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Rabbit Rabbit Asheville | Asheville, NC

Orville peck - stampede tour, red hat amphitheater | raleigh, nc, orville peck - stampede tour.

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Skyla Credit Union Amphitheatre | Charlotte, NC

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Cadence Bank Amphitheatre at Chastain Park | Atlanta, GA

Meadow brook amphitheatre | rochester hills, mi, the andrew j brady music center | cincinnati, oh, holliday park | indianapolis, in, the vogue | indianapolis, in, armory | minneapolis, mn, byline bank aragon ballroom | chicago, il.

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The Sylvee | Madison, WI

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Stone Pony Summer Stage | Asbury Park, NJ

The anthem | washington, dc, artpark outdoor amphitheater | lewiston, ny, orville peck - the stampede tour, budweiser stage | toronto, on, ubc - doug mitchell thunderbird sports centre | vancouver, bc, midway | edmonton, ab, riverfront park | harrisburg, pa, the factory | st. louis, mo.

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Fillmore Auditorium (Denver) | Denver, CO

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The Union | Salt Lake City, UT

Hayden homes amphitheater | bend, or.

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Chateau Ste Michelle Winery | Woodinville, WA

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Bill Graham Civic Auditorium | San Francisco, CA

Hollywood palladium | hollywood, ca, cal coast credit union open air theatre at sdsu | san diego, ca, mesa amphitheatre | mesa, az, mgm music hall at fenway | boston, ma.

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The Met Presented by Highmark | Philadelphia, PA

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Brooklyn Paramount | Brooklyn, NY

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Orville Peck Announces 2023 Tour Dates - Cities & Ticket Info!

Orville Peck is hitting the road!

The Bronco country music star is back touring in 2023 with brand new tour dates for spring, along with co-starring in My Kind of Country , a new music competition series arriving on Apple TV+ on March 24.

After touring last year across the globe, he returns this April in North America with an intimate headline tour, kicking off on April 10 in Knoxville, Tenn. at The Mill & Mine and hitting stops in the Southeast and Midwest before closing out on April 20 in Birmingham, Ala. at Iron City.

Tickets go on sale Friday (January 27) at 10:00 a.m. local time at ticketmaster.com .

Click inside to read more…

ORVILLE PECK 2023 TOUR DATES

4/10 Knoxville, TN The Mill & Mine 4/11 Asheville, NC Harrah’s Cherokee Center 4/12 Athens, GA Georgia Theatre 4/14 Richmond, VA The National 4/15 Norfolk, VA The Norva 4/16 North Charleston, SC High Water Festival 4/18 Louisville, KY Old Forester’s Paristown Hall 4/19 Memphis, TN Minglewood Hall 4/20 Birmingham, AL Iron City

Find out which other music acts just announced tours in 2023!

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Orville Peck Announces North American 'Stampede Tour' Ahead of Willie Nelson Collaboration

By Laura Ord

Link copied

Masked country music sensation Orville Peck has been making moves left and right, most notably signing to Warner Records.

“I am incredibly happy to be joining the Warner family and getting back on the road this year,” he shares. “I feel happier and healthier than I’ve ever been, and I’m excited to start this new chapter.”

On Monday (April 1), Peck unveiled his first release on the label, ‘Cowboys Are Frequently Secretly Fond of Each Other’, a collaboration that will feature country icon, Willie Nelson.

The track will also maek Peck’s first release since his sophomore album, Bronco , in 2022.

Along with the announcement of new music comes a new run of North American tour dates for the hitmaker, whose Stampede Tour will begin in May and run through October. The trek will also include rescheduled dates from last summer.

Starting in Asheville, NC, the massive 45-date tour will traverse across the U.S. and into Canada before concluding in Brooklyn, NY with two-nights at the Paramount Theater.

Durand Jones, Debbii Dawson, The War and Treaty, Goldie Boutilier, Jamie Wyatt, Gold Star, Nikki Lane, Emily Nenni and Vincent Neil Emerson are slotted to serve as special guests on select dates.

