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Tom Joyner Foundation

Tom Joyner Foundation Fantastic Voyage Cruise

November 7, 2019 by KC Burks

The Tom Joyner Foundation Fantastic Voyage was created as a fundraiser to support students in schools at Historically Black Colleges and Universities, the long-running  music and empowerment-themed event generally features more than 50 plus live entertainment acts, seminars, daily inspiration, celebrities, and fun theme nights.  Cabins are going fast!

We will be sailing aboard ROYAL CARIBBEAN’s Independence of the Seas, departure is from Miami, Florida on Saturday, April 27, 2024 returning on Saturday, May 4, 2024

For more information, interested travelers can visit www.FantasticVoyage.BlackAmericaWeb.com or call (214) 495-1963 to get on the cabin waitlist.

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Janet Jackson

Photo: Ander Gillenea/AFP/Getty Images

Janet Jackson To Headline Tom Joyner Foundation's 20th Fantastic Voyage

More GRAMMY winners cruising on the "party with a purpose" include Shirley Caesar, Maxwell and Smokie Norful

On April 7–14, the 20th cruise of the Tom Joyner Foundation's Fantastic Voyage will ship off from Miami and tour the Caribbean with wide-ranging activities and an incredible array of musical performances planned. Headlined by Janet Jackson , the "party with a purpose" also includes  Shirley Caesar , Fantasia , Maxwell , Chrisette Michele , Smokie Norful , and Fatman Scoop .

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In addition to concerts, enriching activities and fun, as well as Fantastic Voyage's fundraising for historically black colleges and universities (HBCUs), this year a Filmmaker's Scholarship Program in partnership with Denny's will spotlight the work of a half dozen HBCU creatives who've made movies on the reality of hunger at the community level. Through the years, the Tom Joyner Foundation has awarded more than a half million dollars in scholarships, also including support for K-12 students.

"I'm proud of a lot of things we've accomplished on the Tom Joyner Morning Show ," said Joyner, "but I think I'm most proud of all the students we've helped stay in school for the last 20 years, and our biggest fundraiser for HBCUs is the Fantastic Voyage cruise."

With 13 GRAMMY nominations, R&B/Gospel singer Charlie Wilson stands out among the previous nominees in the announcement. Others include  Kem , Mase , MC Lyte , Sheila E. , War , and Brian Courtney Wilson .

Check out the full list , which includes emerging DJs and many more memorable artists such as Biz Markie, Midnight Star and the S.O.S. Band.

Janet Jackson's 'Rhythm Nation 1814': For The Record

Photo: Kevin Mazur/Getty Images for The Recording Academy

Living Legends: Sheila E. On Prince, Playing Salsa And Marching To The Beat Of Her Own Drum

"I was a percussion player leading my band, playing timbales, which no one really understood," Sheila E. says of her debut record. Forty years later, the GRAMMY-nominated multi-hyphenate is still forging her own path on the energetic new record, 'Bailar.'

GRAMMY-nominated singer/songwriter, producer and percussionist Sheila E . has certainly had a glamorous life — and has done a lot with it. 

The child of percussionist Pete Escovedo and goddaughter of legendary timbalero Tito Puente , Sheila Escovedo has been energizing stages for most of her life. First performing as a child, Sheila was one of few female percussionists in the 1970s and '80s, and rose to the upper echelons of the music industry — performing alongside Marvin Gaye , Michael Jackson , Lionel Richie , Herbie Hancock and Diana Ross . Whether in session or onstage, her dynamism and inventiveness continually made Sheila the star of the show. 

"I think outside the box," Sheila E. tells GRAMMY.com. "You just come up with ideas and it doesn't have to be traditional. It just has to be from your heart, a feeling that makes sense, that compliments whatever song it may be." 

Sheila's energy and unique approach to playing drums, timbale, and percussion caught the attention of Prince , a unique artist in his own right. The two spent decades as creative partners – Sheila acting as the Purple One's drummer, producer, musical director and, for a time, romantic partner; Prince shepherded her 1984 solo debut, A Glamorous Life , into being — and worked together until his death. Among her lasting contributions to their musical legacy, Sheila performed on the Purple Rain sessions and toured the album, and her vocals appear on "Erotic City." The two duetted on Sheila's 1986 single "A Love Bizarre" and, fittingly, got engaged in the middle of a performance .

In addition to her list of impressive accomplishments (which include co-founding the educational nonprofit Elevate Oakland ), Sheila E has released eight albums as a solo artist. Her ninth, Bailar , finds the one avenue Sheila had yet to pursue: salsa. 

Recorded in Miami with a cast of local musicians, the 10-track record features originals and covers in both Spanish and English, and its lead single — an energetic cover of Celia Cruz 's "Bemba Colorá featuring Gloria Estefan & Mimy Succar — fittingly has Sheila playing percussion, timbale and singing. 

"This is the best record I've ever done. I feel that good about it," she says. Ahead of Bailar 's April 5 release, Sheila E. spoke with GRAMMY.com about creating music in a new idiom, the importance of collaboration, and finding space in music. 

This interview has been edited for clarity.

You've been working in the funk, R&B and pop space for years. What brought you to salsa now?

I've wanted to do a salsa record for a long time. My bucket list is extensive, and then I met [GRAMMY-winning producer and timbale player] Tony Succar in 2015… he did a project and took Michael Jackson songs and flipped them into salsa. I said, "Man, if I ever do my salsa record, we have to do it together because you understand."

I'm bringing that Oakland vibe to salsa. My dad was a Latin jazz artist — that's the foundation of who I am —  however, he also played salsa music in the house. I grew up listening to Tito Puente, Mongo Santamaria , Ray Barretto , Eddie Palmieri , Celia Cruz and Tito Rodriguez, and the Fania All-Stars .  Our whole family loves salsa dancing.

There was music that I had written for an R&B album that I didn't release, and I said we can take some of this and flip it into salsa. This is another side of me that I'm excited about sharing with the people. 

