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Fiona Apple  

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Fiona Apple is a singer and songwriter hailing from New York City, New York, USA who was born on September 13th, 1977. Since her debut in 1994 she has released four studio albums and become one of the most acclaimed songwriters of her generation.

A classically trained pianist from a very early age, Fiona Apple began composing her own music at the age of 8, and before long she was writing her own songs. She poured her traumatic teenage years into her song-writing and by the time she was seventeen she'd made her first demo tape. When she heard that a friend of hers was babysitting for the music publicist Kathryn Schenker, she gave that demo tape to her friend to give to Schenker. Against all probability, Schenker was so impressed with what she heard that she passed it along to Andy Slater, an executive at Sony Music, who signed her to Columbia Records within months of her making the tape. Wisely, Apple spent the next two years honing her craft before releasing anything, and it's safe to say that the move paid off, as her debut album “Tidal”, was certified three times Platinum mere months after its release in July 1996.

Despite having the kind of record sales that most bands would kill for, the kind of mainstream success that fell into Apple's lap made her deeply uncomfortable. She wouldn't release another album until 1999 with “When The Pawn...”, an album whose title went straight into the Guinness Book of World Records for the longest album title ever (seriously, Google it). While the album was still a huge, Platinum certified hit, it didn't equal the success of “Tidal” and Apple was still reacting very badly to the public spotlight, culminating with an on-stage meltdown in New York City's Roseland Ballroom in February 2000. After finishing her touring commitments for the year, Apple moved from New York to Los Angeles, and spent the next two years on hiatus, which suited her so much that she had to be begged into make a new album by her longtime friend and producer Jon Brion.

She finally acquiesced and released her third album “Extraordinary Machine” in 2005. Ever since then, she's remained an artist in the truest sense of the word, never one to be hurried or have her artistic vision clouded by anyone else's input. With four stellar albums to her name and the kind of live show that any solo artist would kill for, Fiona Apple comes highly recommended.

Live reviews

Fiona Apple is one of the most intriguing and thought-provoking singer-songwriters about today. Apple couples probing lyrics, drawing upon themes of disillusionment, low self-esteem and psychological angst, with a musical combination of jazz and alt rock to create evocative work. Add in her animated personality, and you get one impressive gig.

In October 2013 Apple retuned to her home, New York City, to play the Beacon Theatre. Performing alongside guitarist and singer-songwriter Blake Mills, and supported by Sebastian Steinberg, on bass fiddle, and Barbara Gruska, on drums, Fiona Apple provided a superbly challenging show. As soon as the quartet appeared on stage the expectant audience hushed, ready to be transported through Apple’s emotional tumults and through the more troublesome corners of their own minds.

The audience listened appreciatively as Fiona described the ‘fight with her brain’ that she experiences ‘Every Single Night.’ They absorbed the tension created my maudlin lyrics and plucky strings. Though the evening was not all angst. In between songs Apple exchanged comfortable rapport with Mills. At one point Fiona giggled as she fluffed a joke, which she only told after much persuasion from Blake. The audience laughed along. Indeed, the crowd was not excluded from any positivity, and fans could be heard shouting, ‘you’re beautiful’ in support of the performer.

Fiona Apple’s performance at the Beacon was challenging and beautiful. I left in a reflective daze. If you get the chance, experience one of her gigs first hand.

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She is amazing. Even when shes more reclusive. My all time

fave female artist. No cellphones were allowed and I found rhat awesome. I'd do the same. Really makes the vibe more connected with out all the cell phone usage.

She ended abruptly it seemed or I missed it so dont venture tpo long out doors. No one opened. And her tiffs on stage I appreciate.

Any person who was silenced after being so successful amd reaching so many is a goddess. With poise patience and dignity.

hank the folks who made her album get de shelved.

She should never edit her completed work for anyone.

One day I dream of collabing.

Go see her. She's everything. ♡

The Watkins Family Hour concert was amazing. I was not sure what to except but they were all so talented and masters of their craft. Seeing Fiona has always been on my bucket list (although I hate the term) and although it was her in a group she still shined and was great to see her in this element. Hope I get to see them again!

