hundred foot of journey

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“The Hundred-Foot Journey” is a film that demands that you take it seriously. With its feel-good themes of multicultural understanding, it is about Something Important. It even comes with the stamp of approval from titanic tastemakers Oprah Winfrey and Steven Spielberg , who both serve as producers. What more convincing could you possibly need?

There’s something familiar about the treacly and sanctimonious way this film is being packaged. It reeks of late-‘90s/early ‘00s Miramax fare: films with tasteful yet ubiquitous ad campaigns and unabashed Oscar aspirations which suggested that seeing them (and, more importantly, voting for them) would make you a better person. Films like “The Cider House Rules,” “Chocolat” and “The Shipping News.” Films by Swedish director Lasse Hallstrom.

Hallstrom just happens to be the director here, as well, and the similarities to “Chocolat” are inescapable. Stop me if think you’ve heard this one before: A family moves into a quaint but closed-minded French village and shakes things up with an enticing array of culinary delicacies. This new enterprise happens to sit across the street from a conservative and revered building that’s a town treasure. But the food in question isn’t a bon bon this time—rather, the movie is the bon bon itself.

But despite being handsomely crafted, well acted and even sufficiently enjoyable, “The Hundred-Foot Journey” is also conventional and predictable. And for a film that’s all about opening up your senses and sampling spicy, exotic tastes, this comic drama is entirely too safe and even a little bland.

What livens things up, though, is the interplay between Helen Mirren and Om Puri as battling restaurant owners operating across the street from each other—100 feet away from each other, to be exact, a short but fraught trip that various characters take for various reasons. Watching these veteran actors stoop to sabotage each other provides a consistent source of laughs. She’s all sharp angles, piercing looks and biting quips; he’s all round joviality, boisterous blasts and warmhearted optimism. The contrast between the British Oscar-winner and the Indian acting legend offers the only tension in this otherwise soft and gooey dish—that is, until the film goes all soft and gooey, too.

Mirren stars as Madame Mallory, owner of Le Saule Pleurer (The Weeping Willow), an elegant and expensive French restaurant that’s the winner of a prestigious Michelin star. But one star isn’t enough for the coldly driven Mme. Mallory—she wants another, and then another.

But her bloodless quest for gourmet grandeur is interrupted by the arrival across the street of an Indian family: the Kadams, who’ve been wandering around Europe ever since their beloved restaurant back home burned down during political rioting. When the brakes on their car malfunction on a treacherous stretch of spectacular countryside, Papa (Puri) insists it’s a sign from his late wife and decides to open a new eatery in the charming town at the bottom of the hill.

Never mind that one of the most celebrated restaurants in all of France is sitting right across the street from the empty building he rents. Never mind that they are in an insular part of the country where the residents probably don’t even know what Indian cuisine is, much less like it, as his children point out. He has faith in his food—and in his son, Hassan ( Manish Dayal ), a brilliant, young chef.

Just as Papa and Mme. Mallory strike up a sparky rivalry, Hassan enjoys a flirtatious relationship with French sous chef Marguerite ( Charlotte Le Bon , who played an early model and muse in the recent “Yves Saint Laurent” biopic). The script from Steven Wright (who also wrote the far trickier “ Locke ” from earlier this year, as well as “ Dirty Pretty Things ” and “ Eastern Promises ”) is full of such tidy parallels, as well as trite and overly simplistic proclamations about how food inspires memories. Dayal and Le Bon do look lovely together, though, and share a light, enjoyable chemistry.

Then again, it all looks lovely—both the French and Indian dishes as well as the lush, rolling surroundings, which we see through all four seasons; the work of cinematographer Linus Sandgren , who recently shot “American Hustle.” This sweetly pleasing combination of ingredients would have been perfectly suitable if the film didn’t take a wild and needless detour in the third act. That’s when it becomes an even less interesting movie than it already was, in spite of its loftier aspirations.

Christy Lemire

Christy Lemire is a longtime film critic who has written for RogerEbert.com since 2013. Before that, she was the film critic for The Associated Press for nearly 15 years and co-hosted the public television series "Ebert Presents At the Movies" opposite Ignatiy Vishnevetsky, with Roger Ebert serving as managing editor. Read her answers to our Movie Love Questionnaire here .

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Film credits.

The Hundred-Foot Journey (2014)

122 minutes

Helen Mirren as Madam Mallory

Om Puri as Papa

Manish Dayal as Hassan Haji

Charlotte Le Bon as Marguerite

Amit Shah as Mansur

• Lasse Hallström
• Steven Knight
• Richard C. Morais

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The Hundred-Foot Journey

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Rent The Hundred-Foot Journey on Prime Video, Apple TV, or buy it on Fandango at Home, Prime Video, Apple TV.

