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Flo Rida  

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Upcoming concerts (8)

La Crosse Center

Nugget Event Center

Spotlight 29 Casino

OLG Stage at Fallsview Casino

The Rhythm Section Amphitheater

Champlain Valley Exposition

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Flo Rida (born September 16, 1979) is the stage and recording name of Tramar Lacel Dillard, an American hip hop and electronic music rapper, hailing from Carol City, Florida, U.S.

Born one of eight siblings, Dillard’s first move into the musical came when he joined the amateur rap group GroundHoggz when still in ninth grade. Formed of members Flo Rida, 1Bred, Key Lime and Fist, the four-man group remained together for eight years, until the rapper signed with Poe Boy in 2006. The rapper’s debut single “Birthday” was released in 2006 featuring Rick Ross, and was followed by a guest appearance on DJ Khaled’s album “We the Best” on the single “Bitch I’m from Dade County”.

Flo Rida’s debut album “Mail of Sunday” arrived in March 2008, spawning the singles “Low”, which reached No. 1 on the Billboard Hot 100, “Elevator” featuring Timbaland, “In the Ayer”, and “Roll”. The album featured a host of guest appearances including will.i.am, Sean Kingston and Lil Wayne, and proved Flo Rida’s viability for chart success. Before the release of his sophomore album the rapper made cameo appearances on the singles “Move Shake Drop” by DJ Laz, “We Break the Dawn” by Michelle Williams, as well as “Running Back” by Jessica Mauboy, among others.

“R.O.O.T.S.” arrived in March 2009 and debuted at No. 8 on the Billboard 200. The album’s lead single “Right Round”, which sampled the Dead or Alive hit “You Spin Me Round (Like a Record)”, broke the record for most digital downloads in one week with 636,000 downloads. The rapper subsequently released the singles “Sugar” featuring Wynter Gordon, “Jump” featuring Nelly Furtado, and “Be on You” featuring Ne-Yo. Also in 2009 Flo Rida appeared on the debut single of the UK’s “The X Factor” winning Alexandre Burke, “Bad Boys”, which debuted at No. 1 on the UK Singles Chart.

Dillard’s third full length album, “Only One Flo (Part 1)” was released November 2010 spawning the singles “Come With Me”, “Turn Around (5, 4, 3, 2, 1)”, and “Who Dat Girl”. In December 2010 Flo Rida started his own label International Music Group later signing 18-year-old rapper Brianna and Git Fresh. Dillard has subsequently released the album “Wild Ones” in 2012, which shot to No. 1 in 20 countries and spawned the No. 1 single “Levels”.

Live reviews

Flo Rida has been around rap for a while so it's no surprise that he's gotten better and better over the years – but what really impresses me about his live performances is the fact that he really engages with the audience and makes them feel welcome from the very moment he enters the stage.

It kind of makes me sad that many people know of his songs because they have heard them around, but they don't actually know him because they don't make that connection. But if you get tickets to one of his shows, you'll never forget him – when everything is said and done people will always remember his performances.

While the venues Flo Rida plays tend to be rather large these days, he creates a closeness between him and us in the audience: you'll feel like you're really close to him. Whether it's when he asks us to jump or dance in a certain way once the song hits a certain point, or by asking the audience directly after each song finishes which song they would like to hear him perform next by gauging how loudly they cheer when he asks. He goes to great lengths when performing to make sure that the audience knows he is actually singing (not just lip-syncing) over the music by changing not only his pitch, but his timing to the song, so that when he plays "I Get A Good feeling" it's not like just listening to the recording.

He's great at suddenly changing the mood of a show, and there are some light-hearted moments like when he brings on a whistle as a prop when playing "Blow My Whistle"! It's hard to explain how much he makes his shows fit to the fans in the crowd – like getting us to sing certain parts of a song, or asking direct questions and getting us to cheer "yes" or "no", and then using this information to segue into another song that is related to the question so as to ensure that the audience feels a part of the performance and what is happening in it.

Flo Rida isn't just another rap act, his shows aren't just another rap show. Every show is different, and the only way you can really experience that is to go and see him for yourself.

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American rapper and producer Tramar Lacel Dillard better known by his stage name Flo Rida has become a household name in recent years following a string of commercially successful singles. The man himself has gained a large following for his easy listening and recognisable music that sits somewhere between pop and dance with rap also often included by Flo.

His live show relies heavily on the show element, with visual interludes being included throughout and an accompaniment of dancers, DJs and hype-men. They all perform well and hype the crowd for hits including 'Good Feeling' and 'Whistle'. Tramar rarely remains stationery throughout the evening as he moves around the stage making sure every single audience member is having a really great time. By the finale of his collaboration with Sia, 'Wild Ones' Flo Rida has proven he is well and truly an entertainer and still cares about his live show now made up exclusively of hits. He has saved perhaps his most recognisable track for an encore, 'Low' has a far more hiphop influence and it is the first time that Dillard demonstrates his freestyle abilities whilst the whole crowd gets low beneath the stage.

I saw Flo Rida perform at the O2 arena, in front of thousands of screaming fans. The large venue and crowd size perfectly suited Flo Rida, as his music is so catchy and fun that it can easily entertain a roaring mass. Flo Rida dominated the stage, and really brought the party. He had the oddest microphone, in the shape of a horn, that the crowd just went crazy for. At one point during his performance he even jumped down from the stage into the audience, a move that was met with rapturous applause and ear shattering screams. I had a standing ticket, which allowed for optimum dancing space. The entire crowd was dancing and singing along to Flo Rida’s tunes, all of which were classics of his. Flo Rida sang ‘Good Feeling’, ‘Right Round’, ‘Whistle’, ‘Wild Ones’, ‘Club Can’t Handle Me’ and ‘Jump’, all of which received a great crowd reaction. The greatest thing about the concert was the fact that everyone knew all of the songs that were performed. When the track for ‘Low’ came on, the crowd went absolutely ballistic and the energy was just fantastic.

Long awaited and booked months in advance but the concert was postponed with no new date as yet, sadly!! We hope that it will not be too long before a new date for the German leg of the tour is announced. Looking forward to it when and if it happens. Wh

Great show.

High-powered energy and good music.

Came through the crowd and interacted with everyone.

Kissed babies and made everyone feel good.

Loved the female dancers twerking.

Made the place bounce and everyone was getting crunk.

I lov flo rida. I think he played every song he has and his dancers are amazing this guy real knows how to put on a show .looks like he never disappoints when he comes to the Coast.

Posters (30)

Past concerts

Florida Strawberry Festival Grounds

Encore Beach Club, Wynn Las Vegas

Pensacola Bay Center

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Flo Rida tour dates and tickets 2024-2025 near you

Want to see Flo Rida in concert? Find information on all of Flo Rida’s upcoming concerts, tour dates and ticket information for 2024-2025.

Flo Rida is not due to play near your location currently - but they are scheduled to play 8 concerts across 2 countries in 2024-2025. View all concerts.

Next 3 concerts:

• La Crosse, WI, US
• Sparks, NV, US
• Trois-Rivières, QC, Canada

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• Las Vegas (20)
• Los Angeles (LA) (19)
• San Diego (14)
• Fort Lauderdale (12)

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• Pitbull (21)
• Jason Derulo (16)
• Enrique Iglesias (14)

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Upcoming Concerts for Flo Rida

• May 03 May 03, 2024 La Crosse Center La Crosse View Concert
• Jun 15 Jun 15, 2024 Nugget Event Center Sparks View Concert
• Jul 19 Jul 19, 2024 Spotlight 29 Casino Coachella View Concert
• Aug 02 Aug 02, 2024 OLG Stage at Fallsview Casino Niagara Falls View Concert
• Aug 17 Aug 17, 2024 The Rhythm Section Amphitheater Mount Carroll Historic District View Concert
• Aug 23 Aug 23, 2024 Champlain Valley Exposition Essex Junction View Concert

All Upcoming Events

La Crosse Center | La Crosse, WI

Nugget Event Center | Sparks, NV

Nelly and flo rida, spotlight 29 casino | coachella, ca, olg stage at fallsview casino | niagara falls, on, latest setlist, flo rida on december 16, 2023.

