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Star Trek: First Contact

The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight ... Read all The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed. The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.

• Jonathan Frakes
• Gene Roddenberry
• Rick Berman
• Brannon Braga
• Patrick Stewart
• Brent Spiner
• 368 User reviews
• 126 Critic reviews
• 70 Metascore
• 8 wins & 21 nominations total

• (as Levar Burton)

• Zefram Cochrane

• Lt. Daniels

• Holographic Doctor

• Lt. Barclay

• Defiant Conn Officer

• Admiral Hayes

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• Production, box office & more at IMDbPro

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Did you know

• Trivia On account of budgetary restrictions, the crew of Star Trek: The Next Generation (1987) was never quite satisfied with the Borg sets and costumes as used during the series. However, the significantly bigger budget for this film finally allowed them to design the Borg in a way that was much closer to what they had intended. As a result, the suits and sets were reused extensively on Star Trek: Voyager (1995) .
• Goofs When Geordi is asking Cochrane to look at the intermix chamber blueprints, he is wearing sunglasses, even though his artificial eyes don't require protection from the sun. The sunglasses are probably needed in case a local comes looking around. Only Cochrane and Lily knew about time travelers, and Geordi's futuristic implants could blow their cover. Geordi used dark glasses for the same purpose in Time's Arrow, Part II (1992) as well.

Captain Jean-Luc Picard : [Quoting "Moby Dick"] And he piled upon the whale's white hump, the sum of all the rage and hate felt by his whole race. If his chest had been a cannon, he would have shot his heart upon it.

Lily Sloane : What?

Captain Jean-Luc Picard : "Moby-Dick".

Lily Sloane : Actually, I never read it.

Captain Jean-Luc Picard : Ahab spent years hunting the white whale that crippled him, a quest for vengeance, but in the end, it destroyed him and his ship.

Lily Sloane : I guess he didn't know when to quit.

• Crazy credits After 'Stunt Players' are listed, the 'Stunt Borg' are listed.
• Connections Featured in Siskel & Ebert: Space Jam/The Mirror Has Two Faces/The English Patient/Breaking the Waves (1996)
• Soundtracks Theme from 'Star Trek: The Motion Picture by Jerry Goldsmith

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• November 22, 1996 (United States)
• United States
• Memory Alpha, the Star Trek wiki
• Star Trek 8
• Titan Missile Museum - 1580 W. Duval Mine Road, Green Valley, Arizona, USA
• Paramount Pictures
• See more company credits at IMDbPro
• $45,000,000 (estimated)
• $92,027,888
• $30,716,131
• Nov 24, 1996
• $146,027,888

Technical specs

• Runtime 1 hour 51 minutes
• Dolby Digital
• Dolby Surround 7.1

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Physiology [ ]

The physiology of each Borg drone varied according to the species which it was assimilated from. ( Star Trek: First Contact ) Drones were typically humanoid, although the Collective demonstrated a willingness to assimilate non-humanoid lifeforms. ( VOY : " Scorpion ")

A set of Borg implants after removal

Upon assimilation, a drone would cease to grow body hair and would develop a pallid skin coloration, differing from its original skin pigmentation. Cybernetic implants were either surgically attached to the body or grown internally by nanoprobes injected into the bloodstream; in certain cases these implants could cause severe skin irritation. ( TNG : " The Best of Both Worlds "; Star Trek: First Contact ) The nature of these implants varied from drone to drone depending on the drone's intended function, but the basic nodes of interlink for communications with the Collective and a myo-neural cortical array to control movements were implemented in every drone. In most cases, an eye would be replaced with an eyepiece that improved its vision and an arm would be amputated altogether to make room for a functional prosthetic; in tactical drones, a weapon would be included, and some drones had medical tools built in to heal drones who had minor injuries. ( VOY : " The Gift ", " Dark Frontier ") The implants of a fully assimilated drone allowed it to function for extended periods without shelter, food, water, or even air. A drone could even survive in the vacuum of outer space. Lily Sloane , a human observer local to the Earth of the 21st century , characterized Borg drones as "bionic zombies " after hearing a description of them, albeit before observing them directly. ( Star Trek: First Contact )

A drone's only requirement was a supply of energy to maintain the implants that in turn maintained its biological functions. This energy was supplied during regeneration cycles within a Borg alcove . Upon receiving damage, a drone would return to the alcove for assessment of the damage. Severely damaged drones were disassembled and scavenged for reusable parts. ( TNG : " Q Who ", " I Borg ")

Infant Borg

The Borg did not procreate; they would add to the Collective's population only by assimilation. ( VOY : " Drone ") Borg infants were not accepted to the collective until they matured to a certain age. Until reaching this age, assimilated infants and youths were placed inside maturation chambers . ( TNG : " Q Who "; VOY : " Collective ")

Borg drones were equipped with myriad technologies integrated into their bodies which enabled them to perform their duties within the Collective, several of which were universal to all drones. A neural transceiver kept them connected to the hive mind . ( VOY : " Scorpion, Part II ") A personal force field protected each drone from most energy-based attacks. ( TNG : " Q Who ") A drone was able to communicate with their ship by signals across a subspace domain, the basis of their hive mind, which Data likened to a transporter beam . ( TNG : " The Best of Both Worlds, Part II ") Each drone possessed a pair of assimilation tubules embedded in one hand for the purpose of instantly injecting individuals with Borg nanoprobes. ( Star Trek: First Contact ) A cortical processor allowed a drone to rapidly assimilate visual information. Borg drones were also equipped with a neural processor, which kept a record of every instruction that particular Borg receives from the collective hive mind. Captain Picard used one such processor to discover that the Borg were attempting to use the deflector dish of the USS Enterprise as an interplexing beacon to contact the Borg in 2063. ( Star Trek: First Contact )

Drones also contained fail-safe mechanisms designed to deactivate and even vaporize their own bodies, thereby allowing the Collective to eliminate damaged or dead drones without leaving their remains to be exploited by outsiders. ( TNG : " Q Who ") The captured drone Third of Five also made comments indicating that this vaporization may have been a form of resource re-absorption. ( TNG : " I Borg ") One of these fail-safes was also intended to deactivate drones automatically if they experienced strong emotional states, which the Borg interpreted as a sign of disconnection from the hive mind. ( VOY : " Human Error ")

The Borg typically operated in an atmosphere with a constant temperature of 39.1 °C (102.38 °F ), 92% relative humidity, an atmospheric pressure of approximately 102 kPa , and trace amounts of tetryon particles. According to Amina Ramsey , the Borg smelled like old trash bags . ( LD : " Much Ado About Boimler ").

History [ ]

A Borg skeleton on a ruined planet

The precise origins of the Borg were unclear. As of 1484 , they were reported as controlling only a handful of systems in the Delta Quadrant , but by 2373 , they had assimilated thousands of worlds. In addition to this stronghold in the Delta Quadrant, the Borg also dispatched vessels throughout the galaxy via transwarp conduits . ( VOY : " Dragon's Teeth ", " Scorpion ", " Endgame ")

A Borg vessel traveled back in time from 2373 in an unsuccessful attack on Earth in 2063 . ( Star Trek: First Contact ) Drones which survived this defeat were discovered and reactivated by Human scientists in 2153 , and transmitted a subspace message to Borg space before being destroyed by Enterprise NX-01 . ( ENT : " Regeneration ")

The Borg entered the home system of the El-Aurians at some point in their mutual history, swarming through it, scattering its native inhabitants and leaving little to nothing of the El-Aurians in their wake. ( TNG : " Q Who ", " I Borg ") In 2293 , the Federation offered aid to the El-Aurian refugees fleeing the Borg. ( Star Trek Generations ) These refugees included Guinan , who would later provide secondhand knowledge of the Borg invasion of the El-Aurian system to the crew of the USS Enterprise -D during an encounter in the 24th century. ( TNG : " Q Who ", Star Trek Generations ) However, these earlier incidents contributed almost nothing to the Alpha Quadrant 's awareness or understanding of the Borg Collective.

By the 2340s , rumors of an alien race called "The Borg" had reached the Alpha Quadrant, inspiring exobiologists Magnus and Erin Hansen to set out in search of them. Their research took them all the way to the Delta Quadrant, before they and their daughter Annika were assimilated in 2350 . ( VOY : " The Gift ", " The Raven ", " Dark Frontier ") Borg activity in the Alpha Quadrant, including the assimilation of the USS Tombaugh in 2362 and assimilation of outposts along the Romulan Neutral Zone in 2364 , were complete mysteries to Starfleet. ( VOY : " Infinite Regress "; TNG : " The Neutral Zone ")

The Collective's true nature was finally revealed to the Federation in 2365 when Q took the USS Enterprise -D to meet a Borg cube near the J-25 system . ( TNG : " Q Who ")

In late 2366 , a Borg cube invaded Federation space and assimilated Jean-Luc Picard , whose tactical information contributed, along with the Borg's own vastly superior power, to Starfleet 's disastrously one-sided engagement with the cube, the Battle of Wolf 359 . A fleet of forty starships assembled to combat the cube. All but one of these Federation ships were destroyed, while the cube itself remained intact, damaged but healing rapidly. ( TNG : " The Best of Both Worlds ", " The Best of Both Worlds, Part II "; DS9 : " Emissary ") The Enterprise -D recovered Picard and used his connection to the hive-mind to disable the cube before it could attack Earth. ( TNG : " The Best of Both Worlds, Part II ")

During the 2370s , the Borg were beset by several major setbacks in the Delta Quadrant, as witnessed by the crew of the USS Voyager .

The Borg-Species 8472 War decimated the Collective from 2373 - 2374 . ( VOY : " Scorpion ", " Scorpion, Part II ") Voyager 's liberation of Seven of Nine allowed Unimatrix Zero to create an active resistance movement in 2377 . ( VOY : " Unimatrix Zero ", " Unimatrix Zero, Part II ")

In 2378 , a crippling blow was delivered to the Borg when Voyager discovered one of their transwarp hubs and destroyed it, killing the Borg Queen (again) and devastating the Unicomplex in the process. During this battle, the Borg were infected with a neurolytic pathogen , which was carried by an alternate future version of Admiral Janeway and designed to disrupt the hive mind, to 'bring chaos to order'. It was this pathogen that killed the Borg Queen and allowed Voyager to destroy the transwarp hub. ( VOY : " Endgame ") The pathogen decimated the Borg Collective, leaving them reduced a handful of drones slowly cannibalized to sustain the Queen's last remaining body by 2401 . ( PIC : " The Last Generation ")

In 2384 , a Borg cube rendered dormant by the neurolytic pathogen was encountered by the USS Protostar . The crew proceeded to venture into the cube in order to access the vinculum to gain information on how to remove a weapon called the living construct from their ship. When the Medusan Zero volunteered to be assimilated to get the information, this act caused the cube and the drones aboard to wake up. The crew barely managed to escape as they helped Zero to break free from the Collective, who then managed to put the Borg back to sleep. ( PRO : " Let Sleeping Borg Lie ")

The Borg emerge from Jupiter on Frontier Day, 2401

The Borg Collective was still believed to operate as late as 2399 . ( PIC : " Maps and Legends ") On Frontier Day in 2401, this was confirmed after discovery that the main faction of the Borg were working with the rogue Changelings in a plot to assimilate the Federation via a different means than normal. With the Changelings infiltrating the Federation and spreading Picard's Borg-altered DNA through the transporter system, the Borg were able to quickly gain control over 339 starships, and their crews with only those over 25 years old being immune to their takeover. ( PIC : " Võx ") This proved to be the last stand for the original Borg with the Cube, the Queen and all of her remaining drones being destroyed by the rebuilt USS Enterprise -D , presumably bringing an end to the Borg threat. ( PIC : " The Last Generation ")

In the far future , extant Borg assimilated into galactic society, with Borg children learning side-by-side with children of other species. ( LD : " Temporal Edict ")

Alternate timelines [ ]

Confederation of earth [ ].

Borg Singularity in 2401

In 2401 , an atypical Borg Queen reached out to Admiral Jean-Luc Picard seeking membership in the Federation. Much to the Federation's confusion, this Borg Queen was vastly different to the Queen that had been encountered before and her Collective wasn't nearly as outwardly hostile. However, once aboard the USS Stargazer , the Queen began assimilating the ship and through it, the Stargazer's fleet. In response, Picard activated the ship's auto-destruct , stopping the assimilation. ( PIC : " The Star Gazer ")

In that moment, Q had removed Picard, Agnes Jurati, Seven, Raffaela Musiker, Cristóbal Rios, and Elnor from this timeline, and placed them in an alternate 2401. In this timeline, the Borg had been hunted to extinction by the Confederation of Earth , leaving only the Borg Queen . ( PIC : " Penance ")

The Singularity and Federation vessels deflecting the energy burst

After being returned from 2024 to 2401 by Q , Picard deactivates the auto-destruct, having deduced that the strange Borg Queen was actually the Queen from this timeline that had merged with Dr. Agnes Jurati in 2024 and had set out to create a different Collective, one based on mercy and choice. These Borg had sought out the Federation's help to stop an energy wave that threatened countless lives and by combining the shields of the Federation fleet and the Borg ship, the two former mortal enemies were able to stop it. However, the Borg didn't know the source of the energy wave or the massive transwarp conduit that emerged from it, only that it was a threat to everyone. Picard granted the Borg Queen's request to grant the Borg provisional membership in the Federation so that the Borg could be "the Guardian at the Gates" watching out for whatever this new threat was. ( PIC : " Farewell ")

Parallel universes [ ]

Picard's death [ ].