Tickets will be available for general on-sale April 5th at 10am local time.

For more on Orville Peck, see below:

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The Official UK Radio Country Airplay Chart

Tattoo Artist

Oliver Peck

Oliver Peck is an artist whose whole life revolves around tattooing. He began tattooing when he was just 19 years old in his hometown of Dallas, TX and has perfected his precise and traditional tattooing style making him one of the best and well-known ‘old school’ American style artists.

In 2008, Peck tattooed his way into the Guinness Book of World Records when he completed 415 tattoos of the number 13 in a consecutive 24-hour period. He is one of the most traveled tattoo artists on the circuit, tattooing all over Europe including England, Ireland, Italy, Germany, Sweden and Norway and in the Far East, including Japan and Thailand.

Peck is co-owner of Elm Street Tattoo in Dallas, TX and the owner of True Tattoo located in Hollywood, CA.

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Oliver is typically only available by appointment. To get on his wait list or inquire about conventions email [email protected].

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Orville Peck Was Scared of the Sophomore Slump. With ‘Bronco,’ He Became Fearless

After going through a "serious depression" during the pandemic, Peck found inspiration in Merle Haggard and confessional songwriting.

By Stephen Daw

Stephen Daw

Pride Editor

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In 2019, Orville Peck was the name on everyone’s lips. A gay country singer who only appeared wearing a fringe-covered mask, Peck captured the attention of the industry with his debut album Pony , as well as his follow-up EP  Show Pony , proving himself as one of the fastest-rising alternative country acts of the last decade.

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And then the pandemic happened. “I went into a really dark, serious depression for four or five months,” Peck tells Billboard  of the early days of the COVID-19 lockdown. “I just decided to overhaul my whole life right then, and I debated the idea of even continuing to make music or do a second album.”

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Struggling with the idea of the “sophomore slump” and feeling anxious about his ability to live up to his own high standards, Peck says he found himself listening to music that offered him some “nostalgic familiarity,” like Merle Haggard, Jefferson Airplane and Pink Floyd. Suddenly, the light bulb came on.

Two years and a lot of songwriting later, Peck is ready to show off  Bronco , his unruly, wide-ranging second album (out now via Columbia Records). Spanning 15 songs and three mini “chapter” releases, the star’s sophomore effort sees the crooner taking bigger swings within his genre, as well as embracing a deeper, confessional songwriting approach, while also managing to keep his high-camp cowboy aesthetic fully intact. “To be honest, it’s my favorite thing I’ve ever done,” he says. “And it’s the first thing I’m genuinely proud of in my life.”

Trending on Billboard

Below,  Billboard  chats with Peck about reshaping his approach to songwriting, the cultural shift of queerness in country music within the last three years, and how his work with stars like Lady Gaga, Harry Styles and Beyoncé helped him find validation.

You did a lot during the pandemic: you covered “Born This Way” for Gaga’s anniversary album , you opened for Harry Styles at his “Harryween” Madison Square Garden shows, and you worked with Beyoncé for her Ivy Park Rodeo line. What is that like for you to work with all of these massive artists?

It’s been amazing. It was really just a string of really … I don’t know, I guess I’m not someone who would normally find validation in stuff like that, and I actually wish that I could a bit more, because it perpetuated a pattern of me being really hard on myself. But that string of a few months, when Gaga reached out, and Beyoncé, and these people that are so undeniably iconic in this industry and people that I’ve always looked up to … just them not only knowing who I am, but being a fan of what I do and wanting to work with me, it was very affirming. It erased a lot the remaining imposter syndrome that I think I had with all that quick amount of success. I would be lying if I said that it wasn’t a wonderful boost to my confidence. It honestly helped set me up for a lot of the confidence that’s on this album in a lot of ways.

You’ve talked a lot about how you were inspired by ’70s country and California psychedelic rock when putting Bronco  together. What was it about those genres that spoke to you?