Gorgeous, melancholy, sexy gremlin goddess extraordinaire! Pure magick. My only criticism is that I wish she would have sang a few more songs. Still, it was incredible to get to see such a successful and talented artist at such a small venue as Largo. I'll definitely be back for more soon! :)

She is one of the best song writers that I have ever witnessed. There are thoughts between the words. She is probably a genius. Her reflections cover many disciplines in history, scienceand philosophy. I just love her. Period.

Posters (3)

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• New York (NYC) (14)
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Fiona Apple

Latest setlist, fiona apple on october 25, 2013.

Anything We Want: Fiona Apple & Blake Mills

Lincoln Theatre, Washington, Washington, D.C.

Fiona Apple Announces North American Tour Dates

Last week, Fiona Apple officially started the comeback clock when she revealed a spate of information about her [article id="1682355"]first album in nearly seven years[/article], The Idler Wheel Is Wiser Than the Driver of the Screw, and Whipping Cords Will Serve You More Than Ropes Will Ever Do (phew), including the release date, full track list and cover art ... which was drawn by Apple herself.

The news came after she had just wrapped a run of small club shows , and had her long-waiting fans hoping that soon there'd be a full-blown tour in support of the disc. Well, one week later, we've got the dates.

Beginning on June 19 -- the same date The Idler Wheel ... hits stores -- Apple will hit the road for a run of shows that will take her across North America. The tour kicks off in Ithaca, New York, and wraps on July 29 at the Hollywood Palladium, and will make stops at iconic venues like Nashville's Ryman Auditorium, historic opera houses, fests like New York's Governors Ball on Randall's Island, and refreshingly few venues named after cell phone brands. Tickets for some dates go on sale as early as Friday, April 13. For more information, check out Apple's official site .

Also on Monday (April 9), Apple revealed that the first single off The Idler Wheel ... would be "Every Single Night," one of a handful of new tracks she performed on her recently wrapped mini-tour. The song will be available via iTunes, where fans will also be able to pre-order the album, beginning on April 24.

Fiona Apple's 2012 tour dates, according to her reps:

» June 19 - Ithaca, NY @ State Theatre

» June 20 - Baltimore, MD @ Lyric Opera House

» June 22 - Mashantucket, CT @ MGM Grand Theater at Foxwoods

» June 23 - Holyoke, MA @ Mountain Park

» June 24 - New York, NY @ The Governors Ball Music Festival

» June 26 - Washington, DC @ Warner Theatre

» June 27 - Upper Darby, PA @ Tower Theatre

» June 29 - Danbury, CT @ Ives Concert Park

» June 30 - Boston, MA @ Citi Performing Arts Center

» July 1 - Portland, ME @ State Theatre

» July 3 - Montreal, QC @ Olympia Theatre

» July 4 - Toronto, ON @ The Sound Academy

» July 6 - Cleveland Heights, OH @ Cain Park

» July 7 - Detroit, MI @ The Fillmore Detroit

» July 10 - Chicago, IL @ Chicago Theatre

» July 11 - Indianapolis, IN @ Murat Theatre

» July 13 - Nashville, TN @ Ryman Auditorium

» July 14 - St. Louis, MO @ Peabody Opera House

» July 16 - Minneapolis, MN @ Orpheum Theatre

» July 17 - Kansas City, MO @ The Midland by AMC

» July 20 - Denver, CO @ Paramount Theatre

» July 21 - Salt Lake City, UT @ Kingsbury Hall

» July 24 - Vancouver, BC @ Orpheum

» July 25 - Seattle, WA @ Paramount Theatre

» July 26 - Portland, OR @ Arlene Schnitzer Concert Hall

» July 28 - Oakland, CA @ Fox Theater

» July 29 - Hollywood, CA @ Hollywood, Palladium

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Tour Alert: Fiona Apple Announces Summer Dates

By Rolling Stone

Rolling Stone

Fiona Apple Fiona Apple has announced a summer tour in promotion of her upcoming album The Idler Wheel is wiser than the Driver of the Screw and Whipping Cords will serve you more than Ropes will ever do , out June 19th – her first album since 2005’s Extraordinary Machine .