In one alternate quantum reality , Captain Jean-Luc Picard was lost in the Battle of Wolf 359 and William T. Riker succeeded him as the captain of the Enterprise -D with Worf as his first officer . ( TNG : " Parallels ")

Victory over the Federation [ ]

A disheveled Riker of a Borg controlled quantum reality

In another alternate quantum reality, the Borg, after emerging victorious at Wolf 359, successfully conquered the Federation. A battered Enterprise -D, which was likewise under Riker's command, was one of the few remaining Starfleet ships by 2370 . The Riker from that reality was desperate not to return to his universe once all of the Enterprises began spilling into a single universe from a quantum fissure .

After the present reality's Enterprise -D fired lightly upon the other ship to draw the alternate reality crew's attention away from that crew's attempt to prevent the closing of the fissure, the heavily damaged ship was accidentally destroyed when its shields collapsed and their warp core overloaded , due to having a weakened warp containment field , as Riker presumed, from fighting with the Borg. ( TNG : " Parallels ")

Borg-Earth [ ]

Borg-assimilated Earth

In another alternate timeline, the Borg were successful at preventing First Contact in 2063 and had assimilated the Earth. In 2373 , the assimilated Earth had an atmosphere containing high concentrations of methane , carbon monoxide , and fluorine . It had a population of approximately nine billion Borg drones . ( Star Trek: First Contact )

Culture [ ]

A trio of Borg drones, including one of Klingon origin

The Borg Collective was made up of, at the very least, trillions of humanoids referred to as drones. ( VOY : " Dark Frontier ") Through the use of their cybernetic implants, the Borg interacted by sharing one another's thoughts in a hive mind . Upon assimilation, these trillions of "voices" would overwhelm the drone, stifling individual thought and resistance to the Collective's will. ( TNG : " Family ") To some drones these voices could eventually become a source of comfort, and their absence a source of pain. ( TNG : " I Borg "; VOY : " The Gift ")

Borg philosophy was governed by a primary directive to add the biological and technological distinctiveness of other species to that of the Borg. In this manner, the Collective sought to achieve its definition of perfection; all other pursuits were deemed irrelevant including commerce and trade. Accordingly, Borg drones did not engage in any activities except their duties and regeneration . ( TNG : " Q Who ", " The Best of Both Worlds "; VOY : " Scorpion, Part II ") Individual drones have demonstrated puzzlement at other species' unwillingness to be assimilated, the drones believing in the superiority of their way of life.

Having no regard for individuality, Borg drones were identified with designations rather than names. A drone's designation typically described its position within a group, e.g. " Third of Five ." To identify a drone more specifically, its function could be appended to this designation, for example " Seven of Nine , Tertiary Adjunct of Unimatrix 01 ." In the same manner, the Borg referred to alien species by number rather than by name. ( TNG : " I Borg "; VOY : " Scorpion ")

If a drone was sufficiently injured or otherwise in distress, other drones would offer assistance. ( TNG : " I Borg "; VOY : " Dark Frontier ") However, if a drone was deemed irreparable by the hive-mind, the Borg would deactivate it and redistribute any salvageable components throughout the Collective. ( TNG : " Q Who ")

Borg drones ignored alien species until they demonstrated the potential to be a threat, or to be a suitable candidate for assimilation. This indifference even extended to their attitude to people boarding their vessels; the drones went about their business as long as the intruders did not interfere. When addressing a small number of individuals, drones would simply attempt to assimilate them without comment. Before assimilating a larger population, such as a starship or an entire culture, the Borg would collectively transmit a standard announcement of their purpose and the futility of resistance. ( TNG : " Q Who "; VOY : " Dark Frontier "; Star Trek: First Contact ) Species which the Borg found unremarkable or detrimental would be deemed unworthy of assimilation. As of 2374 , the Borg considered the Kazon beneath their notice, and by 2376 , they only took interest in the Brunali if they detected sufficiently relevant technology. ( VOY : " Mortal Coil ", " Child's Play ")

Even examples of civilizations which had previously been targeted for assimilation could be passed over; while moving to engage the dire threat to the Borg presented by Species 8472 , a group of Borg ships encountered Voyager , but, while one ship did pause momentarily to scan the Federation vessel, the Borg ship and its companion ships quickly moved on without attempting to attack or assimilate the interloper in their space. ( VOY : " Scorpion ")

Representatives of the Collective: Locutus with the Borg Queen

On the rare occasions that the Borg were willing to open any dialogue with individuals, they would choose a single drone to speak for the Collective. Jean-Luc Picard was assimilated and given the name Locutus in the misguided assumption that such a representative would lower the Federation's resistance to assimilation. ( TNG : " The Best of Both Worlds ")

Seven of Nine speaks for the Collective

The Omega molecule

When Kathryn Janeway successfully negotiated a truce with the Borg and refused to discuss the terms via a neuro-transceiver , the Collective agreed to communicate via Seven of Nine. ( VOY : " Scorpion, Part II ")

The Borg Queen also spoke for the Collective, acting not as a mere liaison, but as a physical manifestation of the hive mind. The exact nature of her role is unclear. ( Star Trek: First Contact )

The Borg possessed a near-reverence for particle 010 , which they considered to be an expression of perfection. The Collective's fascination with assimilating this molecule has been compared to a religion. ( VOY : " The Omega Directive ")

Tactics [ ]

The Borg had a tendency to "scoop" all machine elements from a planet, leaving great rips in the surface where remaining sections of the road system suggested a city had once been. ( TNG : " The Neutral Zone ", " Q Who "; VOY : " Child's Play ")

The Borg were known to retrieve their own damaged technology, including nonfunctional Borg cubes. However, when a cube underwent submatrix collapse , the collective would immediately sever its link to the afflicted population, considering it dead. ( VOY : " Unity "; PIC : " Maps and Legends ")

Technology [ ]

Borg technology was a combination of technologies assimilated from other cultures, and technology developed within the Collective itself, in order to overcome obstacles to its goals. When confronted by a problem it could not solve with its existing resources and/or configuration, the entire Collective would work in concert to consider all possible solutions, and implement the one determined to be the most efficient. By applying the unique skills of each drone to a task, the hive mind could engineer new technologies and solutions at a pace that would astound an individual. ( TNG : " Q Who ", " The Best of Both Worlds, Part II ")

The Borg were usually exceedingly quick to adapt; their shields would often nullify nearly any energy weapon, and their weapons could usually penetrate nearly any shield or defense, within minutes. ( Star Trek: First Contact )

Spacecraft [ ]

Borg cubes, arguably their most iconic ship design

Borg vessels were highly decentralized, with no distinct bridge , living quarters, or engineering section. Each ship was collectively operated by its complement of drones, under the general direction of the hive mind. Owing to the Collective's disregard for aesthetic considerations, the architecture of Borg ships took the form of basic shapes such as cubes and spheres and were made from a tritanium alloy. Borg ships were capable of regenerating from damage. ( TNG : " Q Who "; VOY : " Endgame ")

Each Borg spacecraft was equipped with a vinculum to interconnect its crew, which was in turn connected to a central plexus that linked the ship to the Collective. ( VOY : " Infinite Regress ", " Unimatrix Zero ") In addition to warp drive , vessels were fitted with transwarp coils that could achieve even greater speed by opening transwarp conduits . ( TNG : " Descent "; VOY : " Dark Frontier ") When critically damaged or otherwise compromised, a Borg ship would self-destruct to prevent outsiders from studying Borg technology. ( TNG : " The Best of Both Worlds, Part II ") In other situations, only the valuable technology would self-destruct, such as the case of the crew of Voyager's first attempt to steal a transwarp coil. USS Voyager encountered several damaged Borg vessels, notably including the cube carrying Icheb , Mezoti , Azan , and Rebi , and a sphere carrying a transwarp coil, which Voyager stole. ( VOY : " Collective ", " Dark Frontier ")

Infrastructure [ ]

Borg structures were located in deep space, in planetary systems, or on planets themselves. Each planet that the Borg modified showed a typical climate and assimilated infrastructure adapted from the previous inhabitants. ( Star Trek: First Contact ; VOY : " Dark Frontier ", " Dragon's Teeth ")

Their buildings consisted of simple shapes, similar to their geometrical ships, and rather than being single structures they were annexed together and added to when needed. By joining the new structures to existing ones, they would form a uniform complex. These buildings were gargantuan in scale, with structures so big that they could house Borg spheres which would dock inside. ( VOY : " Dark Frontier ")

The Borg also constructed structures that had specific functions, such as the transwarp hub . There were six such known hub locations in the galaxy that allowed Borg vessels to deploy rapidly to almost everywhere within it. These transwarp hubs had many structures for opening portals on them, and inside their corridors were interspatial manifolds which supported the transwarp conduits . Several of these manifolds that led to the Alpha quadrant were destroyed by Voyager via transphasic torpedos and collapse of the conduit itself on the vessel's return to the Alpha Quadrant . ( VOY : " Endgame ")

Appendices [ ]

See also [ ].

• Borg Collective
• Borg language
• Borg philosophy
• Borg spatial designations
• Borg species
• Borg species designations
• Borg starships

Appearances [ ]

A Borg in the database of Voyager

• " The Best of Both Worlds "
• " The Best of Both Worlds, Part II "
• " Descent "
• " Descent, Part II "
• DS9 : " Emissary "
• Star Trek: First Contact
• " Blood Fever "
• " Scorpion "
• " Scorpion, Part II "
• " The Raven "
• " The Killing Game "
• " Living Witness "
• " Hope and Fear "
• " Infinite Regress "
• " Dark Frontier "
• " Survival Instinct "
• " Tinker Tenor Doctor Spy "
• " Collective "
• " Child's Play "
• " Unimatrix Zero "
• " Unimatrix Zero, Part II "
• " Imperfection "
• " Flesh and Blood "
• " Shattered "
• " Endgame "
• ENT : " Regeneration "
• " Remembrance "
• " Maps and Legends "
• " The Impossible Box "
• " Broken Pieces "
• " The Star Gazer "
• " Penance "
• " Assimilation "
• " Watcher "
• " Fly Me to the Moon "
• " Hide and Seek "
• " Farewell "
• " The Last Generation "
• " Envoys " (holograms)
• " Temporal Edict "
• " Crisis Point " (hologram)
• " I, Excretus " (holograms)
• " wej Duj "
• PRO : " Let Sleeping Borg Lie "

Background information [ ]

Concept and development [ ].

The conceptual genesis of the Borg, who were intended to replace the Ferengi as Star Trek: The Next Generation ' s main villains in its second season, was as a race of insectoids , an idea that would ultimately require modification due to the series' budgetary constraints. As Maurice Hurley explained in the March 1990 issue of Starlog (#152, p. 33): " What we really wanted to do, but couldn't because of money, was create a race of insects...insect mentality is great because it is relentless. The Borg are a variation of an insect mentality. They don't care. They have no mercy, no feelings toward you. They have their own imperative, their own agenda and that's it. If all of them die getting there, they don't care. We needed a villain who could make you dance, and the Borg could do it! "

Hurley made it a plot point in " The Neutral Zone " that Federation and Romulan starbases along the Romulan Neutral Zone had been mysteriously wiped out, having been "scooped off" the face of the planet in the same way that would later be referenced in " Q Who " and shown in " The Best of Both Worlds ". Intentions to lay more extensive groundwork for the Borg's introduction were frustrated by the Writer's Guild strike of 1988 . By the time of their first appearance in "Q Who", the species had been changed from insects to their more budget-friendly cyborg form. ( Captains' Logs: The Unauthorized Complete Trek Voyages , pp. 169 & 180)

The Star Trek Encyclopedia  (3rd ed., p. 52) stated: " Writer Maurice Hurley derived the name Borg from the term cyborg (cybernetic organism), although it seems unlikely that a people living on the other side of the galaxy would know of the term. "

According to Michael and Denise Okuda in their Star Trek Chronology  (2nd ed., p. 290), there had been plans to connect the parasitic beings from " Conspiracy " to the Borg, but these were ultimately abandoned: " At the time the episode was written, this was apparently intended to lead to the introduction of the Borg in Star Trek: The Next Generation' s second season. The Borg connection was dropped before 'Q Who?' (TNG) was written, and the truth about the parasites remains a mystery. " They also noted that, following production of the latter episode, it was "half jokingly speculated" by Gene Roddenberry that the machine planet encountered by Voyager 6 , leading to its transformation into V'ger , "might have been the Borg homeworld." ( Star Trek Chronology  (2nd ed., p. 23))

A Borg insignia

The Borg insignia, which first appeared in "Q Who", was described on its own Star Trek: The Next Generation - Inaugural Edition trading card (82-A) as " Resembling a great red claw over a background of circuitry, the symbol of the Borg is as mysterious as the race it represents. The Borg symbol may possibly define an amalgam of living tissue with computer circuits... " [2]

Westmore's Borg make-up is reviewed for "Q Who"

Michael Westmore revealed that the Borg actors were glued into their suits, and had to be unglued if they needed to use the bathroom. [3]

The idea for the sound of the Borg's multiple voices speaking in unison was thought up by sound editor Bill Wistrom and co-producer Merri Howard . After experimenting with different techniques, they discovered a way to lay multiple voices over one another and "make it sound like it was 8 million people," explained Wistrom. ( Star Trek: Communicator  issue 147 , p. 32)

Chronologically, the first known in-universe appearance of the Borg to Humanity was in the 1996 motion picture Star Trek: First Contact , in which the Borg traveled back to the year 2063 to enslave the Human race. The writers of the Star Trek: Enterprise episode " Regeneration ", Michael Sussman and Phyllis Strong , stated, in the audio commentary on the ENT Season 2 DVD release, that it was their explicit intent to have the episode deal with the consequences of events depicted in Star Trek: First Contact , the Borg wreckage encountered in that episode being the debris of the Borg sphere destroyed by the Enterprise -E in that movie.