Amerant Bank Arena, Sunrise, Florida

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Nelly and TLC's Chilli

Photo: Rick Kern/Getty Images

Nelly, TLC and Flo Rida Announce Joint Tour

The music hit-makers will hit the road in late July

GRAMMY-winning R&B group TLC , GRAMMY-winning rapper Nelly   and GRAMMY-nominated rapper   Flo Rida  are joining forces to go on an electrifying tour that will bring together hits you've been listening to since the '90s.

The acts will kick off the tour in Tuscaloosa, Ala. on July 23, stop by cities including Boston and Chicago and close it out on Aug.31 in Irvine, Calif. 

The North American tour won't be the first time TLC and Nelly have been on the road together, Nelly noted in the announcement on Buzzfeed's AM2DM . 

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">&quot;Nelly (<a href="https://twitter.com/Nelly_Mo?ref_src=twsrc%5Etfw">@Nelly_Mo</a>) , TLC (<a href="https://twitter.com/OfficialTLC?ref_src=twsrc%5Etfw">@OfficialTLC</a>) &amp; Flo Rida (<a href="https://twitter.com/official_flo?ref_src=twsrc%5Etfw">@official_flo</a>) Summer Tour&quot; - see the post &gt; <a href="https://t.co/wqxfc4j0EW">https://t.co/wqxfc4j0EW</a> <a href="https://t.co/mxHYDduAIi">pic.twitter.com/mxHYDduAIi</a></p>&mdash; Jermaine Dupri (@jermainedupri) <a href="https://twitter.com/jermainedupri/status/1105205136312463360?ref_src=twsrc%5Etfw">March 11, 2019</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

"We're looking very much forward to it, man," Nelly said alongside TLC's Chilli. "We had the pleasure of working together before on a separate tour, but it wasn't ours so we decided since we had so much fun on that one we decided we would come together and do our own thing so we're looking forward to reaching out to everybody this summer and killing it."

As for what to expect on the tour, Chilli said fans can look forward to the music they love infused with "new things."

"We have so many surprises," she said. "It's gonna be a very different tour and I think you guys are gonna be very excited."

Pre-sale tickets go on sale March 12, and tickets for the general public go on sale March 15. For more information, visit Live Nation's  website . 

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Photo: Ron Davis/Getty Images

10 Ways TLC Shaped The Future Of R&B

As the trailblazing trio's blockbuster albums 'CrazySexyCool' and 'FanMail' celebrate milestone anniversaries, dig into how TLC's fearlessness changed R&B — and music as a whole.

From the moment TLC burst onto the scene in 1991, they've tested the limits of what R&B is and can be. Formed as a tomboyish alternative to Bell Biv DeVoe, the Atlanta trio soon ended up eclipsing the New Jack Swing pioneers — and pretty much every other R&B act of the 1990s — with a sound and style that perfectly straddled the gritty and the smooth, the playful and the poetic, and the old and the new.  

Furthermore, each member of TLC brought something distinctive to the table. Tionne 'T-Boz' Watkins had the kind of huskiness that could make the phone book appear seductive; Rozonda 'Chilli' Thomas offered a poppier register tailor-made for radio; and the late Lisa 'Left Eye' Lopes possessed a lyrical flow that flitted between the mischievous and socially conscious. They simply sounded like no other girl group who had come before. 

Of course, the four-time GRAMMY winners subsequently spawned their fair share of emulators — most notably Left Eye protégés Blaque — and inspired a younger generation to channel their winning brand of crazy, sexy, and cool: BLACKPINK , Little Mix, and Fifth Harmony are just a few of the more contemporary girl groups who have publicly acknowledged their influence.

In the same year TLC celebrate both the 30th anniversary of their diamond-selling blockbuster, CrazySexyCool , and the 25th anniversary of its chart-topping follow-up FanMail , here's a welcome reminder of why the three-piece were such a game-changer.

They Empowered Their Audience

Like their arguably most obvious predecessors Salt-N-Pepa , TLC weren't afraid to talk about sex. "Red Light Special" and "Let's Take Our Time," in particular, were steamy enough to leave your speakers dripping; the X-rated "I'm Good at Being Bad" almost makes Megan Thee Stallion and Cardi B 's "WAP" sound chaste. This was an admirably bold move in an era where male R&B performers were celebrated for being insatiable horndogs, and women were castigated for showing the merest sign of lust.

It wasn't just in the bedroom where TLC rallied against such double standards, though. Inspired by a blatant display of toxic masculinity on an episode of"Ricki Lake," "Unpretty" fought back against the ridiculous expectations imposed on women, ultimately setting a benchmark for every female self-empowerment anthem that followed.

They Delivered A Bold Message

The trio also opened up conversations on sex outside the pleasure principle. The video for debut single "Ain't 2 Proud 2 Beg" saw all three members attach condoms to their bright, baggy outfits, with Left Eye famously sporting one on the body part that inspired her nickname to further promote the issue of safe sex. 

Their second No. 1, "Waterfalls," highlighted the need for such protection with a subtle reference to HIV ("Three letters took him to his final resting place," T-Boz warns in the second verse). And the remix of their first chart-topper, "Creep," saw Left Eye spell out more explicitly the dangers of messing around on the downlow. For those who grew up in the early '90s, TLC were arguably more effective than any sexual health initiative.  

They Gave R&B The Blockbuster Treatment

Ah, the '90s, a time when music executives thought nothing of giving artists music video budgets akin to a small country's GDP. Luckily for Arista Records, TLC always delivered plenty of bang for their million-plus bucks.

Interspersing gritty depictions of both the drug and AIDS epidemics with groundbreaking performance footage of the trio in liquified form, "Waterfalls" picked up four wins at the annual VMAs, including Video of the Year. The GRAMMY-nominated visual for "Unpretty" tackled the issue of body image, racism, and gang violence in another highly dramatic mini masterpiece, while "No Scrubs" saw Hype Williams work his usual cyber-futuristic magic on the world's coolest space station. As a result, TLC became the defining R&B act of MTV's second generation.

They Merged The Worlds Of R&B And Hip-Hop 

While Mary J. Blige is often dubbed the Queen of Hip-Hop Soul, it could be argued that the title should be shared amongst TLC. The trio were plausibly the first major outfit to blend the beats and rhymes of rap music with the melodic sensibilities of R&B without any outside assistance. They scored almost as many No. 1s on Billboard's R&B/Hip-Hop Songs chart as they did on the Hot 100 as proof.

Left Eye, a firecracker of an MC whose lyrical flow was every bit as flamboyant as her fashion sense, was undoubtedly the group's secret weapon, allowing them to bounce between slow jams and party anthems with ease. An inspired choice of producers — ranging from established hitmaker Babyface to fellow Atlantans Organized Noize — also helped them to reflect both the sounds of commercial radio and the sounds of the streets.

They're The Queens Of Survival 

While there have been plenty of resilient pop stars, TLC repeatedly proved that they were experts in bouncing back. After all, the trio were forced to deal with near-insurmountable hardships in between nearly every album campaign. Following 1991's Ooooooohhh... On the TLC Tip , T-Boz became severely ill with sickle cell anemia, a condition she'd previously kept under wraps. On the other hand, Left Eye gave the tabloids a field day thanks to a turbulent relationship with Andre Rison, which involved numerous physical altercations and, most famously, the rapper burning the NFL star's house down.

Despite selling 23 million copies of 1994's CrazySexyCool , the group found themselves filing for bankruptcy after discovering they'd been the victim of an exploitative record contract. And then most tragically of all, 2002's 3D had to be completed as a duo when Left Eye lost her life in a car crash. After years of studio inactivity, T-Boz and Chilli once again proved their indomitable spirit with 2017's eponymous LP, particularly on opener "No Introduction" and the Boney M-sampling "It's Sunny" ("Don't be trippin' all over your fears/'Cause the good comes after bad/First you cry and then you laugh/As we head into another year").

