star trek picard on youtube

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Star Trek: Picard

Follow-up series to Star Trek: The Next Generation (1987) and Star Trek: Nemesis (2002) that centers on Jean-Luc Picard in the next chapter of his life. Follow-up series to Star Trek: The Next Generation (1987) and Star Trek: Nemesis (2002) that centers on Jean-Luc Picard in the next chapter of his life. Follow-up series to Star Trek: The Next Generation (1987) and Star Trek: Nemesis (2002) that centers on Jean-Luc Picard in the next chapter of his life.

• Kirsten Beyer
• Michael Chabon
• Akiva Goldsman
• Patrick Stewart
• Michelle Hurd
• 2.8K User reviews
• 78 Critic reviews
• 14 wins & 54 nominations total

Episodes 30

• Jean-Luc Picard

• Raffi Musiker

• Seven of Nine

• Dr. Agnes Jurati

• Cristóbal Rios …

• Adam Soong …

• La Sirena Computer

• Jack Crusher

• Doctor Beverly Crusher

• Captain Liam Shaw

• Ensign Sidney La Forge

• Ensign Esmar

• Titan Computer …
• All cast & crew
• Production, box office & more at IMDbPro

Stellar Photos From the "Star Trek" TV Universe

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Did you know

• Trivia The Chateau Picard vineyard first appeared in Family (1990) . It was run by Jean-Luc Picard's brother Robert and his wife Marie, and their son René. Jean-Luc would learn in Star Trek: Generations (1994) that Robert and René had both burned to death in a fire, leaving Jean-Luc as the last in the Picard line.
• Goofs Commodore Oh often wears sunglasses. Star Trek lore establishes that Vulcans have an inner eyelid to protect against harsh sunlight on their desert planet. Oh's shades are a fashion statement, not a protective measure.
• The first season features a Borg cube and the planet Romulus.
• The second season features a Borg ship, a wormhole and hourglass, and the Borg Queen's silhouette.
• The third season does not have an opening titles sequence.
• Connections Featured in Half in the Bag: Comic Con 2019, The Picard Trailer, Streaming Services, and Midsommar (2019)

User reviews 2.8K

• Mar 8, 2024

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• January 23, 2020 (United States)
• United States
• Official site
• Star Trek: Captain Picard
• The Sunstone Villa and Vineyard, Santa Ynes, California, USA (Château Picard)
• CBS Television Studios
• Roddenberry Entertainment
• Secret Hideout
• See more company credits at IMDbPro

Technical specs

• Runtime 46 minutes
• Dolby Digital

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• Entertainment /

Watch the first episode of Picard for free on YouTube

The pilot episode of the new series from cbs all access is available without a subscription for a limited time.

By Kim Lyons

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If you buy something from a Verge link, Vox Media may earn a commission. See our ethics statement.

The pilot episode of the new Star Trek: Picard series, which streams on CBS All Access, is available to view for free right now on YouTube , which we first learned about via Slashfilm . The intro credits say the episode is free “for a limited time,” so if you want to see Patrick Stewart reprise his role as the Starfleet captain from The Next Generation without shelling out for All Access, hit the link soon.

The new show “plays surprisingly well for people who have not seen a moment of  Star Trek  as well as longtime fans,” says a review from The Verge , which also suggests Picard hasn’t quite found its footing yet:

The good news is that even three episodes into a ten-episode season,  Picard  is still very much gearing up, and there’s still plenty of room for the show to surprise viewers and choose the more difficult, complicated answers to the questions it poses.

Picard is set 18 years after the film Star Trek: Nemesis , which was the last time we saw the crew from TNG , and opens with Jean-Luc Picard enjoying retirement at his vineyard in France. He gets drawn back into action after he’s approached by a young woman seeking his help. The series will see the return of several members of TNG ’s cast, including Commander William Riker (Jonathan Frakes), Deanna Troi (Marina Sirtis), Data (Brent Spiner), as well as Seven of Nine (Jeri Ryan) from Star Trek: Voyager .

CBS All Access /

Starts at $5.99/month with limited ads or $9.99/month with no ads

Vox Media has affiliate partnerships. These do not influence editorial content, though Vox Media may earn commissions for products purchased via affiliate links. For more information, see  our ethics policy .

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Star Trek: Picard’s pilot is available free on YouTube and Pluto TV

For a limited time, CBS has made the pilot episode for Star Tr ek: Picard available for free on YouTube.

The series’ primary home is CBS All Access , the streaming video service launched by ViacomCBS. The second episode arrived on the app Wednesday, and CBS is making the first episode freely available on YouTube serves as an opportunity for viewers to check the series out before deciding if they want to subscribe to yet another streamer.

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Pluto TV , a free, ad-sported streaming video service, will also repeatedly stream the first episode of  Picard  on a 24-hour marathon on Thursday, Jan. 30, then every evening at 8 p.m. ET on Pluto TV’s Sci-Fi channel through February 5. Pluto TV is owned by ViacomCBS, so the partnership makes sense.

CBS has not said whether it plans to make additional episodes of the series available for free in the future, nor has it specified how long “available for a limited time” actually will be for the pilot.

That subscription for CBS All Access, by the way, will run $6 per month for an ad-supported version and $10 for ad-free content on the service, which first launched back in October 2014.

The series , which has Patrick Stewart reprising his iconic role as USS Enterprise Captain Jean-Luc Picard, has so far gotten solid reviews from critics. It centers around Picard, who at the outset of the pilot has retreated to a quiet life on his vineyard some 14 years after his retirement from Starfleet. Picard is soon sought out by a young woman, Dahj (Isa Briones), and a new mission comes to the forefront.

It’s seen as an important series for the CBS streaming service, especially considering the ever-increasing competition in the streaming landscape.

CBS hasn’t officially released its total number of subscribers, reports suggest the number could be somewhere between four and five million. Those prospective numbers are rivaled by statistics from companies like Netflix (158 million subscriptions), Hulu (28.5) and even Disney+ , which reportedly earn 10 million subscribers within 24 hours of launching.

Star Trek: Picard has already been renewed for a second season, set to premiere in 2021. Another Star Trek series, Star Trek: Discovery , is reportedly returning for a third season.

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• Audio / Video

Star Trek: Strange New Worlds will explore the cosmos with the original captain of the Enterprise, Christopher Pike, this spring. However, the prequel series apparently has plans for Pike's successor as well. Via Deadline, Paul Wesley has signed on for season two as a younger version of James T. Kirk. William Shatner's Captain Kirk was one of the icons of the original Star Trek. For the reboot films, Chris Pine has assumed the role of Kirk in three movies to date.

Wesley previously headlined The Vampire Diaries for eight seasons as Stefan Salvatore. More recently, he appeared in Tell Me A Story and the Shudder original film History of Evil. Wesley has expanded his career to directing, helming episodes of Shadowhunters, Legacies, and Roswell, New Mexico.

For the first time in 20 years, Whoopi Goldberg is back in the Star Trek universe. In the new trailer for Star Trek: Picard season 2, Patrick Stewart's Jean-Luc Picard faces a time-bending problem. But there's no one better-suited to give him advice than his old friend, Guinan (Goldberg). And while the future of humanity and the Federation may be at stake, Guinan tells Picard that the "answers are not in the stars. And they never have been."

The trailer also seems to indicate that John de Lancie's Q was not responsible for the incident that put Picard and his crew into a new timeline. However, Q is definitely taking advantage of the chaos to put Picard through another test. The nearly omnipotent being hasn't appeared to Picard since the final episode of Star Trek: The Next Generation. And Q always relishes his mind games, because the trial of humanity never ends.

Paramount+ is more than just the streaming home for every new Star Trek series. However, there's a lot of Star Trek on the horizon for fans to enjoy, and Paramount+ isn't wasting any time lining up even more for years to come. The streaming service has formally renewed Star Trek: Discovery, Star Trek: Strange New Worlds, and Star Trek: Lower Decks for new seasons.

The flagship series, Star Trek: Discovery, is currently on a midseason hiatus. The fourth season of Discovery will resume on Thursday, February 10. With the renewal in hand, Discovery's fifth season will likely begin filming later this year.

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Star Trek: Picard 's Season 3 Premiere Is Streaming on YouTube For Free

You can now watch "the next generation" for free for a limited time. no, not that the next generation..

Even if you’ve not watched the first two seasons of Star Trek: Picard (which is not entirely necessary, for better or worse ), the third season’s promise of a big The Next Generation reunion has Trek fans talking—and if you’ve not started it yet, Paramount’s giving you a tease for free.

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As it has done so with previous Trek premieres, the studio is making “The Next Generation,” the pointedly titled debut episode of Picard season three, viewable online via YouT ube—i f you’re in the U. S. , that is.

I’m sure intrepid Starfleet Academy hopefuls might know their way around an EPS conduit or two and could figure out how to virtually transport their way to the Americas for an hour, but who can say ?

“The Next Generation” sees Jean-Luc Picard re-emerge from retirement (again) to team up with his old pal Will Riker and the crew of the U.S.S. Titan -A after receiving a mysterious warning from Dr. Beverly Crusher, who he hasn’t seen in decades. With lingering threats in the shadows and some intriguing reveals into a life Beverly left behind, it’s an ample amuse-bouche for the nostalgia-heaving season to come, so well worth checking out if you haven’t already!

Want more io9 news? Check out when to expect the latest Marvel , Star Wars , and Star Trek releases, what’s next for the DC Universe on film and TV , and everything you need to know about the future of Doctor Who .

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The first episode of Star Trek: Picard’s final season is free to watch on YouTube

You can decide if the show is worth the paramount+ subscription..

If you read Engadget regularly, you probably know how we feel about the final season of Star Trek: Picard . In short, it’s not worth your time . But if you must see the show for yourself, or can’t resist the chance to see the Enterprise-D crew one last time , Paramount is offering a free way to watch the first episode of season three. Provided you live in the US, you can catch “The Next Generation” (no, not that Next Generation ) on YouTube for a limited time ( via Gizmodo ). And if you don't live in the US, you can probably find a way to transport yourself for an hour, can't you?

The debut episode sees Jean-Luc Picard return from retirement (yet again) after his friend and former first officer Will Riker receives a warning from Dr. Beverly Crusher. Engadget Senior Editor Daniel Cooper had the chance to watch the first six episodes of season three before it began streaming earlier this month on Paramount+ . In his view, the final season is dull and joyless, with a plot that is far too obvious. But don't let that stop you from making your own decision.

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• Entertainment

Star Trek: Picard -- trailer, cast, plot, release date and more

Patrick Stewart beams back into the world of Star Trek as Jean-Luc Picard. Here's all the latest news on the cast, plot, release date, prequels and dog.

He's coming back.

Patrick Stewart is going where no Starfleet captain has gone before: into his very own series, decades after wrapping up his original Star Trek run. He'll have a furry companion, old crew mates along for the ride and plenty of new characters to contend with.

Caution: There may be minor spoilers below.

Star Trek: Picard , a CBS All Access streaming show, will debut on Jan. 23, 2020. The show follows on the heels of Star Trek: Discovery , but the two series take place at very different points in the Trek universe. 

CBS All Access is feeling pretty confident about the show. It has already been renewed for season 2 . (Disclosure: CBS is the parent company of CNET.)

A  trailer  for Picard came out of San Diego Comic-Con  in July, and it was a surprise-packed doozy. The trailer revealed that Star Trek icons Brent Spiner (Data) and Jeri Ryan (Seven of Nine) will appear in the new series. 

Picard will hook up with a new non-Starfleet crew in a quest to protect a mysterious woman named Dahj (Isa Briones) who comes to him for help. The Borg, one of the most imposing Star Trek villains ever created, will play a role in the plot.

Jonathan Frakes (William Riker) and Marina Sirtis (Deanna Troi)  will appear in Picard as their Next Generation characters. We also know Jonathan Del Arco will reprise his role as Hugh the Borg.

A teaser trailer beamed in on May 22, 2019 , shows that Jean-Luc Picard, who was promoted to admiral, led a rescue armada on a mysterious mission 15 years prior to the show's events. He then left Starfleet, leaving us to wonder what prompted his exit and why he's reappearing now. 

CBS first revealed the official Star Trek: Picard name on May 15 and posted a look at the show's logo. The Starfleet logo takes the place of the "A" in Picard. 

A Star Trek: Short Treks episode Children of Mars set up some backstory for Picard, highlighting attacks from "rogue synths" on Mars while Picard was still a Starfleet admiral. The main series should fill in the blanks here.  

NYCC drops hints

This Seven of Nine costume explainer talks about the former Borg member's changes over the years.

New York Comic Con in October 2019 quickly became a hot spot for mining new details on Picard . 