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Director Lasse Hallström does lovely work and Helen Mirren is always worth watching, but The Hundred-Foot Journey travels predictable ground already covered by countless feel-good dramedies.

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Lasse Hallström

Helen Mirren

Madame Mallory

Manish Dayal

Hassan Kadam

Charlotte Le Bon

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• REVIEW: Does <I>The Hundred-Foot Journey</i> Deserve One Michelin Star or Two?

REVIEW: Does The Hundred-Foot Journey Deserve One Michelin Star or Two?

W ith Steven Spielberg and Oprah Winfrey serving as producers, and a story that forges warm feelings between two generations of restaurant rivals, The Hundred-Foot Journey is on a mission to make you cry. Whether you oblige will depend on your fondness for, or immunity to, the gentler stereotypes of movie romance.

But there’s one shot that should bring tears of joy to anyone who thinks of food as something more than the stuff grabbed from a plastic bag and automatically consumed on a couch during a reality show. Early in the proceedings we are shown a plate of fresh vegetables, tomatoes mostly, that a pretty young French woman offers to weary Indian travelers. Artfully arranged and glowingly photographed, the comestibles would send moviegoers rushing avidly from the auditorium to the lobby — if the concession stand were a neighborhood stall run by Edesia, the goddess of banquets .

(SEE: TIME’s flavorfully illustrated list of the Top 8 Food Movies )

The food, traditional French cuisine or the livelier Indian masala, looks delicious: what Los Angeles Times writer Jenn Harris, in an interview with Indian-American chef Floyd Cardoz, calls a “ sumptuous buffet of gastro-porn .” Although Harris was referring to the preparations by Cardoz and other cooks of the film’s incredible edibles, Spielberg and Winfrey wouldn’t mind if viewers applied the phrase to the whole movie. They want you to swallow, in one savory sitting, their tale of colliding cultures reaching an entente cordiale. That particular buffet demands a more generous palate.

Winfrey chose Richard C. Morais’ novel for her 2010 reading list and teamed with Spielberg, who had directed her in The Color Purple nearly three decades ago, to bring the story to the screen. As director they hired Lasse Hallstrom, who specializes in upmarket sentiment and in films with food-related titles: What’s Eating Gilbert Grape , The Cider House Rules , Salmon Fishing in the Yemen . His signature food movie was Chocolat , a highly caloric confection about an outsider (Juliet Binoche) who opens a pastry shop in a French village, horrifies the locals, outrages the mayor (Albert Molina) and eventually seduces all of them with her bewitching sweets. With Johnny Depp on hand as Binoche’s roguish ally, Chocolat became Hallstrom’s biggest box-office hit.

(READ: Richard Schickel’s review of Chocolat )

In The Hundred-Foot Journey , the outsiders are Papa (Bollywood stalwart Om Puri), his son Hassan (Manish Dayal) and their family of Mumbai restaurateurs, sent packing when their establishment is torched by fanatics and Papa’s wife (the great beauty Juhi Chawla) is incinerated in the fire. The French village they wind up in is the almost obscenely picturesque Saint-Antonin-Noble-Val, in the Midi-Pyrénées, and the wavering mayor this time is Michel Blanc. The family’s most obstinate rival — Mme. Mallory, who owns the one-star restaurant 100 feet across the street from where Papa sets up his noisy Maison Mumbai — is played by Helen Mirren with her chin held high in defiance; Queen Elizabeth might think Mirren’s manner too imperious. And Hassan finds love and competition with Mme. Mallory’s sous-chef Marguerite (Charlotte Le Bon).

The journey in the novel was essentially Hassan’s. A budding genius in creating dishes both Indian and French, he hopes to rise through the gastronomic ranks and become the most innovative chef at the hottest restaurant in Paris. He is a human version of Remy the rodent in Pixar’s Ratatouille , conquering French-foodie snobbishness with his culinary inspirations. Screenwriter Steven Knight, who has scripted modern crime movies ( Eastern Promises ) and stately period pieces ( Amazing Grace ), as well as directing the Tom-Hardy-in-a-car movie Locke , makes room for the Hassan story, but promotes age — the slow-boiling friendship of Papa and Madame — over youth and beauty.