They Pushed R&B Into The 21st Century 

After incorporating everything from classic Philly soul to '80s Prince on the retro-leaning CrazySexyCool , TLC decided to push things forward on follow-up FanMail , a thrillingly futuristic record which essentially reshaped the R&B scene for the 21st century. Skillfully interweaving all kinds of Y2K sounds (most notably, the dial-up modem), the opening title track and "Silly Ho" perfectly reflect the album's cyber artwork. Way ahead of their time, meanwhile, several spoken word interludes are attributed to a talking android named Vic-E.

If all this sounds a little gimmicky, then FanMail also had substance to its technological style, with the disconnect between the online and real worlds a recurring theme. "No Scrubs," meanwhile, essentially set a new feminist agenda, spearheading a wave of useless man-dragging anthems from the likes of Destiny's Child ("Bills, Bills, Bills"), Pink ("There You Go"), and Toni Braxton ("He Wasn't Man Enough").

They Were Great At Harnessing New Talent 

One thing TLC don't get enough credit for is how they recognized and utilized talent that had only just started their path to world dominance. Take André 3000 , for example. Having just released their fabulously titled debut Southernplayalisticadillacmuzik , Outkast were still largely unknowns when the flautist unleashed his laid-back drawl on CrazySexyCool closer "Sumthin' Wicked This Way Comes." Within a year, the duo were runners-up on the Billboard 200.

TLC were also the first major label outfit to draw upon the production skills of Jermaine Dupri ("Bad By Myself"), the So So Def founder responsible for 10 Hot 100 chart-toppers, and Kevin 'She'kspere' Briggs ("No Scrubs"), the hitmaker whose partnership with former Xscape vocalist Kandi Burruss set the blueprint for turn-of-the-century R&B.

They Broke Down Barriers 

There are plenty of stats to back up TLC's game-changing status, too. In 1995, they achieved a feat that had remarkably eluded Michael Jackson , Janet Jackson , and Prince: the first act of color ever to win Video of the Year at the MTV VMAs.

In 2000, they became the first female act to win GRAMMYs for Best R&B Song, Best R&B Performance by a Duo or Group with Vocals, and Best R&B Album in the same year. And having shifted an astonishing 65 million records worldwide, they're second only to the legendary Supremes when it comes to America's best-selling girl group . If that wasn't enough, CrazySexyCool 's 10 million domestic album sales means they join Dixie Chicks as one of only two all-women outfits to receive an RIAA Diamond award.

They Were Able To Evolve Their Style 

TLC could never be accused of playing it safe. After gatecrashing the New Jack Swing scene with their playful 1991 debut, the trio transformed into soulful seductresses on the timeless CrazySexyCool before capturing the sound of the millennium on the innovative FanMail .

And while their 21st century releases haven't been quite as game-changing, 2002's 3D and their 2017 self-titled LP still highlighted TLC's ability to move with the times (see the Pharrell and Timbaland productions on 3D and social media clapback "Haters" on TLC ).

They've been equally adaptable when it comes to their sense of style, from the Day-Glo overalls of their early years, to the slinky pajamas and sleek crop tops of their mid-'90s phase, to the striking space-age fashions of Y2K. And their sartorial vision has continued to make waves, with Vogue magazine declaring in 2017 that labels including Gypsy Sport, Valentino, and Balenciaga had all borrowed from the group's 'glam-leisure' look in recent years.

They've Continued To Pervade Pop Culture 

Although their recording output has been relatively slim over the last 20 years, TLC have still remained a part of the pop culture landscape. One of the 21st century's most streamed hits, Ed Sheeran 's "Shape of You," was deemed so similar to "No Scrubs" that the Brit was forced to acknowledge its influence in the songwriting credits.

Drake , Zendaya, and Kaytranada are just a few of the contemporary names who've either sampled or covered the trio, while rapper J. Cole managed to persuade T-Boz and Chilli themselves to join him in the studio on 2013's "Crooked Smile." A 2023 Lifetime documentary special and appearances on various nostalgia tours have further kept the TLC name in the spotlight.

And could we soon be seeing their eventful story played out on Broadway? At the 2023 '90s Con, the duo revealed they'd been working on a new stage musical with the team behind award-winning phenomenon Hamilton .

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Credit: Paul Natkin/Getty Images

20 Iconic Hip-Hop Style Moments: From Run-D.M.C. To Runways

From Dapper Dan's iconic '80s creations to Kendrick Lamar's 2023 runway performance, hip-hop's influence and impact on style and fashion is undeniable. In honor of hip-hop's 50th anniversary, look back at the culture's enduring effect on fashion.

In the world of hip-hop, fashion is more than just clothing. It's a powerful means of self-expression, a cultural statement, and a reflection of the ever-evolving nature of the culture.

Since its origin in 1973 , hip-hop has been synonymous with style —  but the epochal music category known for breakbeats and lyrical flex also elevated, impacted, and revolutionized global fashion in a way no other genre ever has.   

Real hip-hop heads know this. Before Cardi B was gracing the Met Gala in Mugler and award show red carpets in custom Schiaparelli, Dapper Dan was disassembling garment bags in his Harlem studio in the 1980s, tailoring legendary looks for rappers that would appear on famous album cover art. Crescendo moments like Kendrick Lamar ’s performance at the Louis Vuitton Men’s Spring-Summer 2023 runway show in Paris in June 2022 didn’t happen without a storied trajectory toward the runway.

Big fashion moments in hip-hop have always captured the camera flash, but finding space to tell the bigger story of hip-hop’s connection and influence on fashion has not been without struggle. Journalist and author Sowmya Krishnamurphy said plenty of publishers passed on her anthology on the subject, F ashion Killa: How Hip-Hop Revolutionized High Fashion , and "the idea of hip hop fashion warranting 80,000 words." 

"They didn't think it was big enough or culturally important," Krishnamurphy tells GRAMMY.com, "and of course, when I tell people that usually, the reaction is they're shocked."

Yet, at the 50 year anniversary , sands continue to shift swiftly. Last year exhibitions like the Fashion Institute of Technology’s Fresh, Fly, and Fabulous: Fifty Years of Hip-Hop Style popped up alongside notable publishing releases including journalist Vikki Tobak’s, Ice Cold. A Hip-Hop Jewelry Story . Tabak’s second published release covering hip-hop’s influence on style, following her 2018 title, Contact High: A Visual History of Hip-Hop.

"I wanted to go deeper into the history," Krishnamurphy continues. "The psychology, the sociology, all of these important factors that played a role in the rise of hip-hop and the rise of hip-hop fashion"

What do the next 50 years look like? "I would love to see a hip-hop brand, whether it be from an artist, a designer, creative director, somebody from the hip-hop space, become that next great American heritage brand," said Krishnamurphy.

In order to look forward we have to look back. In celebration of hip-hop’s 50 year legacy, GRAMMY.com examines iconic moments that have defined and inspired generations. From Tupac walking the runways at Versace to Gucci's inception-esque knockoff of Dapper Dan, these moments in hip-hop fashion showcase how artists have used clothing, jewelry, accessories, and personal style to shape the culture and leave an indelible mark on the world.

*The cover art to Eric B and Rakim’s* Paid in Full

Dapper Dan And Logomania: Luxury + High Fashion Streetwear

Dapper Dan, the legendary designer known as "the king of knock-offs," played a pivotal role in transforming luxury fashion into a symbol of empowerment and resistance for hip-hop stars, hustlers, and athletes starting in the 1980s. His Harlem boutique, famously open 24 hours a day, became a hub where high fashion collided with the grit of the streets.

Dapper Dan's customized, tailored outfits, crafted from deconstructed and transformed luxury items, often came with significantly higher price tags compared to ready-to-wear luxury fashion. A friend and favorite of artists like LL Cool J and Notorious B.I.G. , Dapper Dan created iconic one-of-a-kind looks seen on artists like Eric B and Rakim’s on the cover of their Paid in Full album.

This fusion, marked by custom pieces emblazoned with designer logos, continues to influence hip-hop high fashion streetwear. His story — which began with endless raids by luxury houses like Fendi, who claimed copyright infringement — would come full circle with brands like Gucci later paying homage to his legacy.

Athleisure Takes Over

Hip-hop's intersection with sportswear gave rise to the "athleisure" trend in the 1980s and '90s, making tracksuits, sweatshirts, and sneakers everyday attire. This transformation was propelled by iconic figures such as Run-D.M.C . and their association with Adidas, as seen in photoshoots and music videos for tracks like "My Adidas."