While it is not explicitly stated in "Q Who", Q implies that the sole focus of the Borg is on the technology of the USS Enterprise -D, and the Borg show no interest, in that episode, in the crew (although the segment of hull that the Borg remove from the ship apparently contained several crew members). By their next appearance, "The Best of Both Worlds", the Borg's objectives had changed to the assimilation of lifeforms, and this change of premise was referenced in dialogue. Subsequent episodes ignored the change in premise entirely.

Director Cliff Bole , who directed the "Best of Both Worlds" two-parter, thought highly of the Borg. He enthused, " The Borg are like Klingons. You can do anything you want with them. They're fun and a real expensive thing to play with. With them, you can do a big production value [...] The Borg allow you to have fun with the camera, the lighting and everything else. They challenge the imagination. " ("Cliff Bole – Of Redemption & Unification", The Official Star Trek: The Next Generation Magazine  issue 17 , p. 31)

Through the course of Star Trek history, further retroactive continuity changes appear to have been made in respect of the Borg. As of "Q Who" and "The Best of Both Worlds", it appeared that Starfleet had never heard of the Borg. Subsequently, Star Trek: Voyager s " Dark Frontier " and Star Trek: Enterprise s " Regeneration " showed that not only was Starfleet previously aware of the existence of the Borg, Federation scientists actually pursued them – even if they were considered mere rumor. Further, although Guinan indicates in "Q Who" that her people were attacked by the Borg, it is implied that Starfleet was not aware of the threat. However, it was later revealed in Star Trek Generations that Starfleet, in fact, rescued the El-Aurian survivors of the Borg attack including Guinan, and it seems unlikely that Starfleet would not inquire as to the cause of their plight.

The existence of the Borg Queen was a controversial change made to the Borg during the writing of Star Trek: First Contact . While the writers had intended to stay true to the original concept of the Borg as a collective hive, they found it difficult to maintain the dramatic impact of villains without having a central face. Thus, they created the Queen. In the film, she claimed to have been present during the events of " The Best of Both Worlds ", which in retrospect would appear to have negated the reason for Picard's assimilation in that episode (it was claimed that the Borg needed a single representative to speak for them). While the Queen appeared to be killed at the climax of First Contact , she apparently survived unaffected by the Borg's next appearance in Voyager 's " Scorpion ". While many fans have attempted to reconcile this, there has never been an official explanation for her survival (save for an enigmatic comment by the Queen), and the appearance of relatively identical Borg Queens in later episodes. Some, though, have theorized that the Borg Collective contained many queens that served as focal points to different branches of their society. Still another explanation is that the Borg were in possession of innumerable copies of their Borg Queen, and that the superficial death of one version simply resulted in the activation of a similar version to take her place, in a similar fashion to the Vorta . The latter theory was corroborated by Rick Berman in an interview in Star Trek: Communicator . ( Star Trek: Communicator  issue 121 )

Impact and legacy [ ]

The Borg were considered as an enemy for the Deep Space 9 crew (along with the Klingons , Cardassians , and the Romulans ) when Star Trek: Deep Space Nine was in development. Rick Berman later commented, " The Borg are not the kind of bad guys that are practical to use on a regular basis. " Whereas the Cardassians were eventually chosen for the main villain role, the Borg made no further appearances in Deep Space Nine after " Emissary ", although they were mentioned in episodes such as " The Storyteller ", " Playing God ", " The Search, Part I ", " The Way of the Warrior ", " For the Cause ", " Let He Who Is Without Sin... ", and " In Purgatory's Shadow ". ( Star Trek - Where No One Has Gone Before ) According to Robert Hewitt Wolfe in a tweet dated 28 January 2019, following the premiere of Star Trek: Voyager , a mandate was passed to the writing staffs of both Deep Space Nine and Voyager that the Borg (along with Q, following his single appearance on Deep Space Nine ) were only to be used on Voyager while Deep Space Nine retained creative control over the Alpha , Beta , and Gamma Quadrants , which Wolfe called "a fair trade." [4]

The Borg were considered by some commentators to be the greatest villains of Star Trek: The Next Generation . However, they were featured in only six episodes throughout its seven-year run. The creators have stated that this was due to the fact that the Borg were so powerful, and so it was not easy to come up with solutions for beating them. However, as time passed and future series went into production, the concept of the Borg evolved to include inherent flaws that could be exploited in many different ways – leading them to appearing in nineteen episodes of Star Trek: Voyager (although in only a fraction of these appearances were the Borg the primary villains; many episodes had them in supporting or otherwise non-antagonistic roles). This generous use caused many fans to complain that the Borg were being used too often on Voyager . TNG, DS9, and one-time VOY writer Ronald D. Moore once said of their perceived overuse, the Borg had been defeated so many times, that they had "lost their teeth." ( citation needed • edit )

Following "Regeneration" and the season it was in, ENT Season 2 , Brannon Braga stated, " We have no plans to see the Borg ever again. " ( Star Trek: Communicator  issue 145 , p. 30)

In 2006 , the Borg were honored with their own DVD box set Star Trek: Fan Collective - Borg , featuring a number of their more memorable appearances in the Star Trek universe.

In an interview with StarTrek.com published on 1 April 2019, the actor Alan van Sprang , who played Leland in Star Trek: Discovery , echoed fan speculation regarding a potential connection between Control and the origins of the Borg: "I think it's very intriguing. When I first read the script I thought, 'Oh, is this the making of the Borg? Is that how it happens?' We're as much in the dark as anybody else, but as soon as I saw that, I thought, 'This is like The Borg.' The Next Generation' s Borg episode just blew my mind [when I watched it originally], let alone when Picard became Locutus . That's the first thing I thought of, which kind of tickled me to no end. 'Wow, I'm just going to milk this for all it’s worth.'" [5]

In an interview with TrekCore.com published on 19 April 2019, Michelle Paradise , then writer and co-executive producer of Discovery , clarified: "It's interesting — we weren't thinking Borg at all. I mean, we talked about all sorts of different things in the room, but there was never any intent on our part to parallel that in any way. I can certainly understand why people started to think we were going in that direction, but it was never where we intended to go with it." [6]

In an Instagram story dated 12 March 2020, Michael Chabon , then showrunner of Star Trek: Picard , opined of the same theory: "It has the virtue of making sense. But I don't think it's much fun." [7]

Apocrypha [ ]

The absence of the Borg from Deep Space Nine was explained in the novel The Siege , when a Borg cube tries to pass through the Bajoran wormhole and is destroyed by subspace compression; Sisko concludes that this event will cause the entire Collective to believe that the wormhole is unstable and would now avoid it.

In the alternate timeline seen in the Star Trek: Deep Space Nine book series Millennium , the Borg forged an alliance with the Federation to defeat Weyoun . The entire Borg Collective was destroyed along with the universe. This entire timeline was later reset thanks to Benjamin Sisko.

In an alternate timeline in the game Star Trek: Armada , the Borg succeed in conquering the Alpha Quadrant. Using a clone of Locutus, the Borg manage to assimilate Spock , kill Worf, and assimilate Earth. The timeline was reset thanks to Jean-Luc Picard and the crew of the Enterprise -E, who travel back in time with the aid of a ship from the future to prevent Spock's capture.

In the game Star Trek: Legacy , an alternate explanation was given to the creation of the Borg which states that the probe V'ger created the Collective to serve as its heralds in its search for knowledge. However, the creation of the Borg Queen resulted in the creation of an entity that abandoned the original intent of V'ger . This is also similar to the Shatnerverse version of events.

In the current volumes of the Next Generation Relaunch series of novels, the Borg have been driven to near extinction as a result of the Starship Voyager 's destruction of the Queen and the transwarp conduit network. However, they begin to reconstruct the Collective by building a massive cube in the Alpha Quadrant, in order to launch a vengeful new offensive against the Federation; their first strike results in the assimilation of Admiral Janeway and the destruction of Pluto before the Enterprise -E manages to destroy the cube with the original Doomsday Machine .

In Star Trek: Destiny a history of the Borg was presented. They were survivors of the Caeliar Gestalt and the crew of the Earth ship Columbia NX-02 thrown back in time and into the Delta Quadrant following an attack on a Caeliar city ship. The Caeliar forced the Humans into a perverted form of their Gestalt (a mental linking of the Caeliar) based upon the will of the last surviving Caeliar and not the whole. They launched a final attack of Federation space with over 7,000 cubes at their disposal; however, they were stopped after the Caeliar were made aware of their responsibility for the Borg's actions. The Collective was dismantled, and the assimilated Borg drones were accepted into the Caeliar's gestalt. Former drones fully regained their individuality (as evidenced by Seven of Nine's remaining implants dematerializing). This was followed up in the novel Full Circle . Q later noted that this timeline's invasion was provoked by Admiral Janeway's trip to the past in " Endgame ", reflecting that, if she had done nothing, the Borg would have eventually launched a massive assault on the Milky Way galaxy centuries in the future that would have completely assimilated all other life. The Voyager relaunch novel Unworthy explores the aftermath of the destruction of the Borg, including some Federation scientists trying to harness remaining Borg technology and Voyager encountering a vast fleet called the "Indign" consisting of species who actually wanted to be assimilated but were considered unworthy of that "honor" by the Borg.

In the Star Trek: The Original Series short story "The Trouble with Borg Tribbles" from the anthology book Strange New Worlds V , a Borg cube encountered a pod full of Tribbles which had traveled through a micro-wormhole from the Alpha Quadrant in early 2268 . This was the Borg's first contact with life from that part of the galaxy. The Borg assimilated the surviving Tribbles, only to find that their instinctive drive to eat and procreate was starting to overwhelm the hive mind, causing a widespread series of malfunctions.

The comic book series Star Trek: Countdown shows that Nero 's ship, the Narada , was enhanced with a mixture of Romulan and Borg technology. The sequel miniseries Star Trek: Nero has the Borg, the Narada and V'ger originating from an unknown civilization on the " machine planet " that was seen inside V'ger in Star Trek: The Motion Picture .

The Star Trek: The Manga story "Side Effects" in Shinsei Shinsei provided a different story to the creation of the Borg, with an experiment gone wrong to save a race through the daughter of one of the 1,000 or so survivors. Cybernetic implants, along with DNA from nine different species designed to keep a disease from spreading caused the girl to go insane and gain a twisted idea of saving her people. However, the intervention of Captain James T. Kirk made the situation even worse, as the laboratory where she was augmented collapsed and was sucked into a black hole . But an escape pod with the girl was launched, and apparently catapulted far into the past by the slingshot effect , where her cybernetic implants and DNA evolved to where she became the very first Borg Queen.

In the game Star Trek Online , the Borg have resurfaced after thirty years and have conquered several Federation sectors, including the Mutara sector . The Borg of 2409 look much more like zombies, with some of their cybernetic implants looking like bones coming out of their bodies.

The Cybermen and the Borg

The comic book crossover series Star Trek: The Next Generation - Doctor Who: Assimilation² involves a plotline in which the Cybermen of the Doctor Who universe alter time and space in order to form an alliance with the Borg. The united cyborg force proves to be a devastating threat to the Federation, but the two races end up turning against each other, with the Cybermen going to war with the Borg and forcing the crew of the Enterprise -D and the Eleventh Doctor and his companions to ally with the Borg to restore the Collective and vanquish the Cybermen. At the end of the series, the Borg start to investigate time travel in order to find a way to assimilate the Doctor.

In The Delta Anomaly , a book set in the alternate reality created by the Romulan Nero 's attack on the USS Kelvin , the serial killer known as The Doctor ( β ) is suggested to be related to the Borg. This therefore establishes an earlier contact with Earth than in the prime reality.

The Borg of the alternate reality

In Star Trek: Boldly Go , a comic series also set in the alternate reality and after the events of Star Trek Beyond , the Borg make an appearance as the villain in the first arc of the series, seeking the Narada due to their awareness of its ties to the Borg. They attempt to assimilate Spock , but the primitive assimilation of this era is unable to cope with his hybrid DNA. The shock of his escape and the retrieval of other near-assimilated officers enables the Federation and the Romulans to destroy the Borg.

External links [ ]

• Borg at Memory Beta , the wiki for licensed Star Trek works
• Borg at Wikipedia
• 3 Ancient humanoid

The History of the Borg - Star Trek's Unstoppable Villains

From The Next Generation to Picard Season 3, the Borg are Star Trek's most insidious villains - born from equally epic behind-the-scenes battles.

Many of Star Trek 's most iconic species can be traced back to series creator Gene Roddenberry. However, the iconic and unstoppable Borg are the brainchild of one of his greatest on-set adversaries. Maurice Hurley was a new arrival on The Next Generation' s staff who didn’t see the future the same way Roddenberry did, but was bound to tell stories by his rules. Their conflict gave rise to characters who would help define the entire franchise.

When Roddenberry staffed The Next Generation , he brought many of the writers he worked with on The Original Series back. However, there was a new narrative edict. Starfleet in the 24th Century would've continued to evolve from Captain Kirk's era. He believed there would be no jealousy, tension or any interpersonal conflict within the crew. Roddenberry's lawyer Leonard Maizlish started acting as a de facto producer, allegedly responsible for hiring Hurley to enforce Roddenberry's strict rules. Yet the talented storyteller just didn't know what to do with no crime, conflict or any of the other storytelling staples he was used to from procedurals like Miami Vice and The Equalizer . In order to alleviate this problem in the second season, Hurley wanted to introduce a new kind of villain that couldn't be reasoned with or stopped.