Star Trek had a booth on the convention floor stocked with costumes and a few character details related to the new show. 

A set of descriptions explaining the costuming didn't give us much news about our admiral, but one of them clued us in to what former Borg member Seven of Nine has been up to since the events of Star Trek: Voyager. 

"Seven of Nine has become more comfortable with her humanity in the intervening years," the description read, saying this is represented in her "more casual, stylish and decidedly human clothing."

We also learned the mysterious Dahj arrives at Picard's vineyard in France "with a cut on her head and a strong feeling she can trust Picard implicitly."

A pup for Picard

Stewart and CBS revealed the key art for the show on July 10, just ahead of the star's appearance at San Diego Comic-Con .

The official #StarTrekPicard key art is here. Will you be joining @SirPatStew at @Comic_Con next week? #SDCC #StarTrekSDCC pic.twitter.com/sf7ZnDmXlL — Star Trek on CBS All Access (@startrekcbs) July 10, 2019

The dog, a pit bull, is particularly notable. Zoom in on its ears. They may have been cropped, but they also look a lot like pointy Vulcan ears. Stewart is known for his work fostering rescue dogs. His most recent foster, Emma, is a pit mix with cropped ears.

“No Emma, I’m NOT going to give you any plot details...” #startrek #fosteringsaveslives #adoptdontshop #pitbullsarelove #pitbullsarefamily #adoptmissemma pic.twitter.com/Zwbh04Zlkp — Patrick Stewart (@SirPatStew) April 11, 2019

Stewart shared a photo of Emma along with his hidden Picard rehearsal script in April. The dog in the poster sports a Starfleet emblem tag on its collar and his name is now confirmed as "Number One." 

Revisiting Jean-Luc Picard

Stewart, who on Jan. 13 created an imprint for display at the iconic Chinese Theatre in Hollywood, has a long history with the Star Trek franchise. He first warped into the iconic role of Capt. Jean-Luc Picard of the USS Enterprise with the debut of Star Trek: The Next Generation in 1987. That means Stewart will be back in Picard's shoes more than 30 years after originating the role. He last appeared on screen as Picard in the 2002 movie Star Trek: Nemesis .

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He's been plenty busy in the meantime, continuing his role as Professor X in the X-Men movies , up through a farewell performance in 2017's  Logan . He has a lot of voice acting credits to his name, including Poop in The Emoji Movie . Fans can also catch him as Bosley in a 2019 version of Charlie's Angels .

Stewart announced the new Picard series in August 2018 at the Official Star Trek Convention in Las Vegas. He called his return "an unexpected but delightful surprise" and said he hopes "to research and experience what comforting and reforming light [Picard] might shine on these often very dark times."

Who's making Picard? 

Stewart is doubling as an executive producer along with Alex Kurtzman, the creator of Star Trek: Discovery. Pulitzer Prize-winning novelist Michael Chabon is on board as an executive producer and writer. Chabon described Picard as "the hero we need right now."

Stewart shared a behind-the-scenes photo in September 2018 from a Picard meeting where he's sitting with Chabon and other members of the show's production staff. Stewart has been involved with the writing for the show from early on.

The journey has begun. Kirsten Beyer, Michael Chabon, Akiva Goldsman, Diandra Pendleton-Thompson, James Duff, and yours truly. #StarTrek pic.twitter.com/GxhwkTIgWQ — Patrick Stewart (@SirPatStew) September 24, 2018

Hanelle Culpepper will make history as the first woman to launch a new Star Trek television show. Culpepper directed the first two episodes. She has an extensive TV resume, which includes Star Trek: Discovery, The Flash and Gotham.

Frakes, who will appear as Riker in the show, has a long career as a director that includes multiple Star Trek franchise entries on both the big and small screens. He directed some episodes of the new series. Frakes posted a photo of himself with Stewart to Twitter on May 21, 2019, and tagged Star Trek on CBS.

Back on the floor w this guy ⁦ @SirPatStew ⁩ ⁦ @startrekcbs ⁩ pic.twitter.com/zPvHltPUts — Jonathan Frakes (@jonathansfrakes) May 21, 2019

The Picard plot

CBS and Stewart had kept pretty quiet on the details of the show's plot until the teaser and full trailer arrived. We already knew it takes place around two decades after the events of Star Trek: Nemesis. 

The teaser lays out a big plot point when a voiceover says Admiral Picard commanded a rescue armada that "led us out of the darkness" 15 years before the series picks up. It asks the questions: What did it cost him and why did he leave Starfleet? That's a huge cliffhanger to contemplate ahead of the show's debut.

The Star Trek: Picard poster shows a Starfleet logo formed from grapevines.

Both the teaser and trailer start in a vineyard, which is a callback to the final TNG television episode in 1994, All Good Things  that showed one possible future Picard working in a vineyard in France. That Picard had become an ambassador. We know the Picard in the new show was promoted to admiral at some point.

A poster for the series shows a vineyard with the Starfleet logo formed out of grapevines along with the catchphrase "The end is only the beginning."

Picard's history ties strongly in with the Romulans. "Picard's life was radically altered by the dissolution of the Romulan Empire," Kurtzman told The Hollywood Reporter . 

The 2009  Star Trek  reboot movie covered the demise of the planet Romulus at the hands of an exploding star in 2387. Could this event have been the focus of Picard's rescue armada? 

The reboot movies take place in the alternate Kelvin timeline, but Picard is firmly located in the prime Star Trek timeline, in the lineage of the TV shows that came before it.

"We're in the prime timeline. Events from the Kelvin timeline impacted Picard. If you look at that movie, the destruction of Romulus was in the prime timeline," Kurtzman clarified during a Television Critics Association press event in January .

Picard has a complicated history with the Romulans. In Nemesis, he tangled with a Romulan clone of himself. 

The trailer features a Borg ship that may be acting as a prison vessel staffed by Romulans. A sign says it has gone 5,843 days without an assimilation.

Don't expect a mere reboot of The Next Generation. "Patrick was very clear to us in the beginning. He didn't want to repeat what he had already done. And by the way, it's been 20-plus years, so he couldn't possibly be that same person anymore," Kurtzman told reporters in January 2019 .

We have a lot of questions about what Picard has been up to all those years, and some of them were answered in a series of prequel books . CBS, Simon & Schuster and comics publisher IDW released Star Trek: Picard -- Countdown, a three-issue comic book miniseries in November. This focused on a life-changing mission for Picard.

A full Picard tie-in novel called The Last Best Hope is due in February 2020. Una McCormack, author of several Star Trek novels, is the author of the book.

Picard's place in Trek

Stewart's Picard took on the weight of Star Trek's future when he stepped up to captain the Enterprise-D. Until then, the Trek universe had revolved around the original crew led by Capt. James T. Kirk, played by William Shatner. Kirk and the gang had re-emerged from the shadow of the original series' cancellation in the '60s and were born again through a string of successful movies starting in 1979. 

Stewart's character couldn't have been more different from the leap-into-action, kiss-the-aliens Kirk. Picard created a new mold for Starfleet captains. His Picard was cerebral, wise and measured, but also passionate. If you need a reminder, watch his defense of android crew member Data as a sentient being in the season 2 episode Measure of a Man.

How to watch

Star Trek: Picard will debut on Jan. 23, 2020. It'll stream in the US on CBS All Access and on the Space Channel in Canada. Internationally, Amazon Prime Video will host each episode within 24 hours of the US premiere in over 200 countries and territories. That's a change from how Discovery is distributed internationally through Netflix.

Star Trek: Picard unveils first look at costumes, props at San Diego Comic-Con

Meet the cast

We all know the star of the show, and more casting details are emerging. We're still waiting for several character names to be confirmed.

• Patrick Stewart as Jean-Luc Picard
• Santiago Cabrera  as Cristobal "Chris" Rios
• Michelle Hurd  as Raffi Musiker
• Alison Pill  as Dr. Agnes Jurati
• Harry Treadaway  as Narek
• Isa Briones as Dahj
• Evan Evagora as Elnor
• Brent Spiner  as Data (or a related android)
• Jeri Ryan  as Seven of Nine
• Jonathan Del Arco  as Hugh the Borg
• Jonathan Frakes as William Riker
• Marina Sirtis as Deanna Troi

15 famous Star Trek guests who brought their own star power (pictures)

Originally published May 17 and updated regularly as more information on Star Trek: Picard comes in.

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You can now watch the Star Trek: Picard premiere for free

The first episode of Star Trek: Picard is beaming up (for free) on YouTube.

CBS All Access has made the latest Star Trek iteration’s premiere episode available on the digital streaming platform, giving fans complimentary access to 79-year-old series actor Patrick Stewart’s return as the titular (now retired) Starfleet admiral .

The episode will stream on YouTube for a limited time only, with subsequent episodes premiering Thursdays on the CBS All Access subscription network.

Stewart recently told EW he wasn’t initially game for reprising the role of Picard, who, in the new project, enjoys his retirement on a quiet vineyard at the end of the 24th Century, until a mysterious young woman, Dahj (Isa Briones) pulls him into a new quest.

“I’m very proud of the work we did on Next Generation — most of our work — but I felt I had said and done everything I could about Jean-Luc Picard and didn’t see any point,” he said, while Kurtzman added: “That’s when he understood we were dedicated to exploring a new chapter in a way that hadn’t been done before.”

Earlier this month, Stewart visited The View to deliver a surprise invitation for panelist (and former Star Trek: The Next Generation actress) Whoopi Goldberg to join the show’s second season.

“I’ve said this on the show before, but Star Trek was one of the great experiences, from the beginning to the end,” Goldberg responded, choking up as the segment went on. “I had the best, best, best time ever.”

Watch the first episode of Star Trek: Picard above.

Related content:

• Watch Whoopi Goldberg lose it as Patrick Stewart asks her to join Star Trek: Picard season 2
• Patrick Stewart on how Star Trek: Picard strives to avoid fan service
• Star Trek: Picard second trailer shows Will Riker’s return

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Star Trek’s Michael Dorn Wanted Worf To Kill A Popular Deep Space Nine Character In Picard Season 3, And I’m Glad This Didn’t Happen

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Although Star Trek: Picard Season 3 reunited most of the Star Trek: The Next Generation starring actors for the first time since 2002’s Star Trek: Nemesis , they didn’t all show up at once. In the case of Michael Dorn’s Worf , his first scene in the episode “Disengage” saw him rescuing Michelle Hurd’s Raffi Musiker from the crime lord Sneed, and he beheaded the Ferengi on his way out. But if Dorn had his way, he would have killed a different Ferengi instead: Quark, one of the other major characters from S tar Trek: Deep Space Nine , and I’m glad this didn’t happen.

Armin Shimerman, who played Quark for the entirety of Deep Space Nine ’s seven-season run, shared this tidbit of information while appearing on TrekMovie ’s All Access Star Trek podcast. Dorn came aboard Deep Space Nine at the beginning of Season 4 following The Next Generation’s conclusion, so he and Shimerman spent a lot of time together in the mid-late ‘90s, but decades later, the latter wasn’t particularly enthused about the former wanting to slice Quark’s head off. As he recalled:

Dorn called me up and said, ‘I’m doing an episode of Picard where I kill off a Ferengi. Wouldn’t it be great if it were you?’ I said, ‘Michael no, it would not be great.’ I told him just to forget about that idea altogether.

Jonathan Frakes, who was also a guest on this episode, speculated that Michael Dorn didn’t know Worf would be cutting Sneed’s head off, but Armin Shimerman told the William Riker actor and longtime Star Trek director that, at the very least, Dorn was aware Worf was going to kill a Ferengi. In the end though, it was Sneed who met this fate, with the character being played Aaron Stanford, who previously worked with showrunner Terry Matalas on the 12 Monkeys TV show.

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I am so relieved this Quark idea for Star Trek: Picard never came to fruition. Worf killing off a Ferengi criminal lord mere minutes after we meet this character is one thing, but for him to behead a character that not only is beloved by many Star Trek fans, but whom Worf had known for many years is another. Granted, as Dr. Julian Bashir once said, Quark was definitely not Worf’s “favorite person,” and he tried to steer clear of the bar owner whenever possible. But not only do I not believe that Quark would ever become a crime lord on Sneed’s level, I also don’t buy that Worf would have just killed his former… associate without blinking an eye.

If the day comes that Armin Shimerman reprises Quark in live-action, the character needs to be treated with the proper respect and not just be killed off for shock value. Star Trek: Lower Decks had the right idea, as Shimerman voiced Quark for a meaningful role in the Season 3 episode “Hear All, Trust Nothing.” The fan-proposed Star Trek: Legacy would be the best place for that to happen, though there’s still no word if that project stands a chance of becoming one of the upcoming Star Trek TV shows .