Bailar sounds like something you would hear in New York or Miami, but there's something slightly different about it. What are you bringing to this record that might be different from another salsa band?

Salsa is very demanding. It's specific and traditional; there are things that are supposed to be played in specific sections of a song — whether it's a conga rhythm, a timbal rhythm, a cowbell rhythm. The element of the Bay Area and the Latin jazz with a little bit of funk, that was me [adding something new]. 

I always wanted to do "Bemba Colorá." I did a rumba in front of it and took a conga solo, and when I got to the half-time of that song, I said, "I want to take a drum solo." I don't think anyone has taken a drum solo or have even played drums on this song…especially a woman. Just adding different elements like that, as well as the way that I mix: where I place the horns and where I place the percussion and where the bells are and where the drums are. 

Tony Succar and I produced this record together. I did a couple of arrangements [and] co-wrote seven of the 10 songs. The songs that I had already written were arranged, but then we wanted to flip them into salsa. 

Are there any other songs on this record that you're particularly proud of?

All of them. Every one is a different story. The only woman that I could think of to call [for "Bemba Colorá"] was Gloria Estefan ; she's like my sister. Mimi Succar is a new and upcoming artist, so we had her to sing as well, and the three of us just had a blast. 

[Also] playing "Anacaona," which is a song I used to hear [by] Fania All-Stars and Cheo Feliciano. My dream was to have Rubén Blades sing on my record; he sang that song and I started crying. I was just overwhelmed. 

["El Rey del Timbal"] was one song that I had played with Tito [Puente] and my dad many times. When Tony sent me the demo, I listened to it and was like, "We got to go way faster than that. If Tito was playing it, he would've played it this way, and I know because I've played it with him."  So I started taking a solo, banging my legs while I was listening to it through the phone, and I just kept going faster, and then Tony's like, "Are you serious? This is 200-something BPMs." 

It was perfect for me taking the timbale solo, but when I had to then overdub and play all the parts on the bells and everything, it was so fast, I was like, What was I thinking? The horn section had it worse. A trumpet player yelled on the track  — "Ahh!" —  and I boosted him yelling [on the final mix], because that's real stuff.  It took everything for them. 

I'd love to hear a little bit about your relationship with Tito Puente and any important musical lessons he taught you, especially now that you're coming out with an album that's very much influenced by his work.

He was such an influence. He was amazing. He did so much for us as a family, musically, as well as being our friend and growing up listening to him. He and my dad met when they were 18, and having him around the house when I was growing up, I didn't even know he was.  

The biggest thing was we would go to New York, my dad and I, and we would sit in with Tito at the Palladium and the Corso. And back then, you'd have four bands playing in one night until 6 in the morning. And they would jump from one club to the other. It was the most stressful time because, as jazz artists, we didn't hardly sit in with salsa bands. I was like, "But papa, I don't know the clave, I don't understand what bell pattern or what conga pattern to play." He goes, "Don't worry about it. You don't listen to those guys. You just go play you."

So he kept encouraging [me]: it doesn't matter, you have the heart to go ahead. And my pops would say the same thing: We might not understand it technically, but we play it from our heart. [Tito] always encouraged me, and I got to play with Celia, Tito and [bassist] Cachao [Lopez] at the same time.

What a dream come true. Tito introduced me to all of these musicians as well, but really just telling everybody, "You be quiet and just let Sheila play."

Read more: Celebrating Tito Puente's Centennial: 10 Essential Songs By The Mambo King

Bailar is a bit more celebratory than your last album, 2017's Iconic: Message 4 America , which was heavily political. Obviously we continue to live in increasingly fraught times; why was it important for you to put more positive messages out into the world? One of your tracks is even called "Possibilities."

We are living in hard times, and it's challenging. Things are changing every single day. And everyone is going through something every single day.  One of the things that has been such a blessing to me is the gift of music. I don't take it for granted. To be able to share music and at least make people happy for the five minutes that you listen to this song or the entire record…is healing.

Many times in my shows, people end up crying. It's emotional, and music brings joy. It lifts you up. It brings you to a place of happiness and love, and we just want you to have a good time. But the joy that I get to be able to do this, it heals me too. And I just thought it was important.

Your work and relationship with Prince is so extensive and deep. What would you consider the peak of your creative partnership?

I don't think there ever was. We continued to grow and just kept experimenting on different sounds, and recording and jamming. We first jammed together in 1977 when he came to my house. We either recorded or played together [on] so many songs. There's still tons of stuff in the vault…I counted at least 200 songs I played on that I haven't even heard yet.

We were always jamming, coming up with something, or recording. A lot of times I would engineer for him as well; it's just he and I [in the room] most of the time. I taught myself some engineering when I was growing up; I saved all my money and started buying recording gear so I could learn how to write and produce myself when I was in my teens. 

So when I started to record with [Prince], I had already recorded songs on tape before. Being in the studio with him, we would see who could stay up the longest, who's going to fall asleep first. We would catch each other [falling asleep] almost at the same time. 

* You also worked with Prince on your debut album, 1984's The Glamorous Life . You'd been working so much as a musician up to that point already that it's interesting to think of it as your debut. How did you work on that project together? *

We had already been jamming and playing together before we did all that. And I had been out on tour with so many artists beforehand; when we first met, I was already touring with George Duke in the mid-'70s. [Prince was] like, "I've been watching you and I'm following your career, and maybe one day we could do something together." 

He started doing all these albums, and then he becomes the Prince that we all know. He changed every record, which was amazing musically. At the time [we recorded Glamorous Life ], he was at Sunset Sound [recording studio and] he had all the rooms going at the same time. We just went in and started recording.

Prince was very involved in getting me the deal with Warner Brothers. He just one day said, "You want to do the record now?" And I was like, "Yeah, I think I'm ready. Let's do it." It was that simple. We went into the studio and we were pretty much done with my record, from top to bottom, in a week.

We just stayed in there, literally no sleep. We were so excited. We had so much fun.