Before the pandemic hit, I had an idea of what my second album was going to be. And that idea was actually largely based on, I suppose, a lot of fear and anxiety about the whole sophomore slump thing, and the fact that I knew  Pony  had gained me all of my success. I was really nervous that I wasn’t going to make something as good as  Pony , and I was really nervous about what other people were going to think. My mind was in the completely wrong place for writing an album — worried about other people’s opinions and the pressure I was putting on myself.

When the pandemic hit, I went into a really dark, serious depression for four or five months — I was in a really bad situation relationship-wise and in my personal life, and I was just really unhappy and not at all in a good place. I kind of just decided to overhaul my whole life right then, and I debated the idea of even continuing to make music or do a second album. What actually came out of that is I started remembering the things I loved about making music; when I was a teenager, the thing that brought me a lot of comfort was music. So I started listening to a lot of the music I listened to in high school and that I hadn’t listened to in a long time — Bakersfield artists like Merle Haggard, and a lot more of the folk, ’60s & ’70s side of country, as well as a lot of California psych like Jefferson Airplane and The Mamas & The Papas, even some Pink Floyd, just going back to some bands I haven’t listened to in a long time and looking for some comfort and that nostalgic familiarity to comfort myself. At the same time, I was using songwriting for the first time in years as a kind of cathartic release, so I think the combination of those two things sort of influenced one another. I started to write these very sincere, almost therapeutic, diary-like songs, with the sound being influenced by that era of music that I had revisited.

It struck me how vulnerable the lyrics were on songs like “Let Me Drown” and “The Curse of the Blackened Eye.” Was that a tough active shift to make while in the writing process?

Oh, yeah! I was really nervous about it, but that anxiety only came after the fact, weirdly. I suddenly realized I had an album on my hands, and then I suddenly thought, “Oh God, that means people are going to hear this stuff.” There’s a song on the album called “City of Gold” that I actually had no intention of putting on the album, only because I wrote that song in my bedroom as something for myself, I suppose, to release some stuff. I thought it would never see the light of day because I felt so exposed. But, when we decided that we liked the melody, I played it for the band. I told them, “I’m gonna change all the lyrics and I wanna put all these big instruments on it so it’ll be this big song,” and they were all like, “No, I think it’s pretty good as it is.” I was like, “No, it’s too mortifying!” But when we got to the studio, Jay Joyce, the producer, said the same thing and was like, “Why don’t we just try it once, sit down with the acoustic and play it over and over until you feel like you’re in your bedroom and no one is listening.” And, of course, that final take is the one that made it onto the album — it’s one live take, and me getting to a place where I wasn’t feeling any insecurity and was fully vulnerable, which needed to happen.

I’ve always been fascinated with the contrast between your emotional vulnerability as a songwriter, and the lens of high-drama, camp, queer aesthetic you render all of your work through. Is it a balancing act, trying to achieve both of those goals at once, or do you feel they complement one another?

I think they absolutely complement one another. I’ve always been more interested in the intersection of performance and sincerity; it’s always my favorite place to make art from, and my favorite kind of art that has always captivated me. Some people think that, in order to be sincere, something can’t also be showy and performative. For me, I think it’s actually when you combine those two things that it almost becomes the most sincere. All of the kind of extra stuff I put on top of the sincerity is still coming from an authentic place — all of it is just me being myself. If it’s authentic, then they are completely complementary, and it’s pretty obvious when it’s not authentic. Instead of whispering who I am, I’m screaming it.

Bronco  is also a great title, continuing the theme from Pony  and  Show Pony.  Do you see yourself keeping that streak going with future albums?

Yeah! I’m someone who believes in evolution as an artist, and I never want to stick myself into any sort of boundaries — so the short answer there is I don’t know if it’ll be a continuous theme, but it’s my suspicion that I am gonna go along with that, at least for now. I found a useful way to title my albums that can express and represent what part of life I’m at. That’s the process with it — with Pony,  this was my first, lonely, frightened little album, and then  Show Pony  was my glitzy attempt at confidence, and now  Bronco  is all about breaking free and being untamed and unrestrained. Who knows what the next one will be?