Picard , Deep Space Nine and all the other Star Trek shows (except for Prodigy , which is now at Netflix ) can be streamed with a Paramount+ subscription . Discovery is currently in the midst of its final season, and Lower Decks ’ final season will follow sometime afterwards on the 2024 TV schedule .

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Published Apr 24, 2024

Stuck in a Loop: The Best of Star Trek's Time-Jumping Episodes

From The Next Generation to Discovery, going around and around is sometimes very revealing.

StarTrek.com

In the Star Trek: Discovery Season 5 episode, " Face the Strange ," Captain Burnham and Commander Rayner find themselves both stuck in a loop, but also, jumping all around the timeline of the titular starship. From the point before the U.S.S. Discovery was launched, to pivotal moments in Season 4, Season 3, Season 2 and even very early in Season 1, Rayner notes at one point that, "We’ve gone back in time to when you went forward to the future. That’s a little confusing."

Throughout all of Star Trek 's history, time travel has been just as propulsive to the narratives as space travel. But, within the various time travel stories of Trek , there is a special kind of time-skipping episode — the time loop story. Discovery has recently shaken-up this formula with "Face the Strange," but many elements of this episode pay homage to a proud Star Trek tradition. Here’s the history of the best time loop, and time-jumping episodes across the entire Final Frontier.

" Cause and Effect ," Star Trek: The Next Generation (Season 5, Episode 18)

"Cause and Effect"

Perhaps one of the greatest science fiction episodes of all time, The Next Generation set the gold-standard for how to do time loop episodes.

When the Enterprise collides with another starship in the first scene, this episode poses one question right off the bat: What happens after you blow up the ship — and everyone on it — before the credits roll? The answer is mostly connected to whether or not we can even remember when we're stuck in a loop. Without actually spoiling this classic episode, let's just say thank the stars for Dr. Crusher and Data.

The brilliance of "Cause and Effect" cannot be overstated, but the 21st Century legacy of this episode is utterly appropriate. When Geordi reveals how the time loop works, Riker says, "You mean we could have come into this room, sat at this table and had this conversation a dozen times already?" This scene has become a popular meme format across various social media platforms, satirizing the time loop of some aspects of the internet experience.

" Parallels ," Star Trek: The Next Generation (Season 7, Episode 11)

"Parallels"

Arguably, when Worf starts slipping between realities in "Parallels," the story is more focused on other dimensions, rather than a true time loop. But, each time he pops into a new reality, Worf does tend to reply to his own personal log, which is what began the episode.

Obviously, in each new timeline, Worf's personal log is different, and because he checks it so often in the episode, this gives "Parallels" the feeling of a time loop story, even though Worf is technically moving both forward in time, and also, side-to-side.

On top of all of this, "Parallels" feels time-loopy because so many ideas and plot points from previous seasons of The Next Generation are revisited here. From references to " The Best of Both Worlds ," to the return of Wesley Crusher, "Parallels" brings all the good things of TNG back around again for another look, from a different point of view.

" All Good Things... ," Star Trek: The Next Generation (Season 7, Episode 25)

"All Good Things..."

Speaking of the best of The Next Generation , the immortal series finale is, from a certain point of view, one big time loop. As Jean-Luc Picard shifts between past, present, and future, the biggest mystery of "All Good Things…" is what caused the anomaly in the Devron system? Eventually, we learn that the ending and the beginning of this story are inextricably connected, a paradox that creates a kind of loop that must be broken.

Twenty-nine years later, in the Star Trek: Picard episode, " Imposters ," Captain Liam Shaw references this moment, and notes that Picard and Riker have a "real chicken and egg thing going on." It doesn’t get any more time-loopy than that!

" Visionary ," Star Trek: Deep Space Nine (Season 3, Episode 17)

"Visionary"

When O'Brien starts seeing another version of himself appearing randomly throughout the station, Dr. Bashir briefly floats the idea that he's just having really boring hallucinations. But, as the episode goes on, it becomes clear that O'Brien is actually seeing brief moments in the future, and then, catching up to those moments in the present.

"Visionary" messes with what we expect from a time loop episode, because in all instances of future occurrences, there are literally two O'Briens present, and, when the past O'Brien catches up to the future moment, the duplication effect happens again, creating a kind of visual loop for the audience. The funny thing is, in several instances, the future doesn't play out exactly the way past O'Brien saw the first time, making this one of the wobblier time loops in all of Star Trek .

" Relativity ," Star Trek: Voyager (Season 5, Episode 24)

"Relativity"

In a move very similar to Discovery 's "Face the Strange," this unforgettable episode of Voyager briefly takes us back to a point before the series even begins, showing us Janeway's first moments on Voyager before the ship left the Utopia Planitia Shipyards on Mars. (In "Face the Strange," Burnham and Rayner see Discovery in a drydock on Earth well before the events of Season 1.)

But, Voyager 's jaunt into its own prehistory is just the beginning of a very specific type of time jumping episode. Here, Seven of Nine isn't exactly repeating a loop, but, making several attempts at different times, to prevent a bomb from destroying Voyager . As Tuvok aptly puts it when encountering one version of Seven from the future, "Like many time paradoxes, it's improbable, but not necessarily illogical." Because this episode features multiple versions of Seven, and leaps to various eras of Voyager , it pairs very nicely with Burnham and Rayner's similar jumps in "Face the Strange." Especially the moment where Seven meets herself.

" Shattered ," Star Trek: Voyager (Season 7, Episode 11)

"Shattered"

Does Voyager have the best timey-wimey episodes in all of the Trek franchise? It's hard to say, but if there's another Trek episode that feels like an older sibling of Discovery 's "Face the Strange," it's almost certainly "Shattered," a fan-favorite episode from Voyager 's final season. Here, the captain and the first officer — Janeway and Chakotay — find themselves on a version of the ship that has been split into different time periods.

"Shattered" is one of Star Trek 's greatest retrospective episodes, touching on moments across all of Voyager 's story, and teaming past versions of characters with ones closer to the present. It's a touching story, and, structurally, it's wonderfully homaged in Discovery .

" Magic to Make the Sanest Man Go Mad ," Star Trek: Discovery (Season 1, Episode 7)

"Magic to Make the Sanest Man Go Mad"

One of Discovery 's stand-out moments from Season 1 fully set the stage for "Face the Strange" in Season 5. In "Magic to Make The Sanest Man Go Mad," Harry Mudd sets the ship on a true time loop, in which only Stamets can truly remember what is going on. Like in "Face the Strange," Stamets has a perception that exists outside of time, thanks to taking on the Tardigrade DNA in "Choose Your Pain."

This detail comes in handy in "Face the Strange," where Burnham and Stamets again have to re-team to get Discovery out of a time loop caused by nefarious enemies using time travel technology as a weapon. In Season 1, Burnham and Stamets barely knew each other, much like Burnham and Rayner's relationship in Season 5. But, if there's one thing a time loop or time-jumping episode can do, it’s make people who are just colleagues into best friends for life.

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Ryan Britt is the author of the nonfiction books Phasers on Stun! How the Making and Remaking of Star Trek Changed the World (2022), The Spice Must Flow: The Journey of Dune from Cult Novels to Visionary Sci-Fi Movies (2023), and the essay collection Luke Skywalker Can’t Read (2015). He is a longtime contributor to Star Trek.com and his writing regularly appears with Inverse, Den of Geek!, Esquire and elsewhere. He lives in Portland, Maine with his family.

Star Trek: Discovery Seasons 1-4 are streaming exclusively on Paramount+ in the U.S., the UK, Canada, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia and Austria. Seasons 2 and 3 also are available on the Pluto TV “Star Trek” channel in Switzerland, Germany and Austria. The series streams on Super Drama in Japan, TVNZ in New Zealand, and SkyShowtime in Spain, Portugal, Poland, The Nordics, The Netherlands, and Central and Eastern Europe and also airs on Cosmote TV in Greece. The series is distributed by Paramount Global Content Distribution.

• April 29, 2024 | Preview ‘Star Trek: Discovery’ Episode 506 With New Images. Trailer And Clip From “Whistlespeak”
• April 28, 2024 | Interview: ‘Star Trek: Discovery’ Writer Carlos Cisco On Unmasking The Breen And Revisiting The ISS Enterprise
• April 26, 2024 | Michael Dorn Wanted Armin Shimerman To Play The Ferengi That Worf Killed In Star Trek Picard
• April 26, 2024 | Podcast: All Access Gets To Know The Breen In ‘Star Trek: Discovery’ 505, “Mirrors”
• April 25, 2024 | Prep Begins For ‘Star Trek: Strange New Worlds’ Season 3 Finale; Cast And Directors Share BTS Images

Recap/Review: ‘Star Trek: Discovery’ Reflects On Its Choices In “Mirrors”

| April 25, 2024 | By: Anthony Pascale 119 comments so far

Star Trek: Discovery Season 5, Episode 5 – Debuted Thursday, April 25, 2024 Written by Johanna Lee & Carlos Cisco Directed by Jen McGowan

A solid episode with plenty of lore and character development gets weighed down with a bit too much exposition.

No, I didn’t kiss you in the past last week, what makes you say that?

WARNING: Spoilers below!

“Maybe we’re not so different.”

As the crew regroups following the time bug incident that lost them 6 hours, they try to trace the trail of their main rivals in the search for the Progenitor tech. Book takes this time to reflect on the choices he has made in life and how it isn’t too late for Moll; perhaps he can redeem the daughter of his mentor and namesake Cleveland Booker. Stamets and Tilly figure out the trail didn’t disappear into nowhere: Moll and L’ak went through a wormhole. The aperture isn’t big enough for the Disco, so the captain assigns herself to shuttle duty—over the objections of her new XO, who is still struggling a bit. After a little bonding over old Kellerun poetry, she leaves him with “I know you can lead this crew” and heads off with her ex. Returning to their old banter, including some teasing about what happened during her time tour last episode, Book and Michael head through the wormhole. Things get really choppy as they fly through exotic matter “deaf and blind,” losing comms with the Disco, and dodging debris. Skilled piloting and good ol’ Starfleet engineering saves them, but things aren’t so hot for Moll and L’ak, whose ship is spotted cut in half. Their only hope for survival is another relatively intact ship that looks familiar. A 24 th -century scientist hiding a clue in this pocket dimension on a shipwreck from another universe makes as much sense as anything.  It’s the ISS Enterprise—and that’s no typo. If the “Mirrors” title wasn’t clue enough, the ISS does it: Things are about to get Terran, again.

After docking, Michael and Book make their way through the mess of a ship to the bridge with more playful banter. The warp drive has been bricked and all shuttles and escape pods are gone, very out of character for ruthless Terrans. They track three quantum signatures in sickbay, but start with a trace in the transporter room, which looks more like a makeshift refugee camp. A chronicle reveals the crew mutinied after the Terran High Chancellor (aka Mirror Spock) was killed for making reforms. A certain Kelpien rebel leader (aka Mirror Action Saru) led refugees to the Prime Universe, where they abandoned ship. While Book expositions, Michael puts a piece of her badge (and its important Prime Universe quantum signature) in a locket she finds. Pay attention BTW, or you will be confused later. In sickbay, they find Moll and L’ak, Moll and L’ak, and Moll and L’ak—until they take out the holo-emitters so the four former couriers can face off for real. Book tries the “I knew your father” gambit and is immediately rebuffed by Moll’s serious daddy issues. The baddies figure they have the clue so they have all the leverage, but Michael uses that locket as a bluff, claiming she has the real clue. Still, no deal with the Federation is good enough because they need the Progenitor tech to get rid of an Erigah… a Breen blood bounty. That’s right, L’ak is Breen. Holy refrigeration helmet , Batman.

Mirror McCoy was a bit of an evil pack rat.

“You both still have choices .”

Cut to a series of Burn-era flashbacks when Moll was delivering dilithium to the Breen Imperium. The “bucket heads”  are not amused by the wisecracking courier who gets into a fight with one of them, but she turns the tables, revealing she knows he’s a disgraced member of the royal family—and she even knows his name. It’s L’ak, of course. He is intrigued by her plan to skim more latinum, getting payback for being humiliated for this cargo duty demotion. Soon enough, this unlikely pair is hooking up between cargo containers and he even takes off his helmet to show her his face, as well as his “other face.” It turns out the Breen have two: the one we have been seeing with L’ak and a glowing eyed translucent one.  Later, the star-crossed romance is threatened when Moll is drawn to the lure of even more latinum by delivering to the Emerald Chain. Before they can sort out if he should join her, Uncle A-hole shows up, not happy about his nephew’s little interspecies exchange program. He’s also not cool with L’ak using that old face and not the “evolved” glowy face. L’ak is given one chance at redemption: Kill Moll. He picks door number 2, killing some guards but sparing Primarch Ruhn, who declares the Erigah. L’ak knows this means they will never stop hunting him, but Moll is all-in on being a fugitive, so they escape together. Ah, true love.