*LL Cool J. Photo: Paul Natkin/Getty Images*

LL Cool J’s Kangol Hat

The Kangol hat holds a prominent place in hip-hop fashion, often associated with the genre's early days in the '80s and '90s. This popular headwear became a symbol of casual coolness, popularized by hip-hop pioneers like LL Cool J and Run-D.M.C. The simple, round shape and the Kangaroo logo on the front became instantly recognizable, making the Kangol an essential accessory that was synonymous with a laid-back, streetwise style.

*Dr. Dre, comedian T.K. Kirkland, Eazy-E, and Too Short in 1989. Photo: Raymond Boyd/Getty Images*

N.W.A & Sports Team Representation

Hip-hop, and notably N.W.A. , played a significant role in popularizing sports team representation in fashion. The Los Angeles Raiders' gear became synonymous with West Coast hip-hop thanks to its association with the group's members Dr. Dre , Eazy-E, and Ice Cube , as well as MC Ren.

 *Slick Rick in 1991. Photo: Al Pereira/Getty Images/Michael Ochs Archives*

Slick Rick’s Rings & Gold Chains

Slick Rick "The Ruler" has made a lasting impact on hip-hop jewelry and fashion with his kingly display of jewelry and wealth. His trendsetting signature look — a fistful of gold rings and a neck heavily layered with an array of opulent chains — exuded a sense of grandeur and self-confidence. Slick Rick's bold and flamboyant approach to jewelry and fashion remains a defining element of hip-hop's sartorial history, well documented in Tobak's Ice Cold.

Tupac Walks The Versace Runway Show

Tupac Shakur's runway appearance at the 1996 Versace runway show was a remarkable and unexpected moment in fashion history. The show was part of Milan Fashion Week, and Versace was known for pushing boundaries and embracing popular culture in their designs. In Fashion Killa , Krishnamurpy documents Shakur's introduction to Gianni Versace and his participation in the 1996 Milan runway show, where he walked arm-in-arm with Kadida Jones.

*TLC. Photo: Tim Roney/Getty Images*

Women Embrace Oversized Styles

Oversized styles during the 1990s were not limited to menswear; many women in hip-hop during this time adopted a "tomboy" aesthetic. This trend was exemplified by artists like Aaliyah ’s predilection for crop tops paired with oversized pants and outerwear (and iconic outfits like her well-remembered Tommy Hilfiger look.)

Many other female artists donned oversized, menswear-inspired looks, including TLC and their known love for matching outfits featuring baggy overalls, denim, and peeking boxer shorts and Missy Elliott 's famous "trash bag" suit worn in her 1997 music video for "The Rain." Speaking to Elle Magazine two decades after the original video release Elliot told the magazine that it was a powerful symbol that helped mask her shyness, "I loved the idea of feeling like a hip hop Michelin woman."

Diddy Launches Sean John

Sean "Diddy" Combs ’ launch of Sean John in 1998 was about more than just clothing. Following the success of other successful sportswear brands by music industry legends like Russell Simmons ’ Phat Farm, Sean John further represented a lifestyle and a cultural movement. Inspired by his own fashion sensibilities, Diddy wanted to create elevated clothing that reflected the style and swagger of hip-hop. From tailored suits to sportswear, the brand was known for its bold designs and signature logo, and shared space with other successful brands like Jay-Z ’s Rocawear and model Kimora Lee Simmons' brand Baby Phat.

 *Lil' Kim. Photo: Ron Galella/Ron Galella Collection via Getty Images*

Lil’ Kim Steals The Show

Lil' Kim ’s daring and iconic styles found a kindred home at Versace with

In 1999, Lil' Kim made waves at the MTV Video Music Awards with her unforgettable appearance in a lavender jumpsuit designed by Donatella Versace. This iconic moment solidified her close relationship with the fashion designer, and their collaboration played a pivotal role in reshaping the landscape of hip-hop fashion, pushing boundaries and embracing bold, daring styles predating other newsworthy moments like J.Lo’ s 2000 appearance in "The Dress" at the GRAMMY Awards.

Lil Wayne Popularizes "Bling Bling"

Juvenile & Lil Wayne 's "Bling Bling" marked a culturally significant moment. Coined in the late 1990s by Cash Money Records, the term "bling bling" became synonymous with the excessive and flashy display of luxury jewelry. Lil Wayne and the wider Cash Money roster celebrated this opulent aesthetic, solidifying the link between hip-hop music and lavish jewelry. As a result, "bling" became a cornerstone of hip-hop's visual identity.

Jay-Z x Nike Air Force 1

In 2004, Jay-Z's partnership with Nike produced the iconic "Roc-A-Fella" Air Force 1 sneakers, a significant collaboration that helped bridge the worlds of hip-hop and sneaker culture. These limited-edition kicks in white and blue colorways featured the Roc-A-Fella Records logo on the heel and were highly coveted by fans. The collaboration exemplified how hip-hop artists could have a profound impact on sneaker culture and streetwear by putting a unique spin on classic designs. Hova's design lives on in limitless references to fresh white Nike kicks.

Daft Punk and Pharrell Williams. Photo: Mark Davis/WireImage

Pharrell Williams' Hat At The 2014 GRAMMYs

Pharrell Williams made a memorable red carpet appearance at the 2014 GRAMMY Awards in a distinctive and oversized brown hat. Designed by Vivienne Westwood, the hat quickly became the talk of the event and social media. A perfect blend of sartorial daring, Pharrell's hat complemented his red Adidas track jacket while accentuating his unique sense of style. An instant fashion moment, the look sparked innumerable memes and, likely, a renewed interest in headwear.

Kanye’s Rise & Fall At Adidas (2013-2022)

Much more than a "moment," the rise and eventual fall of Kanye ’s relationship with Adidas, was as documented in a recent investigation by the New York Times . The story begins in 2013 when West and the German sportswear brand agreed to enter a partnership. The collaboration would sell billions of dollars worth of shoes, known as "Yeezys," until West’s anti-semitic, misogynistic, fat-phobic, and other problematic public comments forced the Adidas brand to break from the partnership amid public outrage.

Supreme Drops x Hip-Hop Greats

Supreme, with its limited drops, bold designs, and collaborations with artists like Nas and Wu-Tang Clan , stands as a modern embodiment of hip-hop's influence on streetwear. The brand's ability to create hype, long lines outside its stores, and exclusive artist partnerships underscores the enduring synergy between hip-hop and street fashion.

*A model walks the runway at the Gucci Cruise 2018 show. Photo: Pietro D'Aprano/Getty Images*

Gucci Pays "homage" to Dapper Dan

When Gucci released a collection in 2017 that seemingly copied Dapper Dan's distinctive style, (particularly one look that seemed to be a direct re-make of a jacket he had created for Olympian Dionne Dixon in the '80s), it triggered outrage and accusations of cultural theft. This incident sparked a conversation about the fashion industry's tendency to co-opt urban and streetwear styles without proper recognition, while also displaying flagrant symbols of racism through designs.

Eventually, spurred by public outrage, the controversy led to a collaboration between Gucci and Dapper Dan , a significant moment in luxury fashion's acknowledgement and celebration of the contributions of Black culture, including streetwear and hip-hop to high fashion. "Had Twitter not spotted the, "Diane Dixon" [jacket] walking down the Gucci runway and then amplified that conversation on social media... I don't think we would have had this incredible comeback," Sowmya Krishnamurphy says.

A$AP Rocky x DIOR

Self-proclaimed "Fashion Killa" A$AP Rocky is a true fashion aficionado. In 2016, the sartorially obsessed musician and rapper became one of the faces of Dior Homme’s fall/winter campaign shot by photographer Willy Vanderperre — an early example of Rocky's many high fashion collaborations with the luxury European brand.

A$AP Rocky's tailored style and impeccable taste for high fashion labels was eloquently enumerated in the track "Fashion Killa" from his 2013 debut album Long. Live. ASAP , which namedrops some 36 luxury fashion brands. The music video for "Fashion Killa" was co-directed by Virgil Abloh featuring a Supreme jersey-clad Fenty founder, Rihanna long before the two became one of music’s most powerful couples. The track became an anthem for hip-hop’s appreciation for high fashion (and serves as the title for Krishnamurphy’s recently published anthology). 