Back then, I wasn't really playing drums a lot. I wanted to make sure that my percussion was in the forefront, and he knew that too. That's how Glamorous Life came about, to showcase me in a light that I wasn't really a singer. I was a percussion player leading my band, playing timbales, which no one really understood because, in pop culture, no one had done that. 

So it took even a minute for [Warner Brothers] to understand releasing the record. They wanted to release "Belle of St. Mark" first as the single and not "Glamorous Life"; I had to fight them on it because I said, "'Glamorous Life' is a song that is important to me, and it showcases me as a percussionist and a singer. If I do 'Belle of St. Mark,' it's only me singing. I'm not even playing percussion."

I would love to hear about other musical collaborators who are a big part of your story.

I've been able to play with so many people: George Duke and my dad, and [drummer] Billy Cobham, [bassist] Alfonso Johnson, and it went on. Then [jazz guitarist] Lee Ritenour and [jazz pianist] Patrice Rushen and all of these other artists; Herbie Hancock…. Then you go switch over to Marvin Gaye, and then you go to Brooks & Dunn . I just hopped all over the place with Con Funk Shun and sitting in with so many people and recording. When we do these events, you get to sit and play with Phil Collins and Elton John ; I'll just play percussion, I'll be the backup. I don't need to be in the front. Part of what I love is I get to be on both sides.

I can be a team player and play with a group, which is so exciting. Or if you want to feature me, that's fine. That's kind of what had happened throughout my life; anyone that I performed with would just say, "Sheila, you just go out in the front." They would push me out there. Marvin Gaye is like, "Sheila, you take over. I'm going to go back and change." He made it a part of his show. And then same thing with Lionel Richie. Everyone would just feature me, it became that thing. Everyone has influenced me in some sort of way.

You're out there being featured and just putting so much into your performances. You have this incredible amount of energy. What powers you?

God's given me the gift and point-blank. I am forever grateful to be able to do what I get to do because of that gift. I don't take it for granted. 

You have musical directed the Obama's Festival Latina, the Recording Academy's Tribute to Prince, and of course, you were his musical director for many years. Does that work require a special set of musical muscles?

When it comes to music and just being an artist, whatever you put into it is what you get out. I would always do the homework that was needed to play with an artist — learn all the music — so when I walked into a situation, I would walk in with confidence. I wasn't a great reader at all; it was really all by ear. That preparation is everything. 

Putting together my first ever band during that time in the early '80s, I knew what I wanted. [Today] I'm able to put together projects and put the right people together. For some people, it's just a gig and for me, it's more than that. It's a lifestyle and it's family and it's trust and it's respect. 

How did you choose the music for "Let's Go Crazy: The GRAMMY Tribute To Prince "?

Some of the songs they already had, some of the other songs I suggested. Almost everything that they were going to play, I knew and I had a lot of the original music. I had a lot of the samples; I had Prince's vocals. There were things that I had that could help in some of the arrangements, and a lot of the arrangements I used from my show. 

You try to adjust to make sure that [the artists] shine and that they feel comfortable, because everyone was really nervous. I had many conversations with people making sure, "Is this a good key for you?" Making sure that "You don't have to sing it like Prince. This is your representation of who you are and you happen to be doing a Prince song and no one's going to judge you for it." 

Speaking of collaborative efforts, The Greatest Night in Pop music doc came out recently. What do you remember from recording "We Are the World"?  

I kind of didn't want to do it because, initially, we were on the Purple Rain tour [and] we were exhausted. At some point I thought,  Do I even belong in that caliber of people?  

[At the "We Are The World" session,] everyone was hanging out, everybody was really cool. No one had a huge entourage. I was excited to meet people I hadn't met before. One of the people I was excited about meeting was Cyndi Lauper . I loved her. I wanted to meet Bruce Springsteen , the boss. 

In that moment of being in that room with everyone, and it was just amazing to [think], Wow, we're going to do something incredible to be able to raise money for people who are starving.  Then you just take a breath and you do what you do, and then things happen.

Do you think that you have changed or contributed to the sound of percussion in R&B and pop music?

My style is my style. Different artists from the Bay — Sly and the Family Stone, Carlos Santana , my dad's band [Azteca], Grateful Dead , Tower Of Power, of course, Pointer Sisters — listening to all those bands and being able to watch their rehearsals when I was a teenager influenced me. 

The key was being adaptable to what needed to be for that specific song. You have to make up your own beats, because being a percussion player is like [working on] a beautiful painting that's already painted and they're asking you to put one color in there or you see a space — what would you put in that space? 

It's not about playing all over the place and playing something that doesn't belong. You have to figure out those spaces and, to me, the most important part of music is space. That space is what allows a song to breathe.

I would use different things even in the studios; I didn't use all of the right mics all the time. I would bite on an apple and sample it and put that sound on top of the snare. I just experimented. I started on pots and pans, and I used keys, and I used a spray bottle can that blows out air to clean your computer as a high hat. Everything can be musical. 

One of the biggest things is Michael Jackson's "Don't Stop 'Till You Get Enough." Quincy [Jones] had called me and said, "Michael wants this kind of sound, I don't know what it is, bring all your toys." I brought everything. I ended up getting two bottles and I poured water in it, and I used the holder to play the triangle on the sides of the bottle. So "Don't Stop 'Till You Get Enough" has those bottles.  

You just come up with ideas and it doesn't have to be traditional. It just has to be from your heart, a feeling that makes sense, that compliments whatever song it may be.

Are there any other female percussionists out there right now that you see carrying the torch that you lit?

Oh my God. There are so many drummers right now. I go on social media frequently throughout the week, and I try to find at least someone new and DM them and say, "You're amazing. God bless you. Thank you for your gift. Keep doing what you're doing," and people freak out. 

That's part of my job, to continue to encourage the young people to keep playing. 

You've mentioned in previous interviews that you've dealt with a lot of harassment throughout your career as a woman playing an instrument that women don't traditionally play. I'd like to know how you continued to move forward and own your vision in an industry, and in an era, where women are often belittled or posited as like sex objects.