Back on Mirror Enterprise, the standoff devolves into another quick firefight as the Breen/Human duo chooses not to take the offered off-ramp before going too far down the bad guy road. Moll and Book end up outside force fields that pop up around sickbay, so she reluctantly agrees to a ceasefire. The current Cleveland Booker tries again to connect, but Moll only has bad memories of a brutal childhood of abandonment after her Cleveland left her on her own at age 14. L’ak is all she has. L’ak feels the same about Moll, telling Michael that he would die before being separated, but seems open to the idea of them sharing a cell in the Federation pen. On the bridge, Book pivots to use his relationship with Michael to connect, but Moll’s need to get back to L’ak means no waiting for computer hacking, so she starts yanking out wires. The resulting short does lower the forcefield, but now the ship is out of control. Their shuttle is flung off with the jolt and there’s only eight minutes until the Big E is squished in the little wormhole. Book takes his final shot, handing over his phaser and telling Moll she is the only family he has left. She finally relents and they head to sickbay, where Michael and L’ak have resumed fighting. The captain gets the upper hand and ends up with the clue L’ak was holding and the Breen is left with a knife in his side, but impressed by the locket bluff. Moll arrives and is super pissed, so the Disco duo makes a quick exit before things escalate into yet another phaser fight. This former courier couple’s double date is over.

Uh, can you go back to the other face now?

“Maybe we can shape our own futures too.”

As Moll tries to patch up her boyfriend, Michael and Book work through the problem on the bridge, deciding that the tractor beam as their only hope. Over on the Disco, they detect an oscillating pattern, 3-4-1-4, which means something to Rayner. He now wants the nerds to figure out how to open the wormhole aperture big enough for a ship, offering kegs of Kellerun booze for the best idea. Adira sparks a team effort and Rayner rallies around the crowdsourced solution involving a hexagon of photon torpedoes. “We are only going to get one shot at this. I trust you will all make it count, red alert.” That’s the stuff. With what may be the last seconds of her life, Michael lets Book know she shared a “happy” moment with his past self during the whole time bug incident. Discovery fires the torpedoes and the crew is surprised to see the ISS Enterprise emerge at the last minute from the permanently collapsing wormhole. Everyone releases their tension as the captain informs her crew they saved her… but why is the Enterprise about to fire? A warp pod is launched! It’s Moll and L’ak. Before you can say “plot armor,” they escape to another episode. The captain returns to the Disco to tell Rayner she’s impressed with how he handled the crew during her time away, and he tells her how impressed he was with her subtle “3-4-1-4” message using the Kellerun “Ballad of Krull.” Alien poetry FTW!

In the background of the episode, Tilly has been noticing that Dr. Culber seems out of sorts. Everyone else leans on him, so she offers to be a friendly ear. As things wrap, Hugh takes her up on her offer over drinks at Red’s, admitting that ever since he was possessed by a Trill a few episodes back, he has been feeling a bit off, and he’s beening having some trouble coming to grips with the quest they are on with questions “so big and impossible to grasp.” He is not sure his matter-of-fact husband will understand what Tilly points out is a sort of spiritual awakening. This thread is left unresolved, unlike Adira’s mini-crisis of confidence: They were losing their science mojo due to guilt over the time bug, but got it back through Rayner’s tough love and being the one to come up with the hexagon of torpedoes solution. Things wrap up with Michael and Book looking over their prize, the latest piece of the map and a mysterious vial of liquid hidden inside, ready to set up the next episode once Stamets unlocks its secret. Burnham is starting to see a pattern with these clues and how the scientists who left them were trying to teach lessons along the way to the successful questers. The clue hidden in the ISS Enterprise came from Dr. Cho, a former Terran junior officer who later became a Starfleet Admiral. This happy ending for her and the others from Saru’s band of Mirror refugees fills them with hope as they can’t wait to find out what they will learn when they put the map together. There are just 2 more map pieces and 5 more episodes to go.

I think I have a thing for being possessed—no judgment.

Love stories

This halfway point episode is a bit of a mixed bag. Strong performances were a highlight, bringing extra life to welcome character development for both heroes and villains. But valiant attempts to expand upon franchise lore got weighed down in overly complicated exposition. And for an episode with a strong (and yes, often repeated) theme about choices, some of the directorial choices just didn’t work, potentially leaving some audience members confused or requiring a second viewing to follow the narrative. On the other hand, the episode carried on the season’s reflection on Discovery’s own lore and the evolution of its characters. David Ajala stands out as the episode MVP as he shows Book’s struggle to navigate the emotional complexities of his own choices and those of Moll while desperately trying to forge a new family connection. While some of the action scenes in this episode felt a bit perfunctory, the show is still getting better (for the most part) in finding moments for those character sidebars to talk about their emotional journeys and relationships. That was especially important in this episode, which took a closer look at how the events of the season are impacting some of the key romantic pairings of Book and Michael, Paul and Hugh, and Moll and L’ak.

Eve Harlow—and especially Elias Toufexis—stepped up to add layers and nuance to Moll and L’ak, with Discovery finally embracing how fleshing out adversaries and their motivations goes a long way towards making your plot hold together. The nicely drawn-out reflection of their love story with the rekindling one between Michael and Book adds another layer to the more obvious meaning behind the episode title “Mirrors.” Moll’s single-minded anger and L’ak’s desire for safety now all make sense, as does their unshakable bond. The episode also did a good job weaving in a handful of substories, including Rayner’s growing connection with the crew, with a nice sprinkling of Kellerun lore-building — adding some color to his character. Callum Keith Rennie continues to be a stand-out addition for the season, although Doug Jones is sorely missed, presumably not appearing in two episodes in a row for some scheduling reasons. Culber’s spiritual journey also gets just enough time, as it and these other substories all feel like they are heading somewhere without distracting or spinning their wheels, something that often weighed down mid-season Discovery episodes in past seasons.

Okay, let’s just agree we both have daddy issues.

Under the mask

The reveal that L’ak is a Breen was a surprise, but also nicely teased through the previous episodes. Fans of Deep Space Nine should relish finally getting some answers about this enigmatic race and finally having a first look under those helmets. “Mirrors” picked up on many elements from DS9, including the Breen language, refrigeration suits, neural truncheons, and the position of Thot , while adding lots to the lore, including some worldbuilding behind this new Breen Imperium and its “faction wars.”

Setting the Breen up as what appears to be the real big bads for the season involved a lot of data dump exposition here, surely keeping the editors of Memory Alpha busy for the next week. The notion that Breen have two forms with their signature suits and helmets allowing them to hold the more “evolved” form and face makes sense. If one were to get nitpicky, the Breen aren’t supposed to bleed, but perhaps that was a function of his suit; fill in your own headcanon. L’ak’s desire to hold the other, less evolved form making him a pariah in Breen society has echoes of allegorical episodes such as TNG’s “The Outcast.” That being said, the nuances are still not entirely clear, and fans who like the lore shouldn’t have to rewatch scenes to pick up the details. It feels like some details were cut, perhaps because this episode was already trying to cram in too much exposition with the Breen, Kelleruns (they boil cakes?), and the Mirror Universe.

Like the previous time travel adventure, this was a mid-season bottle show, this time using the conveniently located Strange New Worlds sets. Bringing back the ISS Enterprise was clever and fun, with the twist of how this time the Mirror Universe came to us. If you follow closely, “Mirrors” did a nice job of filling in some lore gaps and tying together the MU storylines from the first visit in “Mirror, Mirror” to follow-ups in Deep Space Nine , Enterprise , and Discovery . There is now a nice throughline from Emperor Georgiou saving Mirror Saru through to Mirror Spock, killed for the reforms he instituted after being inspired by Kirk. However, the redress of the Enterprise sets was not very inspired, with only a smattering of Terran wall sconces and some repainting, instead of demonstrating the brutality of the Empire with elements like agony booths. But what was even more missed was the promise of any character crossovers. There was a lot of talk about Mirror characters like Spock, Saru, Dr. Cho, and others, but we don’t get to see any, one of the many examples of how this episode broke the golden rule to show not tell. There were plenty of opportunities for a flashback or holo recording. Burnham longingly gazing at her brother’s science station is no substitute for Ethan Peck with a goatee.

We’re back!

Final thoughts

“Mirrors” is a decent episode, but it could have been much better with a few tweaks here and there. While not falling into the pointless plate-spinning trap of past mid-season Disco outings, it still dragged a bit for something so jam-packed with lore and revelations. Still, it provided a nice hour of entertainment, and possibly more with rewatches to catch up on the little details. The episode also continues the season’s welcome trend of weaving in the show’s own past, which makes it work better as a final season, even if they didn’t know that when they crafted it. Season 5 hits the halfway mark, and it’s still the best season yet, and hopefully the second half of the season will nail the landing.

Wait, we’re in this episode too? Anyone remember their lines?

• Like the previous episode, “Mirrors” began with a warning for flashing images.
• The episode is dedicated “to the loving memory of our friend Allan ‘Red’ Marceta ,” the lead set dresser who died in a motorcycle accident in 2022.  Presumably the USS Discovery bar “Red’s” was named in his honor.
• This is the first episode where Book’s personal log starts it off.
• Stardate: 866280.9
• Booker examined wanted notices for Moll from the Federation, Orion/Emerald Chain (who have a new logo), and the Andorian Empire.
• Tilly was able to reveal the wormhole by compensating for the “Lorentzian Coefficient,” referencing the real Lorentz Factor used in special relativity equations.
• A new ensign on the Discovery keeps a Cardassian vole as a pet.
• The ISS Enterprise was built at Tartarus Base, possibly referencing Tartarus Prime , from the TOS novel The Rings of Time .
• Moll refers to Breens as “bucketheads” (just as Reno did to Emerald Chain Regulators last episode). This could be a nod to the use of “ bucketheads ” in Star Wars as a derogatory term for stormtroopers.
• Moll’s mother died on Callor V in a mine for Rubindium , a substance first mentioned in TOS “Patterns of Force.”
• Linus can play the piano.
• Breen Primarchs may be a nod to the genetically engineered Primarchs from Warhammer 40,000 .
• How does Book know that Pike’s catchphrase is “Hit it”?
• This is the third (of five) season 5 episodes in which Oyin Oladejo and Emily Coutts do not appear, but their characters, Detmer and Owosekun, are mentioned when they get the honor of escorting the ISS Enterprise back to Starfleet HQ.
• Even though we didn’t see it warp away, presumably the missing intermix chamber was replaced, otherwise Owo and Detmer’s trip is going to take a very long time.
• Tilly says her long day makes her feel like she has been through a Gormangander’s digestive tract.

Remember when Mudd hid inside a Gormagander? Gross.

More to come

Every Friday, the TrekMovie.com All Access Star Trek Podcast  covers the latest news in the Star Trek Universe and discusses the latest episode. The podcast is available on Apple Podcasts ,  Spotify ,  Pocket Casts ,  Stitcher and is part of the TrekMovie Podcast Network.

The fifth and final season of  Discovery debuted with two episodes on Thursday, April 4 exclusively on Paramount+  in the U.S., the UK, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia, and Austria.  Discovery  will also premiere on April 4 on Paramount+ in Canada and will be broadcast on Bell Media’s CTV Sci-Fi Channel in Canada. The rest of the 10-episode final season will be available to stream weekly on Thursdays. Season 5 debuts on SkyShowtime in select European countries on April 5.

Keep up with news about the  Star Trek Universe at TrekMovie.com .

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waste of ISS Enterprise

While I enjoyed the episode overall, the ISS Enterprise was a huge letdown and not even worth being an easter egg with what little they did with it. They should have just made it a generic constitution class ship from the mirror universe.

It felt like it was nothing more than a budget saver. Use existing sets from the other show. Which is weird because one of the arguments in favor of mini seasons is it allows more money to be spent.

That’s exactly what it felt like. Along with the missing, yet again, Detmer and Owosekun.

There must have been some deep budget cuts for the season.

Detmer and Owosekun were replaced by other characters so I don’t think they are missing for budget reasons. It’s more likely that the actresses were unavailable.

I get the budget issues considering what’s going on with the studio. But the end result was it showed that there isn’t much difference at all in the 900 years between the SNW Enterprise and the aesthetic of Star Trek Discovery. They both look as if they were set in the exact same era.