I have to imagine that it helps almost as a sort of writing prompt, as well.

Totally! I’m also really deliberate about what I do, and always thinking within the terms of my legacy as an artist, and I don’t like anything to be sort of flippant. Musically, aesthetically, it’s all brought with a lot of intention.

The marketing strategy of this album has been really fascinating — why did you decide to roll  Bronco  out in a series of four-to-five song chapters?

Well, when the album was finished and I sent it to the label, we were trying to figure out what the singles would be in the traditional rollout structure where you release maybe one or two. Everybody had a different favorite song, and even those opinions would change all of the time, which is a lovely compliment to the record and its sonic diversity. I felt like, if we put out one of those on its own, it wouldn’t be able to tell the story of the entirety of the album, because it is intended to be played as an album. So the strategy became a situation where we would deliberately pick certain songs and release them in chapters so that each chapter could help progress the vibe and the story of the album to people. It also became our sneaky way of sort of forcing people to listen to it, rather than just throwing a single out there and then dropping a full album two months later. It didn’t feel like that typical process would do it justice, I wanted people to sit and listen to each song carefully.

The other thing that helped with forwarding the narrative with the album were the incredible videos you’ve put out with Austin Peters. I love seeing an artist and director become regular collaborators with music videos — what about Austin made you want to keep working with him?

Austin has become one of my best friends ever since I worked with him on “Queen of the Rodeo,” and we totally see eye-to-eye on our aesthetics and our references. We work in such a shorthand, I never feel like I have to compromise with him. It’s so easy that it just felt right to have him to do all of these videos with me. Plus, that way, we were able to map out and keep a continuity through all of the videos. It’s keeping it all within the same idea of the chapters and the rollout strategy — I wanted everything to feel coherent in telling the story of this album. To be honest, it’s my favorite thing I’ve ever done, and the first thing I’m genuinely proud of in my life.

Since you last put out an album in 2019, a lot of the cultural landscape has shifted for queer artists — obviously Lil Nas X has become this cultural phenomenon, but we’ve also seen traditional country artists like T.J. Osborne coming out and maintaining their position in the Nashville scene. What’s that like for you to watch as an openly queer person working in the country scene?

It’s really great. Not just with queerness, but also with race and gender and all different kinds of things, there is this big reckoning that’s happening in country music specifically that has been long overdue. The thing that’s really beautiful to watch is that there are a lot of us in country music who, for some reason or another, were marginalized or left out of the industry, either for our sexuality or our gender or the color of our skin. I think we’ve gotten to a point where the machine of country music is slowly starting to accept and is being forced to realize that, not only do we all have seats at the table already, but that listeners want us there, and they want to hear our stories. We do belong in these spaces — not only do they want us there, but they genuinely love having us.

I mean, we are essential artists to the genre; we sell out tours, we sell records, and I think it probably took that level of capitalist acknowledgement for the industry to accept it, which is no surprise. It’s s–tty, but it’s what it is. At the same time, it’s very affirming. The more T.J.s and the more Mickey Guytons and the more Brandis and all of these other people who are going and telling their stories authentically without apology there are, the more it’s going to inspire more people to come out and be themselves in country music, and know that there is room for them at the table. It just takes a few people to show that, so I think it’s beautiful. There’s still a lot of work to do, but it’s definitely a totally different landscape than even just a couple years ago.

I love that  Bronco  is practically built to be played live — you’re heading out on tour next week, are you excited to bring this to a live audience?

Oh, for sure — we recorded almost all of the tracks in a style that is meant to be live off the floor, because we wanted to capture that live essence. So, yeah, they are written to be played live, and I’m so excited because it’s been literally years since I’ve gotten to play new material live, and I just don’t know what to expect. I wish I had a better answer for what people can expect from this tour, but the exciting part is that I don’t even know because we’re all going to be experiencing this for the first time together, us and the audience. I’m just really stoked to see which songs give what effect. I’m so, so excited.