When I first started, I didn't know it was a big deal that I was one of few — or one of one — that was doing what I was doing. In the Bay Area, you see a lot of women playing percussion. In Berkeley, we all go and hang out at the park and everyone plays and it's like 20 or 30 of us and whoever brings their instrument, they just jam with us.

Coming to L.A. and recording with other artists, when I walked into a room, the drummer would say, "Can you get me a cup of coffee?" And I'm like, "I'll get it for you but I'm not the receptionist or anything. I'm the percussion player." They would freak out. 

When that first started happening and things were being said that were really rude and bad, I would go back to my parents. They would just say, "You just keep doing what you're doing. They're jealous or they're mad because you're there, or they've never seen anyone like you. You have a gift and you just go ahead. You learn the music, know what you have to do, so when you walk in with confidence, it's not an issue." A lot of the time, those musicians were not prepared, and I was, and they hated me even more because I knew everything. 

I got so much joy out of performing. And even with all the nos and the nastiness and the stuff that was being said [like], "Hey, if you sleep with me," all of these other things. It just made me stronger. You keep pushing through; you just keep playing. 

When you find your passion and that's your purpose, no one can stop you.  I stand on that word.

Living Legends: Cuban Pianist & Composer Chucho Valdés On Developing "The Creation," Growing Up On The Island & Loving Dizzy Gillespie

Photo: Robert Gauthier / Los Angeles Times via Getty Images

GRAMMY.com’s 50th Anniversary Of Hip-Hop Coverage: A Recap

The Recording Academy’s celebration of hip-hop’s 50th anniversary included televised events and captivating interviews. Check out the wide range of articles and features produced by GRAMMY.com commemorating this musical milestone.

When we look back at the Recording Academy’s 2023, the 50th anniversary of hip-hop will loom exceptionally large.

The ongoing celebration permeated every facet of the world’s leading society of music professionals this year, from the 65th Annual Awards Ceremony in February to the special airing of "A GRAMMY Salute To Hip-Hop" in December — a dense, thrillingly kaleidoscopic televised tribute to the breadth of this genre.

One major accompaniment to this was coverage of the genre’s legacy via GRAMMY.com, the editorial site run by the Recording Academy. If you haven’t been keeping up, we’ve got you covered. Here’s a highlight reel of the work GRAMMY.com published in honor of the 50th anniversary of hip-hop.

We Profiled Rising Stars

From Lola Brooke to Tkay Maidza , GRAMMY.com engaged in comprehensive in-depth interviews with artists who are at the forefront of shaping the future of hip-hop, and held a roundtable discussion about exactly what the next 50 years might look like. 

We Published Conversations With Legends

DJ Kool Herc and Questlove , who have played unquestionable roles in hip-hop’s continuing evolution, spoke to GRAMMY.com about their profound and abiding connections to the idiom.

The Contributions Of Women Were Highlighted

Without the inspired vision of countless women, hip-hop would not be what it is today. The "Ladies First" segment, which kicked off "A GRAMMY Salute To Hip-Hop" featuring Queen Latifah , Monie Love , and MC Lyte , among other lady greats with Spinderella as DJ, was an ode to this. 

In acknowledgment of female trailblazers in a world dominated by men, GRAMMY.com wrote about teen girl pioneers , women behind the scenes , a revealing Netflix doc , and women artists pushing the genre forward in 2023, from Ice Spice to Lil Simz .

We Revisted Hip-Hop’s Biggest Releases

From Enter The Wu-Tang (36 Chambers ) to Jay-Z’ s The Black Album to Cardi B ’s Invasion of Privacy , GRAMMY.com dove deep into the core hip-hop canon. We also broke down the genre’s development decade by decade through the 70s , 80s , 90s , 00s , 10s , and 20s , with a focus on classic albums from each era.

Listen To GRAMMY.com's 50th Anniversary Of Hip-Hop Playlist: 50 Songs That Show The Genre's Evolution

We Criss-Crossed The Country

GRAMMY.com’s series of regional guides — from the Bay Area and SoCal , to Texas and the Dirty South , to D.C. and NYC — highlight hip-hop’s diversity of culture and sound.

We Went International

Although hip-hop is a quintessentially American phenomenon, its impact, appeal, and influence has spread worldwide. The international appetite for hip-hop was showcased in coverage of Latinx and Argentinian rappers to know, as well as five international hip-hop scenes to know : France, Nigeria, Brazil, South Africa, and England.

We Explored Hip-Hop’s Larger Impact

Hip-hop is more than a sound. It’s a culture that permeates almost every sector of life. Showcasing this effervescence, GRAMMY.com ran pieces about the evolution of hip-hop’s influence on educational curriculum worldwide, as well as its biggest fashion and style moments .

We Covered On Stage Celebrations

"A GRAMMY Salute To 50 Years Of Hip-Hop," the two-hour special that aired in December on CBS and is available on demand on Paramount+ represented a culmination of the Recording Academy’s 50th year anniversary celebration.

Revisit the 2023 GRAMMYs’ hip-hop revue , and check out a recap of "A GRAMMY Salute" with photos, a rundown of all the performers and songs and coverage of the Black Music Collective’s Recording Academy honors in February.

It Didn’t Stop There…

Notable coverage also included the evolution of the mixtape , 11 Hip-Hop Subgenres to Know and 10 Binge-worthy Hip-Hop Podcasts , as well as a breakdown of Jay-Z ’s Songbook and Snoop Dogg ’s discography .

For everything GRAMMY.com and all things hip-hop — including our rap-focused run in the GRAMMY Rewind series — visit here .

2023 In Review: 5 Trends That Defined Hip-Hop

Photo: Tommaso Boddi/Getty Images for The Recording Academy

Inside Resonance: Celebrating 50 Years Of Hip-Hop At The GRAMMY Museum

"Nothing resonates more in our everyday lives than hip-hop," Jimmy Jam said during the celebratory event Resonance, which honored the legacy of hip-hop at the GRAMMY Museum.