And there really shouldn’t be much. Discovery is from the same era, as the Enterprise. While the ship gets a technological upgrade, why would it get an interior design makeover?

Since it was deemed important (Stamets certainly makes since) that the crew stay on the Discovery, I would certainly think that psychologically having its design aesthetics stay similar to what it was would help give the crew a little bit of their past to hold on to, versus having all physical interactions be with a timeline that they aren’t native to.

Now where we should see it is in native places in this time. And we have seen some differences in design from standard Starfleet settings, versus Starfleet settings on this time (I actually wish we got more).

I did wish for a little more of self reflection from Burnham’s point of view as the ISS Enterprise should of course remind her of Spock (the Enterprise tie in), but also Georgiou (the ISS tie in). We get a small brief nod to Spock, but nothing to Georgiou (and while I still question the use of the character, there is no question that Burnham did have a connection with her, even if its primarily transference from her former Captain, not the mirror Universe Empress.

It’s not just the ship. It’s everything. Everything else looks like it matches the ship’s aesthetic. As if 900 year old retro is the current fad in design.

That’s always been my issue with Discovery.

To me that is part of the downfall of going so very far into the future. What aesthetic you make should be radically different. Not just shinier.

This is a VERY common trope in Trek, historically. Using redressed older sets, even ones from distant eras, to save money. It’s just downright foolish to think that a big budget series with fewer episodes to get better production value would simply have no limits at all. Discovery is one of the most expensive-looking sci-fi shows out there for a reason: a lot of money is being spent. On sets, effects, and even the cast. Oded Feherer, Callum Kieth Rennie, Michelle Yeoh, Jason Isaacs, Sonequa, David Cronenberg, Tig Notaro, and plenty of others during its run — its cast is broad and extremely strong, with well-known, talented actors, not to mention some of the best TV directors, set decorators, costumers, etc in the business.

Now, sure I think it’s fair to be let down by a budget-saving measure, particularly because of how much money IS being spent, so I get the logic here, but it’s sorely misplaced. The fact is, Trek has done this for decades, and often not nearly as well. Let it go — just try to enjoy the show and not worry about that kind of thing. But that’s the thing I struggle with, with you on this board: you seem to be looking for reasons NOT to like this show because you find more enjoyment in watching and hating it than anything else. Go watch a show you actually like, it’s been five years and it’s ending now. It’s time to let it go, my good friend.

Agreed. The last two episodes just felt very budgeted and basically bottle episodes. And this just felt like a twofer, a way to use an existing set and add a little fan service but that’s all it was. I thought the Enterprise itself was going to be a viral part of not just the episode but the story overall.

Instead it was just a backdrop. And yeah it’s obvious they cut the budget for this season but all the live action shows have felt this way starting with Picard season 3 and SNW season 2. That all felt pretty bare a lot of the times. I guess this was all during Paramount+ belt tightening and probably not a shock why the show was cancelled.

And maybe the I.S.S. Enterprise should have been the refit or maybe the Phase II Enterprise? That would have been a lot of fun but combine a lack of vision with a reduced budget and this is what you get.

Looking back on “In a Mirror: Darkly”, season 4 of Enterprise was dealing with a reduced budget but managed to recreate sets from TOS, introduced a few new set pieces and did a lot of great effects work.

This was a missed opportunity.

Which was added by stretching that story over two episodes, so that they had the budget to recreate the sets they used. Having half the episode count, doesn’t really help avail yourself to planning out a two parter for a way to save costs.

If Picard could pull off recreating the bridge of the Enterprise D for three days of shooting with barely half the budget of Discovery season 5, they could have done something equally as fun for Discovery on the cheap without actually having to building anything new and using the Enterprise as a crutch. They could have come across Deep Space Station K-7, where the exterior would have been immediately familiar and with interiors served by redressed sets from virtually anything available from Discovery or SNW.

I thought Discovery is basically the PII Enterprise?

The Phase II Enterprise looks like a slickly modified version of the Enterprise from TOS, falling squarely between the Enterprise from TOS and the refit. The “Star Trek: Phase II” fan series did a great job bringing it to screen.

No, Discovery resembles the Enterprise concept for the Planet of the Titans movie.

I don’t get that. I never assumed that the Enterprise (or its mIrror Universe history) was going to feature in significant manner (certainly the producers and promotional department didn’t make a significant deal about it). Perhaps it’s the time difference. But I literally assumed it would be as significant as the Defiant going in and out of phase like TOS “Tholian Web” the time difference. And that was primarily set dressing. That’s not a bad thing. I mean Tholian Web is considered one of the better third season episodes.

And the only reason I assumed it was the Enterprise versus another Connie, is simple to give Burnham a moment to reflect on Spock. Now I do freely admit that I wish this was a slightly larger moment. But I never expected it to be anything but a small moment. Roughly my preconceived notion would be something like Spock’s Mind Meld scene with La’an in SNW where she is able to get a peak into Spock thinking about his sister and the emotion that comes with it. It’s a very brief scene, but I thought SNW did a good job in conveying the emotional aspect, especially from a half Vulcan/ Half Human.

Ok fair enough. This is probably more my hang up and to be fair since they never really promoted the the Enterprise being back then clearly they weren’t trying to make it that big of a deal.

But same time a lot of people do feel there could’ve been more done. The main problem is it just feels like a ridiculous stretch this ship itself is even there. It’s a ship from 900 years ago from a DIFFERENT UNIVERSE that conveniently happens to be the ship that gives them their next clue. I know it’s Star Trek so whatever lol. But when you go through the effort to present it I think it would’ve nice to build a bigger story around it. It could’ve just been any ship.

Exactly! The ship could have been any ship. The fact that with such an enormous universe(s) they would happen to find the next clue on a Mirror Universe ship and the ISS Enterprise no less–it’s such “Small Universe Syndrome”.

When you feel like the Mirror Universe has been nothing but a let down after the initial TOS episode, It’s really not a surprise. There’s really nowhere to go with it, but I did find that the fulfilling of the promise that Prime Kirk spoke to Mirror Spock about from the original TOS episode quite satisfying. The ship’s inhabitants embraced the benevolence of the prime universe, and I thought that was great.

I felt the idea that the MU people just easily adapted was pretty ridiculous. But then, they admitted SNW was an alternate timeline. It’s not a stretch that alternate extends to all the Secret Hideout productions.

I’m not sure I would feel the same about Picard given it depicts the Prime events of ST:2009. The others tho yeah I think of it that way too. Although The Chase does make that harder to swallow about DISCO

I liked the MU in DS9. It was fun to revisit and a great reminder of the Prime Directive. But… after that it got tiresome.

It was pretty benign there, but the problem with it, is finding it plausible. It was a fun idea in the 1960’s, and it had a good message. After that, it an indulgence. The notion that that the same people would even exist in the same fundamental places, and that the same ships would exist with virtually the same crew just seems like too much of a stretch even for modern Star Trek.

That’s my only complaint about this episode. Seeing the tantalus field show up would have been really cool. When Michael talked about how she was sure that Mirror Spock was a savage just like the other Terrans, I was sure that we would see a recording or something of Ethan Peck in a goatee to prove her wrong. Or flashbacks with Ethan Peck and Paul Wesley as their mirror counterparts would have also been cool.

All the stuff with the Breen and Mol and Lak was really cool though.

“ waste of ISS Enterprise” should be the official episode description.

waste of series

They ate Mirror Saru in season one…

Was that Saru or another Kelpian? It’s been a while since I watched Season 1, but I recall Mirror Saru saving Burnham from Tyler just as Voq’s personality re-emerged. I know Mirror Georgiou served Burnham some Kelpian, I just didn’t remember it being Mirror Saru.

Mirror Saru saved Michael from Tyler in The Wolf Inside, which was the episode that preceded the one in which they ate the food made from a Kelpien (Vaulting Ambition).

Looking at Memory Alpha now, it says that the chosen Kelpien ( https://www.youtube.com/watch?v=aVQSipQlJR8 ) was played by someone other than Doug Jones, but they look so much alike that I thought for sure she had chosen Mirror Saru.

As per Memory Alpha, we never saw him again after The Wolf Inside until season three, but that was in the alternate timeline Carl sent Georgiu to, so it wasn’t the same Mirror Saru.

Nope, that was another Kelpien.

“They ate Mirror Saru in season one…”

They didn’t.

Wasn’t Mirror Saru established as having survived in Season 3 (can’t remember the episode name).

A s per Memory Alpha, we never saw Mirror Saru again after The Wolf Inside until season three, but that was in the alternate timeline Carl sent Georgiu to, so it wasn’t the same Mirror Saru.

Loved this episode. I liked seeing the I.S.S Enterprise though i would of loved to of seen maybe a video log of Mirror Spock.

As a big fan of DS9 I’m glad we finally get to see what a breen looks like and the 32nd century breen outfits look great.

I enjoyed seeing Book/Burnham trying to get through to Moll/L’ak and i hope they can eventually get through to them. With this season about connections and 2nd chances i can see Book and Burnham talking both of them down before they do something that they can’t come back from.

The shot of the I.S.S Enterprise coming out of the ‘wormhole’ is probably one of my favorite CGI scene in all of Trek.

I’m glad they didn’t. I think the conceit of using the I.S.S. Enterprise was not much more than a budgetary decision to be able to use the sets. Could have made it a different constitution class, but then they don’t get to tell the story of the crew’s transformation into our society. Just don’t think about it too much.. because that universe is just pushing out its own doppelgängers into our universe.. which seems problematic. lol.

As a big fan of DS9 I’m glad we finally get to see what a breen looks like and the 32nd century breen outfits look great.

Any kind of big reveal was bound to be disappointing, I suppose. Still, the idea that they were just another latex alien was a letdown. I had always hoped that the Breen were gaseous or plasma creatures.

Ethan Peck with a goatee would have been EPIC

“This is the way.” 😉

But seriously that was a pretty good episode. I’d like to see a 31st century restored Terran empire that never went through “the burn.”

“ The reveal that L’ak is a Breen was a surprise ”

It really wasn’t, though. That was many viewers’ guess since the beginning of the season, and it’s been a common discussion on many websites. The surprise would have been if he HADN’T been a Breen.

I am on a lot of other sites and I haven’t heard anyone thinking he was Breen. And I don’t believe anyone voiced that in Trekmovie either.

LOL. It’s been a common theory.

Obviously not THAT common. LOL

I’ve seen the theory mentioned in the comments here on TrekMovie.

Yes, quite common from what I’ve been reading. I just commented on this very site a couple weeks back that I liked the idea, when somebody else theorized it (forget who it was)!

I guess it’s just where you go for these discussions but yeah the first YouTube review of episode one I saw theorized Lak was a Breen in the first scene he was in when he took off his helmet. And this was obviously before the species was mentioned on the show.

So yeah some people caught on the first episode the way others theorized Tyler was Voq the first time he showed up. Others needed more convincing.

I never saw it but I certainly don’t read the majority of comments. And almost never watch video reviews. Now Voq, was something I remember seeing in many places. Though in fairness, the amount of conjecture done about any Trek series for its Pilot and early couple episodes has been in my experience far more than what you see for most regular episodes. So that shouldn’t;t surprise me.

It was a surprise to me.

The Breen being so ordinary looking was a bit of a surprise.

Well, one of their forms are. It explains the frozen wasteland/tropical paradise. Their “evovled” form needs cryo suits, their “normal form” doesn’t

Was a surprise to me. Then again, I don’t run around the internet and over analyze the show.

This season started out so well. What happened? It’s falling apart.

I hate to a agree. But its once again a long slow burn (pardon the bun) that I fear is going to lead to another whimper of a conclusion. I feel like the season could have been a movie instead. Where is Chapel?!

Wrong show. Chapel is on SNW. The ending was rewritten and new scenes were shot to make it a series finale. They had already started shooting when they got the word that it was ending after season 5.

presumably on Her show, SNW?

“pardon the bun” …🍔⁉️

What’d that poor bun do for it to be in need of a pardon? 😋

This is what happens in every single season of Discovery. Two lovers who want to destroy the galaxy so they can get to paradise was the plot of season four, and now they are recycling the exact same plot for this season.

Did you watch the show. In no seasons has two lovers wanted to destroy the galaxy….Period. L’ak and Moll want to pay off their bounty. Nothing about what they are doing is about wanting to destroy the galaxy.

Outside of the destruction caused by the aliens referred to as 10-C, did any character want to destroy the galaxy let alone a couple. The only couple we had, was one person wanting peaceful means of communication to prevent destruction, while the other wanted to use force to ensure the destruction doesn’t occur. In no case does that equal people wanting to destroy a galaxy.