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Orville Peck Sets Release Date for Collaborator-Stacked Duets Album ‘Stampede Vol. 1'

Orville Peck's third studio album is coming in hot and the country musician is staying true to its title. Stampede Vol. 1 will be released on May 10, featuring a full slate of duets with appearances from Elton John, Noah Cyrus, Midland, Allison Russell, Nathaniel Rateliff, Bu Cuaron, and Willie Nelson.

On Instagram, Russell commented beneath Peck's unveiling of the featured guest across the record, writing: "So delighted to be a part of this with you & all these luminaries @orville "

Stampede Vol. 1 will arrive just weeks before Peck kicks off the previously announced Stampede tour. The trek will make stops throughout North America beginning on May 28.

Peck first previewed Stampede Vol. 1 with a special collaboration with Nelson, "Cowboys Are Frequently Secretly Fond Of Each Other." In a recent interview with Rolling Stone , the musician discussed working with the country legend to cover the Ned Sublette classic.

"Willie kept talking about how the subject matter in this song was more important than ever. He wanted it to have a new life with the two of us," Peck shared. "With all the rhetoric surrounding the LGBTQIA+ community these days, it is so encouraging to have real allies like Willie that aren't afraid to stand proudly next to us."

The album will mark Peck's first since 2022's Bronco . "I took a break from last year to focus on myself, and even though it was a difficult decision at the time, I'm so happy I did," the musician told Rolling Stone earlier this month. "I feel healthier and happier than I've ever felt in my life, and I cannot wait to get back on the road."

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Orville Peck Sets Rodeo at Red Rocks With John Waters

By Jon Freeman

Jon Freeman

Orville Peck will anchor a multi-artist special event at Colorado’s Red Rocks Amphitheatre this summer. Peck’s Rodeo at Red Rocks, set for July 22nd, will feature performances from the masked singer as well as Yola and Charley Crockett , plus hosting duties from Pink Flamingos writer-director John Waters .

The Rodeo at Red Rocks accompanies a slew of other live dates Peck has announced for his Summertime Tour. That trek gets underway July 20th in Casper, Wyoming, with additional stops in Salt Lake City, Cheyenne, and a two-night engagement in Davenport, Iowa. Peck will also perform at festivals including Under the Big Sky, Lollapalooza , and Hinterland. Tickets are on sale now.

I can’t believe I’m getting to announce my first set of tour dates in over a year. Summertime tour begins July 18th! Tickets for all shows go on sale Friday morning – find all ticket info at link in bio 🐎🐎🐎 pic.twitter.com/JDxdXCK86b — Orville Peck (@orvillepeck) June 2, 2021

Early in May, Peck teamed up with singer-entertainer Trixie Mattel for a playful cover of Johnny Cash and June Carter Cash’s duet “Jackson.” The track appears on Mattel’s Full Coverage, Vol. 1 EP alongside versions of Cher’s “Believe,” Violent Femmes’ “Blister in the Sun,” and Lana Del Rey’s “Video Games.” Peck’s latest release is the 2019 EP Show Pony , which included the Shania Twain duet “ Legends Never Die. “

Orville Peck Summertime Tour dates:

July 20 – Casper, WY @ the Beacon Club July 22 – Morrison, CO @ Red Rocks Amphitheatre July 23 – Salt Lake City, UT @ Sandy Amphitheater July 24 – Cheyenne, WY @ the Chinook at the Terry Bison Ranch July 30 – Columbia, MO @ Rose Park July 31 – Davenport, IA @ Raccoon Motel August 1 – Davenport, IA @ Raccoon Motel August 6 – Madison, WI @ the Sylvee

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Orville Peck announces headlining tour + to release new song w/ Willie Nelson tomorrow 4/5

Posted by Logan White | Apr 4, 2024 | News | 0 |

Orville Peck has announced his upcoming “North American Stampede” headlining tour. The announcement comes alongside the news of his signing to Warner Records and the reveal that his new single with Willie Nelson, “Cowboys Are Frequently Secretly Fond of Each Other,” will be released tomorrow, April 5th.

