USA

• Everything's Everything

HorrorPops at House of Blues, Las Vegas, NV, USA

Horrorpops at metro music hall, salt lake city, ut, usa, horrorpops at el rey theater, albuquerque, nm, usa.

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• Ghouls ( 14 )
• Miss Take ( 14 )
• Where They Wander ( 13 )
• Baby Lou Tattoo ( 12 )
• Julia ( 12 )

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103 people have seen HorrorPops live.

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Eclectic Horror Pop superstars HORRORPOPS release their first ever live album!

It’s been over 12 years since L.A. transplants Horrorpops have released a full-length album and almost as many years since they’ve performed their delicious blend of ‘80s new wave, punk, rockabilly, surf and ska on stage. So it seems especially fitting that the Copenhagen natives, still led by the powerhouse duo of Patricia Day and Kim Nekroman, have marked their return with a spectacular full-length, multi-media concert album that brings all the magic of the band’s stage show to your home. Filmed and recorded in early 2020, Live At The Wiltern features supercharged performances of the band’s best-loved tunes including “Walk Like A Zombie,” “Miss Take,” “Freaks In Uniforms,” “Where They Wander,” “Hit ‘N’ Run,” “Psychobitches Outta Hell” and so much more!

Patricia credits the fans with this show’s release; “ We wouldn’t be here without you” is a total cliché, but damn, you made it true and this album is the proof. We might have forgotten we were a band, but you sure as hell didn’t!

This very special release will be available on June 18th, 2021 in all formats including a superb Blu-ray/DVD/CD combo pack as well as on colored vinyl (GOLD or SILVER) or a special 180-gram BLACK vinyl!

OFFICIAL TRAILER

Order the album: https://orcd.co/horrorpops_live_at_the_wiltern

Track List 1. Intro 2. Julia 3. Thelma & Louise 4. Kool Flattop 5. It’s Been So Long 6. Hit N’ Run 7. Dotted With Hearts 8. Baby Lou Tattoo 9. Freaks In Uniforms 10. S.O.B. 11. Undefeated 12. MissFit 13. Everything’s Everything 14. Psychobitches Outta Hell 15. Girl In A Cage 16. Ghouls 17. Walk Like A Zombie 18. Miss Take 19. Where They Wander

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Posted by Locke Dan | Jul 1, 2021 | Interviews , Punk , Rock | 0 |

Eclectic Horror Pop Superstars HorrorPops To Release Their First Ever Live Album on June 18th

Interview conducted on June 12, 2021

By Dan Locke,

 It’s been over 12 years since L.A. transplants  HorrorPops  have released a full-length album and almost as many years since they’ve performed their delicious blend of ‘80s new wave, punk, rockabilly, surf and ska on stage. So, it seems especially fitting that the Copenhagen natives, still led by the powerhouse duo of Patricia Day and Kim Nekroman, have marked their return with a spectacular full-length, multi-media concert album that brings all the magic of the band’s stage show to your home.

Filmed and recorded in early 2020,  Live At The Wiltern  features supercharged performances of the band’s best-loved tunes including “Walk Like A Zombie,” “Miss Take,” “Freaks In Uniforms,” “Where They Wander,” “Hit ‘N’ Run,” “Psychobitches Outta Hell” and so much more!

Patricia credits the fans with this show ’s release: “‘We wouldn’t be here without you’ is a total cliché, but damn, you made it true and this album is the proof. We might have forgotten we were a band, but you sure as hell didn’t!”

This very special release will be available on June 18 th , 2021 in all formats including a superb Blu-ray / DVD / CD combo pack as well as on colored vinyl (gold or silver) or a 180-gram BLACK vinyl.

View this post on Instagram A post shared by Horrorpops (@horrorpops_official)

How did you discover music?

To me, music was always there…. it’s as difficult as to answer when I discovered food or something similar. There was music on Tv, music on the radio and even in elevators and supermarkets 🙂 

 Kim- How did you get your first guitar, and do you still have it?

I got my first guitar from the Danish version of Penny Saver. It was an old 1960’s Framus Television Hollow body selling for $25… (yes twenty-five). When I called the guy, he said that someone else was on the way already to pick it up. I was obviously bummed out to miss such a great deal. However, two days later the guy who bought it, called me and said the seller had given him my phone number if the guitar wasn’t what he expected. To my luck, he was not happy with the guitar and was willing to let me have it for what he paid for it. Without any hesitation, I went and got the guitar. Yes, indeed I still have that guitar.