I can understand not liking the show, but to have such a misconstrued concept of the plot of the seasons shows a shocking lack of basic understanding of what the plot and motivations of the characters are.

I mean the show has plenty that one can find legitimate issues with. Thats not one of them.

They want to pay their bounty by giving a weapon of potential mass destruction to the Breen, thus destroying the galaxy, as seen in the time jumps last episode. They want to do that so they can escape to the Gamma Quadrant while the Breen take apart the Alpha Quadrant.

Last season the scientist wanted to let the 10-C species bulldoze the Alpha Quadrant so he could get across the galactic barrier to meet his lover in paradise, without caring what happened to trillions of other lives.

It is the same basic plot point. Your analysis is incorrect, Wood.

I think you’re overreacting a little. As always.

This episode was disappointing and fell flat. The return of the ISS Enterprise from the mirror universe was of no interest. I had hoped to possibility see a video log from Kirk, Spock, or another familiar character. Why not explore other Constitution Class Starships like the ISS Lexington, Hood, or Potemkin? Enterprise, Enterprise, Enterprise. (Sigh)

Maybe cause the enterprise is the trek ship pretty much everyone knows even if they are a new trek fan or a casual trek fan or not even a trek fan it is so engrained and intertwined with the name Star Trek that is why they chose to make it the iss enterprise instead of one of the others you mentioned

Because exploring a random ship isn’t the plot of the episode. It’s basically set dressing. Having it be the Enterprise versus a different Connie, gives it a tie to the lead character and part of her family she left behind. That it sorry wise. Another ship wouldn’t have any emotion aspect to the characters. Now production wise its to save a ton of money, as creating a random ship with multiple settings to take use of takes money (if your trying to give it the same level of production that you see for the primary ship). Now of course they could have just created a redress of an existing set to be random alien ship of the week. Those usually aren’t done to the same level of using the existing bridge set of another show. So it serves a small story purpose (ie a setting), it serves a small character purpose *reflection for Burnham, and it serves a production purpose (having high quality set pieces without having to build or do a serious redress and thus saving some money).

Seems rather obvious, to me.

I’m annoyed by what they seem to be doing with Owosekun and Detmer this season. I assume that the actors are absent because Paramount wanted to pay them less, and that’s poor treatment for characters who have been around since practically the beginning of the series.

“ I’m annoyed by what they seem to be doing with Owosekun and Detmer this season. ”

…as opposed to the previous four seasons, when all they did was sit in chairs and look meaningfully at each other?

Which is all Sulu and Chekov do in the average TOS episode. So yes, it’s aggravating for them to be replaced by other actors who are doing the same thing.

I doubt they are paid exorbitantly as recurring guests. It could be similar to what happened in season 4 and Bryce Ronnie Rowe Jr’s absences – he had another gig.

I have a theory that before it was decided that Disco would be cancelled, they were going to replace some of the characters. I think Owosekun and Detmer were going to be replaced, and also that Rayner would become captain and Burnham would go away to do something else. But then that didn’t work out, and so to us it just makes no sense why those two main characters are suddenly missing.

You might be right — I hadn’t considered that revamps due to cancellation might be involved.

Well… It is what it is . This was easily the worst episode of the 5. Tropes galore and really bad plot contrivances.

It feels like the reshoots for when they got the cancelation news are getting dropped in throughout the season. A lot of scenes appear grossly out of place. It feels like they just aren’t even trying anymore to be honest. As flawed as the show has been one thing that never came across among the other problems was a lack of trying.

I am loving the addition of Rayner and the professional Starfleet officer energy he is bringing to the ship. I also liked when he told Burnham the mission was too dangerous for the captain to go on. He is turning out to be a nice counterbalance to the unusual way Discovery has been run as a Starfleet ship after season 2.

I hope he doesn’t get killed off.

Sorry but this was another big fat ‘meh’ for me. This was very very disappointing. Nothing of consequence happened. We learn Mol and Lak backstory basically and it is cool we learn that Lak is a Breen which has been the leading theory since he showed up but it just felt sooo bare overall. Like another Discovery infamous spinning wheel episode where they do the bare minimum to move the plot along but just through a lot of action scenes and inconsequential dialogue to feel like we were getting any real development.

And the biggest elephant in the room (or dimensional wormhole) was the ISS Enterprise. Such a let down. It almost felt like a gimmick or just shoehorned fan service. There was no real reason it needed to be there other than HEY THE ENTERPRISE IS BACK!

Again one of the problems with this show, no real development just there for another connection. Think about what they did with In a Mirror Darkly on Enterprise. They brought in the Defiant as obvious fan service from TOS but the ship had a very vital part to the story. It helped changed the dynamics of the MU. It wasn’t there just for show like this was. And Anthony made a great point the redress felt like a joke. It just felt like an excuse to use the set but little else.

Here it was nothing more than just a backdrop and a really forced one at that. And the whole Saru thing just felt very contrived.

I did like all the Breen stuff though and hopefully they will be the big bad the rest of the season. I still think they should’ve used the Breen as the main villain for SNW instead of the Gorn but I digress.

But yeah this is probably the weakest one for me which is disappointing since last week is my favorite so far. I’m getting a little nervous now. It’s usually the second half of the season this show begins to falls apart but still open minded. Still enjoying it overall but please don’t end up a tedious bore like last season felt once it got to its mid season.

You have one last chance Discovery, make it count!

I never considered the Breen in SNW before, but that’s a cool idea. Yeah, I would’ve liked that much more than the Gorn.

For me it was literally the first Gorn episode I thought the Breen would’ve been a better idea. You get the same type of stories and it doesn’t feel like it’s breaking any canon like the Gorn obviously does. I ranted enough about it but nothing about their appearance on SNW feels remotely canon anymore.

But the Breen could’ve been a great substitute if they wanted a known species not named Klingons and zero canon issues.

Agreed. I always enjoyed the mysterious quality of the Breen. Seems ripe for exploration.

This season is largely working for me. Not as good as last week, but the chase is enjoyable. I have a little trouble buying that Mol and L’ak fell in love so fast. I would have liked to have seen that handled better.. but the slow burn of the plot works because of what they do to sustain individual episodes. Only episode I thought was kind of wasteful was the one on Trill.

That is a big part of the problem, yes. The characters have little chemistry.

The flashbacks took [place over an extended period of time, it wasnt THAT fast

They both felt like outcasts in their family/society, fusing them together like lightning. I had no problem with that as it gave me a Bonnie & Clyde-vibe which is historical.

It’s fine, but the romance piece just isn’t clicking for me.

Tarka was a similar situation last season with the reveal of his motivation not really moving me, but I’m also not the biggest fan of waiting several episodes to fill in a lot of backstory in a flashback. It’s not easy to pull off, and Discovery hasn’t really perfected it.

It’s a wonder I stuck with Lost as long as I did, now that I think about it.

“ it’s still the best season yet ”

Well, it was for the first two episodes, but the three since then have been a downward spiral. Seasons one and two were much better than this week’s episode and last week’s.

I’ve enjoyed it all except for the Trill episode. I think it’s been fun with a faster pace.. which has helped with a lot of issues that haven’t gone away. Raynor has been a very welcome addition to the cast.

Overall, very entertaining!

For complaints: any other constitution ship would be cool – but I also feel like we don’t know what happens next – there could be some Prime Mirror Universe people out there. & the “hit it!” joke felt like Dad was in the writer’s room.

Otherwise, I the pairings felt very TOS. Rayner is a little bit Serious Scotty when performing a captain’s role. And he took pride in rescuing her – which is feels good.

For me, this season has been 5/5.

Personal Log. Stardate: Today.

Week 4 of not-watching Discovery continues without incident. Opinions gleaned from critics on the latest episode seem to confirm that ‘mid-season malaise’ has been reached right on schedule.

Based on the collective opinion of commentators, there have been a grand total of one episode out of five that qualifies as “actually good”.

In conclusion, it appears the decision to not-watch until the penultimate episode has been vindicated. The plot points I am privy to following the one episode I watched are:

– There is a chase (or ‘The Chase 2.0’) for the Holy Grail / the technological marvel Salmone Jens left behind.

– The Cylon is now the First Officer.

– The Trill and the Robot are no longer together.

All in all, I remain confident that the recap at the beginning of the penultimate episode should be sufficient to fill in all the key points required.

Again, my thanks go out to the resolute souls who manage to endure what I could not.

these threads are for people to talk about the episodes they have seen. CLOSED.

Am I wrong or did the DS9 episode Through the Looking Glass make a reference to the Mirror Spock being on Romulus? Also given all the DS9 cross overs with the Mirror Universe you would think Burnham would have known something more about her brother’s counterpart.

Spock was not mentioned in Through the Looking Glass. We know between Crossover and the new dedication plaque of the ISS Enterprise that he reformed the Terran Empire and was killed for it. Burnham has clearly boned up on a lot of info since coming to this century, but easy to assume the future history of the mirror universe wasn’t part of that. Also, that info could have been lost or been classified.

Wow! The Breen. From CGI to burn victim.

Does anybody think the Commander Rainer is gonna become the Commandant of Starfleet Academy?

Everything involving Book is incredibly tedious. They brought back the ISS Enterprise as a way to resurrect the OG Enterprise in continuity. Perhaps it ends up as the Enterprise Q or whatever, if Saru is in command then ok. Burnham insisting on going on the away mission is diametrically opposed to how TNG dealt with this – e.g., when Riker as captain insisted on boarding the Borg cube in Best of Both Worlds, and his senior officers reminded him his place was on the bridge. I guess everyone got much dumber in the 32nd century, but “dumber” is Discovery’s whole concept.

This post missed an important Easter egg towards the end: Morn was at the bar “Red’s” just like he did on Quark’s on DS9.

We don’t call out or find every little egg, but when the bar was introduced last season we noted the Lurian (Morn’s species), who has been there ever since. We don’t usually do repeated easter egg bits for each episode

Yay! Good seeing the Breen again and their evolved design in the 32nd Century is great.

Boo! Pretty much everything else except Rayner who is the best character in the show.

Imagine they used the Star Trek: Tour set in Trekonderoga for the ISS Enterprise? What a cool surprise that would have been. But nope, we got the generic canon-breaking Discoprise. Not surprised.

I swear if they make the new Enterprise in the 3190s a refitted Constitution, I will facepalm. Just a stupid idea, when you have far superior tech and designs in the future time period. Please don’t, Disco-writers. Bad enough they did it with the Ent-G (one of my few criticisms of the great PIC S3).

here are 6 points for a reply to each of your issues with snw and dsc as a whole and this episode in particular

1.there is already a constitution class in the 32nd century it’s design was also used pre burn in the late 31st century so i dought they would refit iss enterprise like they did with the discovery plus they did say the ship was being taken to a federation storage facility

2.as for why they used the snw sets and cg assets well two reasons for one location/budget convenience as snw is shot in toronto at the same studio as dsc is and two they have said from the start they visually updated the 23rd century to fit visually better between ent era and tmp era mainly star trek 5/6

3.and there is nothing canon breaking about any of the new shows as they give explanations that tie back to enteprise and first contact since enterprise tied into that movie for the reasons of in unverse changes to the prime timeline universe and that is time travel to fix the past either on it’s own or part of the temporal cold war

4.and the temporal Cold War which later turned into the temporal wars is the reason the discovery was refited and givin the -A at the end of the registry is to hide the fact the ship and crew time traveled and broke the law agaisnt any form of time travel that was put into place after the temporal wars and a smaller part to protect starfleets butt

5.and if you have to don’t look at seasons 1 and 2 of dsc and snw as prequels to tos but as sequels to ent and then veiw ent as a sequal to first contact as i hear it makes it easier for some tos fans to enjoy these trek shows

6.or use the in universe reasons for the changes mentioned above in point 3 to be able to enjoy watching new trek shows mentioned above in point 5

Would it have been too much if Dr. Cho was instead Marlena Moreau? Just saying. Kind of like Dax in Jinaal… I feel like they are making all of these deep cuts, why not make them count a bit more to the overall lore, instead of just throwing the ISS Enterprise in with no good reason. Making these deep cuts actually count towards the overall lore might make the obvious (potential) budget cuts, set reuses, etc. be a bit more forgiving. Giving loved characters some finality that affect the course of this in our face galactic scale quest… might make it hit harder? Maybe I’m wrong, I’m sure someone here will think so lol

Overall the episode was okay. I do understand using the ISS Enterprise since this is supposed to be the final season of Discovery it was a nostalgia play and kind of wrap up the history of that ship in regards to the series. But overall it just seems kind of mashed together. Have to see how it ties in with the rest of the season.