6/19 Ithaca, NY – State Theatre 6/20 Baltimore, MD – Lyric Opera House 6/22 Mashantucket, CT – MGM Grand Theater at Foxwoods 6/23 Holyoke, MA – Mountain Park 6/24 New York, NY – Randall’s Island 6/26 Washington, DC – Warner Theatre                                               6/27 Upper Darby, PA – Tower Theatre 6/29 Danbury, CT – Ives Concert Park 6/30 Boston, MA – Citi Performing Arts Center 7/1 Portland, ME – State Theatre 7/3 Montreal, QC – Olympia Theatre 7/4 Toronto, ON – The Sound Academy 7/6 Cleveland Hts., OH – Cain Park 7/7 Detroit, MI – The Fillmore Detroit 7/10 Chicago, IL – Chicago Theatre 7/11 Indianapolis, IN – Murat Theatre 7/13 Nashville, TN – Ryman Auditorium 7/14 St. Louis, MO – Peabody Opera House 7/16 Minneapolis, MN – Orpheum Theatre 7/17 Kansas City, MO – The Midland by AMC 7/20 Denver, CO – Paramount Theatre 7/21 Salt Lake City, UT – Kingsbury Hall, University of Utah    7/24 Vancouver, BC – Orpheum 7/25  Seattle, WA – Paramount Theatre 7/26  Portland, OR – Arlene Schnitzer Concert 7/28  Oakland, CA – Fox Theater 7/29 Hollywood, CA – Hollywood Palladium

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7/8 Boston, MA – Paradise Rock Club* 7/10 Brooklyn, NY – Celebrate Brooklyn at Prospect Park*^ 7/11 Pittsburgh, PA – Mr. Smalls* 7/13 Chicago, IL – Pitchfork Music Festival* 7/14 Milwaukee, WI – Pabst Theater* 7/15 Minneapolis, MN – First Avenue* 7/17 St. Louis, MO – The Pageant^ 7/18 Lawrence, KS – Granada Theater^ 7/20 Denver, CO – Bluebird Nightclub^ 7/21 Salt Lake City, UT – In The Venue^ 7/23 Seattle, WA – Showbox^ 7/25 Portland, OR – Crystal Ballroom^ 7/27 Oakland, CA – Fox Theater^ 7/28 Los Angeles, CA – Wiltern^ 7/29 San Diego, CA – House of Blues^ 7/31 Marfa, TX – The Crowley Theatre^ 8/2 Austin, TX – Emo’s East^ 8/3 Dallas, TX – Kessler Theater^ 8/4 New Orleans, LA – House of Blues^ 8/6 Orlando, FL – The Beacham Theatre 8/7 Ft. Lauderdale, FL – Culture Room 8/9 Atlanta, GA – Variety Playhouse 8/10 Asheville, NC – Orange Peel 8/11 Knoxville, TN – Bijou Theatre 8/13 Nashville, TN – Cannery Ballroom 8/14 Louisville, KY – Headliners Music Hall 8/15 Pontiac, MI – The Crofoot Ballroom 8/16 Washington, DC – 9:30 Club^ 8/18 Philadelphia, PA – Union Transfer^ *with Purity Ring ^with Wye Oak

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4/9 Portland, OR – Roseland Theatre 4/11 San Francisco, CA – The Independent 4/12 Los Angeles, CA – The El Rey 4/13 Indio, CA – Coachella Valley Music and Arts Festival 4/15 Las Vegas, NV – Hard Rock Café On The Strip 4/16 Tempe, AZ – The Marquee 4/18 Tucson, AZ – Rialto Theatre 4/19 San Diego, CA – The House Of Blues 4/20 Indio, CA – Coachella Valley Music and Arts Festival