RELATED: Star Trek: How Picard's Assimilation by the Borg Radically Changed the Franchise

Star Trek's Borg Were Originally Going to Be Insects

The central problem between Roddenberry and Hurley was that the latter didn't believe in what he was supposed to sell the other writers. In the documentary Chaos on the Bridge , Hurley called Roddenberry's ideas of the future "wacky doodle." Since he thought they were bad rules, he could only guide them in constructing "bad" episodes. Sometimes writers would even pull an end run and take a story to Roddenberry that bent or broke his rules. Hurley claimed he would "go ballistic" arguing Roddenberry's ideas back at him. Still, he wasn't setting out to make bad Star Trek , so he thought of a solution: insects.

The Ferengi were introduced in Season 1 as the "new Klingons," but they failed to land in that way with the audience. Hurley thought of insects as an unrelenting natural force, and believed that would make a good basis for an alien species to menace the crew all season. Insects proved to be impossible to create on a regular basis, so he instead went with the idea of cybernetic and organic lifeforms -- cyborgs. He dropped the "cy" from the name, and The Next Generation had its most memorable villains. Hurley planned to seed Season 2 with hints to the Borg until revealing them during October sweeps for the first time. However, the 1988 Writers Guild of America strike necessitated a new plan.

Eventually, Hurley used the popular character of Q to bring the Borg into contact with the Enterprise -D in The Next Generation Season 2, Episode 16, "Q Who?". However, they became a looming threat out in the galaxy rather than a regular villain, as the costuming for the Borg proved to be as difficult as crafting believable insects. Hurley envisioned the aliens being mostly disinterested in organic life, only concerned with Starfleet technology. This changed when the villains returned to assimilate Captain Jean-Luc Picard at the end of Season 3. By that time, Hurley had happily moved on from Star Trek .

RELATED: How Seven of Nine Was Rescued From the Borg on Star Trek: Voyager

The Borg Have Become Star Trek's Most Important Villain

Captain Picard and the Enterprise -D crew faced the Borg only nine times in 35 years, including in the film Star Trek: First Contac t and Picard Season 3. However, the Borg appeared in a whopping 23 episodes of Star Trek: Voyager -- in large part because of Seven of Nine, the former Borg turned Starfleet officer. The writers who succeeded Hurley worried that using the Borg too much would've curtailed their threat. Some fans did complain about the prevalence of the Borg in Voyager . Yet that allowed the Admiral Janeway from an alternate future to hobble the Borg Collective in Voyager 's series finale.

The Borg were mostly a thing of the past by the time Picard debuted, with a significant portion of the first season taking place on a "dead" Borg cube. By Season 2, the introduction of a new Borg Queen meant Picard had to again face a mini-collective. However, by then showrunner Terry Matalas and his crew of storytellers knew how to make Roddenberry's rules work. Hurley's unstoppable, unrelenting villains became provisional members of the Federation. Their collective was opt-in only, and their purpose was to stand by a tear in space-time that some future threat would emerge from. Picard could apparently negotiate peace with anyone.

Well, maybe not anyone . The Borg also made him and his son Jack Crusher time bomb for their last-ditch attack on Earth. When Picard faced the Borg Queen in the Picard series finale , he wasn't there to talk. The Borg were seemingly destroyed once and for all by the crew of the Enterprise -D. But Maurice Hurley's creations are too perfect to stay gone. He may not have known how to shape a season of Star Trek , but he inspired its most fascinating and enduring villain because of his frustration.

'Star Trek: Picard’: The Borg Storyline So Far, Explained

"Resistance is futile; you will be assimilated."

“When it comes to seeing Picard again, the first things that come to mind are Data and the Borg.”

That’s what Star Trek: Picard Executive Producer Alex Kurtzman recently told THR about how they approached bringing back Patrick Stewart ’s most iconic character -- along with one of Star Trek ’s most popular villains. Both Data and the Borg play key roles in Picard ’s unfolding mythology, which finds Picard’s deceased friend and his most lethal enemy looming large over an intricate plot that involves a massacre on Mars where androids helped kill thousands of Romulan refugees, resulting in a Federation-wide ban on androids (AKA synthetics). Complicating matters is the reveal of a derelict Borg cube that plays home base to both what’s left of the Romulan Empire and several inactive Borg drones.

The latest episode of Picard , “The Impossible Box,” reveals more about the role that the race of cybernetic beings hellbent on assimilating various cultures into their hive-mind collective plays in Picard’s return to television after a 26-year absence. Here’s what the “Resistance is futile” baddies are up to, and how they got there:

The Borg Are Back...ish

The Borg have been a considerable thorn in both Picard and the Federation’s side since the captain and crew of the Enterprise-D first encountered them in the Star Trek: The Next Generation Season Two episode, “Q Who?” Their cold, unrelenting mission to assimilate entire alien races and worlds, in an effort to add their victims’ biological and technological distinctiveness to their own, reached a boiling point when they kidnapped and assimilated Picard 30 years ago, in the Season Three TNG cliffhanger “The Best of Both Worlds, Part I.” There, Picard was turned into Locutus, whose role in the collective was to act as a voice and figurehead to oversee the Borg’s assimilation of Earth. Thankfully, that plot to turn humanity into drones failed -- as did their second attempt in the 1996 feature film Star Trek: First Contact .

But the emotional scars from Picard’s brief experience as a member of a race using him to kill his own species took longer to heal than the physical ones. In fact, Picard recently revealed in its fifth episode, “Stardust City Rag” that Picard has yet to feel like he has regained all the humanity the Borg took from him 30 years ago. Ironically, that which he has lost is something the Romulans are helping ex-drones (“Ex-B’s”) get back on the Borg cube they have acquired, which the Romulans call the Artifact.

It’s there that Picard is forced to come to terms with his trauma, and those who inflicted it upon him, by stepping onto a Borg cube for the first time in three decades. There, he not only reopens old wounds for himself, but also discovers a sense of hope in a place that's home to those driven to take it away.

Welcome to the Borg Reclamation Project

Sometime after the loss of their homeworld and the explosive (and fatal) end to Picard’s efforts to relocate the Romulans to a new home, the Federation’s oldest enemy laid claim to a damaged Borg cube. They renamed it “The Artifact” and began working on salvaging Borg tech from inactive drones, as well as “rehab-ing” former drones of various races back to a way less “assimilate everything” existence with the Borg Reclamation Project.

The Executive Director of the project is a former drone himself -- Hugh ( Jonathan Del Arco ). Picard helped free Hugh from the Borg when he was the drone designated Third of Five in the classic TNG season five episode, “I, Borg.”

At first, Picard plotted to use Hugh as a “Trojan Horse” and deliver a virus that would break down and destroy the Borg’s hive mind. As more of Picard’s crew members got to know Hugh, and see his humanity come through, Picard had a change of heart and let Hugh go. They would reunite later in the Season Seven premiere of Next Gen , “Descent, Part II.” “Impossible Box” reunites Picard and Hugh for the first time in over 25 years, and in doing so, we learn that the Borg are able to be rehabilitated. There is hope for their victims as they attempt to re-enter their lives, which sparks Picard to challenge his inner (and justified) prejudices against the alien race that still haunts him after all these years.

Helping Hugh and his efforts is Soji, played by Isa Briones . Soji recently lost her twin sister, Dahj, at the hands of Romulan operatives wanting to destroy her because she is an advanced android; a perfect mix of biological elements and Data’s positronic components. Soji is also an advanced “Synth,” but only recently discovered that about herself. Given that the Romulans hate androids, Picard came to the Artifact to protect her, since she is in the crosshairs of a Romulan spy named Narek. He is using her, and the Borg Reclamation Project, for less than altruistic reasons.

Why? Because the Romulans only have two speeds: Shady and super shady. Their hate for androids and any synthetic life is long-standing; there are no androids in their culture. (So it’s especially ironic that they would make their base aboard a ship full of that which they loathe.) Narek and other Romulans--conspiring with Federation brass as well--believe the Borg’s collective consciousness, along with Soji’s brain, can help them locate the secret Synth homeworld and wipe out the Synths that are still alive after the Federation ban.

Through Hugh and Soji’s efforts, we learn something new about the Borg: The Collective is like the iCloud for this race of interconnected beings. From the moment aliens or humans are assimilated into it, they join a chorus of thousands in service of the hive mind. Once disconnected from the collective, like Hugh was, they are free of those voices. But Picard tells us that what is never silent are the echoes or imprints that individual drones take with them. This mess of overlapping voices, speaking as one mind, operates in a “Time is a flat circle” sorta way.

For example: “The Impossible Box” puts Picard and Hugh in “The Queen’s Cell,” a room they have never seen or been in but know of, like it’s been there all this time. It is the private chambers of the Borg Queen, last seen trying to destroy Captain Janeway and her crew aboard the lost starship Voyager as they warped to get back home in the Star Trek: Voyager series finale, “Endgame.” It’s in this room that Hugh introduces Picard to an advanced tech belonging to a race Janeway encountered in the first season of Voyager . This tech allows for long-distance transportation with a range of up to 40,000 lightyears. The reason for this tech was to spirit the Queen away in case of an emergency, and the episode all but implies that the Queen survived her explosive demise at the end of “Endgame.”

Hugh and Soji have also discovered that the collective share a common narrative full of archetypal information from past experiences but it is just as relevant and timely to them as present day news is to humans. What exactly Hugh and the Romulans want with this info is unclear, but all signs point to it paving the way to more mysteries being uncovered about Soji, her ties to the rogue synthetics the Romulans are hunting, and the future of the Borg.

Given that the Borg have been a cancer for Stafleet for over 30 years, it is safe to assume that, whatever happens next for Star Trek: Picard, this aspect of Picard’s past will play a significant role in shaping his future.

Den of Geek

The Star Trek Next Generation Story That Connects the Borg to The Original Series Crew

The Borg may be villains from Star Trek: The Next Generation, but a 1991 novel posits a surprising connection between the assimilating aliens and The Original Series.

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“Con permiso, Capitan,” the godlike being Q tells Captain Picard. “The hall is rented, the orchestra engaged. It’s now time to see if you can dance.” 

Part warning and part explanation, Q’s statement tests Picard’s insistence that the Enterprise does not need his help, that humanity is fully prepared for whatever difficulties they encounter while exploring deep space. Yes, they can deal with Romulans, Klingons, and even that fishhead alien that Mick Fleetwood played in “Manhunt.” But were they prepared for the new enemy that Q sent them to meet? Were they prepared for the Borg ?

The excellent season two episode “Q Who?” effectively introduces the Borg as the defining villain of Star Trek: The Next Generation , whose influence continues in later series, especially Voyager and Picard . The conquering hivemind represents everything that Starfleet is not, a demand for sameness and no respect for other cultures or variety. They’re all about safety and domination through homogenization. With their zombie-esque attacks and their resistance to Starfleet weapons, the Borg become a major threat to the entire universe. 

But despite Q’s taunts in The Next Generation , Starfleet may have actually been more prepared for the Borg than he, or even the crew of the Enterprise-D, first thought. In fact, according to one TNG novel, the Federation unknowingly encountered a deterrent to the race back in the days of James T. Kirk and the original Enterprise. 

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In the sixth episode of The Original Series ’s second season “The Doomsday Machine,” Kirk and his crew discover the remains of several star systems that have been mysteriously destroyed. Finding the Enterprise’s sister ship the USS Constellation abandoned in one of these systems, save for its delirious Commodore Matthew Decker, Kirk fears the worst. When Decker comes to, he confirms Kirk’s suspicions, describing the source of the attacks as a weapon “right out of hell,” a planet killer with an unimaginable proton beam.

Throughout the episode, the Enterprise learns that the machine derives its fuel from the remains of the planets it destroys, which allows it to operate in perpetuity. Only through the actions of the desperate, suicidal Decker, and the brilliance of the Enterprise crew, is Kirk able to destroy the doomsday machine, stopping it from continuing its march across the quadrant.

After its destruction in “The Doomsday Machine,” no other versions of the planet-killer have been rebuilt and reused in later canon Star Trek stories (this isn’t Star Wars , after all). However, the machine did return in a non-canonical Trek story one that ties the planet-killer to the Borg.

In “The Doomsday Machine,” Kirk speculates that no one would create the planet-killer with the intention of actually using it. Instead, he believes that the machine must have been a deterrent, thus turning the episode into a commentary on the Mutually Assured Destruction theory of nuclear armament. And in his 1991 TNG novel Vendetta , writer Peter David builds on Kirk’s theory.

Vendetta introduces Delcara, a powerful telepath who has been contacting Picard through visions since his days as a cadet. Delcara has control of a new Planet Killer, more advanced than the one Kirk destroyed in “The Doomsday Machine,” and plans to use it in revenge against the Borg for assimilating the rest of her race, the Shgin.

Published less than a year after “ The Best of Both Worlds ,” Vendetta leans heavily into the threat posed by the Borg. After all, this was long before we met kindly Hugh, the more human Borg Queen, and the heroic Seven of Nine. The Borg were still enigmatic, incomprehensible threats to the entire universe.

That perspective is essential for understanding the genesis (pun intended) of the Planet Killer, as posited in Vendetta . David explains that the Planet Killer was created by the Preservers, the ancient and wise race first introduced in the TOS season three episode “ The Paradise Syndrome ,” as a deterrent against the Borg. While the threatening to destroy any planet the Borg assimilate should be deterrent enough, Delcara proves that it certainly can be used as an active weapon against the race.