The Recording Academy is continuing to honor the legacy of hip-hop, to one of the most popular genres of music in America. Held on Dec. 4 at the GRAMMY Museum in downtown Los Angeles, Resonance: Celebrating 50 Years of Hip-Hop was presented by the Academy's Black Music Collective and sponsored by City National Bank.

The Resonance event took over the Museum's fourth floor, which is home to the recently unveiled " Hip Hop America: The Mixtape Exhibit ." There, members and leadership from the Academy and BMC, along with musicians and industry professionals, celebrated 50 years of music that has transcended boundaries, inspired advocacy and fostered impactful social change. 

Guests were welcomed into the space by an unparalleled collection of artifacts — an ode to the genre through memorabilia and interactive displays showcasing the evolution of hip-hop music and culture. Tupac ’s all-white suit — worn in the last video he made — is displayed next to Notorious B.I.G. 's red leather pea jacket worn in the music video for Junior M.A.F.I.A.’s "Players Anthem." The impact of the museum’s intentionally curated collection evokes the extended struggle of the Black experience in America, while celebrating its culture, creativity, and endurance against all odds.

The power of connection and representation was emphasized by five-time GRAMMY winner Jimmy Jam , an R&B songwriter, music producer, and illustrious GRAMMY Museum Board Member. "The idea of 'resonance' struck a chord in me because the mission is unification, amplification and to celebrate Black music. Nothing resonates more in our everyday lives than hip-hop." 

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A legendary figure who made his mark in the '80s by producing artists such as Janet Jackson, Jimmy Jam and producing partner Terry Lewis , were inducted into the Rock and Roll Hall of Fame in 2022. 

"I'm proud to have known my partner Terry Lewis for 50 years. We were raised on hip-hop," he told the crowd. "Hip-hop inspires, it embodies transcendence. Hip-hop advocates and fosters social change, and the cultural significance is astounding."

Jimmy Jam highlighted the integral role of partnerships between the Black Music Collective and sponsor/supporters such as City National Bank and Amazon Music. Such relationships have enabled the third year of the Amazon Music-sponsored Your Future Is Now , a scholarship program.

"We have the opportunity to pour knowledge, resources and many opportunities into the young talent and the young creatives of the future. And that's what we're here to do," he continued.

GRAMMY Museum Board Member and Executive Vice President of City National Bank, Linda Duncombe, who was introduced by Jimmy Jam as "music’s best friend" spoke to the critical work of support. 

"We protect and celebrate those who have shared their gift as well as ensure their artistic contributions are accessible for people of all walks of life around the world and for future generations," she said, adding that as a Museum board member, "educating the next generation of artists and teachers is always top of mind. The 'Mixtape Exhibit' really will inspire students to pursue hip hop and the music industry."

Host Lady London , a rapper and songwriter from The Bronx summed up the power of hip-hop and its ability to transcend music. A hyped crowd enthusiastically received her words.

"It's beautiful to see what we have been able to cultivate in such a short amount of time. We are the culture, we have the power to shift the culture and we continue to move mountains," she said. "We are influences in fashion and design and the Black family education, economic empowerment, the arts. We're limitless.

"We have balanced everything and there is nothing that is quite parallel to that," Lady London continued. "I'm so proud to be a part of the culture."

As guests mingled among the exhibits many displays and highlights like original lyric sketches, mixtapes, and an interactive "sonic playground" where guests could interact with recording devices, make 808 beats and record tracks. Academy CEO Harvey Mason Jr. reflected on the culmination of a year celebrating the 50th anniversary of hip-hop. 

"Hip hop has been a defining force in our culture and it is so important to be able to honor it in this way" he said. "This is the end of a year that started with us celebrating at our GRAMMY Awards show last season."

Los Angeles' DJ Jadaboo — who has performed for Tommy Hilfiger at New York Fashion Week and a slew of celebrity parties and high profile events — set the vibe all night. Her mix spanned all five decades of the genre and beyond, from R&B to hip hop classics by Jay-Z and Drake , stacking much-sampled songs like Curtis Mayfield ’s "Pusher Man" into the set. 

As the event carried on, Jimmy Jam’s earlier remarks echoed between the museum’s walls. "Look at what's been done in the last 50 years. You see it all around here," he said. "Now take a look at each other and know all that is happening right now… is because we are the people that are gonna continue to carry this on for another 50 years."

The GRAMMY Museum’s " Hip Hop America: The Mixtape Exhibit " runs through Sept. 4, 2024. "A GRAMMY Salute To 50 Years Of Hip-Hop" will air Sunday, Dec. 10 , from 8:30 to 10:30 p.m. ET and 8 to 10 p.m. PT on the CBS Television Network, and stream live and on demand on Paramount+.

How To Watch "A GRAMMY Salute To 50 Years Of Hip-Hop": Air Date, Performers Lineup, Streaming Channel & More

Image courtesy of the Recording Academy

Additional Performers Added To "A GRAMMY Salute to 50 Years of Hip-Hop" Live Concert Special: 2 Chainz, T.I., Gunna, Too $hort, Latto, E-40, Big Daddy Kane, GloRilla, Three 6 Mafia & More Confirmed

The star-studded tribute will take place Wednesday, Nov. 8, at YouTube Theater at Hollywood Park in Inglewood, California. Tickets are on sale now. "A GRAMMY Salute to 50 Years of Hip-Hop" will air on Sunday, Dec. 10, on CBS and Paramount+.

This article was updated Sunday, Dec. 10, to add the full performer lineup .

The massive lineup for the "A GRAMMY Salute to 50 Years of Hip-Hop" live concert special just got bigger and more legendary with the addition of rap icons and next-gen hip-hop superstars: 2 Chainz , T.I. , Gunna , Too $hort , Latto , E-40, Big Daddy Kane , GloRilla , Juvenile , Three 6 Mafia , Cypress Hill , Jeezy , DJ Quik , MC Lyte , Roxanne Shanté , Warren G , YG , Digable Planets , Arrested Development , Spinderella , Black Sheep , and Luniz have all been added to the lineup.