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4/19 Springfield, MA – John Boyle O’Reilly Club 4/20 Asbury Park, NJ – Stone Pony* 4/22 Philadelphia, PA – First Unitarian Church* 4/23 Pittsburgh, PA – Rex Theatre* 4/24 Nashville, TN – Mercy Lounge* 4/27 Oxford, MS – Double Decker Festival 4/28 Dallas, TX – The Loft* 4/29 Austin, TX – Antones* 4/30 San Antonio, TX – Korova* 5/01 Laredo, TX – Old No. 2* 5/02 El Paso, TX – Lowbrow Palace* 5/03 Phoenix, AZ – Crescent Ballroom* 5/05 San Diego, CA – Casbah* 5/05 Los Angeles, CA – El Rey* 5/06 Santa Ana, CA – Yost Theater* 5/08 Las Vegas, NV – Aruba* 5/09 Reno, NV – Cargo CommRow* 5/10 Salt Lake City, UT – Urban Lounge* 5/11 Aspen, CO – Belly Up Tavern* 5/13 Denver, CO – Bluebird Theatre* 5/15 Lawrence, KS – Granada* 5/16 St Louis, MO – Firebird* 5/18 Iowa City, IA – Blue Moose* 5/19 Des Moines, IA – Vaudeville Mews* 5/20 Omaha, NE – Waiting Room* 5/21 Rapid City, SD – Crystal Cave* 5/22 Billings, MT – Manny’s* 5/23 Missoula, MT – Top Hat* 5/25 Portland, OR – Mission Theatre* 5/27 George, WA – Sasquatch Festival 5/29 Bellingham, WA – Wild Buffalo* 5/30 Vancouver, BC – Commodore* 6/06 Fargo, ND – The Aquarium* 6/07 Minneapolis, MN – First Ave* 6/08 Madison, WI – Majestic Theater* 6/09 Chicago, IL – Metro* 6/10 Detroit, MI – Magic Bag* 6/11 Toronto, ON – Lee’s Palace* 6/12 Ottawa, ON – Mavericks* 6/13 Montreal, QC – La Sala Rossa* 6/14 Windham, VT – The Friendly Gathering 6/15 Boston, MA – Paradise Rock Club* 6/17 Croton Park, NY – Clearwater Music Festival 7/15 Louisville, KY – Forecastle Festival 7/28 Newport, RI – Newport Folk Festival

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Fiona Apple’s Essential Songs

In anticipation of “Fetch the Bolt Cutters,” her first new album in almost a decade, hear a quick trip through some of her best tracks.

By Lindsay Zoladz

For an artist who has been releasing music for two and a half decades, Fiona Apple’s catalog has remarkably little filler.

As her career has progressed, the time between her albums has grown longer — her first in eight years, “Fetch the Bolt Cutters,” will be released on Friday — honoring Apple’s exacting personal standards for her art. Recalling the fallow period between her masterful 1999 record “When the Pawn …” and its long-delayed but ultimately beloved 2005 successor “Extraordinary Machine,” she told Rolling Stone , “The first couple of years, I didn’t have anything left in me to write about. That was a good thing, because it meant I’d done my job on the last batch of songs.”

Apple emerged as a precocious industry darling — she wrote most of the songs on her volcanic 1996 debut “Tidal” when she was 17 — but, much to the delight of rebel girls everywhere, quickly proved herself to be an outspoken iconoclast . She’s long battled with record executives who wish she’d streamline the textured complexities of her songs and write a lucrative “sequel” to her 1997 radio hit “Criminal.”

But Apple has doggedly followed her own muse, at her own pace: Her magnificent 2012 LP “The Idler Wheel …” includes her most uncompromising and independent-minded music yet. In anticipation of her first new album in almost a decade, here’s a quick trip through some of her best songs.

‘Sleep to Dream’ (1996)

The “Tidal” opener is a sparse, earthshaking statement of purpose: “You say love is a hell you cannot bear, and I say give me mine back and then go there, for all I care!” The arrangement trembles in her voice’s wake. Jon Brion, who would eventually become a friend and frequent collaborator, plays guitar and vibraphone. The moody, restless video, directed by Stéphane Sednaoui, earned Apple the 1997 MTV Video Music Award for best new artist — for which she’d give that still-infamous acceptance speech declaring of the music industry’s glitz, “This world is [expletive].”

‘Shadowboxer’ (1996)

This wise-beyond-its-years torch song allowed Apple to show off not just the elegant lyricism of her songwriting but the smoky depths of her voice. (Note the opalescent tone she gives the final word in that anguished line, “To save the pain of once my flame and twice my burn.”) In the context of the late ’90s, this would-be standard felt like a glorious anachronism: It is still probably the closest thing to a Nina Simone song ever to receive alt-rock airplay.