(READ: Corliss on Tom Hardy, trapped in a car, in Steven Knight’s Locke )

Mme. Mallory’s interest in Hassan, once he convinces her of his expertise, is a matter of pride. For 30 years, her restaurant, Le Saule Pleureur (The Weeping Willow), has carried an honored but equivocal one star, out of a possible three, from the Michelin guide to French cuisine. She wants that second star and thinks the gifted Hassan can help her get it. (It happens that, a couple hundred miles to the east, in Monteux, there is an actual establishment by that name. An online reviewer wrote, “This restaurant has one Michelin star and easily deserves another.”)

As Madame, Dame Helen anglicizes aspects of two revered French actresses who might have been more suitable for the role: imagine a frosty Isabelle Huppert who thaws into Catherine Deneuve. Because this is a movie aimed at Americans, Mirren must speak English in a stern, borderline-ludicrous French accent — both to Papa and Hassan, who confer with each other in Marathi and speak perfect English but perhaps not French, and to her French kitchen staff. “In English,” she says to her balky chef Jean-Pierre (Clément Sibony), “so we can all understand.” This time, the royal “we” that Mirren used in The Queen means the non-francophone audience.

(READ: How Helen Mirren reigned and triumphed in The Queen )

If the poetry of this Franco-Indian alliance gets lost in translation, the visuals sing ecstasy in any language. Cinematographer Linus Sandgren, fresh from making the actors in American Hustle look fabulously tatty, brings radiance not just to each morsel of food but also to the dewy closeups of Dayal (born in Orangeburg, S.C.) and Le Bon (from the recent bio-pic Yves Saint Laurent ) as the lovers-in-waiting. The movie revels in scenes of dappled soft-focus — you never saw so many dapples! — and punctuates the Spielberg-starry night sky with fireworks for every occasion. Though it must acknowledge Mama’s charred death, and a spate of anti-immigrant enmity (the scrawling of “French for the French” on a Maison Mumbai wall), the film is eager to seem good enough to eat.

The one moment of earned poignancy comes when Hassan goes across the street to work at Le Seule Pleureur, and Papa offers him his treasured box of Indian spices. “They have their own spices,” the young man says in the softest tones of renunciation. In a new land, the young must learn from their old-country past, use some parts and reject others, to become a success. That’s how you season the melting pot. At this moment, viewers may shrug off the glutinous manipulations of The Hundred-Foot Journey and give it a second star in the Michelin guide to comfort-food movies.

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The Hundred-Foot Journey

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Movie review: 'the hundred-foot journey'.

Kenneth Turan

Films that mix food and romance have become a staple of recent movie-making. The Hundred-Foot Journey, starring Helen Mirren , is the latest example.

DAVID GREENE, HOST:

Food and romance. That's the recipe in the new film "The Hundred-Foot Journey." Here's Kenneth Turan's review.

KENNETH TURAN: "The Hundred-Foot Journey" is a sweet and unapologetic fairy tale for adults. Its story of cuisines and cultures and conflict has been polished to the highest possible sheen. Journey stars canny veterans Helen Mirren and Om Puri, who play competing restaurateurs named Madame Mallory and Papa Kadam. Their establishments create such mouth-watering dishes, that seeing this film on an empty stomach is not recommended. Tragedy causes the Kadam family to relocate from India to France. They end up in a tiny town where Madame Mallory, proud proprietor of a restaurant with a Michelin star, cracks the whip at her staff.

(SOUNDBITE OF FILM, "HUNDRED-FOOT JOURNEY")

HELEN MIRREN: (As Madame Mallory) In this restaurant, the cuisine is not an old, tired marriage. It is a passionate affair of the heart.

TURAN: Despite the intimidating presence of Madame Mallory, Papa Kadam opens an Indian restaurant just 100 feet from her door. Then the focus shifts to Hassan, Papa Kadam's oldest son and an individual with exceptional culinary gifts. Soon enough his father and Madame Mallory are fighting about Hassan's future and the merits of their respective national cuisines.

(SOUNDBITE OF FILM, "HUNDRED-FOOT JOURNEY)

OM PURI: (As Papa Kadam) You seduce his mind with your awful, tasteless, empty sauces - with your pitiful little squashed bits of garlic.

MIRREN: (As Madame Mallory) That is called subtlety of flavor.

PURI: (As Papa Kadam) It's called meanness of spirit. If you have a spice, use it. Don't sprinkle it, spoon it in.

TURAN: It would be foolish to pretend the result of all these labors is not effective entertainment. But enjoyable as "Hundered-Foot Journey" can be, it's still possible to wish that its gloss was not quite so shiny, that everything about it was not so exactly on the nose, to wish that the film had more of the messy juices of life flowing through its veins.