*Cardi B. Photo: Steve Granitz/WireImage*

Cardi B Wears Vintage Mugler At The 2019 GRAMMYs

Cardi B has solidified her "it girl" fashion status in 2018 and 2019 with bold and captivating style choices and designer collaborations that consistently turn heads. Her 2019 GRAMMYs red carpet appearance in exaggerated vintage Mugler gown, and many custom couture Met Gala looks by designers including Jeremy Scott and Thom Browne that showcased her penchant for drama and extravagance.

But Cardi B's fashion influence extends beyond her penchant for custom high-end designer pieces (like her 2021 gold-masked Schiaparelli look, one of nine looks in an evening.) Her unique ability to blend couture glamour with urban chic (she's known for championing emerging designers and streetwear brands) fosters a sense of inclusivity and diversity, and makes her a true trendsetter.

Beyoncé & Jay-Z in Tiffany & Co.’s "About Love" campaign

The power duo graced Tiffany & Co.'s "About Love'' campaign in 2021, showcasing the iconic "Tiffany Yellow Diamond," a 128.54-carat yellow worn by Beyoncé alongside a tuxedo-clad Jay-Z. The campaign sparked controversy in several ways, with some viewers unable to reconcile the use of such a prominent and historically significant diamond, sourced at the hands of slavery, in a campaign that could be seen as commercializing and diluting the diamond's cultural and historical importance. Despite mixed reaction to the campaign, their stunning appearance celebrated love, adorned with Tiffany jewels and reinforced their status as a power couple in both music and fashion.

Kendrick Lamar Performs At Louis Vuitton

When Kendrick Lamar performed live at the Louis Vuitton Men’s spring-summer 2023 runway show in Paris in June 2022 following the passing of Louis Vuitton’s beloved creative director Virgil Abloh, he underscored the inextricable connection between music, fashion and Black American culture.

Lamar sat front row next to Naomi Campbell, adorned with a jeweled crown of thorns made from diamonds and white gold worth over $2 million, while he performed tracks including "Savior," "N95," and "Rich Spirit'' from his last album, Mr. Morale and the Big Steppers before ending with a repeated mantra, "Long live Virgil." A giant children’s toy racetrack erected in the Cour Carrée of the Louvre became a yellow brick road where models marched, clad in designer looks with bold, streetwear-inspired design details, some strapped with oversized wearable stereo systems.

Pharrell Succeeds Virgil Abloh At Louis Vuitton

Pharrell Williams' appointment as the creative director at Louis Vuitton for their men's wear division in 2023 emphasized hip-hop's enduring influence on global fashion. Pharrell succeeded Virgil Abloh, who was the first Black American to hold the position.

Pharrell's path to this prestigious role, marked by his 2004 and 2008 collaborations with Louis Vuitton, as well as the founding of his streetwear label Billionaire Boy’s Club in 2006 alongside Nigo, the founder of BAPE and Kenzo's current artistic director, highlights the growing diversity and acknowledgment of Black talent within high fashion.

Listen To GRAMMY.com's 50th Anniversary Of Hip-Hop Playlist: 50 Songs That Show The Genre's Evolution

Photo: Jeff Kravitz/FilmMagic

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly . Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly .

"Hip-hop. Ice Cube . This is for hip-hop," he said. "This is for Snoop Dogg , Doggystyle . This is for Illmatic , this is for Nas . We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal , Anna Wise and Thundercat ). He also won Best Music Video for the remix of Taylor Swift 's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN ., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers .

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Essential Hip-Hop Releases From The 2000s: T.I., Lil Wayne, Kid Cudi & More

The 2000s saw the ascension of now-household names while holding space for established rappers to enter new phases. In celebration of the 50th anniversary of hip-hop, revisit 10 albums fron the 2000s that captured the genre's diversity and influence.

Rap albums of the 1990s showcased diverse sides of the hip-hop landscape, broadening both the sound of the underground and hits of the mainstream. By the 2000s, reigning hip-hop artists were either reinventing themselves —  among them, Jay-Z , Nas, Snoop Dogg and Lil' Kim — or giving way for up-and-comers. 

The 2000s hip-hop held space for rappers entering different phases of their careers, from luxuriant to conscious. Most 2000s hip-hop soundtracked a rowdy decade-long party, where Timbaland became a sought-after beatmaker for his experimental sounds, and the Neptunes ’ synthetic production made them dominate radio play . Rappers continued to retell their rags to riches stories, while celebrating the fruits of their labor. 

A creative streak permeated throughout the decade, creating new styles and geographical hotspots. While the East, West Coast and Midwest held down their rap enclaves, hip-hop’s core largely went below the Mason-Dixon line, giving cities such as New Orleans, Atlanta, Houston and Miami well-deserved respect in the game. 

In the 2000s, different sectors of entertainment wanted to cash in on hip-hop's ever-growing traction. Hood films of the ‘90s evolved into heists ( Paid In Full ), biopics ( 8 Mile ) coming-of-age stories ( ATL ) and dance flicks ( Honey ), many which had rappers taking their first acting roles. These new faces of Hollywood were also even tapped to star in TV advertisements for the likes of Nike and Sprite, the latter which has championed hip-hop for over 35 years. At the same time, a diamond-encrusted bling redefined hip-hop style, and several artists helmed self-established streetwear brands. 

Most importantly, the music kept spinning, turning hip-hop into a free-for-all playground that grew more inclusive as the years rolled on. While hip-hop’s golden age had undoubtedly ended, the 2000s saw the ascension of now-household names whose music is now being reworked by Gen-Z rap and pop artists. Here are 10 albums that captured hip-hop’s growing diversity and influence in music in the first decade of the new millennium. 

Nelly - Country Grammar (2000)

The East vs. West Coast cataclysm took over in the late 1990s, but the Midwest waved its flag high in the Y2K era. St. Louis-raised Nelly unapologetically recited nursery rhymes and dished out heartland twang on his seminal debut Country Grammar . Bringing local culture to the masses, Country Grammar catapulted Nelly into megastardom, as the album topped the Billboard 200 in its first week.

Cornell Haynes Jr., Nelly would forgo his baseball dreams when"Country Grammar (Hot S—)" ran hip-hop airwaves. A consistent run of hits followed: party-starter "E.I.," the hoedown-worthy "Ride Wit Me," and the "The Jeffersons"-dedicated "Batter Up," which featured Nelly’s side project, St. Lunatics. The rapper’s commercial appeal made him an instant favorite for kids and club-goers, both who raved over Nelly’s sing-a-long music. Nelly gave the world a glimpse of his "derrty" character, solidifying him as an early 2000s rap mainstay. 

Missy Elliott - Miss E... So Addictive (2001)

If Missy Elliott 's Supa Dupa Fly and Da Real World were the one-two punch of the late ‘90s, those releases were also a prelude to her most globally successful album. Elliott  sent her progressive sound out of the stratosphere on her third album Miss E… So Addictive . Hypnotic, authentic and brilliantly innovative , So Addictive imagined spaced-out hip-hop and R&B scenes that fans could revel in. 

Timbaland -produced lead single "Get Ur Freak On"—which heavily used elements of non-traditional Punjabi music Bhangra — burned up dancefloors worldwide and won a GRAMMY for Best Rap Solo Performance in 2002. The near-misandrist bedroom banger "One Minute Man" shamed weak male lovers while Elliott and Ludacris asserted their sexual dominance. 

So Addictive dropped just months before the death of Aaliyah , Elliott’s longtime friend and collaborator. Elliott later dedicated the downtempo ballad "Take Away" to the late 22-year-old. Elliott’s most experimental LP yet made her a powerhouse that never ran out of off-the-wall ideas.

Eminem - The Eminem Show (2002)

Already a superstar due to 1999’s The Slim Shady LP and 2000’s The Marshall Mathers LP , The Eminem Show gave the Detroit native the title of the highest-selling rapper of all-time. The album would even earn two GRAMMY Awards, one for Best Music Video ("Without Me") and another for Best Rap Album.