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Since Vendetta , the Borg have been made significantly less frightening, and Picard has not once, but twice, declared that the race has been destroyed. Furthermore, novels and comic books are not technically considered canon in Star Trek (again, this isn’t Star Wars ). However, should Trek ever want to revisit the subject, the Planet Killer is an excellent way to remind viewers that the Borg are terrifying, but the weapons we employ for our safety may be even worse.

Joe George | @jageorgeii

Joe George’s writing has appeared at Slate, Polygon, Tor.com, and elsewhere!

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Published Apr 24, 2017

Star Trek 101: The Borg

Star Trek 101, StarTrek.com 's newest regular column, serves two functions: succinctly introduce Star Trek newcomers to the basic foundations and elements of the franchise and refresh the memories of longtime Trek fans. We're pulling our entries from the book Star Trek 101: A Practical Guide to Who, What, Where, And Why , written by Terry J. Erdmann & Paula M. Block and published in 2008 by Pocket Books. An invaluable resource, it encompasses The Original Series , The Animated Series , The Next Generation , Deep Space Nine , Voyager and Enterprise , as well as the first 10 Trek feature films. Today, we learn about the Borg...

The Borg collective is an amalgamated group of many subjugated races: human, Klingon, Vulcan – you name it. The Collective assimilates every sentient being it encounters, improving the individual by removing “imperfect” organic body parts and replacing them with technologically superior artificial ones – such as eyes that emit laser beams and hands that double as buzz saws.

What the Collective lacks in free will, it makes up for in wholehearted dedication. All members dress the same (basic black, with complementary circuitry and tubing)., act the same (zombie-like), and spout the same party line: “You will be assimilated” and “Resistance is futile.”

Their most common form of transportation is the gigantic and deadly Borg cube, armed with powerful energy weapons and capable of self-repairing damage almost immediately.

Paula M. Block and Terry J. Erdmann are coauthors of numerous books about the entertainment industry, including Star Trek 101; Star Trek Costumes: Fifty Years of Fashion from the Final Frontier; Star Trek: The Original Series 365; and Star Trek: Deep Space Nine Companion . They currently are writing the latest in their series of Ferengi novellas, which (so far) includes Lust’s Latinum Lost (and Found); and Rules of Accusation . Their most recent non- Star Trek book is Labyrinth: The Ultimate Visual History.

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Paramount Pictures Officially Confirms Star Trek Origin Movie For Its Upcoming Film Slate

| April 11, 2024 | By: Anthony Pascale 181 comments so far

Today, the road to the next Star Trek feature film took a small but significant step towards becoming reality.

Paramount makes it official

Earlier this year, it was reported that Paramount Pictures was developing a new Star Trek feature film in parallel development to the “Star Trek 4” sequel to 2016’s Star Trek Beyond . Today the studio made the reports official as they announced their slate of films for 2025 and 2026, an official list which includes what Paramount is now calling “Untitled Star Trek Origin Story.” The studio also confirms the previously reported details: The film is “set decades before the original 2009 Star Trek film.” Toby Haynes ( Andor , Black Mirror “USS Callister”) is directing based on a screenplay by Seth Grahame-Smith ( The Lego Batman Movie ), with J.J. Abrams returning as producer.

The Star Trek movie was just one of many the studio confirmed as part of their 2025/2026 slate at their CinemaCon presentation today. Paramount Pictures CEO Brian Robbins led the studio’s presentation at Caesars Palace in Las Vegas. This is the first time Star Trek has been part of the studio’s annual CinemaCon event since Robbins took over in 2021.

The “Star Trek 4” sequel to Beyond was not part of today’s CinemaCon presentation, presumably because with the recent hiring of a new screenwriter , that film would not be ready for theaters by 2026. It has also been reported that the origin story movie is set to start filming by the end of the year. There are no details yet on the plot, specific time setting, or cast. If Paramount can move fast enough they could get the origin movie into theaters by 2026—in time for Star Trek’s 60th anniversary.

Find more news and analysis on  upcoming Star Trek feature films .

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Fool me once … ( also I want a movie but until someone gets a set built I’m not holding my breath )

I’m not pre-ordering my tickets…..

You would need a title and a premiere date to order tickets. This film has neither.

I’d wait to believe it until you actually see a movie trailer for it. Noah Hawley was in the casting stage when they cancelled his Trek movie. They might have even started on the sets.

The film is on Noah’s IMDB Credits list…

Yep. I heard ferries exist too!

Car ferries?

Even now, it potentially doesn’t matter. They could pull a Zaslav and shelve the film after it was all but released.

I won’t believe it until my butt is in the theater seat and the film starts playing.

We don’t need the origin story. We have it already. It was called “Enterprise”.

I didn’t realize there was such a large interest in a Star Trek origin movie. It’s their money to burn.

I still believe this is their way of rebooting the “prime” universe from the beginning and remaking it in a new image. I see no other point of doing an origin movie. First Contact and Star trek: Enterprise were origin enough IMO.

I don’t quite get it either. We already got that with First Contact and Enterprise. What else is there that could interest the general public.

Yeah, and for me, the period between First Contact and Enterprise just doesn’t seem that exciting. The period between Enterprise and the Nero incursion would be more interesting, I guess.

They wrote that the origin film would be “set decades before the original 2009 Star Trek film”. That film (in-universe) is set in 2233 (Nero incursion) and 2258 (main plot) respectively. So “decades before” would be after Enterprise, probably after the formation of the Federation, most probably before the Nero incursion, maybe around the turn of the century.

It’s just odd they are calling it an “origin” movie if it happens after Enterprise.

I’m curious what they mean by “origin”. The origin of Starfleet would be before Enterprise and the origin of the Federation would be after.

Also, the origin of Star Trek would have to be before the events of First Contact.

…assuming there is a concern about canon whatsoever, of course.

Many assumptions to be made at this point for sure.

Assuming this announcement doesn’t get added to the pile of previous unmade-movie announcements.

They’re calling it an origin movie to appeal to newcomers and casual fans.

Maybe we’ll see the founding of the Federation?

We already saw that in the infamous final episode of Enterprise. If they revisit that, they’d have to include the NX-01 crew and do a *lot* of deaging. 😉

They could show the first year of the Federation or something.

The obvious way to go is just do the Romulan war which leads into the founding of the Federation and what Enterprise was supposed to do.

That’s really the only thing fans actually want to see in terms of a prequel story.

Which was already scripted for Berman nearly 20 years ago by the band of brothers screenwriter.

Yep. I heard that’s what they were considering doing until the Kelvin movie got greenlit instead.

Overall the Kelvin movie was probably the better choice in terms of box office but I probably would’ve preferred the Romulan war idea because it did sound more original and different.

For how little Trek lore has fleshed out that imaginary bit of history, do we really need to be putting some detail to how we went from post-apocalyptic hellhole to utopian paradise in fifty years? Maybe some enterprising human stole a replicator off a Vulcan ship and reverse engineered it? Seeing the sausage being made may not be a great on screen adventure…

Eastern Europe isn’t the best example – while they’ve done okay extricating themselves from the communist wasteland, it was (and is) without its setbacks.

that’s what makes me so crazy. Discovery was the chance to reboot the “prime” universe but they have stubbornly stuck to this quisling versio

Not only that, they already did a Star Trek origin movie. Star TRek 2009. But sure lets put more money in it, have it fail, and then blame the box office on why we will never get more trek. Thats a great idea!

First off do we even know what they mean by “origin”?

Could be about the founding of the federation, the Romulan War, or the early days of starfleet pre-Enterprise.

It may have nothing to do with Kirk and Spock, the Enterprise, might not be any kind of reboot or reset.

My gut says it’s set in the Kelvin timeline and it takes place post USS Kelvin but pre-2009 Trek. And I’m fine with that.

They already said it will be based in the prime universe, not the Kelvin. I don’t know why they framed that press release that way but I guess since the Kelvin movies are the current movies they wanted to make clear to people this movie is before all of that I guess.

And obviously will have nothing to do with Kirk and Spock because it will be before they were even born.

These announcements feel like Groundhog Day, don’t they? Maybe that’s the story they should tell.

A feature length version of Cause and Effect…

I’m guessing Romulan Star Empire Wars era setting.

Yeah, maybe it’s the concept Rick Berman pitched: a Romulan War film where the NX-01 is off vacationing at Risa.

How about Star Trek: Federation . Founding of the Federation, which is immediately followed by a crisis requiring the urgent launch of USS Federation (NCC-01). Scott Bakula has a cameo appearance as President Archer.

Here we go! :D

Star Trek Origins: The Future Begins

Yeah but it’s not as exciting when we literally have a thousand years of that future now.

This is why prequels bore so many people when we already know so much about the future it’s setting up.

At least with the Kelvin movies they were smart to not make it a traditional prequel and people still hated those too.

I will never understand the obsession of going backwards when you have a fanbase that is constantly begging to go forward and prequels don’t attract new fans at all because they are made for oddly old fans in mind. You only cared about how Anakin became Vader in the prequels if you watched the OT.

We really know almost nothing (in canon) about the entire century that elapses between Enterprise and Discovery , though. I would have preferred Kelvin Movie 4 or even a post-TNG original movie (maybe with Patrick Stewart making a cameo) but I could get behind a canon treatment about the first years of the Federation.

If it’s really something good or interesting fine. If it’s just ‘this is how the Federation was formed” we already got that already.

Now if it’s the Romulan war or something then that’s at least something people can get excited about. But yeah we already know how it ends so maybe that won’t be it either.

I just can’t really get to excited about a prequel movie.

Yeah, I think the Romulan war would be a great premise for a movie, BUT according to TOS the battles were fought with “primitive atomic weapons and in primitive space vessels which allowed no quarter, no captives, nor was there even ship-to-ship visual communication; therefore, no human, Romulan or ally has ever seen the other.”

In other words canon would have to be completely ignored – we all know Enterprise completely disregarded the TOS take of the war as the NX-01 had visual comms, phase cannons and photonic torpedoes. If the story is a good one, I am totally good with ignoring canon, but of course others are not.

Yeah that’s always the issue with the Romulan War thing, it’s really hard to make a compelling story about it when you are fighting it without directly engaging the enemy.

That said I’m 100% convinced they will just ignore that and do what they want or just find an excuse to change ot. Look at SNW, this the show that has shown the Gorn years before they were supposed to be seen and completely changed Khan’s original timeline using TCW as the reason..

Discovery had an entire Klingon War when that didn’t remotely exist in canon.

So yeah it probably won’t matter that much end of the day. They will just make what they want and then will use some excuse to do it. That’s been the case since Enterprise as you said.

So, it would be set after Enterprise and before the Kelvin fiasco. Awesome.

Probably the Romulan Wars. And with no Enterprise. Not excited

If only I could insert the Will Farrel “I don’t believe you!” GIF.

Whatever this turns out to be, hopefully it will be interesting. More likely it will turn out to be just another dead Trek movie project.

So many of these stories do seem to go absolutely nowhere! However, I am not as negative about an origin story as some fans are. At this point, I am more neutral on the movie. I can see that under the right circumstances it could be quite interesting. Although prequels can be a tough sell to Star Trek fans. Ultimately the fact that’s a movie could work in its favor though. Less storylines to produce over the years might help keep the story focused! Though I am not sure it would be a box office draw.

I’ll believe it when I’ve seen it in theaters, listened to TrekMovie’s review, and have the blu-ray on my shelf 4 months later.

Where to place the Blu-ray tho?

Before ST09 or after Beyond? …or.. Before TOS?

They go in order of release, for me. But could this be the first Trek film I don’t purchase on disc? Time may tell…

It’s an origin story taking place in the prime universe so it will go either before or after Enterprise basically.

I’ll believe it when it actually happens. Also, Seth Grahame-Smith is not a good writer, so that doesn’t bode well.

My thoughts exactly.

I liked the book Abraham Lincoln: Vampire Hunter, but not the movie.

I absolutely loved the Lego Batman movie, though. If he is able to incorporate Trek lore with as much care as he did for Batman, it could turn out to be a very good movie after all.

I’ll believe it when I’m sat i theatre turning off my phone with my Star Trek Origins screensaver and eating popcorn out my STO popcorn bucket (the lid in shape of the Starfleet A insignia )

He co wrote The Flash right? I really liked that , I could imagine something similar happening with Nero as happened with Zod in that (going back to 1st film via timetravel)

This is what’s over at Box Office Mojo: Untitled Star Trek: Beyond Sequel (????)

Grain of salt, anyone?

There are apparently two movies planned. Origin and Trek 4…

Actually there are three now including one that we all thought was DOA two minutes after it was announced.

Three movies in development from a studio who has cancelled four of them for 8 years now. And this will be the fourth new script for the next Kelvin movie.

That’s why everyone is very very confident this one is happening for sure. 🙄

The only thing we can take to the bank is we will see Section 31, starring Academy Award winner Michelle Yeoh!!

Pretty much.

And a studio that is broke and in debt with junk status. None of these will likely be made or just the super cheapy origin movie if they can keep the budget low.

I’m pretty sure you got your facts wrong.

Sigh. Why do the powers that be always want to go backward in the ST timeline and do origin stories and such?

Lack of confidence in new ideas and to make it as cheaply as possible, are two things that come to mind right away.

It’s simple. They don’t want all that trek nerd baggage. They want a movie anyone would go to see and understand.

How’s that working for them?

You don’t get it.

I don’t get it either? It’s not like the prequel stuff has been huge home runs or big money makers.

The Star Wars prequels made a lot of money. That’s what Paramount still looks at, even though they have yet to duplicate that financial success.