I would say this episode along with the one before it were definitely the weakest of the season. They started out with a bang on the first few, and while I know that they tend to slow down in the middle of the season before ramping up the action for the final few, this episode dragged. There were also a few things with the Breen and the Enterprise that seemed a bit confusing:

– The Breen have 2 faces…great! Awesome twist to the species and fantastic to finally be able to see them after all the mystery around them in DS9. If the second face is supposed to be the more evolved one though, why do they need the masks and the suits? Can the more evolved face not breathe in a standard atmosphere? When L’ak and his uncle opened up their masks, they seemed fine, so there’s still quite a bit we don’t know about why they use that whole setup, especially when they’re around their own people

– Does the more evolved form extend past the face?

ISS Enterprise

– The stardate on the commemorative plaque is 32336.6. Popping that number into a couple of online stardate calculators puts that around mid-2355, which would be a few years before the prime universe Enterprise-D was commissioned in 2363. They mentioned that Dr. Cho came back to the Enterprise to hide the clue, so the assumption is that she also placed the plaque there at the same time. The timing doesn’t quite add up though because The Chase took place in 2369. Nobody would have known about The Progenitors or their technology before that, so they were at least 14 years off with the plaque

– If this Enterprise has been caught in extradimensional space since at least 2355, that means it’s been there for over 800 years by the time it’s discovered. How does it still have power?

– It’s been discussed by the Disco production team that the Discovery-era Enterprise was designed so that it could eventually be refit into the TOS Enterprise. The ISS Enterprise was contemporary with Kirk’s version and was seen on screen in TOS in that configuration. Why is the version in this episode the Discovery one? I know the real-world explanation is that it was easier to just re-use that model to align with the sets, but we saw a TOS-era Constitution class USS New Jersey at the Fleet Museum in Picard, so they had that model available to use. Just a bit sloppy

– How did Stamets immediately know that the ship exiting the wormhole was the ISS Enterprise and not a different prime Constitution class ship?

Photon Torpedo

– The solution to hold the wormhole open for the Enterprise to escape was to remove the payload from the torpedoes and replace them with antimatter. Photon torpedoes are matter/antimatter weapons, so this is a little confusing. Are they taking out the matter and just loading them with more antimatter?

I don’t know that it’s been there for 855 years.. not sure if it’s kind of like the Nexus or the black hole in Trek 09, where time does things differently. My guess is, that’s how the people on board were able to integrate into society. Their doppelgängers were long deceased.

Here’s the other thing… if the idea of revolution started with Mirror Spock, and the crew of the Enterprise more or less went along with him.. this is a way of explaining how they didn’t spread the idea to teh rest of the Empire.. they were lost in space and didn’t have much, if any, influence off of their own ship.

But they did spread the idea enough to weaken the empire to the point where it could be conquered.

Yeah I was wondering that also. It’s possible since it was extradimensional space that it didn’t put them in exactly the same time that they left. Also odd that they said Dr. Cho went BACK to the Enterprise to hide the clue. That’s a pretty risky trip unless the wormhole was more stable back in the 24th century.

It is strongly implied, if not explicitly stated, that the wormhole’s instability was caused by the Burn. So, it had to be more stable in the 24th century.

they never said that the ship would be refited into the tos version as they said those 60’s sets and ship model design would not look good or belivable as from our future with modern filming cameras they said from the start they visually updated the mid 23rd century to fit better visually between ent era designs and tmp era designs mainly using Star Trek 5/6 as the basis for the tmp era side of the designs

as for the new jersey that was just a pandering memberberry easter egg for the fans that hate the visual updates and even blass has said he objected to using the 60’s design for the ship and pointed out that it should have used the snw model for it and that it was all on terry who was more interested in filling episodes with those easter eggs and memberberries like all the stuff on daystrom station and for having data come back instead of having a brand new soong type android that was exactly as alton soong designed it to be a amalgamation of data lore lal and himself

I feel like I’m seeing the same episode over and over, what a waste this series is became.

Great episode! This season has really been fantastic so far. The writing has been consistent, the acting of the principals is fantastic, and the pacing has been great.

I really loved the scenes with Rayner in command. That worked so well!

Loved getting the backstory about Moll and L’ak – it really did add layers to their characters and their story. And the reveal that L’ak was a Breen! I never saw that coming! Was great to know more about the most underdeveloped and mysterious alien race in Trek history.

Seeing the ISS Entreprise was a treat! I am guessing it was lost quite some time after mirror Spock took over from mirror Kirk. Nice Easter Egg… better than having some unknown ship in there.

Looking forward to the remaining episodes.

Did anyone else see “Morn” (or one of his species) sitting at the bar in Red’s?

Yes, I did catch that. It was a fun detail.

Seriously, an episode doesn’t go by without at least one eye roll over the touchy feely huggy share my feeling vibe that is shoe-horned into worst places. I wonder what this series would be like if Bryan Fuller had stayed on…

It would had been .. a Star Trek show, not this happy sad feeling sharing at all costs every single time somebody speaks.

I have a question because I’m really confused:

So discovery originally was set less than a decade before ToS. (And then they ended up far in the future)

The ISS enterprise is a reference to the ToS episode about the mirror universe. So that means the ISS enterprise is a contemporary with ToS and the USS enterprise, which means Dr Cho (who was expressly stated to be Terran) was about back in Kirk’s day.

However the progenitor technology and science in general was only discovered in TNG under Picard and i think it was expressly stated that the scientists that hid this research were originally asked to research it after the discovery by Picard in the first place.

TNG is set in the 24th century but ToS is set in the 23rd century – theirs about a hundred years between them.

So I’m trying to understand the timeline here because at the moment, from what I understand, it’s a human from the 23rd century somehow became a scientist on a study in the late 24th century and then stole the research and helped hide it with her 4 pals.

No the iss enterprise entered that anomaly in the mid 24th century sometime after 2355 going by the stardate on that plaque and the ship got unstuck in time via the anomaly and the refugees and survivors of mirror Saru’s revolt ended up in the late 31st century prime verse timeline sometime prior to the burn happening and then doctor Cho who was one of those survivors returned later to the ship to hide the clue there before leaving again and never returning and wiping all references to the ship from records so that it would not easily be found

I thought for sure the Real Captain Lorca would be found in the transporters.

What a waste of an episode… filler and feelings…. Rinse and repeat

What an empty, disappointing episode. Discovery feels smaller and smaller every season.

the basic idea of the episode was already good. and it would have been really great to connect the MU and the 32nd century. in the end, however, the solution and especially the writing was weak. there could have been so much more …

what really annoys me is how owo and bryce are said goodbye with a side sentence, “so long …” and so on. the way DISCO treats secondary characters is really sad at times. there should have been much more space for a bridge member like owo … sad. again and again we are given hints of interesting background stories, but then nothing else happens. that’s really lousy. compare that to the way supporting characters in earlier series were built up into really multi-faceted carriers of stories …!!

This episode was the perfect opportunity for the series to bring back Prime Universe Lorca.

Instead of having Mirror Saru be the one that brings the ISS Enterprise from the Mirror Universe to the Prime Universe, it should have been Lorca that does it.

Additionally, they could have revealed that Lorca was STILL onboard the ship, trapped in the transporter buffer like Scotty was in Relics.

49 episodes

Charlie is a lifelong X-Men fan. Miles is a lifelong Doctor Who fan. If ANYONE can objectively rank every single episode of Star Trek on a big list, it’s gotta be the people who think that Star Trek’s ‘Pretty Decent.’ (Citation Needed.)

Casual Trek - A Star Trek Recap and Ranking Podcast Charlie and Miles

• TV & Film
• 5.0 • 3 Ratings
• APR 28, 2024

Go Nick a Starship

SHOW NOTES: Grab your popcorn, take a sledgehammer to your 80s Pan N’Scan VHS (Disclaimer: Casual Trek endorses Physical Media, just, just not Pan N’Scan) and climb into your favourite beep-chair as Casual Trek goes to the movies In Search of Spock for Star Trek III: The Search for Spock! But, we have a little B-Feature before we hit our A-Picture and so we’re also covering the other time a member of the Enterprise stole the Enterprise because the needs of the one, outweighed the needs of the many, ‘The Menagerie,’ a clever way to reuse the unaired pilot of Star Trek- ‘The Cage’ (See Episode 1 of this show) or a clever way to scrimp on some gold-pressed latinum for a series that was more expensive than it looked. Then, we go all in on ‘The Search for Spock,’ as the Casual Trek crew won’t stop raving about Christopher Lloyd’s turn as a baddie. The needs of the many outweigh the needs of the few, but sometimes, the needs of the few is to be rated and reviewed on all good podcatchers and apps! CONTENT WARNING: We talk about some very ableist tropes from a piece of 60s television. Episodes talked about: ‘The Menagerie’ (12:22) and ‘Star Trek III: The Search for Spock,’ (49:03) Miles pimps his latest appearance on ‘Breakfast in the Ruins,’ Taskmaster, DragonBall, 2000ad and the Judge Dredd movies, Miles talks about Dan Dare, The Rolling Stones, Zager & Evans, our crew talk about attending our first gigs, Did Spock just kill a guy? How ‘The Cage’ completely rewrites the message and meaning of ‘The Cage,’ 60s ableism, Pike’s gloopy make-up job, how Star Trek: Strange New Worlds has made ‘The Cage’ REALLY weird, Tendii from Lower Decks would not be happy with the portrayal of Orions, Duran Duran (Wild Boys) Some of the many, many, many classic Genre Films of 1984 (and Miles didn’t even mention the film adaptation of 1984 which came out that same year), oh, and also Repo Man. Despite his love of ‘Buckaroo Banzai,’ you see Miles remember in real time that Christopher Lloyd also appears in that film. Casual Trek does not advocate underage drinking, but at least try for better than white wine. PAN AND SCAN IS THE DEVIL. Ponn Farr, David’s death, Shatner CAN act, Utopia still needs dive bars, Bones has a Top-Five Dive Bar list, the Bones/Spock fusion, Mr. Adventure is dead now, he died in the cupboard, words Miles never thought he would ever say on this show ‘Pallette-Swapped Adric,’ Kruge is a great villain, we’re just going to talk about him a lot, better Magnificent Seven in Space films than ‘Rebel Moon.’ James Horner, Does Spock’s Return cheapen death? Miles confuses lighting with colour, What do Christopher Lloyd and Patrick Troughton have in common?

• 1 hr 42 min
• APR 14, 2024

Threshold is Lovecraftian Horror

Casual Trek has ranked 97 episodes and two movies, so we decided to do something special for when we ranked our hundredth item on our big list. It would finally be time to rank the most infamous episode of Star Trek: Voyager! That’s right, it’s Threshold! While we could fill an hour and a forty minutes talking about one episode, but rather than doing that we’ve decided to have some Trekxtra Curricular studies. As well as being the bestselling author of TekWars, William Shatner also released multiple albums. We decided to put ourselves through his first album, The Transformed Man. It was… quite an experience. You’ll also get to hear how many comic-reading quests Charlie is taking and listen to two men with almost no experience of drugs try to figure out the best Star Trek episode to watch while under the influence. We also say “Flesh” too many times early on in the show in unpleasant ways. 02:00 What non-Trek thing we’ve been enjoying: X-Men ‘97, Flesh 15:42 Star Trek: Voyager “Threshold” 56:22 William Shatner “The Transformed Man” Talking points include: Godzilla is for everyone, X-Men ‘97, X-Men: The Animated Series, Put Dire Wraiths and Rom in X-Men ‘97 You Cowards!, X-Men: The Motion Picture, Flesh (I am so sorry for the moment of Flesh), 2000AD, Charlie’s Comic Marathons, Charlie posing like Jeff Goldblum from that photo, Shako: The Only Bear on the CIA Death List, Miles’ cunning trap, Neelix was assistant to the engineer, Dunking on Lovecraft, Cronenberging, HG Wells’ The Time Machine, Miles could say pretty much anything about what happens on Blake’s 7 and Charlie will believe it, Legion of Super-Heroes’ Evolvo Lad, The Outer Limits, David McCallum, Hitchhiker’s Guide to the Galaxy, The Fly, naming your child Khaleesi, Only Fools & Horses, everything better that debuted at the same time as Shatner’s album, Snoopy music, Leslie Nielsen, SNL skits, Andrew Ryan, Shatner trying to be a playful scamp, Shit my dad says, who would be a better Cyrano? The Free Design, Miles’ record collection, The Simpsons, Ranma ½, She Lies With Angels, Miles’ choice of song to sing in the style of William Shatner, The Ballad of Bilbo Baggins, casting Alan Moore in Lord of the Rings, Charlie’s funny ears, Poirot facial hair (again). Oh, and occasionally Star Trek. Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-Lobatto Music by Alfred Etheridge-Nunn Casual Trek is a part of the Nerd & Tie Network https://ko-fi.com/casualtrek Miles’ blog: http://www.mareidlobatto.wordpress.com Charlie’s blog: http://www.fakedtales.com