For his fourth studio album, the Real Slim Shady went rogue. Hip-hop needed "a little controversy," EM rapped on lead single "Without Me," offering the middle finger to sensationalized celebrities and political figures. Zany and comedic in nature, "Without Me" spoofed impressionable suburban kids and Electronic musician Moby. 

Yet The Eminem Show offered more than just shock value. On "White America," Eminem acknowledged that his commercial appeal was partially due to being a white rapper. He continued confronting his problematic childhood, troubled relationship with his mother and faults on the cathartic "Cleanin’ Out My Closet." 

"Sing for the Moment,"  which interpolated 1973 Aerosmith classic "Dream On," garnered more radio play while harkening back to Eminem's impoverished upbringing and rocky start to fatherhood. As Eminem was just six years into his career, The Eminem Show was a lightning rod in a continued streak as a polarizing artist.

Clipse - Lord Willin’ (2003)

Missy Elliott wasn’t the only Virgina-bred rapper who reigned during the 2000s. Virginia Beach rhymesayers Pusha T and No Malice, known jointly as Clipse , rode high on their major label debut Lord Willin’ . An early act on the Neptunes’ record label Star Trak Entertainment, Lord Willin’ predestined the legacy of the twin brothers.

Bars of fury flew throughout the regional statement album, ensuring that lunchroom tables would never be the same when lead single "Grindin’" released. The song’s table-beating and locker-slamming nature recalled high school cypher nostalgia, while Clipse boasted of their hustle mentality. 

Pharrell Williams (one half of the Neptunes) acted as Clipse’s hype man with adlibs and memorable hooks throughout the album. Faith Evans belted on "Ma, I Don’t Love Her," where Clipse pleaded for their significant other to avoid messy dating gossip. Club banger and MTV favorite "When’s the Last Time" still brought the wordplay, as Pusha T cleverly referenced a legendary 1980s crooner ("What did it, the whip appeal or my baby face?").

Both in the zone, Clipse made their mixtape rap flair a crossover smash. The brothers, who would shut down ComplexCon for the LP’s 20th anniversary, continue to salute their groundbreaking debut during rare performances , the next being IQ/BBQ in Queens.

50 Cent - Get Rich or Die Tryin' (2003)

Queens titan and Eminem protégé 50 Cent brought hip-hop to its knees with his 2003 debut, daring critics to test his gangsta. Get Rich Or Die Tryin’ debuted at No. 1 on the Billboard 200, just three years after 50 Cent recovered from being shot nine times. Over 19 tracks, the G-Unit frontman retold his story of victim to villain. 

The former Jam Master Jay protégé kicks down the door on "What Up Gangsta," and denies being anyone’s Superman ("They say I walk around like I got a S on my chest / Nah, that's a semi-auto and a vest on my chest."). He keeps his enemies close and depicts near-death experiences on "Many Men (Wish Death)." The rapper showed his affectionate side on "21 Questions," where he probes his partner’s loyalty. He flosses his extravagant lifestyle on the steel pan-tinged "P.I.M.P.," which was customary to blinged-out artists of the 2000s. 

The album’s biggest single, "In Da Club," made a resurgence when 50 Cent was a surprise guest during the Dr. Dre -curated Super Bowl LVI halftime show in 2022. 50’s brief spot during the performance paid homage to his "In Da Club" music video, where his bold entry into hip-hop paved the way for his East Coast rap successors to reclaim the streets.

Outkast - Speakerboxxx/The Love Below (2003)

Atlanta rap forerunners Outkast brought quintessential funk to their fourth studio album. Released as a double album — where Big Boi ’s Speakerboxxx boomed and André 3000 opened up his innermost romanticism on The Love Below  — each record highlighted the duo’s individualism. 

Big Boi gave a masterclass in rhyme and flow on Speakerboxxx , exuding a warmth that made songs like "The Way You Move," "Bowtie" and "The Rooster" playlist selections for summertime gatherings for years to come. The nightmarish "Bust" featuring fellow ATL emcee Killer Mike references a mid-’70s era George Clinton. The electronic production on "Tomb of the Boom" is the perfect freestyle backdrop for Boi to trade verses with  rap trio Konkrete, fellow Dungeon Family member Big Gipp and Ludacris .

3000 demonstrated his multi-hyphenate chops, acting as singer/-songwriter, rapper, producer and maestro on The Love Below . He falls into lustful temptation on the Prince -inspired "Spread" before finding his close-to-perfect match ("Prototype"). An Outkast reunion takes place on the soulful "Roses," where 3000 wails about a snobby "Caroline." Karaoke staple "Hey Ya!" invented whimsical and now-classic lines like "What’s cooler than being cool? (Ice Cold)" and "shake it like a Polaroid picture." 

Speakerboxxx / The Love Below preceded Outkast’s 2006 musical film Idlewild , which reinterpreted select songs, and the album scored three GRAMMY Awards in 2004, including the coveted Album of the Year. By 2004, Outkast approached their hiatus, which has continued albeit a brief music festival run in 2016.

T.I. - King (2006)

Titled after the rapper’s fifth child, King made a statement that T.I. had the "top spot," as declared on DJ Toomp-produced lead single "What You Know" (which also won a GRAMMY Award for Best Rap Performance in 2007). The album was a perfect cross-promotion with T.I.’s acting debut in the comedy-drama ATL , which arrived in theaters just days after the release of King .

T.I. recruited top hip-hop producers from all coasts to bring their best to his fourth studio album. The effort paid off, as Alabama’s Kevin "Khao" Cates reimagined Crystal Waters’ 1991 deep house anthem "Gypsy Woman (She's Homeless)" on "Why You Wanna." Bronx-born superproducer Swizz Beatz brought out the sirens on the marching band sounds of "Get It." The piano-laden "Goodlife" featuring Common was courtesy of the Neptunes, with Pharrell Williams providing the song’s hook. 

Whilst calling out his competition, the self-appointed King of the South came to the game with nothing left to prove.

Kanye West - Graduation (2007)

In 2007, Kanye West and 50 Cent went head-to-head over first week sales. The two were well into their respective careers, but the friendly rivalry went public, including a competitive Rolling Stone cover shot. 

But West would win the war, amassing 957,000 in first-week sales and earning the No. 1 spot on the Billboard 200 for his third studio album Graduation . Exploring more sonic ground, Graduation marked an end to West’s alt-rap heyday.

The Chicago-raised artist aired out his frustrations on "Stronger," which expertly sampled the 2001 Daft Punk single "Harder, Better, Faster, Stronger." The synthy and anthemic "I Wonder" finds West reaching his hip-hop dreams. The rapper gives a shout out to "Summertime Chi" and flaunts his riches on the head-knocking "Good Life." Barely escaping the clutches of a vengeful ex, "Flashing Lights" shows a more vulnerable West, who admits his relationship flaws. 

West’s final Graduation Bear era would earn him two GRAMMY Awards in 2008, in the categories of Best Rap Song ("Good Life") and Best Rap Album.

Lil Wayne - Tha Carter III (2008)

New Orleans lyricist Lil Wayne conquered mainstream hip-hop with his sixth studio album, Tha Carter III . In lieu of guest appearances and frequent mixtapes, Wayne challenged Jay-Z’s "best rapper alive" status while boasting features with some of R&B’s elite players. In fact, Wayne nabbed Jay-Z for  the chipmunk soul of "Mr. Carter," titled after the pair’s shared last name (no relation). 

The daring move paid off, as TC3 won GRAMMY Awards for Best Rap Album, Best Rap Solo Performance ("A Milli") and Best Rap Song ("Lollipop"). Hip-hop’s top hook singer of the mid-2000s, T-Pain , contributed his auto tuned vocals to the frenzied "Got Money." Bobby V’s absurd police car sounds coated "Mrs. Officer," where Weezy shows his affections for women in uniform. 

His agile rhyme schemes run rampant throughout the album, notably "Phone Home," where he proclaims "we are not the same, I am a martian." TC3 proved that Wayne was surely from another planet, and the rapper continues to demonstrate that he’s inimitable.

