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A Swingin' Safari (Remastered)

September 1, 1962 12 Songs, 32 minutes ℗ 1962 Universal Music Domestic Pop, a division of Universal Music GmbH

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Bert Kaempfert

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A swingin’ safari.

This album was recorded in the Polydor Studio in Hamburg-Rahlstedt by sound engineer Peter Klemt in December 1961 and in March 1962. This production was first released in the United States the following August under the title THAT HAPPY FEELING and had climbed to Number 14 in the charts by September of that year. The LP was then released on the European market with the title A SWINGIN’ SAFARI in autumn of the same year.

The two Kaempfert compositions A Swingin’ Safari and Afrikaan Beat soon became world hits and have since become evergreens. The success of Take Me famous is down to Dean Martin’s vocal version of the number, and That Happy Feeling , Market Day and Happy Trumpeter were sensational, long-running hits on American radio.

At that time, the typical Kaempfert rhythm had been enhanced by a titillating sound coming from the flutes: Bert Kaempfert modeled this music on the sound produced by blowing penny whistles (brass flutes) in the same particular way as in South African Kwela music. The style of this had been influenced by American swing and was very popular among young black people in the townships.

“Bert Kaempfert tried to get the piccolos to imitate the sound of penny whistles. We had real hard rehearsals. But at last we had made it and Bert was really pleased to have captured the charm of the whistles in ‘his’ piccolos,” reminisced bass guitarist Ladi Geisler. The intro to Afrikaan Beat is also one of the most unmistakable symbols of Bert Kaempfert and his Orchestra today, with its typical ‘cracking bass’. Again Ladi Geisler recalls: “We musicians were, as always, gathered around one microphone. My amplifier was about 3 meters away, the same distance as the trombones. Bert Kaempfert advised me to go easy on the lower notes (these were to come from the double-bass) and the high notes were to be accentuated so that it would really ‘crack’. This was how the term for the Bert Kaempfert sound – ‘cracking bass’ – was born.”

In the course of the years, Bert Kaempfert received a number of awards and gold LPs as a reward for the huge success of this album all over the world. But he was particularly delighted to receive a gold LP from South Africa.

Album Songs:

• A Swingin’ Safari
• That Happy Feeling
• Afrikaan Beat
• Happy Trumpeter
• Tootie Flutie
• Black Beauty

Album Labels:

• Universal Music

Album Artists:

• Bert Kaempfert & His Orchestra

A Swinging Safari

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• English Songs
• Bert Kaempfert In London (Live) Songs
• A Swingin Safari Song

A Swingin' Safari Song | Bert Kaempfert | Bert Kaempfert In London (Live)

A swingin' safari.

• Bert Kaempfert

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About A Swingin' Safari Song

Listen to Bert Kaempfert A Swingin' Safari MP3 song. A Swingin' Safari song from the album Bert Kaempfert In London (Live) is released on Oct 2003. The duration of song is 03:12. This song is sung by Bert Kaempfert.

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A Swingin' Safari

A Swingin' Safari  by  Bert Kaempfert & His Orchestra  ft.  Bert Kaempfert & His Orchestra

Song   ·   3:09   ·   Unknown

© 2012 Leverage

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Listen to A Swingin' Safari online. A Swingin' Safari is an Unknown language song and is sung by Bert Kaempfert & His Orchestra. A Swingin' Safari, from the album A Swingin' Safari, was released in the year 2012. The duration of the song is 3:09. Download Unknown songs online from JioSaavn.

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Pop Culture Happy Hour

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You know it when you see it: here are some movies that got sex scenes right.

Linda Holmes

It is a happy coincidence that our "What makes a good sex scene?" episode came out in the same week as Challengers, a film about a romance triangle in the tennis world starring Josh O'Connor, Zendaya and (not pictured) Mike Faist. Niko Tavernise/Metro-Goldwyn-Mayer Pictures hide caption

It is a happy coincidence that our "What makes a good sex scene?" episode came out in the same week as Challengers, a film about a romance triangle in the tennis world starring Josh O'Connor, Zendaya and (not pictured) Mike Faist.

What makes a good sex scene? It can be easier spot bad sex, but Aisha Harris, Christina Tucker, Ronald Young, Jr. and I tried to focus on the good this week on Pop Culture Happy Hour. You can listen to our full conversation here. (We didn't originally plan for this episode to run the same week as our episode about Challengers , which is out in theaters now, but it's a happy coincidence, since that film has gotten a lot of attention — probably too much, relative to its other merits — for the sex scenes involving its three leads. It's really very good .)