• 1 hr 40 min
• MAR 31, 2024

Captain Picard’s Sexy Bald Head

SHOWNOTES Great Scott! We’ve a new season of Discovery starting this week and Miles and Charlie want in on all the possible synergy and sponsorship deals talking about BRAND NEW STAR TREK should entail. But we weren’t invited to the premier and Miles has just discovered ‘Taskmaster’ so he has no time to fly anywhere, but what they do have is the Trailer on YouTube and they spend a lot of time on YouTube. So our brave explorers have picked three episodes which might have a connection to what might happen in the show. In ‘Captain’s Holiday,’ we see Picard take the right holiday on the wrong planet, in ‘Reflections,’ Boimler and Mariner attend a Job’s Fair while Rutherford discovers he’s not the man he used to be, or thought he used to be and in ‘Minefield,’ we see Reed be THE MOST BRITISH MAN in Star Trek as we finally tackle the prequel episode to ‘Dead Stop’ (See our 2023 Halloween Episode- Holodeck of Horror’) as we prepare to hit our 100th episode episode of Star Trek next episode! Captain’s Holiday: 00:16:45 Reflections: 00:43:23 Minefield: 01:05:22 TALKING POINTS INCLUDE: Professor Benny Summerfield, Dune Part 2, how we sometimes don’t look at the knock-on effects of flops on art, Dune 2’s white saviour narrative, Christopher Walken giving no f***s, Miles’ Walken impression if lackluster, changes to Dune, Miles can’t tell what will or will not scare his wife anymore, ‘I Love Rock ‘N Roll’ WASN’T by Aerosmith? That’s news to Miles! DRINKING GAME: Take a shot every time Miles says the phrase ‘Such and Such wants to ride Picard’s Sexy Bald Head.’ Patrick Stewart has, by this point in the show, become a damn maniac, Patrick Stewart’s infidelities, less complext Farenghi, the Bill and Ted school of Time-Travelling Archeology, Patrick Stewart’s ego, Gene is complicated sexually, Miles needs to cut Twitter out, Lewis Capaldi might be the next Ed Sheeran. One more ALLAMARAINE. Jerky Tech-Bro Rutherford, Miles is very eagle-eyed when it comes to the show dropping hints, AM= After Moopsy. Fantastic Store was a Brighton-based comic shop in the 90s that sadly closed by decade’s end. Miles has made another Starbucks think they’re cursed. How the uniforms have some character to them. Charlie has played GURPS, Bowie and Waites, not great shop music, the episode stops dead as Miles and Charlie count how many episodes of Star Trek: Enterprise they’ve each recapped, Miles sings a little song, no, it’s not the theme tune to Blake’s 7. Shadey Romulan Tech (not Tek), Reed is a self-sacrificing smeghead, he’s also too British, Charlie started reading 2000ad, chunky tech and props, one of our mission statements was to find GOOD episodes of Enterprise and we have. We’ve now almost seen ONE EIGHTH of Star Trek, for better or worse.

• 1 hr 36 min
• MAR 18, 2024

Whatever Happens on the Holodeck…

Look out, the Holodeck’s malfunctioning and we’re all trapped inside! And the safety protocols have been disabled! And the holograms are self aware! Today we’re looking at the Holodeck in three different shows and all the horrors it can cause. First up is The Big Sleep, which introduces Picard as the private dick, Dixon Hill and his entourage can’t stop touching things. We also both attempt to re-create Picard’s epic speech from the end of the episode. Then we’ve got Kobayashi, where Dal tries to get through a Holodeck Kobayashi Maru with some of the best people in Starfleet (and Odo who’s not technically part of Starfleet). Finally, Bashir and a very sassy Garak play at spies in Our Man Bashir, facing death traps and their comrades who think they’re characters in a campy spy film! We also get into some musical acts who gave us psychic damage, a nemesis of the pod and use this as an excuse to talk about a rare musical track that’s featured in an episode. 00:09:54 TNG: The Big Sleep 00:40:29 Prodigy: Kobayashi 01:03:12 DS9: Our Man Bashir Talking points include: Visionaries: Knights of the Magical Light, Arnold Judas Rimmer, Dune (1984), Dune (the SyFy movie), Sting’s movie career, Lil Gator, the Pokemon Fuecoco, Dead Ringers, The Maltese Falcon, Miles’ patronising clapping, Charlie’s egg-shaped head, the facial hair of all the different Poirots, D&D novels, Macross, Reboot, Ba Weep Granna Weep Ninny Bong, LA Confidential, Blob Detective, Red Harvest, Brad Dourif, Thunderstruck, Rock Band, Maximum Overdrive, Star Wars: Rebels, Pandemic, Will Self & Gareth Gates’ musical career, Explaining The Wombles & Britpop to Americans, James Bond movies, The Man from UNCLE, Alien, LeCarre, GoldenEye. Oh, and occasionally Star Trek. Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-Lobatto Music by Alfred Etheridge-Nunn Casual Trek is a part of the Nerd & Tie Network https://ko-fi.com/casualtrek Miles’ blog: http://www.mareidlobatto.wordpress.com Charlie’s blog: http://www.fakedtales.com

• MAR 3, 2024

No Starfleet, Just Have a Jelly Baby

SHOW NOTES: Because Miles’ schedule sometimes means he has to prioritise other shows, even shows that aren’t ours, we decide to do something quick and off the cuff and we end up with one of our longest episodes, go figure. Of course, we got Miles to talk about Doctor Who, what did we think would happen because that boy goes feral pretty quickly! Mainly talking about the four recent Doctor Who specials put on in the last few months, the boys talk toot about Star Beast’s, body horror and Ncuti Gatwa’s energy before Charlie asks Miles a lot of strange and stupid questions about Doctor Who and we lose the plot and our remaining sanity really damn quickly! The Star Beast (08:19) Wild Blue Yonder (25:57) The Giggle (45:00) The Church on Ruby Road (53:10) Silly and Insane Questions (1:15:11) The music for the opening and closing is ‘Who is the Doctor’ by Jon Pertwee. Yes. Him. TALKING POINTS INCLUDE: Why Miles doesn’t want to host a Doctor Who podcast. Miles’ application of ‘Get it done and go to the pub’ theory of how to deal with any job as applied to TV Production. The struggle of ongoing media to maintain a schedule. The theatrical camp charm of Classic Who. The number of actors from the era of Television we’re talking about whose Wiki articles usually end with ‘Death from complications due to Alcoholism’ is incredibly large and no joke. The curse of Doctor Who being that Modern Doctor Who can never look cheap ever again.Drinking Game Rules for this episode: Take a shot every time Charlie says Disney Money. Two shots if he sounds vaguely contemptuous. Watching the BBC have to learn how to do effects heavy shows. Red Dwarf. Differences between ‘Doctor Who and the Star Beast’ (Doctor Who Weekly) and ‘The Star Beast’ the TV Special. The different looks about the Meep, Miles’ wife’s massive Pokemon Plushie collection (which Miles doesn’t have a problem with). Traditional 2005-2009 Who. Miles doesn’t like the 10th Doctor (SHOCK), the alien-ness of the Doctor, Capaldi and the guitar, Charlie’s inability to watch the 90s X-Men cartoon, Miles’ issues with the Whittaker-era and what they could have done, Wild Blue Yonder, Event Horizon, Sunshine, Honestly, another drinking game rule at this point, if we mention Video Box and the 90s, take a shot, what parts of Doctor Who Miles finds scary, Silent Hill 2 (a game Miles wants to play) Body Horror for Kids. Miles compliments David Tennant’s acting. Mean Monsters, Neil Gaiman-y ways of looking at the world. Miles admits Logopolis’ hard SF and entropy is silly to him. Is magic real in Doctor Who? Magic being turned into a skill tree, Brandon Sanderson, Miles goes on FAR TOO LONG about Dragonball Z Power Levels. The Giggle and how Neil Patrick Harris has ruined the name AH-MEE POND for Miles and Reanna. The Bi-Generation as a way of tying up all our baggage before new baggage, Ncuti Gatwa’s incredible energy from the word GO, The Church on Ruby Road, the Doctor’s mental health, RTD taking notes from Moffat’s beats, Charlie always has time for The Leftovers, Christopher Eccleston’s American accent game is strong both here and in Night Country, Miles’ generally aparthy towards Star Wars: Ahsoka made him start crawling back to Doctor Who, Planet of the Daleks isn’t great, but it’s fun, Charlie’s old rewatch and Morris Men ARE Evil, Miles’ own rewatch and where he’s at (FUTURE MILES here, The Myth Makers… not great) Miles and Charlie will never escape Blackface, Series 3 follies and the shows stumbling blocks that’ll never really go away until Troughton, the show’s changes for better and worse, Charlie was asked to provide insane, stupid questions and HE DOES NOT DISAPPOINT. Miles loves ‘The Mutants’ (although it turns out Charlie was actually going to be watching ‘The Sea Devils.’ Biggs Darklighter sans Porn Stache. PEDANT CORNER: The video Miles mentions that posits 50 years of American Doctor Who is here:

• 1 hr 54 min
• FEB 18, 2024

Saying ‘Borg Babies’ Again and Again Until it Loses All Meaning

We’ve been Borged! Oh no! Specifically, we’ve been I, Borged as each of today’s Borg-themed episodes are based in some way around Hugh Borg. I don’t think Borg’s his surname, but I don’t recall hearing any other name for him. First up is I, Borg from Star Trek: The Next Generation. Crusher and LaForge have a new pet and it’s a deadly Borg! A traumatised Picard’s eager to use him to do a genocide and Guinan’s with him. Oh no! Second we have Star Trek: Lower Decks’ I, Excretus where attempts to perfect a Holodeck trial lead to Boimler getting a bit too close to the Borg and some fun, awful scenarios which happen when Upper and Lower Decks have to swap. Finally there’s Picard’s Impossible Box, which turns out to be both a Borg Cube used for rehab and a puzzle box that a weird hot Romulan uses for meditation when he’s not getting way too close to his sister. Picard has a nice reunion with Hugh and there’s a Lord of the Rings Elf who’s there for some reason. 09:28 Star Trek: The Next Generation “I, Borg” 37:38 Star Trek: Lower Decks “I, Excretus” 59:44 Picard “The Impossible Box” Pedant’s Corner: Charlie is going to have to recap Star Trek: Nemesis Alice Krige’s surname is pronounced “Kree-Guh” Talking points include: Battle Angel Alita, Tetsuo: The Iron Man, Reanna being cancer free, Berserk, Joe Abercrombie, James Barclay, Elric, Picard would make a great Number Two in The Prisoner, Visionaries, X-Men: Fatal Attraction, Batman hologram trading cards, Matlock Bath’s Hologram Museum, Star Wars: Dark Droids, Whoopi Goldberg would make a great Doctor Who, a poop joke, Nemesis of the Pod Ed Sheeran, Funny Games, James VanDerBeek, not forgiving people for reminding us that Young Sheldon exists, mocking Geoff Johns’ career again, crowbarring The Legion of Super-Heroes into a recap, pesto, Grant Morrison, The X-Men’s Sentient Danger Room, being tired old men, Bond themes, Miles’ issues with James Bond, Alan Partridge, Orbital’s The Box, Evil Goth Merlin from the TV Show Merlin, Elnor is an elf ranger, Elnor has taken a level in rogue, Elnor has only seen the Lord of the Rings movies (probably not even the extended versions), Elnor saw the 90’s Three Musketeers or the Paul Anderson one, Rifts (Charlie will never run Rifts), JJ Abrams naming, weird incest siblings, Penny Dreadful, a weird The Cube room. Oh, and occasionally Star Trek. Casual Trek is by Charlie Etheridge-Nunn and Miles Reid-Lobatto Music by Alfred Etheridge-Nunn Casual Trek is a part of the Nerd & Tie Network https://ko-fi.com/casualtrek Miles’ blog: http://www.mareidlobatto.wordpress.com Charlie’s blog: http://www.fakedtales.com

• 1 hr 31 min
• © Charlie and Miles

Customer Reviews

Star trek doesn’t have to be your personality.

Smart and extremely funny podcast with two charming hosts who understand Star Trek, but purposefully do not make it their whole personality. Each episode picks a theme and reviews three episodes that fit that theme, the hosts engage with the material and rank the episodes on a massive list. Great show!

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