Kid Cudi -  Man on the Moon: The End of Day (2009)

Kanye West walked so Kid Cudi could run. Both hedonistic and conscious, the Cleveland rhymer marched to his own drum on Man on the Moon: The End of Day . Split into five acts, MOTM hazily conceptualized Cudi’s path to inner peace. 

Production that ranged from psychedelia to synth-pop also made the rapper distinct from his peers in the blog era of rap. Arguably the most memorable track, the diamond-certified "Pursuit of Happiness (Nightmare)" played as an electronic rap midnight jam session with collaborators MGMT and Ratatat. 

"Soundtrack 2 My Life" detailed Cudi’s mental health woes and the death of his father. The minimal ambience of "Day ‘N’ Night" saw Cudi taking shape as "The Lonely Stoner," who uses medication to escape depression. Despite Cudi’s bleak outlook on life, he gave space to his "wildest dreams" on "Enter Galactic (Love Connection, Pt. 1)," which later titled his 2022 Emmy-nominated animated Netflix special. 

MOTM gave way to a forward-thinking side of hip-hop, where rappers could ambitiously experiment with a multitude of genres. Cudi's fans include Travis Scott, Chance the Rapper and A$AP Rocky, each of whom followed Cudi's example in distinct ways.

Essential Hip-Hop Releases From The 1990s: Snoop Dogg, Digable Planets, Jay-Z & More

• 1 Nelly, TLC and Flo Rida Announce Joint Tour
• 2 10 Ways TLC Shaped The Future Of R&B
• 3 20 Iconic Hip-Hop Style Moments: From Run-D.M.C. To Runways
• 4 GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
• 5 Essential Hip-Hop Releases From The 2000s: T.I., Lil Wayne, Kid Cudi & More

Flo Rida Essentials

Flo Rida paid dues on the Miami scene long before his breakthrough hits, with the rapper calling Trick Daddy and the 2 Live Crew's Fresh Kid Ice mentors during his early years. A collaboration with T-Pain helped fire up interest in his 2008 debut album, Mail on Sunday, while he sided with Ke$ha to add commercial clout to the following year's R.O.O.T.S. project. But it was the rapper's enthusiastic moves into the EDM scene in the early-'10s that propelled him to true crossover success as he released a series of euphoric dance pop anthems.

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Flo Rida Song list

• All My Life (2008)
• Available (2009)
• Be On You (2009)
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• Can't Believe It (2013)
• Club Can't Handle Me (2010)
• Come With Me (2010)
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• How I Feel (2013)
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• I Don't Like, I Love It (2015)
• In The Ayer (2008)
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• R.O.O.T.S. (2009)
• Right Round (2009)
• Shone (2009)
• Sugar (2009)
• Sweet Spot (2012)
• Turn Around (5, 4, 3, 2, 1) (2010)
• Whistle (2012)
• Who Dat Girl (2010)
• Why You Up In Here (2010)
• Wild Ones (2011)
• Zoosk Girl (2010)

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Walk Like a Man The Four Seasons

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Where Did Our Love Go The Supremes

Holland-Dozier-Holland originally wrote "Where Did Our Love Go" with The Marvelettes in mind, but they turned it down. Marvelettes lead singer Gladys Horton sang in a lower key than Diana Ross, so when The Supremes came to record the tune, Ross was forced to sing in a lower, breathier style than she was used to.

In-A-Gadda-Da-Vida Iron Butterfly

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Top 10 Flo Rida Songs

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"Low" featuring T-Pain (2007)

Collectively, Flo Rida has sold well over 20 million digital downloads of his songs. Many of his songs are notable for featured appearances by other artists and cleverly chosen samples from other recordings. This is a guide to his best and biggest hits.

"Low" was the debut single from rapper Flo Rida featuring songwriting and featured vocals from  T-Pain . The combination of rapping, a huge bass line, and pop melodies helped it become one of the biggest pop hit singles of all time. "Low" spent 10 weeks at the top of the  Billboard  Hot 100 and 13 weeks at the top of the digital single sales chart. Ultimately the song sold more than five million copies and for a time was the biggest selling digital single ever.

A wide range of familiar brand names are mentioned in the lyrics of "Low." One that may not be as familiar is Apple Bottom jeans that refers to a fashion line introduced by rapper Nelly. "Low" tied the all-time record for the shortest song title to hit #1. It matched Frankie Avalon's "Why," The Jackson 5's "ABC," Edwin Starr's "War," and "Ben" and "Bad" both by Michael Jackson .

The accompanying music video includes clips from the movie Step Up 2: The Streets . It also includes cameo appearances from hip hop celebrities Rick Ross, DJ Khaled, and Jermaine Dupri. The clip earned MTV Video Music Award nominations for Best Male Video and Best Hip Hop Video. 

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"Right Round" (2009)

The lead single from  Flo Rida's  second studio album  R.O.O.T.S.  is built around a vocal motif from Dead Or Alive's classic hit "You Spin Me Round (Like a Record)." It is also notable for an uncredited featured vocal from  Kesha  recorded before her solo career took off.  Bruno Mars  co-wrote the song more than a year before he became a star recording artist. Flo Rida said that using the hook from "You Spin Me Round (Like a Record)" was an homage to the music he listened to while growing up. 

"Right Round" became Flo Rida's second #1 pop smash in the US. It even broke into the top 40 on both the adult pop and Latin songs charts. It set and held the record for the most digital copies sold in the first week of release at 636,000 for six years until Adele sold more than a million copies in the first week of her single "Hello." "Right Round" spent six weeks at #1 on the Billboard Hot 100 and has sold more than five million copies overall in the US.

"Right Round" was the lead single from the album R.O.O.T.S. Despite his phenomenal success on the pop singles chart, Flo Rida has never found a similar level of success on the album chart. R.O.O.T.S. climbed to #8 on the album chart but it failed to sell enough copies to earn a gold certification.

"Sugar" featuring Wynter (2009)

Flo Rida's  "Sugar" is built around a sample from Eiffel 65's massive worldwide pop hit "Blue (Da Ba Dee)" from 1999. The song also introduced singer Wynter Gordon in a featured vocal performance. "Sugar" reached #10 on the rap songs chart but climbed even higher on the pop chart reaching #5.

Wynter Gordon was originally hired as the "reference" singer for "Sugar." Her vocals sounded so good to the production team that they decided to keep her on the record in an effort to help promote her as a rising artist. She released three consecutive top 5 charting dance hits in 2010 and 2011. Her debut album With the Music I Die was released in 2011.

The music video for "Sugar" was shot in Florida. It features Flo Rida cavorting with a female doctor. "Sugar" crossed over into the dance radio chart and peaked inside the top 20.

"Club Can't Handle Me" featuring David Guetta (2010)

Flo Rida  recorded "Club Can't Handle Me" for the soundtrack to the film  Step Up 3D . He collaborated with hot dance pop producer David Guetta and the result was a huge international pop hit. He was approached by Flo Rida's label about the pair working together. David Guetta was a fan of the song "Low" and agreed. The following year Flo Rida returned the favor by appearing as a featured artist on David Guetta's #14 charting hit "Where Them Girls At?"

David Guetta made his first appearance in US top 10 just months before "Club Can't Handle Me" with his single "Sexy Chick." The collaboration with Flo Rida helped further the growth of David Guetta's fan base in the US. j

"Club Can't Handle Me" was the first single released from the album project Only One Flo . It was originally intended as a companion to a later album to be titled Only One Rida , but that collection was later renamed Wild Ones due to the success of the song of the same name.

"Club Can't Handle Me" became Flo Rida's second #1 hit single in the UK and was certified double platinum for sales in the US after peaking at #9. It also continued Flo Rida's presence on the dance chart peaking at #23 on the dance club songs chart. "Club Can't Handle Me" broke into the Latin songs chart peaking at #27.

"Good Feeling" (2011)

"Good Feeling" was the first single from what became  Flo Rida's  fourth studio album  Wild Ones . It is built around a sample of vocals from Etta James' 1962 recording "Something's Got a Hold On Me" which was also used in Avicii's dance hit "Levels." The Etta James sample was also used in the 2006 song "Finally Moving" by Pretty Lights. "Good Feeling" was produced by  Dr. Luke  and includes a dubstep breakdown.

