alquin on tour cd

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• Manufacturer ‏ : ‎ Polydor
• Date First Available ‏ : ‎ May 4, 2010
• Label ‏ : ‎ Polydor
• ASIN ‏ : ‎ B003KL1Q2C

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A live release by alquin, release year: 1976.

Performer Credits

• Discography

Release History (Labels)    1

Release information.

• Sunrise Wake Up
• La Rendez Vous
• High Rockin'
• Amy I Wish I Could
• Wheelchair Groupie

1999 Reissue Bonus Tracks:

• Revolution's Eve

Reviews   0

Discography click to expand...close, studio releases 6.

1975 - Nobody Can Wait Forever 

1976 - Best Kept Secret 

2005 - Blue Planet 

2009 - Sailors and Sinners 

Live Releases 2

1976 - On Tour

2003 - One More Night [CD]

Compilations 10

1976 - Crash

1990 - Marks/ Mountain Queen

1990 - Nobody Can Wait Forever / Best Kept Secret

1999 - Wheelchair Groupie

1999 - 3 Originals

2002 - The Universal Masters Collection

2005 - The Ultimate Collection

2008 - 50 Jaar Nederpop

2012 - The Marks Sessions

2016 - The Golden Years of Dutch Pop Music

Video Releases (DVD/Blu-Ray/VHS) 1

2003 - One More Night [DVD]

Singles And EP's 4

1973 - You Always Can Change/ Hard Royce

1975 - Wheelchair Groupie / Mister Widow

1976 - Fool in the Mirror/Bootlegs Ballet

2003 - Sweet Surrender

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Alquin On Tour

Polydor 1976, fonos lp-9497, 1 september 2009.

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Het debuutalbum van Alquin, Marks (1972), wordt zeer goed ontvangen. In 1973 staat de groep op Pinkpop en komt hun tweede plaat uit: The Mountain Queen . Daarop o.a. twee stukken sfeervolle symfonische muziek van bijna een kwartier. Een jaar later vinden er belangrijke bezettingswisselingen plaats en schuift de muziek op in de richting van meer rockachtige songs. De nieuwe koers lijkt aan te slaan, want ineens heeft Alquin een kleine hit, Wheelchair Groupie , afkomstig van het album Nobody Can Wait Forever (1975). Het nieuwe geluid komt vooral door de prominente inbreng van zanger Michel van Dijk. Met hem heeft de groep uit Delft een professionele muzikant binnengehaald, die al vanaf zijn veertiende in bandjes zingt. Hij is dan ook bijna een veteraan als hij bij Alquin begint. Ga maar na: in 1966 zingt hij bij Les Baroques, daarna bij Ekseption, vervolgens bij de groep Amsterdam en tenslotte bij Brainbox (als opvolger van Kaz Lux). Na het vierde Alquin-album Best Kept Secret worden de muzikale meningsverschillen te groot en besluit de groep ermee te stoppen. Hoe de band in die tijd live klinkt, is goed te horen op de langspeler Alquin On Tour (1976), met materiaal van hun vier voorafgaande albums. De plaat opent met het symfonische Sunrise, dat vanzelf overgaat in het rockende Wake Me Up , om maar aan te geven dat Alquin goed is in zowel lang uitgesponnen melodische thema’s als flink rockende songs. Zo staan er nog twee lange sfeervolle stukken op, The Dance en I Wish I Could . Maar ook hun hitje Wheelchair Groupie . Het album is opgenomen met een 16-sporenrecorder en klinkt daarom bijna als een studioregistratie. Deze kwaliteit en de muziek maken Alquin On Tour tot een imponerend tijdsdocument uit de jaren zeventig. Vijf van de zes muzikanten uit 1976 vormen het huidige Alquin. Of ze live nog steeds zo goed zijn, kun je binnenkort zelf checken: vanaf oktober gaat Alquin weer uitgebreid toeren. Alquin On Tour is als een van de weinige Alquin-albums niet meer te krijgen. Gelukkig is er de website www.fonos.nl. Bij deze online winkel van het Nederlands Instituut voor Beeld en Geluid kun je cd-versies krijgen van albums van Nederlandse artiesten die niet meer leverbaar zijn via de regulaire handel. OSCAR SMIT

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‘Don’t Forget Me’

Nora and Nathan review the latest release from Maggie Rogers and discuss how her sound has evolved since ‘Heard It in a Past Life’

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Nora and Nathan are here to break down the third album from Maggie Rogers, Don’t Forget Me . They talk about how the fact that the album was written over the course of five days impacted its sound (1:00), how she’s moved away from the electronic sounds of Heard It in a Past Life and toward the sounds of Linda Rondstadt and Sheryl Crow (32:05), and how her friendships play a major role on this record (48:01).

Hosts: Nora Princiotti and Nathan Hubbard Producer: Kaya McMullen

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Anitta Announces Dates For 2024 Baile Funk Experience Tour

The 20-date global trek includes Anitta's first-ever North American leg.