Yes but that’s STAR WARS! It’s going to make a lot of money period. And those prequels came out when it was just the OT and nothing else for literally decades. There was a lot of hype just returning to those stories.

This is not the same thing, especially when we already had so many prequels in Trek now and with mixed results. That said I’m not saying it can’t be successful but I don’t see any huge hype around it either because most fans just seem to want to go forward and not backwards.

All the negativity over this ‘announcement’ is well deserved. Just make a fcking movie already Paramount, Jesus.

But I suspect IF this one is real it’s probably a much cheaper movie being new actors and maybe something with a lot less explosions and FX. I suspect it will probably be around $100 million.

It’s certainly doesn’t sound like something they are pushing to make a billion dollars or anything. Only people who cares about a prequel will be mostly old fans and even they aren’t exactly excited about yet another prequel judging by all the reactions so far. Maybe they will attract an A list star or a well respected one to bring more hype to it.

But same time I been pushing to just do something NEW with new characters and setting forever now. Stop trouting out Kirk and Picard, take a real chance with the franchise for a change. I was hoping it would be Post Nemesis but I should be happy I finally got half of what I wanted lol.

But I’ll believe it when I see it. I have literally been saying this line for six years now and I’m really tired of saying it. 🙄

Yup, exactly. Assuming it even happens, the premise sounds weak. Not surprised.

Yep. Unless it’s something truly mind blowing it’s not going to elicit a lot of excitement. Sure we’ll all go lol but I don’t see this thing having any real pull beyond the true believers.

It probably got the greenlight because its really cheap and it’s becoming embarrassing how long this franchise has languished.

I really only go to movie theaters to see Trek films (much prefer the comforts of home to see movies), so yup I’ll be going, good or bad. And yes, it is really pathetic the way this franchise has been treated on the big screen for the past 20 years. Disgraceful.

Ummm… what premise?? The only thing we know is that it is an origin movie. Nothing else. There IS no premise yet…

I think he means just another origin story itself feels a bit tired. But yes we don’t specifically know what that means yet but anything before TOS at this point just doesn’t really get a lot of fans all that hot and bother.

Whatever it ends up being it’s just filling in to more history we already know.

I get it. But no matter what era they make a movie in, there will be complaints. We have done prequels – some fans hate that. We have done same era as TNGish – fans complained. Likewise, we have had a show set in the future (soon to be another) – fans complained. There aren’t many options left.

Before TOS: Enterprise, JJ movies, Discovery, SNW just after TNG era: Picard, Prodigy, Lower Decks Future: Discovery, Starfleet Academy

Do they just make things in the era of TNG, DS9 and Voyager? No matter what is produced, there will always be a fan base that is unhappy.

I’m going to start reporting you now. One guy got the boot for being an obsessive troll and like you was already banned before anyway.

Leave me alone from this point on. I mean it.

What a total disappointment. I wanted to see the Kelvin crew return. It’s going to be 10 years between films.

Please be Kirk and Spock at least.

Check the first paragraph of the article out again. This one is presumably being developed ‘in parallel’ to the Kelvin crew sequel.

Recast Kirk and Spock, I presume?

I wouldn’t be surprised if the main character is Kirk’s great grandfather, Tiberius something or other.

And not surprised there was no announcement of the next JJ verse movie. I predicted a few weeks ago that one wouldn’t get made by 2026 or the 60th anniversary. Frankly I don’t even know why they are even bothering with it anymore? Whenever it’s supposed to come out it’s already going to be the last one and over 10 years since the last one came out.

What’s even the point? They are clearly moving on from it.

As far as the origin movie why not just make it for the 60th anniversary? Why rush it? It’s already been nearly a decade, what’s one more year at this point and you can Marley it better in an anniversary year.

Its the reverse of ST 6, here we getting the prequel movie instead of the final cast film (for the anniversary)

Someone on another board said we are probably getting the sequel to First Contact so it would make sense to have it for the 6Oth anniversary 30 years apart lol.

“[S]et decades before the original 2009 Star Trek film?”

Gimme Archer & T’Pol, or else…

Neither actor has any interest in returning to Star Trek, so that won’t happen.

No, no no. You’ve got it all wrong. It’s a story about a little design firm vying for the chance to design the Enterprise. It’s a story about a plucky band of mechanical engineers and physicists who come together to do the best pitch of their lives in a bidding war with three other firms. So, an origin story…from a certain point of view. ;)

I would watch,THAT!

I would write that!

I would direct that! (If I was Christopher Nolan)

No, I want Nolan doing ThePrisoner! He’s already got a script from the guy who wrote 12 Monkeys and the best stuff in Blade Runner, from over a decade back.

You probably meant it as a joke, but I’m also intrigued by this idea :D

Charlie Kaufmann does star trek.

Sure, you can store anti-matter in a glass jar. What could possibly go wrong?

Y’know, I know this is said partly in jest, but I wouldn’t mind that kind of movie if it was sort of a space race / WWII / Cold War drama, kind of a mix of Oppenheimer and The Right Stuff.

There’s a geo (spatio?) political angle (firm up the borders of the Federation, mitigate threats, and establish new allies while keeping up the exploration / first contact initiatives), the pressure on the engineering team to deliver groundbreaking new tech (and probably the cost of failed experiments, accidents, etc.), and then recruiting and training a new kind of crew – a starship crew (as Captain Merrick described them in ‘Bread and Circuses’.)

In essence, the origin of Starfleet as we know it – the first long-duration missions, the best of the best crewmembers, cross-trained, multidisciplinary, and for the first time, widely multi-species, etc.

Glad you all like. Paramount, you can send the check to: bmar, care of….

I’m thinking there’s going to be peace in the Middle East and nuclear fusion power is going to be a reality before they ever get back to the theaters.

Once upon a time I enjoyed Star Trek. Since the Nu Trek era began. I havent enjoyed any of the story arcs. They are just too aweful. There is a multitude of reasons why throught the web. Strange New Worlds S1 corrected course, however S2 not so. There are forces at work at Paramount. They are hell bent to destroy Star Trek. If Kurtzman and crew are in charge of the new movie. Get ready for more fantasy drama nonsense, and less plausable sci-fi.

Same here. I can’t get into NuTrek much at all. It feels like a shell of the golden era. For me that will always be 1966-2005.

But if others like it and getting new fans I’m very happy for them.

Same here. I’ve found a few gems in SNW S1, PIC S3, and S1 of Prodigy, but otherwise have been very disappointed in “NuTrek.” Of course I wish the franchise the best, but so far it’s been more misses than hits for me.

Yes I truly love Picard season 3! The best thing to come out of NuTrek so far. I don’t hate SNW but it railroads canon too much for my taste but it does feel like Star Trek again.

I haven’t seen Prodigy yet but I plan to watch it when season 2 begins and will watch season 1 before that one. Everyone kept saying it’s for kids and I’m far from a kid these days lol. But others here convinced me it’s a show for adults too so will give it a go

Wow, hell-bent on destroying Trek. Hell-bent, you say!! Just a tough melodramatic, are you?

Really don’t care about prequels and just want to keep going forward. Why not a movie in the 25th or 26th century with new crew and characters?

I may care more if Archer is involved or something. But I suspect this movie will bomb like the last one did. Only fans cares about prequels. New fans won’t care at all.

At least it’s in the prime universe again I guess.

But 25th or 26th century would still be a prequel to Discovery’s 32nd century :D

That doesn’t bother me because we don’t know anything about those time periods. We already know plenty about everything before TOS because it’s all been said or told now

Yeah I said this to another member the other day discussing any post Picard stories and that it will be completely new stories in a period we don’t know so it’s not the same thing. When you’re doing something like a TOS prequel you only have so much room and while it can certainly be interesting and creative it basically just like filling in to more stuff we already know.

That said the Section 31 movie time period is at least more interesting because it covers a much wider time period and they can be a lot more freer with the technology, etc so looking forward to that at least.

Yes I will admit although I’m not a big fan of the Space Nazi the time period of the movie intrigues me more. I always been curious of this period and the lead up to TNG, mostly because we know very little about it.

Discovery (in my view) kind of ruined everything in the Trek timelime. Just my opinion. Anyone who wants to just forget it happened, I’m in. Kidding, not kidding.

Agreed! I also don’t think it will be allegorical science fiction or be anything thought provoking. It will be a fast paced action adventure story that’s empty of depth and soul. Modern Star Trek is more interested in spectacle than compelling stories.

I’d guess that it means “origin of the TOS crew,” but that’s kind of weird, because we saw that in 2009.

Maybe this time they’ll start when they’re toddlers. (I kid, but not really). :)

They are going to re-do ‘A night in Sickbay’ like they did with Wrath of Khan/Into Darkness. It’ll be the same but different…..

Could this be their way of doing a George Kirk movie?

I would want to watch that, colour me intrigued…

“set decades before the original 2009 Star Trek film.”

Original 2009 Sta Trek film Sounds so wrong.

there is only two star trek origin stories i want to see the formation of the federation and it’s first few years if they have to adapt the rise of the federation novels for the movie and the origins of the borg they could adapt the plot ffor thet from the star trek destiny novels for a movie

Spot on, on both points!

2025? I hope it works out…

First we hear we are getting a Star Fleet Space Academy series that no one wants. The idea was mentioned in the 1980’s and shot down by fans. Now a retake on a Star Trek Origins films. Is any one currently running the Star Trek franchise in TV/streaming or film even listening to what the fans both old and new are saying?

It would seem not, sadly. How about establishing the time period between TUC and TNG, there’s a literal ton of stories to tell there? How the possibilities for storytelling within the franchise have been squandered over the years makes me frustrated, and frankly confused. SO many missed opportunities.

The upcoming section 31 movie will be set during that time frame as we know a young Rachel Garrett who later in life will be the captain of the enterprise c and defend the Klingon colony of narendra 3 will be in the movie maybe we will get to see the ent-b also again

Pointless movie as no audience will come see it at best it will make half its budget back. I mean they spent $250M on the 2009 movie and it showed on screen….you already know they are not spending that level otherwise it would be a Kelvin cast sequel!

I believe they spent just under 160 mil on the 09 (not counting the interest payments for holding the finished film for six months to get a summer release, or prints/advertising.) You’re probably thinking of BEYOND with the 250 number.

I still can’t see the money on screen in the 09, shooting in the damn brewery was Corman-level cheap.

The Numbers have the 09 costs 140 and BO Mojo sez 150, so yeah, way under the 250m you mention.

Can the ethos of Trek be distilled by JJ? Bob orci was bad for trek.

Kurtzman seemed to fall into trap w/discovery season 1.

Season 2, Picard, Lower Decks and SNW definitely sealed my thinking that Trek was in right hands.

Is section 31 and Rachel Garrett the right pivot for Trek? I thought 24th/25th century had plenty of stories to still tell.

Enterprise C, and possibly Tasha Yar/Sela after the events of Yesterday’s Enterprise! This should reboot TNG/Picard if ST: Legacy doesn’t happen.

Lower Decks makes me laugh Picard made me cry (good) SNW made me feel like Kurtzman should be trusted 💯

Great. Abrams ruined Star Wars and he’s finishing of Star Trek.

JJ had a planed out story plot for what he wanted to happen in the sequels but rian johnson chose to deviate from what jj had payed out so when jj returned for episode 9 he had to try and make the best of it and make his original story plot work but with the changes Johnson had made altering it so he had to come up with another evil sith mastermind and chose palpatine and he did course correct Rey’s lineage though it was different from who he had initially planned it to be and with Carrie fishers untimely passing he had to rewrite more and he had Luke show up as a force ghost to help rey when she returned to ach-to as apparently he was never going to have Luke die until the the final battle

I hope it has nudity

….and “Invincible” level action. It’ll be a hard R Quinton Tarentino could love.

Yes, we are on the same page.

CinemaCon basically works like a network upfront. You see clips and hear a lot of announcements. When there’s no cast or start date for announced projects, there’s maybe a 50/50 chance that the project will actually move forward (I was with a former employer for over 8 years and we announced a lot of stuff that generated a lot of buzz but then never materialized).

I think Brian Robbins will be gone within the next 12 months and if Robbins is pushed out this film is dead in the water.

This is probably the right answer.

I have next to no faith this will actually happen but they only have themselves to blame lol.

I remember a former poster kept saying ‘well this a new regime ‘ they aren’t the old guys’. Uh huh. It just shows end of the day they might be different but they still answer to the same shareholders and they know another Trek film is risky. Maybe this will finally get beyond a script this time but no one will be convinced until they start shooting the thing.

Rehashing old fandom letter campaign complaints from 40 years ago, don’t equate to the modern sci-fi fan, let alone the majority of Star Trek fans of 2024. The majority of complaints in the article comments are that there isn’t enough new future timeline Star Trek, so why would people NOT want a Star Fleet Academy series – new stories, new characters, new ships, new alien species/planets etc? An Origin movie is a vague enough description that it’s probably likely that the fandom can’t come anywhere close to a correct theory on when in the Trek timeline, this movie could be set.

I agreed with a commenter earlier, a George Kirk prequel movie would satisfy a lot of the fans, and hopefully generate enough interest for new and casual Star Trek moviegoers to warrant their going to a cinema complex. As to want the hardcore Star Trek fandom really want? There is too much dissent and bitter recriminations gone by, for any serious agreement by the fandom of their requirements, to stick for any longer than the next Trek major media article to be issued. And even if a majority agreement could be achieved – then we have the Mount Everest of EP Alex Kurtzman / Secret Hideout control of Trek production, to climb. A movie or series could have a billion-dollar budget, stellar A-list cast and crew, critical media acclaim for the story / screenplay. A favourable release timing and viral marketing, but fall at the last hurdle – the box office, due to the mountain of hate piled up against Paramount, Kurzman and his associates.