Kim, I know you also play bass.  How did you come across the custom coffin shaped bass?

I build all my coffin basses myself. 

Kim- What is your guitar of choice now?   Year, make and model?

View this post on Instagram A post shared by Patricia Day (@patricia_day_official)

For the past many years, I’ve been playing my custom painted Sparrow “Big Daddy” Hollow body. It was made around 2008 by the now-defunct Vancouver Canada company. I have later beefed it up with TV-Jones Classic Plus pickups and other hardware.

Pat- How did you pick up the bass?

She picked up double bass when we formed the band. She was a guitarist and I was a bassist…. switching instruments was a nice challenge and gave us both a new angle and approach to writing music.

Pat- What is the make and model of your double bass?

That would be a Nekroman make and model HorrorPops. Yes, I custom built that bass for her.

How did you start the HorrorPops? How did you get your bands name?

We formed the band after my band and Patricia’s former band played together at the Cologne Popkom in Germany. It was an annual music industry gathering. After the show We talked about how cool it could be to form a band that didn’t really fall into any specific category or genre. A band that took inspiration from anything from Dolly Parton and Depeche Mode to Gene Vincent and Motorhead. No rules, just having a good time.

 What was your first performance as a band like?

Not sure I even remember that anymore….it was probably chaotic haha. 

Why didn’t Dave Navarro make the band?

Haha he wasn’t Danish enough 🙂 

What is the story behind the Barbie Doll lawsuit?

Under the advice of counsel, I assert my Fifth Amendment privilege.

Tell me about your new Deluxe Blu-Ray/DVD/CD?

After a long hiatus, we decided to tour again in early 2020. We had a sold-out show at the Wiltern in Los Angeles and Cleopatra approached us with a deal to film the show for a DVD/Blu-Ray/CD and Vinyl release. We thought that would be a great treat for our fans and an awesome way to mark our return to the stage and touring life. It’s capturing what we are all about and is a manifestation of the love we have for performing.

You film it right before the Covid-19 was a think.  Did you have any feeling that it was a read thing at the time?

Yes, it was filmed in February 2020, so one month prior to the initial Covid lockdowns. At the time of the filming, it was still unclear what major impact it would have on, not just China, but the rest of the world. We had planned several tours in 2020, but that obviously didn’t happen as planned. We are just happy that we were able to finish that tour before everything went crazy.

 What is your favorite track on your album?

Hmmm…. I don’t think I have a favorite track…I’m just happy and stoked about the result…. All the fan-favorites are included and I hope that the fans will be just as happy with the result as we are.

  How can bands keep their fans if they cannot play live in front of the fans and sell merchandise to them at the show? 

That is a hard one. Luckily our fans are very loyal…after all they waited almost ten years for our return. When we came back in January 2020, it was like we never left…. fans that were teenagers the last time they saw us, were now adults with kids on their own lol

 What about Holographic concerts in our living room?

Now that could be neat…. unfortunately, we are not quite there with that technology, but when it gets here, that is certainly something we would explore.

 What is your happy place?

I like building stuff…. music instruments, cars, electronics, motorcycles etc etc, so doing that at home, makes me pretty happy.

 Danny Wimmer Presents just announced their 2021 Festival Calendar: Which includes the following live shows: DWP Partners With Inkcarceration Music & Tattoo Festival For July 23-25 Event In Mansfield, OH Louder Than Life Set For September 23-26 With Newly Added Thursday Night Celebration In Louisville, KY Welcome To Rockville Expands To 4 Days And Shifts From Spring To November 11-14 In Daytona Beach, FL Aftershock Set For October 7-10 In Sacramento, CA, Almost Sold Out Would you be willing to play these shows and what precautions would you like to have in place?

Yes, we would love to play shows like that. As for precautions, it’s all up to the individual state and authorities to follow whatever current guidelines. Hopefully, by then, we are closer to herd immunity.

Anything you would like to say in closing.

Yes, we hope to see you all out there on the road sooner than later. Everybody miss concerts and shows…. both fans and performers alike.

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Horrorpops Tickets

Horrorpops Concert Tickets

Jam out to an adrenaline-pumping concert when you get Horrorpops tickets. The Danish psychobilly band was first formed in 1996 and was founded by Patricia Day and Kim Nekroman. Some of the band’s earliest influences include the Banshees, Blondie, and Depeche Mode. They released their first EP in 2003, which was titled Ghouls/Psychobitches Outta Hell . Just a year later, they released their debut studio album, Hell Yeah!   in 2004.