By Leila Cobo

Chief Content Officer Latin/Español, Billboard

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Brazilian superstar Anitta announced her Baile Funk Experience Tour on Monday morning (April 8), a global swing that includes her first-ever North American trek.

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The fact that this will be Anitta’s first bona fide tour outside Brazil may surprise fans, as the singer seems to be everywhere all at once. In 2022, she became the first female Brazilian act to perform at Coachella, and at the end of 2023 she headlined TikTok’s in the Mix, playing for 17,000 fans at Sloan Park in Mesa, AZ. She also closed out the year with her hit “Bellakeo” alongside Peso Pluma, which has spent 14 weeks on the Billboard Hot 100, peaking at No. 53.

The tour will follow the release of Anitta’s new album,  Funk Generation , due out on April 26 via Republic Records/Universal Music Latin Entertainment.

Funk Generation  follows Anitta’s three-track bundle,  Funk Generation: A Favela Love Story,  which was released in 2023 as a precursor to the new album.

Baile Funk Experience

May 18 — Mexico City, MX @Salon LA

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June 1 — Chicago, IL @ Byline Bank Aragon Ballroom

June 2 — New York, NY @ Brooklyn Paramount

June 7 — Bogota, Colombia @ Lourdes Music Hall

June 9 — Lima, Peru @ CCB

June 14 — Santiago, Chile @ Basel

June 16 — Buenos Aires, Argentina @ Vorterix

June 26 — Amsterdam, Netherlands @ Melkweg

June 28 — London, UK @ O2 Kentish Town Forum

June 29 — Paris, France @ Elysee Montmartre

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July 4 — Barcelona, Spain @ Razzmatazz

July 7 — Milan, Italy @ Fabrique

July 8 — Ibiza, Spain @ Pacha

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Uruguayan singer-songwriter Jorge Drexler is embarking on his first tour of Europe

Uruguayan singer-songwriter Jorge Drexler is embarking on his first tour of Europe, describing it as being like a “first date.” (April 12)

Uruguayan singer Jorge Drexler poses during an interview with The Associated Press in Madrid, Spain, Wednesday, April 3, 2024. (AP Photo/Manu Fernandez)

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Uruguayan singer Jorge Drexler attends an interview with The Associated Press in Madrid, Spain, Wednesday, April 3, 2024. (AP Photo/Manu Fernandez)

MADRID (AP) — Capitalizing on an impressive moment in Spanish-language music, Uruguayan singer-songwriter Jorge Drexler is embarking on his first tour of Europe.

“Even Don Quixote didn’t get as far as urban Spanish-speaking music is getting today in the world. You can go everywhere and you will find music that was written in Spanish,” he told The Associated Press in an interview. “I’m happy to see that (Spanish) opens doors to places that I never thought that we could get before.”

His award-winning latest album, “Tinta y tiempo” (“Ink and time”), earned him four of his 13 Latin Grammy Awards, part of a haul that includes an Oscar.

On his tour Drexler will perform live for the first time “Derrumbe,” a song about the loss of love that he rescued from his notes. The song was included in the 2021 TV show “Todo va a estar bien”.

The European tour will be more intimate than the shows of recent years, with voice, guitar and an open repertoire — a “first date” with an audience that Drexler expects will be seeing him for the first time.

“I have always looked West,” he said, with performances in the United States, Canada, Mexico and elsewhere. “I have so much work in that part of the world that I didn’t look East enough.”

He looks forward to seeing some European cities for the first time and visiting others such as Paris and Berlin after many years. The tour will take him to Denmark, Ireland, Italy and Sweden, among other countries.

After the tour ends in mid-June, he will return to the leather armchair in his studio in Madrid to sit with a guitar and a blank piece of paper and “try to get lucky.”

But as his repertoire grows, songwriting becomes more complicated because “the more you release, the more space that occupies in your brain,” Drexler said.

“Once you’ve written 200 or 300 songs, each and every new song has to open a little space,” he said.

Resorting to artificial intelligence is not an option, at least for now. He tested ChatGPT and, although the result “was perfectly written, from a syntactic, orthographic point of view,” it lacked poetry.

“I like biographies and I like songwriters, and I like to get to know the personality of a person. And I like the mistakes that guide you through unexpected places. So, I still prefer songs written by human beings,” he said.

Drexler also enjoys collaborations in the creative process, such as the ones with C.Tangana , Rubén Blades , or Noga Erez in his previous album.

“It’s a relief for me, it relieves me from myself,” he said. “My worst enemy when it comes to writing is my past, my obsessions, the way I work. It’s what I am. And I’m happy to show it, but at the same time, it’s a big, big burden.”

In collaborating, there are no restrictions in the kind of music or the generations that listen.

“I don’t think that the music we did in the past was the (good) music, like most of my generation,” Drexler said. “(I’m) more interested in the music that my 12-year-old daughter listens to than the one that my generation used to listen to. So I try to be open to different things.”

This story has been updated to correct the number of Latin Grammys Drexler won for the album Tinta y tiempo” (“Ink and time”) and removes a reference to the song “Derrumbe” being new.