They join previously announced performers Black Thought , Bun B , Common , De La Soul , Jermaine Dupri , J.J. Fad , Talib Kweli, The Lady Of Rage, LL COOL J , MC Sha-Rock , Monie Love , The Pharcyde, Queen Latifah , Questlove , Rakim, Remy Ma , Uncle Luke, and Yo-Yo , who will perform at a once-in-a-lifetime live concert special celebrating the 50th anniversary of hip-hop , which the Recording Academy is honoring all year long across 2023. See the full performer lineup .

Read More: 50 Artists Who Changed Rap: Jay-Z, The Notorious B.I.G., Dr. Dre, Nicki Minaj, Kendrick Lamar, Eminem & More

Airing Sunday, Dec. 10, at 8:30 p.m. ET/8 p.m. PT on the CBS Television Network and streaming live and on demand on Paramount+, "A GRAMMY Salute to 50 Years of Hip-Hop" is a two-hour live concert special that will showcase the profound history of hip-hop and celebrate the genre's monumental cultural impact around the world. The special will feature exclusive performances from hip-hop legends and GRAMMY-winning artists and much more.

The live concert comprising the "A GRAMMY Salute To 50 Years Of Hip-Hop" special, which is open to the public, will take place on Wednesday, Nov. 8, at YouTube Theater at Hollywood Park in Inglewood, California . Footage from the concert will then air on Sunday, Dec. 10 , as a live concert TV special.

Tickets for the "A GRAMMY Salute To 50 Years Of Hip-Hop" live concert are available to the public now.

Explore More Of "A GRAMMY Salute to 50 Years of Hip-Hop"

Full concert details are below:

Concert: Wednesday, Nov. 8, 2023 (tonight) Doors: 6 p.m. PT Concert: 7 p.m. PT          

Venue: YouTube Theater 1011 Stadium Dr. Inglewood, CA 90305

Full List Of Confirmed Performers For "A GRAMMY Salute To 50 Years Of Hip-Hop":  

Arrested Development

Big Daddy Kane

Black Sheep

Black Thought

Boosie Badazz

Chance The Rapper

Cypress Hill

Digable Planets

DJ Diamond Kuts

DJ Greg Street

DJ Jazzy Jeff and the Fresh Prince

Doug E. Fresh

Jermaine Dupri

Kool DJ Red Alert

The Lady of Rage

MC Sha-Rock

The Pharcyde

Public Enemy

Queen Latifah

Roddy Ricch

Roxanne Shanté

Spinderella

Talib Kweli

Three 6 Mafia

^Names in bold indicate newly added artists.

Purchase tickets here.

Stay tuned to GRAMMY.com for more news and updates about "A GRAMMY Salute to 50 Years of Hip-Hop."

A GRAMMY Salute to 50 Years of Hip-Hop is produced by Jesse Collins Entertainment. Jesse Collins, Shawn Gee, Dionne Harmon, Claudine Joseph, LL COOL J, Fatima Robinson, Jeannae Rouzan-Clay, and Ahmir "Questlove" Thompson for Two One Five Entertainment serve as executive producers and Marcelo Gama as director of the special.

Hip-Hop Just Rang In 50 Years As A Genre. What Will Its Next 50 Years Look Like?

• 1 Janet Jackson To Headline Tom Joyner Foundation's 20th Fantastic Voyage
• 2 Living Legends: Sheila E. On Prince, Playing Salsa And Marching To The Beat Of Her Own Drum
• 3 GRAMMY.com’s 50th Anniversary Of Hip-Hop Coverage: A Recap
• 4 Inside Resonance: Celebrating 50 Years Of Hip-Hop At The GRAMMY Museum
• 5 Additional Performers Added To "A GRAMMY Salute to 50 Years of Hip-Hop" Live Concert Special: 2 Chainz, T.I., Gunna, Too $hort, Latto, E-40, Big Daddy Kane, GloRilla, Three 6 Mafia & More Confirmed

Lauryn Hill Set To Perform On Tom Joyner's 2023 Fantastic Voyage Cruise

(Photo by Erika Goldring/WireImage)

Singer Lauryn Hill is set to perform on the Tom Joyner Foundation’s Fantastic Voyage Cruise in 2023.

The popular radio show veteran shared the news on Instagram on November 23.

Related Story: Lauryn Hill Teases 2023 Tour, Gets Onstage Surprise From Her Oldest Child During ONE Musicfest

“The rapper, singer, songwriter, actress and producer Ms. Lauryn Hill is doing her part by joining the 2023 Tom Joyner Fantastic Voyage to help Tom raise money to keep kids in school at Historically Black Colleges and Universities. If you want to party with a purpose in May 2023, get your cabin today by calling (214) 495-1963 or go to FantasticVoyage2023.com! Don’t get left behind!”

The Royal Caribbean cruise will take place from May 20-27 and will depart from Fort Lauderdale and head to Mexico, Grand Cayman Islands and Jamaica.

The 2023 cruise, which raises funds for scholarships for students at HBCUs, varies in price. Fans' and supporters’ fare range from $3,174 to almost $9,000. A $500 deposit is required for each individual occupying the chosen cabin.

Legendary acts like Charlie Wilson and Stevie Wonder are also set to perform on the Fantastic Voyage cruise.

According to the Tom Joyner Foundation’s official Facebook page, the charity cruise is 85% sold out.

“The Tom Joyner Foundation Fantastic Voyage 2023 is over 85% sold! It’s time for YOU to experience this true ICONIC PARTY with a PURPOSE!  Enjoy theme nights, the parade on the Promenade, or enjoy Fun In the Sun in Cozumel, Grand Cayman and Jamaica.  If you want to party with a purpose in May 2023, get your cabin today by calling (214) 495-1963 or go to FantasticVoyage2023.com !”

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Hill to perform at fantastic voyage 2023.

Grammy Award-winning musician Ms. Lauryn Hill has been revealed as a performer for the Tom Joyner Foundation’s Fantastic Voyage and Party with a Purpose in 2023.