Now, as to the overall custodianship of the Trek franchise and its operation as a business, in general by Paramount, and its contracted creatives? Well, that’s a whole Hollywood chapter in itself. And is any of that even relevant in the long term, with the behind-the-scenes Harry Potter Wizard chess moves that are going on at the studio ownership, and network controlling interest levels? Apologies for the extended and extensive reply.

The first thing to do in order make a successful Star Trek movie is to ignore Star Trek fans.

God, please, no origin stories.

Star Trek: The Beginning, Part 1 — A Final Frontier Origin Story

Star Trek has always been a production dealing with many human issues pushing open the veils of awkwardness, embarrassment, and unaddressed behaviors that represent our culture planet wide. Thank You Star Trek. The one thing Paramount+ did that was just totally in bad taste was cancel Prodigy, bunch of morons.

Every fan’s preferences are different, but over the years I’ve ended up streamlining various ‘franchises’ I enjoy to my own liking when it comes to a re-watch – and these days my own limited Star Trek ‘canon’ purely consists of kicking things off with ‘The Cage’ pilot storyline….followed by my specific favourite TOS episodes in ‘production order’ (starting with ‘Where No Man Has Gone Before’, and skipping ‘The Menagerie’ two-part storyline)….followed by all the TOS movie storylines….and ending the Kirk crew’s adventures with ‘The Undiscovered Country’ as my preferred send-off for them all….then skip the antics of the ‘Generations’ movie, and instead continue on with my specific favourite TNG episodes (starting with the ‘Encounter At Farpoint’ introduction to Picard and his crew)….and then conclude the entire thing with the ‘First Contact’ movie’s storyline – which covers the development of ‘warp drive’, bringing everything full circle, and giving me all the ‘origin’ specifics I need..

All other ‘Trek-related shows and movies since then remain firmly on my ‘one-watch-only’ list, but I’m more than content with what I’ve outlined above.

I don’t know if I’ll ever get a ‘Star Trek’ movie which goes much deeper than glossy ‘pew-pew’ action and explosions in the future, but I remain hopeful.there might be a storyline that I really like again.

In the meantime, for my latest ‘alien contact’ fix, I’ve just finished up enjoying the excellent ‘Three-Body’ show’s inventive storyline and characters – the subtitled, 30-episode one produced by Tencent, which is currently available on YouTube and Amazon Prime (not the muddled 8-episode ‘3 Body Problem’ version by Netflix) – So much so, that I’m intending to buy the actual trilogy of books by the Chinese author, as I can’t wait for the next season to be made to find out what happens next. Some big ideas to come by all accounts, and I’m there for a bit more of that. .

The Netflix series is Superior

You’re welcome to your own preference of course.

But I far preferred the slow burn of the mystery and character build-ups in the Tencent version compared to the condensed and altered Netflix adaption. I just happen to find it a more satisfying and riveting version overall – and I will always prefer the way the ‘Judgment Day’ tanker got ‘nano-spliced’ in the Tencent version. Such an awesome sequence from start to finish!

Anyway, if the Netflix version actually gets a second season, I’ll certainly check it out too….but I am definitely looking forward to the next season of the Tencent show, which has been greenlit already.

The Tencent version is just boring to me and you can feel the Party’s hands all over it. Glad you liked it though.

we don’t need origin stories for everything! in media res is the way to go – almost always – TOS just dumps you right in the middle of events without even the clunky intros of TNG Encounter at Farpoint.

If this movie does well will IT get an origin story? We’re going to end up at the pool of goo at the dawn of humankind waiting for Picard and Q to show up…

im happy with any good trek news… even if they made a direct sequel to the final frontier… but how many origin stories do we need? i’d be happy if someone forged a path forward and created new things…

So this one is set in the five-minute period between Enterprise and Discovery? Or the as-yet unexplored time between April 5th 2063 and Enterprise where it’s “stone knives and bear skins” and no Trek tech to speak of? Enterprise was the prequel! How’d that one work out?

If the movie is made ,I will judge it then.

I wanted the 4th Kelvin, do they know who their audience is? Nobody i know, Star Trek fan or general audience bothered to go see Beyond. It was like Nemesis all over again. The trailer was terrible, the movie was kind of meh to be honest. So in the intervening years since the 2009 somewhere they lost the audience. Star Trek 2009 was an event movie, and 2015 Force Awakens was as well. Good job letting JJ go to Disney so Star Trek died as a film series.

I’m guessing the fourth movie is still too costly to risk making another one at least right now.

Someone threw out an an interesting theory on the last thread discussing this for the 47th time that they suggested Paramount have no plans to actually make another Kelvin movie but just as a rouse for the next company that buys the studio.

It really makes sense at this point, they can dangle the idea the movie is in ‘development’ and then when someone actually buys it they can just decide to make it or cancel it.

I mean it doesn’t sound crazy considering where we are. It’s a movie that is working with their fourth new writer but there is still no director or even a starting date of any kind within the the next two years.

Them you have this origin movie that was just announced a few months ago and that’s already scheduled to come out next year. My guess is it will probably cost half of what another Kelvin movie would be. But yeah who knows if that will get made either, but it has a better chance than a Kelvin movie.

I can’t name anyone who actually wants an origin movie. By the way, didn’t we get that one with First Contact already anyway?

It’s not up to you or anyone you pretend to know.

Another prequel? This is getting ridiculous now. Remember when Star Trek used to go forwards? Enough already!

Kurtzman said he didn’t have the authority to greenlight legacy. I wonder if that will be like Bennet’s academy years and never happen.

18 months is not enough time for a movie of this size unless this is ready to shoot in july.

The JJ-verse is an aberration no one is particularly a fan of. There is no one who wants to how that mess started. It’s done nothing but foul everything that went before, leaving ST-ENT, of all things, as the only remaining official classic canon. Bugger that.

I need Star Trek that is hopeful, aspirational, and inspirational. 15 yrs later neither Bad Robot or Secret Hideout has done anything close to that. Sec 31 and Starfleet Academy aren’t anything viewers want. I wish they’d just stop.

lol,if you say so…

EXCLUSIVE: Former Anonymous writer of Trek 4 shares his experience

Interviewer: Hello, we are here today to talk to a former writer for the very very very (like really very) long delayed fourth Kelvin movie. With the announcement of a prequel movie being released instead and yet ANOTHER new set of writers for the next Kelvin movie, we reached out to the only person who returned our calls; a former writer from the 2023 project.

To give us an honest insight into his experience he wishes to remain anonymous. For the sake of this interview he will be simply referred to as ‘GotohellParamount’. Thank you for meeting with me today.”

GotohellParamount’: “You’re welcome.”

Interviewer: “It sounds like your experience working on the last movie didn’t end too well. How is your relationship with the studio today?”

GotohellParamount: “Bleep them in their bleeping bleepholes. I hope they all die from bleeping Ebola.”

Interviewer: ‘That’s some pretty colorful metaphors. Can I ask what happened?”

GotohellParamount: “Their bleeps that’s what. We spent a year working on that movie. We lost the director to go work for Marvel because these bleepholes kept bleeping us around. I got so frustrated I finally texted the Head Studio Guy and said ‘will you people stop bleeping around!? Get off your bleeps and let’s make a movie already!!’

Three weeks went by and I finally got a response from them. It simply read ‘K’. Bleepholes!!! By the way you’re not going to ‘bleep’ any of these words out are you?”

Interviewer: “Um…of course not. Can you tell us a little about what the movie was about?”

GotohellParamount: “The gist was a huge black ship comes from the 25th century to the 23rd century wiping out solar systems in the Federation. It was a new villain who wanted…wait for it…vengeance. That bleep was going to be bleeping awesome!!”

Interviewer: “So who was going to be the villain?”

GotohellParamount: “That’s the greatest part of it all. He was going to call himself…you ready: Kaos. JJ Abrams himself came up with that name. But then the true reveal was that he was indeed Kirk’s great great great great great great great great great great grandson from the future and came to stop Kirk from destroying his planet so he had to destroy the Federation first. We were even thinking Chris Pine can play both parts but Paramount was worried he would demand twice the salary.”

Interviewer: “I interviewed Chris Pine a few months ago and he was hoping there would be more scenes of him riding another motorcycle. Did you include that in the script?”

GotohellParamount: “Do you remember the ending of Mission Impossible 2 with the motorcycle duel? Pretty much the same ending with our movie with Kirk versus his evil grandson; except it was going to take place either on Romulus or in San Francisco. We were still figuring it out. There was even talk of it happening on a lava planet… but that would’ve ballooned the budget.

Interviewer: “Sounds very exciting. How was he going to wipe out the solar systems?”

GotohellParamount: “The ship he was on had the power to destroy stars by breaking down their fusion reactions. The FX was going to be bleeping sick.”

Interviewer: “Wait so the ship was a…Star destroyer?”

GotohellParamount: “Yep but to get around copyright issues JJ wanted to call it a Destroyer of Stars. The man is a bleeping genius I tell you.”

Interviewer: “It’s definitely a name.”

GotohellParamount: “We were so proud of the script. We gave it to JJ to read it. After he put it down, he took off his glasses put his hand on my shoulders and said ‘this is the most original Star Trek story I’ve ever read and I’ve read three of them.’ You have no idea how much that meant coming from such a visionary like him.”

Interviewer: “I’m sure you were. Was there any casting possibilities before it was shut down?”

GotohellParamount: “Was there?? We reached out to some incredible actors! Robert Downey Jr, Florence Pugh, Emily Blunt, Cillian Murphy and Matt Damon. We wanted him to actually play Kirk’s evil grandson.

Interviewer: “Wait… weren’t all of them in Oppenheimer?’

GotohellParamount: “(Hard shrug)! I don’t know I haven’t seen it yet. Unfortunately Matt Damon’s agent was the only one who bothered to call us back. Apparently he always wanted to work with John Cho. Go figure? Too late now unfortunately.”

Interviewer: “Well that’s all the time we have. Thank you for your incredible and honest insight. Any thoughts on the new movie announcement or the chances either one will actually get made?”

GotohellParamount: (Laughs for three minutes). That’s it.”

Interviewer: “Thank you.’

I laugh every.single.time! 😂

Well done per usual.

Nice. Don’t forget to throw the Beastie Boys in there someplace…wouldn’t be a Kelvin film without them…

This was indeed hilarious! 😂

I love how you parody JJ Abrams. He doesn’t seem to have an original bone in his body looking at both his Star Trek and Star Wars movies.

Another prequel? Why can’t they come up with new material?

Star Trek: The Next Generation Scrapped An Entire Borg Storyline From The Finale

The series finale of "Star Trek: The Next Generation" was called "All Good Things..." and it aired as a two-hour special event on May 23, 1994. The story followed Captain Picard (Patrick Stewart) as he found himself uncontrollably skipping between three time periods. In one time period, it was merely his present, and he investigated his temporal mystery as he would on any other episode of the series. In the second, he was hurled back in time seven years to when the Enterprise-D was just beginning its first mission. In the third timeline, Picard was in his own future, now an old man suffering from a rare brain disease. 

The "time skips" were seemingly orchestrated by the trickster god Q (John De Lancie) whose impishness caused Picard to accidentally create — in all three timelines simultaneously — a spatial cloud that got larger and larger the further backward in time it traveled. Yes, that's a causality paradox. Q argues that that's the point. "All Good Things..." was an excellent episode overall. Not only did the future timeline give Trekkies a nerdy new way to analyze the series, but it was also an intelligent and heady science fiction story. It was a great way to wrap up a great TV series. 

But it was originally intended to be even more complicated. The episode's writers, Brannon Braga and Ronald D. Moore, revealed in a 2014 retrospective with Yahoo! News , that they wanted a fourth timeline in the episode as well. In one version of their script, Picard was also going to be thrown back in time only four years to face the events of the popular cliffhanger episode "The Best of Both Worlds," the one where Picard was assimilated by the Borg. 

One timeline too many

Moore recalls the writing of "All Good Things..." to be a very busy time. Not only was "Next Generation" wrapping up, but the cast and crew were busy preparing for "Star Trek: Generations," the first "NextGen"-inspired feature film which was scheduled for theatrical release only six months after the last episode was to air. Regardless, he and Braga got very ambitious with their four-prong story, hoping to find an interesting and organic way to resurrect the Borg, the series' most infamous villains. It was showrunner Michael Piller who ultimately felt that a Borg timeline was one toke over the line. Moore said: 

"The first story outline, I think, had four timelines that we were going to go back to. The fourth one, which eventually got dropped from the final teleplay, was revisiting the events of 'The Best of Both Worlds,' when Picard was taken and turned into [a Borg named] Locutus. So originally, the finale was going to bounce between those four events. And Michael, I think, rightly said, 'It's one too many, and we want this to kind of be the beginning, middle, and end of his life.' And that kind of simplified everything, and it became much cleaner and easier to go through it from that angle."

It also may have been a blessing, as using the Borg in the final episode of "Next Generation" may have drawn focus from Picard and taken an extra step in the already-growing overexposure of the cyber monsters. The Borg already featured in two season-ending cliffhangers, and would later be featured in the 1996 film "Star Trek: First Contact." Best to stay far away for the close-out moments of a "Star Trek" series. 

Can you imagine bringing back the Borg to end another Trek series? Absurd!