The album proved to be an instant sensation and achieved a 4 out of 5-star review from AllMusic. Horrorpops’ 2005 subsequent album, Bring It On! , was just as successful and got a seven out of ten rating from PopMatters . The album also peaked as No. 23 on the Billboard’s Top Heatseekers Albums chart. Since their debut album, the band has released over three EPs, three studio albums, and a handful of music videos.

Anyone looking for a punk rock band with unique horror-style lyrics should look no further and purchase Horrorpops tickets. Some of their top songs include “Miss Take'', “Where They Wander”, and “Walk Like a Zombie.” Horrorpops have attracted a wide fan base across the world and have even been featured in magazines like Billboard . The Danish band has toured with similar punk rock bands like The Quakes, Franks & Deans, and The Creepshow.

Horrorpops Ticket Prices

There is a multitude of variables that affect Horrorpops ticket prices. These include the length of the tour, the capacity of the arena and if it’s a sold-out tour. Ticket prices are also impacted by where you are seated and if you’re looking to purchase floor seats, lower level next to the stage or an upgraded VIP package.

How much are Horrorpops tickets?

The average price of a Horrorpops concert ticket is around $97 per ticket. If you’re looking for cheap Horrorpops tickets, you’ll find better prices for cheap tickets in the upper levels furthest from the stage. Discount tickets that are farthest from the stage will typically be under $49. If you are looking for premium seating or VIP tickets, you can expect to pay over $150 per ticket in most cases.

Horrorpops Tour Dates & Concert Schedule

Horrorpops tour dates vary from year to year. In most cases, tours tend to be 6-12 months, but can extend over multiple years especially if it is a final tour. Horrorpops concert schedule will typically have 25-50 tour dates.

There also can be a performance at music festivals across the country that include Coachella , Lollapalooza and Bonnaroo Music Festival. Bonnaroo is held in Manchester, Tennessee. Coachella is held at Empire Polo Fields in Indio, California and Lollapalooza in the United States is held at Grant Park in Chicago, Illinois. It's easy to find seats to Horrorpops tour when you shop with us. Shopping with TicketSmarter even makes it easier to get into the venue. Our mobile transfer Horrorpops tour tickets let you skip past the box office line and head right for your seats.

When do Horrorpops tickets go on sale?

Typically, Horrorpops concert tour tickets go on sale 4-6 months prior to the performance and sometimes even a year in advance. Once the tour dates and concert schedule is announced, you can check our event calendar to find your perfect date and venue. Horrorpops concert tickets will typically be available within 24-48 hours of a tour announcement. There is never a need for a presale code. Why wait for the public on sale when you can secure your seats today.

Horrorpops Seating Chart

The seating capacity will vary depending on the venue utilized for the tour or festival. With large festivals like Coachella and Lollapalooza , you can have upwards of 100,000 concertgoers per day. For most large scale arenas like T-Mobile Arena in Las Vegas, the seating capacity is around 20,000 seats. Just a few of the luxury seating options include suites, box seats and VIP concert tickets. Most festivals will include general admission and lawn seating.

Safe and Secure Horrorpops Ticket Purchasing

TicketSmarter’s worry-free ticket buying experience ensures that you'll always find great deals on authentic concert tickets to see your favorite performers live. We've worked hard to turn TicketSmarter into the safest place to buy Horrorpops tickets. We back up this promise with our low price guarantee and 100% ticket guarantee, both of which assure your entry into your concert at a competitive price.

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All TicketSmarter pop/rock concert tickets are 100% guaranteed. Verified customers rate TicketSmarter 4.6/5.0 stars, so you can order with confidence knowing that we stand behind you throughout your Horrorpops ticket buying experience.

Songs from the Horrorpops Tour Setlist

Horrorpops's setlist while performing in Portland , OR at “Bossanova Ballroom” included the following songs:

• Kool Flattop
• Thelma & Louise
• Hit 'N' Run
• Girl in a Cage
• Dotted With Hearts
• Baby Lou Tattoo
• Private Hall of Shame
• Everything's Everything
• Psychobitches Outta Hell
• Walk Like a Zombie

Source: Setlist.fm

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