Hill will help Joyner raise money for Historically Black Colleges and Universities (HBCUs) when the Fantastic Voyage sets sail from Fort Lauderdale in May 2023.

“I am so excited that Ms. Lauryn Hill is performing on the Tom Joyner Fantastic Voyage 2023,” Joyner said in a statement. “She is one of the best of all time. Cruisers coming to Party with a Purpose and help raise money for HBCU scholarships won’t be disappointed with what will be an amazing show!”

Earlier this month , the foundation announced that musician Stevie Wonder will also perform on the cruise, which is already 80% booked.

For more information on the Fantastic Voyage, visit the event’s website HERE or call 214-495-1963.

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Fantastic Voyage Reviews

With such titles as 2001: A Space Odyssey and Planet of the Apes, the 1960s proved to be a particularly rich decade for science fiction cinema, and Fantastic Voyage stands as one of the period's most imaginative efforts.

Full Review | Original Score: 3.5/4 | Jul 23, 2023

…even if the process work is poor by today’s standards, this voyage still seems fantastic today…

Full Review | Original Score: 4/5 | Mar 9, 2023

The science is shaky at best but the imaginative spectacle is marvelous: scuba diving surgeons battle white blood cells, tap the lungs to replenish the oxygen supply, and shoot the aorta like daredevil surfers.

Full Review | Mar 4, 2023

A nonstop adventure of sizable proportions.

Full Review | Original Score: 8/10 | Aug 24, 2020

Technically, the film is only too obviously under all kinds of strain, as if trying to live up to a budget which it never wanted in the first place.

Full Review | Apr 2, 2020

Ignoring the painfully slow first third, the rest of the film is an enjoyable, basic sci-fi adventure. It won't wow you, but it will entertain you.

Full Review | Original Score: 3/5 | Feb 7, 2019

"Fantastic Voyage" is a fun adventure with some incredible sets representing the inside of the human body. What it lacks in reality is made up by beauty and skill.

Full Review | Original Score: B | Oct 14, 2013

Not be as suspenseful as it once was, because we've seen many shots of the body's interior and we no longer have the undercurrents of the Cold War that made life itself an edge-of-the-seat affair. But it's still a fun sci-fi excursion.

Full Review | Original Score: 7/10 | Oct 11, 2013

Despite the film being nearly 50 years old, it's still pretty impressive what they were able to accomplish using practical photography. Sure it's campy, but it's the kitschy design that makes it so much fun to watch.

Full Review | Original Score: 3.5/5 | Oct 7, 2013

That it carries the viewer along is thanks largely to its kitsch charm, its energetic pace and the stunning sets designed by Harper Goff.

Full Review | Original Score: 3/5 | Aug 19, 2013

Half planetarium, half lava lamp

Full Review | Feb 6, 2010

Fascinating still, but suffers from lack of more sophisticated special effects. Still...imagine Raquel Welch moving around inside.

Full Review | Original Score: 3/5 | Mar 14, 2009

Their voyage through the body's bloodstream past assorted organs was created by inventive special effects that make this one of the more visually interesting science fiction films of its era.

Full Review | Original Score: 3.5/4 | Jun 4, 2007

The lavish production, boasting some brilliant special effects and superior creative efforts, is an entertaining, enlightening excursion through inner space -- the body of a man.

Full Review | Jun 4, 2007

This special effects extravaganza from 1966 has proved surprisingly enduring, despite a technical quality crude by contemporary standards; perhaps it's the screwball poetry of the plot.

...our own human interior was revealed, like a Jacques Cousteau travelogue, in screen-filling vistas of surreal canals and chambers filled with floating psychedelia and the amorphous Jell-O colors of a Jimi Hendrix concert.

Full Review | Jun 3, 2007

An opportunity missed, therefore -- especially as the imaginative sets are slightly tackily realised -- but fun all the same.

Full Review | Jan 26, 2006

Full Review | Original Score: 3/5 | Aug 30, 2005

Well directed science fiction

Full Review | Original Score: 4/5 | Aug 13, 2005

Full Review | Original Score: 3/5 | Aug 1, 2005

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ITV confirms brand new celebrity lineup for DNA Journey

Viewers are set for Cold Feet and Royle Family reunions.

The ancestry show, which returns for its fifth series this year, has confirmed the upcoming celebrity line-up, which also includes Life on Mars stars John Simm and Philip Glenister and The Royle Family 's Ricky Tomlinson and Sue Johnston .

Actors Sarah Parish and James Nesbitt, who starred together in Harlan Coben Netflix drama Stay Close , are another pairing, with I'm a Celebrity 2023 winner Sam Thompson appearing alongside with campmate Marvin Humes.

Comedians Jo Brand and Julian Clary are also teaming up for one of the six episodes.

Related: Kate Garraway show pulled after husband's death

"The new celebrity twosomes set off in pursuit of where they come from and unearth secrets from their past, in a life-changing and emotional voyage of discovery that takes us from Canada to London, France to Jamaica," teases the synopsis.

DNA Journey works with genealogy company Ancestry to help piece together the celebrities' family trees - both past and present.

Ancestry's Brad Argent said it was "a privilege to be part of" the show. "Solid research, world-class science, and a little bit of good luck have uncovered a fantastic line-up of rich and varied stories – all made relatable by a celebrity cast that bring themselves to every moment," he added.

Related: First look at Strictly and Line of Duty stars in DNA Journey series

As for what viewers can expect from the fifth series, ITV commissioning editor Louise Major teased: "This series is packed with life-changing revelations and gratifying discoveries that are sure to touch everyone’s hearts.

" DNA Journey is an extraordinary series that offers a unique glimpse into the lives of so many brilliant celebrities. It is a privilege to be granted intimate access to their personal journeys and to share their experiences with the audience."

DNA Journey will air on ITV1 and ITVX this year. Seasons 1-4 are available to stream now on ITVX.