Overexposing the Borg

It's been mentioned in the pages of /Film before that Trek's writers came to over-rely on the Borg . Indeed, they came to be featured in all three seasons of "Star Trek: Picard," representing a smaller and smaller threat each time. Regardless, Braga was still fond of the legacy the villains had on the series and hoped to incorporate them into the final episode kind of as an homage. Ultimately, Braga couldn't think of a good Borg story. Piller was right to nix the idea. Braga said: 

"We talked a lot about the Borg, and wanted to find a way to get the Borg back into the show, but we could never find anything that would top 'Best of Both Worlds,' other than those standalone Borg stories: Data and the Borg; 'I, Borg.' It felt a little superfluous to put it into 'All Good Things...." Three timelines felt like the right amount of timelines. We would, of course, end up using the Borg for one of the movies later, and they were much better on the big screen."

The "Data and the Borg" comment is a reference to "Descent" (June 21 and September 20, 1993) the two-part episode that bridges the show's sixth and seventh seasons. "I, Borg" (May 10, 1992) was a story of a single Borg drone that was separated from its machine collective and began to develop a sense of individuality. The movie Braga referred to was, of course, "Star Trek: First Contact." Leaving the Borg out of "All Good Things..." was ultimately wise. 

The most beloved modern Star Trek shows are both getting renewed, but there's sad news for one of them

The Trek giveth, and the Trek taketh away

It's a big day of good news and bad news for Star Trek fans, as Paramount giveth and Paramount taketh away. First the good news - Star Trek: Strange New Worlds is coming back for a fourth season. The beloved Star Trek prequel series has been greenlit for season 4 even before the third season has aired.

In the kinda bad news column, Paramount has also offered up the doubled-edged sword that Star Trek: Lower Decks season 5 will premiere in fall 2024 - but it will also be the animated streaming series' final season. 

Both announcements were made on social media, with a pair of graphics, seen here:

Star Trek: Strange New Worlds will return for a fourth season.The final season of Star Trek: Lower Decks arrives on @paramountplus this fall. pic.twitter.com/FaRy7X8NnI April 12, 2024

As a fan of both shows, I'm obviously torn. I'm delighted that Strange New Worlds is continuing - it's been a delightfully campy but still sincere throwback to the best of classic Star Trek. And I'm excited to know that Lower Decks will be back sooner rather than later.

But I'm still slightly crushed that Boimler, Mariner, Tendi, Rutherford, and their ever expanding cast of crewmates are reaching the end of their journey. It takes a lot to sell me on animated comedies, and Lower Decks hit the mark with both its humor and its loving approach to Trek lore.

That said, the best Star Trek characters have a way of living on. Strange New Worlds itself proves that, with a throwback cast of characters including Captain Christopher Pike, James Kirk, Spock, Uhura, and more.

Star Trek: Strange New Worlds and Lower Decks had a fan-favorite crossover episode in SNW season 2 in which Jack Quaid and Tawny Newsome portrayed their Lower Decks voice characters in live action in a time travel episode.

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Star Trek: Lower Decks season 5 will premiere this fall on Paramount Plus. No premiere date for Strange New Worlds season 3 has been set. 

A new Star Trek prequel movie set in the timeline of JJ Abrams' 2009 Star Trek film was also announced this week.  

I've been Newsarama's resident Marvel Comics expert and general comic book historian since 2011. I've also been the on-site reporter at most major comic conventions such as Comic-Con International: San Diego, New York Comic Con, and C2E2. Outside of comic journalism, I am the artist of many weird pictures, and the guitarist of many heavy riffs. (They/Them)

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Paramount announces yet another Star Trek prequel

M ovie-industry shindig CinemaCon was the venue at which Paramount Pictures announced it has started work on a new Star Trek movie. Slashfilm reports Untitled Star Trek Origin Story will be a prequel to Star Trek (2009), J.J. Abrams’ glossy prequel to Star Trek (1966). It’ll be directed by Toby Haynes, most famous around these parts for helming episodes of Andor and Black Mirror’s USS Callister . The screenplay has been written by Seth Grahame-Smith, who wrote The Lego Batman Movie and Pride and Prejudice and Zombies .

So that we’re clear, Untitled Star Trek Origin Story will serve as a prequel to the 2009 origin story and a sequel to 2001’s origin story, Enterprise . It will likely be set before Discovery, which was conceived as a prequel to Star Trek (1966) and Strange New Worlds , which is a prequel to Star Trek (1966). And, look, if you’ll allow me to get a little personal for a moment, I am deeply overjoyed at the news. Given the dearth of origin stories, prequels and nostalgia-parades in the Star Trek universe, an Untitled Star Trek Origin Story is a welcome, necessary and life-giving addition to the franchise.

Let’s be honest, it’s high time we got something insular and backward-looking after so many years of non-stop groundbreaking, original adventures shorn from the burdens of continuity.

Screen Rant

Star trek 4 is the only way kirk can fight the borg.

Captain Kirk's Enterprise never faced the Borg and it can't happen in the Prime Timeline. Star Trek 4 could bring the Borg into the Kelvin reality.

Captain James T. Kirk's Starship Enterprise has never fought the Borg, and Star Trek 4 is the only way it can happen. Currently mired in development hell, Star Trek 4 is in need of a new director and a workable story that can draw audiences into theaters. An abandoned idea of Captain Kirk (Chris Pine) teaming up with his father , Lt. George Kirk (Chris Hemsworth), could have been a big ticket, but it's now unknown what direction the long-delayed next film in the J.J. Abrams-produced movie saga will be.

Kirk's Enterprise taking on the Borg has the benefit of having never been tried canonically. It can't happen in Star Trek's Prime Timeline; the Borg don't appear in the Alpha Quadrant until the 24th century, thanks to the machinations of Q (John de Lancie). However, the Kelvin Timeline operates by its own set of rules where key Star Trek events can happen much sooner if it's convenient for a movie's story. A case in point is Khan (Benedict Cumberbatch) being awakened in Star Trek Into Darkness to face Kirk years before it happens in Star Trek: The Original Series . There would certainly be a novelty and a box office appeal to Chris Pine's Kirk, Zachary Quinto's Spock, and their Starship Enterprise facing the Borg, who could threaten the 23rd century for the first time in a big-budget, blockbuster movie.

Related: Star Trek Finally Made The Borg Scary Again (After 21 Years)

How The Borg Can Appear In Star Trek's Kelvin Movies

Star Trek: First Contact and Star Trek: Enterprise conveniently left behind creative leeway for the Borg to appear in the Kelvin Timeline movies. The Borg time traveled to the 21st century in First Contact , and Enterprise revealed that some Borg who crashed in the Arctic came online, assimilated humans, and tried to return to the Delta Quadrant. Captain Jonathan Archer 's (Scott Bakula) NX-01 Enterprise intercepted and destroyed the Borg (without learning that they are the Borg to preserve canon), but the aliens sent a signal to the Delta Quadrant.

Luckily, Star Trek: Enterprise is canon in both the Prime and Kelvin Timelines since its events occur 80 years before 2233 when the destruction of the USS Kelvin by the time traveler Nero (Eric Bana) sparked the creation of an alternate reality. Enterprise has even been directly homaged in Star Trek 2009 and Star Trek Beyond . It would be a simple matter for Star Trek 4 to say that the signal the Borg sent in Enterprise did reach the Delta Quadrant. Or that there were more dormant Borg on Earth after Star Trek: First Contact who came back online and tried to assimilate the planet.

Kirk Vs. Borg In Star Trek 4 Would Work

While another Borg story in a Star Trek movie seems derivative, the idea of Chris Pine's Captain Kirk battling the Borg has an inherent appeal, especially since Kirk vs. the Borg can't happen in Star Trek otherwise. J.J. Abrams' action-oriented Star Trek movies are especially reliant on having great villains, and the Borg are arguably the greatest antagonists in all of Star Trek. It would likely also mean the Borg would be redesigned to suit the Kelvin movies' aesthetic, but that could also be beneficial to potentially shake up the Borg's look, which has mostly remained the same since they were introduced in Star Trek: The Next Generation over 30 years ago. Star Trek 4 , if it happens, needs a concept worthy of a blockbuster film and, if done properly, Kirk vs. the Borg could be it.

Next: Star Trek: Every Time Picard's TNG Enterprise Beat The Borg (& How)

‘Star Trek’ Origin Story Movie Will Be Set Decades Before 2009 Film

CinemaCon 2024: The new project will be produced by longtime “Star Trek” steward J.J. Abrams

Paramount Pictures is ready to boldly go (again).

After rumors circulated earlier this year, Paramount officially announced a new “Star Trek” prequel film on Thursday, this time taking place decades before the original 2009 “Star Trek” feature.

“Andor” director Toby Haynes will direct from a script by Seth Grahame-Smith (who is also writing another hotly touted CinemaCon title, the third “Now You See Me” film). J.J. Abrams is returning to produce.

But then again, we’ve heard about a new “Star Trek” movie before.

During the run-up to “Star Trek Beyond” in 2016, it was revealed that a fourth film would reunite Chris Pine’s Captain Kirk with his deceased father (played, once again, by Chris Hemsworth). A year later, Quentin Tarantino approached Paramount about doing a “Star Trek” movie – this time as an R-rated gangster movie (based, in part, on the 1968 episode of the original series “A Piece of the Action”). In 2018 S.J. Clarkson, a TV vet who would eventually direct “Madame Web,” was hired to direct the fourth film in the Abrams-verse, but salary disputes led to Pine and Hemsworth leaving the project. That version was canceled in 2019 and Tarantino stated in 2020 that he wouldn’t be making his “Star Trek” either.

In November 2019 “Fargo” creator Noah Hawley was hired to write and direct a new “Star Trek” film based on his version of the series. A year later, this movie was canceled by new Paramount Pictures president Emma Watts. In 2021 “Star Trek: Discovery” writer Kalinda Vazquez was hired to write a version based on her original pitch, but a separate script was being developed by Lindsey Beer and Geneva Robertson-Dworet. The studio even set a summer 2023 release date for a new “Trek” (which “Trek” was the question).

In 2021 that release date was pushed to Christmas 2023, under the direction of “WandaVision” director Matt Shakman. Josh Friedman and Cameron Squires were brought on to retool the script. In early 2022 it was announced that the stars of the three previous “Star Trek” installments in the Abrams-verse would all be returning, although it was later reported that the actors had not entered negotiations to return.

In 2022 Shakman left “Star Trek” to join Marvel Studios’ “The Fantastic Four.” But just last month Steve Yockey was hired to write a fourth “Star Trek” movie.

Now, we are finally getting word of another film in development, with another writer/director team. But it’s not the first time that a “Star Trek” prequel script has been floated, as Erik Jendresen, cowriter of “Mission: Impossible: Dead Reckoning,” had submitted a script for “Star Trek: The Beginning” before J.J. had taken over and pitched his 2009 version. It depicted the Earth-Romulan War.

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‘la casa de los famosos’ & ‘el señor de los cielos’ fuel telemundo’s primetime ratings success, breaking news.

‘Star Trek: Strange New Worlds’ Renewed As ‘Lower Decks’ Sets Ending After 5 Seasons

By Rosy Cordero

Rosy Cordero

Associate Editor, TV

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Star Trek: Strange New Worlds has been renewed for a fourth season ahead of the show’s Season 3 premiere which is slated for 2025 and currently in production. Additionally, the previously announced fifth season of Star Trek: Lower Decks will serve as its final. New episodes of the final season, currently in production, will arrive this fall.

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“Our incredible cast, crew and artists have given you everything they have because they love the characters they play, they love the world we’ve built, and more than anything we all love love love Star Trek. We’re excited for the world to see our hilarious fifth season which we’re working on right now, and the good news is that all previous episodes will remain on Paramount+ so there is still so much to look forward to as we celebrate the Cerritos crew with a big send-off,” they added.

Star Trek: Lower Decks is an animated comedy series following the support crew serving on one of Starfleet’s least important ships, the U.S.S. Cerritos. The crew residing in the “lower decks” of the U.S.S. Cerritos includes the voices of Tawny Newsome, Jack Quaid, Noël Wells and Eugene Cordero; the bridge crew is voiced by Dawnn Lewis, Jerry O’Connell, Fred Tatasciore and Gillian Vigman.

The series is produced by CBS’ Eye Animation Productions, CBS Studios’ animation arm; Secret Hideout; and Roddenberry Entertainment. Executive producers include Alex Kurtzman, Mike McMahan, Aaron Baiers, Rod Roddenberry and Trevor Roth. Titmouse serves as the animation studio for the series which streams exclusively on Paramount+ in the U.S. and Latin America and is distributed by Paramount Global Content Distribution.

It stars Anson Mount, Rebecca Romijn, Ethan Peck, Jess Bush, Christina Chong, Celia Rose Gooding, Melissa Navia and Babs Olusanmokun, along with special guest stars Paul Wesley and Carol Kane. The series is produced by CBS Studios, Secret Hideout and Roddenberry Entertainment. Alex Kurtzman, Akiva Goldsman, Jenny Lumet, Henry Alonso Myers, Aaron Baiers, Dana Horgan, Davy Perez, Frank Siracusa, John Weber, Rod Roddenberry and Trevor Roth serve as executive producers.

“On behalf of the cast and crew of Strange New Worlds, we are thrilled and grateful to continue our voyages together. We can’t wait for you to join us and the crew of the Enterprise on another season of exploration and adventure,” said Akiva Goldsman, Henry Alonso Myers and Alex Kurtzman in a statement.

The expanded world of Star Trek on Paramount+ also includes the fifth and final season of Star Trek : Discovery, currently airing; the original film Star Trek : Section 31 starring Michelle Yeoh, which recently wrapped production; and the new original series Star Trek : Starfleet Academy, slated to begin production later this year.

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