“ I am incredibly happy to be joining the Warner family and getting back on the road this year ,” says Peck . “ I feel happier and healthier than I’ve ever been, and I’m excited to start this new chapter .”

The “Stampede North American” tour — which also includes rescheduled dates from his Summer 2023 tour — will kick off in Asheville, North Carolina on May 28th, continuing on to make stops in Atlanta, Chicago, Los Angeles and more before wrapping up in New York City on October 19th and 20th.

Citi Card members have pre-sale access to tickets until tonight, April 4th at 10pm local time here . Additional pre-sales are also running until public on-sale tickets begin tomorrow, Friday April 5th, at 10am local time here .

“Cowboys Are Frequently Secretly Fond Of Each Other” is the first new release from Peck since dropping his acclaimed sophomore album, Bronco , in 2022. A wholly original storyteller, the masked star’s music has always pushed boundaries and defied expectations. In 2019, Peck ‘s self-produced debut album Pony won rave reviews and delivered the singles “Dead of Night”and “Take You Back.”

Tour dates :

5/28 — Asheville, NC — Rabbit Rabbit *^

5/30 — Raleigh, NC — Red Hat Amphitheatee *^

5/31 — Charlotte, NC — Skyla Credit Union Amphitheatre *^

6/1 — Atlanta, GA — Cadence Bank Amphitheatre at Chastain Park *^

6/3 — Columbus, OH — KEMBA Live! – Outdoor *^

6/4 — Rochester Hills, MI — Meadow Brook Amphitheatre *^

6/5 — Grand Rapids, MI — TBA *^

6/7 — Cleveland, OH — Jacobs Pavilion *^

6/8 — Cincinnati, OH — The Andrew J Brady Music Center *^

6/9 — Indianapolis, IN — Rock the Ruins *^

6/11 — Minneapolis, MN — The Armory *^

6/13 — Chicago, IL — Byline Bank Aragon Ballroom *^

6/14 — Madison, WI — The Sylvee *^

6/29 — Asbury Park, NJ — The Stone Pony Summer Stage #

6/30 — Washington, DC — The Anthem +#

7/1 — Lewiston, NY — Artpark Outdoor Amphitheater +#

7/3 — Toronto, ON — Budweiser Stage +#

7/4 — Ottawa, ON — Ottawa Bluesfest

7/8 — Vancouver, BC — Doug Mitchell Thunderbird Sports Centre #

7/10 — Edmonton, AB — Midway #

7/11 — Edmonton, AB — Midway #

7/14 — Winnipeg, MB — Winnipeg Folk Festival

7/27 — Newport, RI — Newport Folk Festival

7/28 — Harrisburg, PA — Riverfront Park ~%

7/30 — St. Louis, MO — The Factory ~%

8/1 — Kansas City, MO — GrindersKC ~%

8/2 — Saint Charles, IA — Hinterland Music Festival 

8/3 — Omaha, NE — The Admiral ~%

8/5 — Oklahoma City, OK — The Jones Assembly ~%

8/6 — Santa Fe, NM — Santa Fe Brewing Company ~%

8/8 — Denver, CO — Fillmore Auditorium ~%

8/9 — Salt Lake City, UT — The Union Event Center %

9/24 — Bend, OR — Hayden Homes Amphitheater @!

9/25 — Woodinville, WA — Chateau Ste. Michelle Winery @!

9/27 — San Francisco, CA — Bill Graham Civic Auditorium @!

9/28 — Los Angeles, CA — Hollywood Palladium @!

9/29 — Los Angeles, CA — Hollywood Palladium @!

10/1 — San Diego, CA — Cal Coast Credit Union Open Air Theatre at SDSU @!

10/2 — Phoenix, AZ — Mesa Amphitheatre @!