‘Criminal’ (1997)

The notoriously sultry hit that Apple said she wrote about “feeling bad for getting something so easily and taking advantage of your sexuality and just using it to get whatever you want,” “Criminal” (and its controversial, Mark Romanek-directed music video) was responsible for some of Apple’s greatest successes and also for some of her most demeaning criticism. In more recent years, she has reclaimed the track’s power by turning it into what she calls her “little help-out-people song”: Apple relishes approving rights requests from “any college dancer or ‘So You Think You Can Dance’ [contestant],” and last year — after Jennifer Lopez unforgettably danced to it in “Hustlers” — Apple pledged to donate two years’ worth of the song’s proceeds to help refugees at the southern border of the United States. “I’m not that scared girl in underwear anymore,” she told Vulture last year. “The song isn’t that to me anymore. It’s my way of paying for things that I want to get done.”

‘On the Bound’ (1999)

Apple has a knack for turning sonic elements usually associated with grace and lightness into blunt-force objects. On the opening track of her searching, defiantly verbose sophomore album, “When the Pawn …,” she uses the piano as more of a percussion instrument and flings declarations of love like damning accusations. “You’re all I need,” she growls during the chorus, before adding just a sprinkle of playful self-awareness: “And maybe some faith would do me good.”

‘Fast as You Can’ (1999)

Her second album’s leadoff single wasn’t the “Criminal Part II” her record company was clamoring for — it was something much more complicated and thrilling. The video for “Fast as You Can” was directed by Apple’s boyfriend at the time, the filmmaker and “When the Pawn …” muse Paul Thomas Anderson, and it perfectly captures the song’s antic, motion-smeared energy. “Sometimes my mind don’t shake and shift,” Apple sings, “but most of the time it does.” This song now feels like a precursor to Apple’s later work on “The Idler Wheel…,” which similarly translated her busy interiority into abstract and expressive sonic compositions.

‘Paper Bag’ (1999)

One of Apple’s most sprightly songs is a poetic ode to rose-colored glasses, and their removal: “I thought it was a bird but it was just a paper bag.” The romance depicted in the song doesn’t fare much better upon closer inspection. Brion’s production is at once grand and light on its feet, suffusing the song with a Cole Porter-like atmosphere, but Apple’s electric vocal performance pulls the song into the present tense.

‘Extraordinary Machine’ (2005)

“If there was a better way to go then it would find me,” Apple sings with a shrug — a decent if abridged summary of the six years between her second and third albums. After some scrapped versions of new songs that Apple had recorded with Brion leaked in 2003, her fans were so eager to hear her new record that they launched a grass-roots campaign to “Free Fiona” from Sony, rumored to be holding “Extraordinary Machine” in purgatory because executives hadn’t heard a viable single. In the meantime, Apple was busy rerecording much of the album with the producers Mike Elizondo and Brian Kehew (and, occasionally, a session drummer by the name of Questlove), tweaking the songs until she was ready to share them with the public. The weightless title track is one of two Brion productions that remained on the album when it was finally released in October 2005. His marimba hits roll like water off a duck’s back as Apple sings her paean to carrying on: “Be kind to me, or treat me mean, I’ll make the most if it, I’m an extraordinary machine!”

‘Tymps (The Sick in the Head Song)’ (2005)

Some die-hards worried that Elizondo — who was then best known for working with 50 Cent and Eminem — was ill-matched with Apple, but his production adds a playful, galloping energy to this track, named after its demo’s timpani drums. Chronicling the back-and-forth of a relationship’s end, “Tymps” finds Apple slyly toying with, and as always complicating, the trope of the “crazy ex-girlfriend”: “I’m either so sick in the head I need to be bled dry to quit, or I just really used to love him — I sure hope that’s it.”

‘Parting Gift’ (2005)

This wrenching piano ballad is a dizzying catalog of glances — “I took off my glasses while you were yelling at me once more than once/So as not to see you see me react” — reportedly inspired by the end of Apple’s relationship with Anderson. One of the few solo piano numbers in her catalog, it was also the final song she recorded for “Extraordinary Machine.” Legend has it she nailed it in a single take.

‘Every Single Night’ (2012)

Apple has always blazed her own trail, but with the leadoff track and single from her fourth album, “The Idler Wheel …,” she seemed to have reached a new level of independence. She didn’t inform her record company that she was working on a record until she finished it, having learned the hard way that she “didn’t want her work to be mishandled amid corporate disarray,” as Jon Pareles wrote in 2012 . Though it has a sparse composition, “Every Single Night” contains a shuddering intensity, as Apple unsparingly depicts her daily “fights with [her] brain.” Still, this combat is in the service of an ambitious artistic mantra, which she lays out in the refrain: “I just want to feel everything.”