The ultra-catchy Etta James hook helped "Good Feeling" soar on pop charts around the world. It reached #3 on the Billboard Hot 100 and went all the way to #1 on the UK pop singles chart. "Good Feeling" became Flo Rida's first top 10 Latin songs hit and reached #2 on dance radio while breaking into the top 20 at adult pop radio.

"Good Feeling" continued Flo Rida's development as a top pop artist in the UK. The song became his third #1 pop hit there following "Right Round" and "Club Can't Handle Me" to the top. "Good Feeling" was the first of four consecutive top 10 smash hits there. "Good Feeling" was a top 10 pop hit in 16 different countries around the world.

"Wild Ones" featuring Sia (2011)

Flo Rida  collaborated with Australian singer-songwriter  Sia  for "Wild Ones." The slightly melancholic sounding dance pop single became another huge Flo Rida hit. "Wild Ones" was a smash worldwide hit peaking in the top 10 on pop singles charts in at least 20 different countries from Israel to Ireland. Sia's success with David Guetta's worldwide pop smash "Titanium" helped bring her to the attention of Flo Rida's team. Sia claims to have written the hook for "Wild Ones" in 15 minutes. She referred to the song as "100% cheese," and while she acknowledged its impact in the development of her career, she said that it was a song she wouldn't record herself. Among the team of producers for the record was Axwell, a member of the Swedish House Mafia.

"Wild Ones" reached #5 on the Billboard Hot 100 and then crossed over into the top 40 on adult pop, dance, and Latin charts. It earned Flo Rida a Grammy Award nomination for Best Rap / Sung Collaboration.

"I Cry" (2012)

Flo Rida scored his fourth top 10 pop hit from the Wild Ones album project with "I Cry." The song is built around Bingo Players' "Cry (Just a Little)" which itself samples Brenda Russell's 1988 song "Piano In the Dark." "I Cry" was a top 10 hit in many countries around the world reaching #3 on the UK pop singles chart and #6 in the US. Many observers criticized "I Cry" as a weak effort from Flo Rida, but that didn't stop it from becoming a major hit. "I Cry" reached the top 40 on both adult pop and Latin songs charts.

The accompanying music video shows Flo Rida returning to the neighborhood where he grew up in Carol City, Florida's 187th Street housing projects. The clip was directed by Marc Klasfeld who previously worked on the video for "Club Can't Handle Me."

Brenda Russell told Billboard that she was thrilled about Flo Rida reinterpreting her song "Piano In the Dark" into a dance record. She said, "As an artist and writer, it's the highest compliment we can be paid."

"Whistle" (2012)

Flo Rida's  single "Whistle" received a significant amount of commentary for containing sexually suggestive lyrics. It was released as the third single from the album  Wild Ones . Despite the concerns, the song went all the way #1 on the Billboard Hot 100 and topped the mainstream pop radio chart. The whistling hook is one of the most addictive of Flo Rida's pop melodies. The primary producer of the record is DJ Frank E.

"Whistle" followed the use of whistling as a key hook in the 2010 OneRepublic hit "Good Life" and 2011 Maroon 5 smash "Moves Like Jagger." Beyond the Billboard Hot 100, "Whistle" also hit #1 on the adult pop radio, mainstream pop radio, and dance club songs charts. Flo Rida references Humphrey Bogart's classic line from the film To Have and Have Not in which he says, "You know how to whistle, don't you? You just put your lips together and blow." Flo Rida's version is, "Can you blow my whistle baby... You just put your lips together and you come real close."

"G.D.F.R." featuring Sage the Gemini (2015)

After a series of singles that failed to connect with audiences, Flo Rida came roaring back with this more strongly hip hop focused track. "G.D.F.R." stands for "Going Down For Real" which is the centerpiece of the song's big hook. It is a single from Flo Rida's My House EP and includes a guest appearance by rising hip hop star Sage the Gemini. The song uses samples from the Lookas remix of War's classic "Low Rider."

"G.D.F.R." broke into the top 10 across the Billboard Hot 100, dance airplay, and mainstream pop radio charts. The EP My House peaked at a strong #14 on the album chart. It matched the peak three years earlier of the album Wild Ones .

"My House" (2015)

"My House" is the title cut from the EP of the same name. It was released as the third single from the project and became the EP's second top 10 pop hit. "My House" includes samples from the song "Impeach the  President" by the Honey Drippers. After Flo Rida performed "My House" on The Tonight Show Starring Jimmy Fallon and at halftime during an NFL playoff game, the song took off on the pop charts. Ultimately, it peaked at #4 on the Billboard Hot 100 and broke into the top 20 at adult pop radio while hitting #1 at mainstream pop radio. 

In an interview, Flo Rida told ABC Radio, "Wherever I'm at, it's my house. I'm taking advantage of it, you know...I feel like everywhere I go, you know...I'm the life of the party."

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• February 10, 2024 Setlist

Flo Rida Setlist at Encore Beach Club, Las Vegas, NV, USA

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Flo Rida Gig Timeline

• Dec 28 2023 E11even Miami, FL, USA Add time Add time
• Jan 26 2024 Pensacola Bay Center Pensacola, FL, USA Add time Add time
• Feb 10 2024 Gronk Beach 2024 This Setlist Las Vegas, NV, USA Add time Add time
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Tour Update

Trivia with tlc, nelly, and flo rida.

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• Deep Purple

Deep Purple Announce North American Tour in 2024 With Yes

by Em Casalena April 9, 2024, 3:29 pm

“Smoke On The Water” is by far Deep Purple ’s biggest hit. It’s hard to believe that it’s been half a century since the iconic track was released, and the hard rock band hasn’t forgotten the song that put them on the map. This summer, Deep Purple and fellow rockers Yes will kick off a 50th-anniversary celebration of the song with a North American tour ! No opening acts have been announced, but we think the combo of Deep Purple and Yes is more than enough to get concertgoers excited.

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The upcoming Deep Purple 2024 Tour with Yes will start on August 14 in Hollywood, Florida at Hard Rock Live. The tour is expected to close on September 8 in Scranton, Pennsylvania at The Pavilion at Montage Mountain.

View this post on Instagram A post shared by Deep Purple (@deeppurple_official)

The band’s website will be the main spot to score tickets and VIP packages for this tour. Use the code “SMOKE” to access the artist presale event. Just as well, Ticketmaster is hosting a few different presale events for this tour as well.

General sale tickets will go on sale on April 12 at 10:00 am local. If your tour date is sold out by the time general on-sale starts (which it likely will), try out Stubhub . Stubhub’s a great spot to get tickets to sold-out concerts, especially for highly-anticipated tours like this one. It’s worth taking a look!

Don’t miss your chance to see Deep Purple and Yes live in concert in 2024!

Yes and Deep Purple 2024 Tour Dates

August 14 – Hollywood, FL – Hard Rock Live

August 15 – Tampa, FL – Seminole Hard Rock Event Center

August 17 – The Woodlands, TX – Cynthia Woods Mitchell Pavilion

August 18 – Durant, OK – Choctaw Casino – Grand Theater (without Yes)

August 19 – Fort Worth, TX – Dickies Arena

August 21 – Cincinnati, OH – PNC Pavilion at Riverbend Music Center

August 22 – Sterling Heights, MI – Michigan Lottery Amphitheatre at Freedom Hill

August 23 – Tinley Park, IL – Credit Union 1 Amphitheatre

August 25 – Toronto, ON – Budweiser Stage

August 27 – Montreal, QC – Bell Centre

August 28 – Gilford, NH – BankNH Pavilion

August 30 – Camden, NJ – Freedom Mortgage Pavilion

August 31 – Holmdel, NJ – PNC Bank Arts Center

September 1 – Wantagh, NY – Northwell Health at Jones Beach Theater

September 3 – Bridgeport, CT – Hartford Healthcare Amphitheater

September 4 – Saratoga Springs, NY – Broadview Stage at SPAC

September 6 – Bethel, NY – Bethel Woods Center for the Arts

September 7 – Bristow, VA – Jiffy Lube Live

September 8 – Scranton, PA – The Pavilion at Montage Mountain

Photo by Donald Weber

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