GREENE: Kenneth Turan reviews movies for MORNING EDITION and also for the Los Angeles Times. You're listening to MORNING EDITION from NPR News.

Copyright © 2014 NPR. All rights reserved. Visit our website terms of use and permissions pages at www.npr.org for further information.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

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The Hundred-Foot Journey review – curry-joint drama dishes up the cliches

A n Indian restaurateur and his family flee communal violence in Mumbai ("some election or other," the voice-over glibly informs us), and pitch up in southern France, where they open a gaudy curry joint opposite the local Michelin-starred swank house. Om Puri is the patriarch who finds himself at war with Helen Mirren , playing the outraged owner of the posh place, while Manish Dayal – the son with the golden fingers and tastebuds – and Charlotte Le Bon's eyes meet across the wild cèpes. You can guess the rest. Will the Indian family's zest for life melt Mirren's glacial heart? Will their spices change her view of food? Will Franglais – "I wish to make a complaint, officialement!" – be spoken? Cliche piles on cliche, but it's good-natured, undemanding fun.

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The Hundred-Foot Journey with Steven Spielberg and Oprah Winfrey

The recipe, the ingredients, the journey, on set with oprah winfrey, coconut chicken, rotten tomatoes® score.

Mirren is drily funny, deploying an arsenal of MasterChef-style horrified reaction shots.

How wrong can you go with a comedy about beautiful people making beautiful food in the south of France? And Helen Mirren? The woman can turn 105 and she'll still be alluring, even when she's being haughty. Lots of laughs.

It's an enjoyable film about passion; the passion for food, passion for culture but most of all, passion for life.

This isn't your usual summer fare, because it cares far too much about the people whose story it is telling and it takes the time to let you get to know them.

If you're into simple, pleasant movies that offer two-hour escapist entertainment, this may be for you.

[A] beautifully written story.

Fulfilling, rich and delicious, The Hundred Foot Journey is an effervescent delight, sizzling with cinematic and emotional flavor.

If films about the culinary arts revolved around the same strictures to obtain something like a Michelin star rating, The Hundred-Foot Journey would always and forever be a big fat zero.

For foodies and folks looking for the cinematic version of a poolside paperback, THE HUNDRED-FOOT JOURNEY delivers. If you're seeking something with a little artistic nutrition, you'll need to look elsewhere.

Overall, The Hundred-Foot Journey is not a bad dish, but considering its rich ingredients, it still lacks a bit of spice.

Additional Info

• Genre : Comedy, Drama
• Release Date : August 8, 2014
• Languages : English, Spanish
• Captions : English, Spanish
• Audio Format : 5.1

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Product Description

Starring Academy Award(R) winner Helen Mirren (Best Actress, THE QUEEN, 2006), produced by Steven Speilberg, Oprah Winfrey and Juliet Blake, and directed by Lasse Hallström (CHOCOLAT), this uplifting story bursts with flavor, passion and heart. When the chilly chef proprietress of a Michelin-starred French restaurant in southern France (Mirren) gets wind of a culinary immigrant opening an Indian restaurant just 100 feet from her own, her icy protests escalate to all-out war between the two establishments. It's a celebration of triumph over exile as these two worlds collide and one young man tries to find the comfort of home in every pot -- wherever he may be.

Product details

• Aspect Ratio ‏ : ‎ 2.39:1
• Is Discontinued By Manufacturer ‏ : ‎ No
• MPAA rating ‏ : ‎ PG-13 (Parents Strongly Cautioned)
• Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 2.4 ounces
• Item model number ‏ : ‎ DRWR12365700DVD
• Director ‏ : ‎ Lasse Hallstrom, Lasse Hallström
• Media Format ‏ : ‎ Color, Multiple Formats, Widescreen, NTSC
• Run time ‏ : ‎ 2 hours and 2 minutes
• Release date ‏ : ‎ September 20, 2015
• Actors ‏ : ‎ Helen Mirren, Om Puri, Manish Dayal, Charlotte Le Bon, Amit Shah
• Dubbed: ‏ : ‎ French, Spanish
• Subtitles: ‏ : ‎ English, French
• Producers ‏ : ‎ Juliet Blake, Steven Spielberg, Oprah Winfrey
• Language ‏ : ‎ Spanish (Dolby Digital 5.1), French (Dolby Digital 5.1), English (Dolby Digital 5.1)
• Studio ‏ : ‎ Walt Disney Studios Home Entertainment
• ASIN ‏ : ‎ B00MI56UI6
• Number of discs ‏ : ‎ 1
• #1,156 in Romance (Movies & TV)
• #3,473 in Comedy (Movies & TV)

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