Movie Reviews

Watch a tense romantic triangle play out on the tennis court in 'challengers'.

It's often very obvious when a sex scene is bad, just like when a sex scene in a book is bad. It can get so uncomfortable to watch that you have to leave the room (and not in a way that feels true to the story). One of my personal tells for a bad sex scene is when all I can think about is how hard the actors are trying to persuade me that the characters are having a good time. For example, there has been much good discussion in recent years about Showgirls being a more interesting and competent project than it originally got credit for, but in that one pool scene (if you know it, you know it), all I can see is the effort.

Lauren Bacall And The 'Sex? What Sex?' Kind Of Movie Sex

It's not always as clear which scenes are good . That's partly because they serve so many different functions, all of which look different, and all of which can be effective. Furthermore, you don't want to confuse whether a sex scene is used well in a film with whether it's hot to you personally, despite the fact that there is overlap between those considerations.

In the 'Last Dance,' Magic Mike leaves his thong-and-dance routine behind

Here's what I mean: When Aisha talks about the sequence near the beginning of Magic Mike's Last Dance , it's not irrelevant that the scene is, to her (and to me), hot. But it also makes sense in the context of the film and the franchise, partly because of the way it sets up the power dynamic between Mike (Channing Tatum) and Max (Salma Hayek Pinault). Mike is older now, he knows more, and the way he approaches a lap dance is actually different than in earlier movies.

And not all good sex scenes are hot in the same ways. The one I mentioned in the episode, from the romantic drama Love & Basketball , is sexy, yes. But it's also a scene between young adults (the talented basketball players Monica and Quincy, played by Sanaa Lathan and Omar Epps), and as such, it incorporates a tentativeness that's not present in Magic Mike's Last Dance , to say the least. As Ronald pointed out during our discussion, that sex scene is quite different from one that takes place later in Monica and Quincy's relationship, when they're older and know each other better. That certainly feels true to real life, but it's not always reflected in Hollywood films, where I would tentatively estimate that 90% of on-screen sex is more idealized and thus less intimate than real-life sex, in part because it isn't allowed to change over the course of a relationship.

Movie Interviews

'like it or not, we live in oppenheimer's world,' says director christopher nolan.

Even further from the hotness of the lap dance scene is Ronald's pick: the imagination of Kitty Oppenheimer (Emily Blunt) running wild in Oppenheimer. While her husband (Cillian Murphy) is being interrogated, she pictures him having sex with his mistress, Jean Tatlock (Florence Pugh). It goes by quickly enough that it might seem like a Christopher Nolan flourish for flourish's sake, but it serves the purpose of letting you feel her pain over her husband's affair. Her relationship with Robert doesn't look especially romantic in the film, let alone sexually charged; she finds herself consumed by the idea that he was having hot sex with this other woman, and she locks eyes with her vision of a naked Tatlock and finds herself tormented. It's not really the intent of the scene to titillate the audience, just to give specificity to the shape of Kitty's preoccupation with the affair.

What makes a good sex scene?

Christina raised another really important point, which is that sex scenes also collide with viewers at very specific moments. Her example from Bound , and the scenes between Violet (Jennifer Tilly) and Corky (Gina Gershon), touches on (among other things) her own history. It's an underappreciated aspect of the sex-in-movies discourse: representation matters in these scenes as much as anywhere else. I always wish I saw more sex scenes in movies that featured a broader variety of body types; it's still really rare to see ones that feature anybody who is even average sized. This is one of the reasons I'm curious about the upcoming season of Bridgerton , which places its focus on the gorgeous and curvaceous Penelope (Nicola Coughlan).

Looking for 'nomance': Study finds teens want less sex in their TV and movies

Good sex scenes are like any other kind of good filmmaking, honestly: it comes down to execution with purpose and care, done relative to whatever the function of the scene might be.

Whether that's spiciness or conflict or relationship growth or (as in the case of Bound ) setting up a steamy neo-noir story that wouldn't be the same if it weren't hot as heck, form follows function, ideally.

This piece also appeared in NPR's Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don't miss the next one, plus get weekly recommendations about what's making us happy.

Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify .

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