‘Werewolf’ (2012)

“The Idler Wheel …” is alive with found sound and repurposed instruments. Apple samples the whir of a bottle factory’s machinery on the searing “Jonathan,” clangs an industrial pipe when playing “Anything We Want” live, and, for the album’s stirring centerpiece “Werewolf,” added the texture of some children’s playground screams — she’d searched for the specific vibe for over a year. Though unsparing, it’s a benevolent breakup song, a mature confession of mutual guilt (“I admit that I provided a full moon”) and the unsentimental fact that sometimes relationships just don’t work out: “Nothing wrong when a song ends in a minor key.”

‘Hot Knife’ (2012)

Accompanied by little more than those tymps and some layered backing vocals sung by her sister Maude Maggart, “Hot Knife” is the raw, sensuous track that closes Apple’s adventurous “The Idler Wheel …” (Apple has said she is notorious for staying friends with her exes and sometimes even their new partners; her former flame Anderson directed this video.) It is also a bit of foreshadowing: A recent New Yorker profile revealed that “Hot Knife” was the Apple song most akin to the sound of the forthcoming “Fetch the Bolt Cutters.”

King Princess featuring Fiona Apple, ‘I Know’ (2019)

In recent years, Apple has become a role model to a younger generation of artists looking to navigate the music industry on their own terms. (An NPR article last year dubbed her “the godmother of 2019,” likely suggesting her influence on the unruly poetics of artists like Billie Eilish and Lorde.) Though Apple claims not to be familiar with much contemporary pop music, she has become a mentor to the swaggering 21-year-old Brooklyn singer and songwriter Mikaela Straus, who records as King Princess. Last year, Apple even contributed backing vocals to her cover of the smoldering “When the Pawn …” closer “I Know.” Straus was less than a year old when that record came out, but her affinity for Apple’s music shows that it’s timeless — and usually worth the long wait.

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Fiona Apple Performing With Blake Mills on Tour

By Jenn Pelly

Photo by Benjamin Lozovsky

Blake Mills , a collaborator/tourmate of Fiona Apple , is currently touring in support of his own recent album,  Heigh Ho . Apple sings on two songs  on the record. Recently, she has also been performing with Mills on tour, according to BrooklynVegan .

Apple has performed at shows in Seattle and Portland, and at various California shows, although it's unclear how long she'll be a part of the tour. Watch three clips from Seattle and L.A., below.

Check out the rest of the dates for Mills' tour below.

"Don't Tell Our Friends About Me":

"Seven":

"It's Only Make Believe":

Watch Apple and Mills play "I Know" from When the Pawn  acoustic last year:

Blake Mills:

09-26 St. Paul, MN - Amsterdam Bar 09-27 Evanston, IL - Space 09-28 Chicago, IL - Mayne Stage 09-30 Cambridge, MA - The Sinclair  * 10-01 New York, NY - (Le) Poisson Rouge   * 10-06 Washington, DC - The Hamilton  * 10-08 Brooklyn, NY - Rough Trade  * 10-09 Philadelphia, PA - World Cafe Live  *   10-13 London, England - Bush Hall 10-15 Paris, France - Le Zebre De Belleville

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Supervisor's Training for Dietitians [part 2] -Relationships - Client & Self The SeasonED RD

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Fiona Sutherland and Lisa Pearl Supervision Training for Dietitians - starting soon! Beth says "Don't hesitate - trust me, you won't regret taking this training now!!"   This is Part 2 of 2 on skill development for dietitian supervisors providing supervision-from highly seasoned to just considering. Our guests (and host) participate in lifetime supervision - it is the best connection resource for dietitians, especially those who work in behavioral health nutrition. Focusing on our client, focusing on ourselves, focusing on the relationship of our client to ourselves. What's the difference between supervision and consultation? Let's face it, there is good supervision (supportive, nurturing, positively life changing for the dietitian and client) and not so good supervision (checking the boxes, feels like a money-making plan more than a relationship). Defining the rupture - the part of us that rushes in and needs to know/needs to give the answers; how do we learn more about those parts? All cities tour flyer  - Supervisor Training Event 2024

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