10/16 — Boston, MA — MGM Music Hall at Fenway @&

10/18 — Philadelphia, PA — The Met presented by Highmark @&

10/19 — Brooklyn, NY — Brooklyn Paramount @&

10/20 — Brooklyn, NY — Brooklyn Paramount @&

* With Durand Jones

^ With Debbii Dawson

+ With The War And Treaty

# With Goldie Boutilier

~ With Jaime Wyatt

% With Gold Star

@ With Nikki Lane

! With Emily Nenni

& With Vincent Neil Emerson

Italics indicates later on-sale date

About The Author

Logan White

Logan loves talking about music and when he's not doing that, he's probably watching Netflix, watching his cats do cat things, or sleeping.

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Tour Country Star Orville Peck’s Los Angeles Tree House

By Gabriela Ulloa

Photography by Jenna Peffley

Styled by Paige Wassel

All products featured on Architectural Digest are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

On an unassuming street, tucked in one of Los Angeles’s many canyons, sits a hidden tree house. And somewhat surprisingly, it’s owned by a cowboy who just so happens to be a consummate host. But to country music star Orville Peck, it’s just home.

“To be honest, I never thought I’d be able to own a house,” says the artist, known for his soulful voice and eye-catching masks. (His fifth-annual rodeo is set to take place November 10–November 12 in Pioneertown, California.) “But when I saw this [place], it felt absolutely perfect.” Orville Peck—who’s dedicated his career to championing the LGBTQ+ community through crafting safe spaces for conversations, advocacy, and celebrating joy—is an icon to many, as someone who is making room for change in a historically conservative genre.

At home, Peck makes sure to surround himself with dear friends. It’s therefore no huge wonder that finding a place where he could entertain was most definitely non-negotiable. Whether he’s lending it to others for business meetings, throwing his friend a wedding reception, or being entrusted to plan an epic party, it’s clear that Peck is intent on getting use out of his idyllic lodge. “I’m just so genuinely proud of this space,” he reflects.

The nearly 7,000-square-foot property is a wonderland for anyone looking to live amongst nature. Its discrete location and the indoor-outdoor feel of the 1953 architecture is accentuated by the aging wood that encapsulates every inch of the home. “I like a bit of history,” says Peck of his aversion to modern homes—a fact that undoubtedly narrowed his search in a city filled with copycat contemporary builds.

Luckily for the star, the dwelling came with more than just good bones. Memorabilia passed down from homeowner to homeowner gives this tree house its special charm. There are original etchings by Red Hot Chili Peppers guitarist, John Frusciante, carved directly into the staircase beams, not to mention pieces of furniture that felt so intrinsic to the space that the previous owner deemed it necessary to leave them behind. Case in point: a reclaimed wood dining table and bench reminiscent of a church pew. “It belongs here, I can’t imagine where else it would be,” Peck says.

So while his abode is dappled with secondhand souvenirs, it couldn’t feel more his own. “Everyone always jokes that they don’t know who else could live here because it feels like it was made for me,” Peck says. So much so that the musician has taken it upon himself to continue the tradition and fill each room with meaningful pieces bedecked with stories of their own.

In fact, it’s become a tradition of sorts. “When I’m on tour with my band, we love going to antique malls or flea markets—especially in small towns in America,” the singer raves of his one-of-a-kind finds. His art, most notably, can be traced back to heartwarming anecdotes featuring some very special people in his life. Be it the double-take-worthy portrait hanging above the guest room bed by artist and friend Dylan Anthony Roworth, or a painting of Peck with a red cowboy hat given to him at a show by a fan, nostalgia is not lost here. Elsewhere, Peck’s collection of Basotho and Zulu baskets, inspired by his South African roots, meld together with his love for cowboy imagery.

Clearly, Peck’s home is uniquely his. “When I finally got this house,” he recalls, “it was a wonderful combination of all of my years of gathering weird little things…. It was a meant-to-be moment,” Peck muses. “Everything just fits.”

Shop out the look of the house here ⤵

Country music star Orville Peck pictured wearing his signature fringe mask—complemented by a Bode shirt, Wrangler pants, Stetson hat, and vintage boots.

Secondhand finds underscore the lived-in feel of the home. “We joke that it feels like a museum because everything has a very specific place,” Peck says. “I’m very tidy…. The space I’m in needs to be the opposite of [how I create music].” Leather sofa passed down from the previous owner.

Nods to Peck’s South African heritage and bits of memorabilia can be spotted throughout the space. “It sums me up pretty well,” Peck notes. “It all appears to work because it’s things that I’m interested in. Even though it may seem conflicting, I think I find a way to make it feel authentically me.”

By Sarah Archer

By David Nash

By Katherine McLaughlin

One can only imagine the dinner parties that have happened at this table passed down from the previous owner. Peck added touches of color and softness with chairs purchased from Vintage Concept in Los Angeles.

The light-filled, open concept kitchen is the ideal setting for a gathering of friends and loved ones.

“I honestly can’t think of anything I’d want to part with,” the country star professes of the trinkets he’s collected over the years. I’m a sentimental person.”

“She’s my little bestie,” says Peck of his rescue dog, Queenie. “I never thought I’d be one of those people who lets their dog sleep in the bed,” he reveals. “Now I’m like forcing this poor creature to come cuddle with me and she’s just so over it,” he laughs.

“Everyone knows my obsession with cowboys,” says Peck of the references scattered meticulously around his home. From his envy-inducing cowboy boot collection to true Americana moments like a thrifted Mobil gas station horse, the artist’s country-inspired decor fits in with the warm wood features of the space.

A custom jacket hangs from the rings of a dark-stained wood wardrobe in the entryway to the star’s bedroom.

Old meets new in the primary bedroom, which features a bed frame passed down from the previous owner. Resting atop a nightstand thrifted from Sunbeam Vintage is a copper-accented snake lamp from CB2 .

“I loved the Lone Ranger—that was my idea of a cowboy,” the singer recalls of watching old Westerns when he was younger. “They always had handkerchiefs covering their faces. I guess this is my hyper-camp take on cowboys,” he says of his own mask.

The primary bath boasts a freestanding tub that sets the scene for a relaxing night in. Worn wood cabinets hold up a built-in marble sink accented by dark metal hardware.

Aside from there being cowboy hats at every turn, if there’s one thing that’s consistent throughout Peck’s home, it’s that every single bathroom and hallway has its own captivating view—a perk of owning a tree house, one might say.

A bathroom, equipped with built-in reclaimed wood accents and concrete walls, adds an organic yet industrial element.

A powerful portrait of Peck by artist R. Grandon hangs regally on a wall in the upstairs bath adjacent to an illustration by Neck Face—a piece that reflects his time in a punk rock band.

“One of the nice things about moving around so much is that I’ve been able to collect so many interesting items,” Peck says of his nearly two decades of touring. “I had all of my stuff in storage for years.”

An emerald green sofa sourced from Sunbeam Vintage , a midcentury-modern thrift store in Los Angeles, anchors the musician’s loft-like music studio. “This is the fun room,” Peck says, “I make most of my demos up there by myself.” When the sun-drenched room is not being used to create his next great hit, it’s a place for his friends to come and watch movies.

Peck’s outdoor deck is the place to be. Queenie, his beloved rescue pup, has claimed it as her own. “Oh, she really loves this house, especially outside,” the artist remarks.

“I love hosting,” Peck says of his spacious outdoor space. “I really [couldn’t have] dreamed of having a house like this, and now that I do, I love having people in it.”

Serenity is an undertone throughout Peck’s home. “The way I work creatively can feel sort of chaotic,” he admits of his writing style. “It’s very free.” Because of this, he insists that finding moments of tranquility are a must.

“It’s so high up and private,” says Peck of his dream home, which is surrounded by nature. Rocky walkways and hidden pathways engulfed by greenery play a large role in adding to the charm of the 1950s property.

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