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Deputy News Editor, Digital Spy  

Emily is an experienced entertainment writer and editor, reporting on all things TV , film , soaps and showbiz . An NCTJ-qualified journalist, with a First Class Honours degree in Journalism from the University of Sussex, Emily has previously worked at Hello magazine, BBC South News and GoodtoKnow . She joined Digital Spy as Acting Deputy News Editor in May 2023, and became Deputy News Editor the following year. A small and big-screen obsessive – with subscriptions to every TV and film service under the sun – Emily knows her movie stars from soap stars, and is always clued up on the latest reality show dumping, just-dropped trailer or off-screen spat. She's interviewed a number of celebrities over the years, with highlights including The Masked Singer host Joel Dommett and GMB 's Kate Garraway (who "loved" her trousers). Emily counts Sharon Horgan and Julia Davis as her TV heroes, and is a loyal Wes Anderson fan. LinkedIn

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Frequently Asked Questions

Ahoy Cruisers!

  Frequently Asked Questions

Your cabin purchase benefits The Tom Joyner Foundation, and a portion of your cabin purchase may qualify as a charitable contribution. Please consult with your tax advisor for details.

Q: Why is my reservation in Royal reflecting a certain dining time and why didn’t I get a choice?

A: For a charter, such as the Fantastic Voyage, Royal uses this code to indicate which color of pass card you will receive, not for dining seating. Dining aboard the Fantastic Voyage is open seating; there are no assigned times. When an entertainer performs more than once aboard the cruise, the color of your card indicates which performance you will attend. The colors are distributed evenly and randomly.

Q: Are there any more cabins available?

A: Please call (214) 495-1963 to book your cabin or book online at www.FantasticVoyage2024.com

Q: Do I need Travel Insurance? How do I buy Travel Insurance?

A: This is a great question as we strongly recommend travel insurance because you never know what can happen! You can purchase travel insurance from Travel Guard (Foundation receives a nominal fee) at ( www.TravelGuard.com ) or type “cruise travel insurance” into any Internet search engine. You would normally just need your FV reservation number and not the booking number. If you have any problems with your number being accepted, please contact your CSR rep. or call (214) 495-1963. 

Q: Can I buy and bring non-alcoholic beverages onboard? How much can I bring? 

A: Guests may bring non-alcoholic beverages as carry-on items on boarding day. Non-alcoholic beverages may not exceed twelve standard (17 oz.) cans, bottles, or cartons per stateroom . Please read the Royal Caribbean Policy .

https://www.royalcaribbean.com/faq/questions/food-drink-onboard-policy

Q: Is there an Iron & Ironing Board on the ship? How large are the laundry bags?

A: For safety concerns self-service laundry facilities are not provided onboard ships, but they do offer washing, pressing, and dry-cleaning services. They do not provide irons in the staterooms as they constitute a fire hazard but do offer laundry services. Please review and read the Laundry Service information .

Q: The Cruise Line told me that my gratuities were not paid when I called.

A: As a charter, the Fantastic Voyage covers all cabin-related gratuities aboard the ship, which are posted to the ship the day before sailing. The Fantastic Voyage has already made payment for the gratuities.

Quoted from Royal: “We do not customize e-docs for charters, so if guests with booking reservations pull the e-docs that are automatically generated with the booking, they will find generic information like in any other sailing. The gratuities are sent over to the ship right before the charter sailing starts and that is when they will be prepaid. There is no way to stop this for just one sailing. Kindly ask them to disregard gratuity information.”

Q: What is included in the Cruise price ?

A: The price includes your stateroom, entertainment, meals (except in specialty restaurants), beverages (except soda and alcohol), gratuities, government taxes, and fees, port charges, and shuttle service between the airport and pier.

Port charges include but are not limited to (i) taxes/fees assessed by governmental and other agencies; (ii) cost incidental to entering/leaving ports such as pilotage; (iii) costs incurred while in port.

The cruise vacation price does not include air transportation, shore excursions, telephone calls, Internet service, photographs, soda or alcoholic beverages, gratuities on drinks and in specialty restaurants, medical services, gift shop or souvenir purchases, beauty/barber/massage services, and gambling/casino fees.

Q: Into which airport should I fly?

A : Preferably the Miami International Airport (MIA) or Fort Lauderdale Airport (FLL). There will be complimentary shuttles provided from these two (2) airports to the pier on embarkation day April 27, 2024, and from the pier to these airports on debarkation day May 4, 2024. More information will be updated and distributed in January 2024.

Q: Is airfare included in the cost of the cruise?

A: No, airline tickets are purchased separately and are not included in the price of the cruise.

Q: What travel documents are required to board as of August 31, 202 4 ?

A: Please carefully read the Royal Caribbean Cruise Line document requirements by clicking the link below.   https://www.royalcaribbean.com/faq/questions/what-travel-documents-i-need-for-boarding-day

Q. If I plan to travel with a Birth Certificate and not a passport what are the Royal Caribbean Cruise Line accepted forms of a birth certificate?

A: He re is what Royal Preferably the Miami International Airport (MIA) or Fort Lauderdale Airport (FLL). There will be complimentary shuttles provided from these two (2) airports to the pier on embarkation day April 27, 2024, and from the pier to these airports on debarkation day May 4, 2024. More information will be updated and distributed in January 2024.

Caribbean requires if travelling with a Birth Certificate .

Must be an original or Government issued copy.

If U.S. Citizens aged 16 and older traveling on a closed loop U.S sailing are planning to use their Birth Certificate, Naturalization Paper, or Consular Report of Birth Abroad as their proof of citizenship, they will still need to bring a state issued photo ID if they plan to travel on a closed loop U.S. sailing without a passport book.

Hint:  If the birth “certificate” has the baby’s footprints stamped on it, or has a place for the baby’s footprints, the certificate was issued by the hospital and is NOT acceptable for proof of citizenship.

Q: When should I plan to arrive and depart for the cruise?

A:  When booking your flights, it is suggested that you allow two -3 hours of travel time from the airport, to allow for travel time, baggage retrieval, loading, and unloading.

Arrival to Florida before b oard ing – Plan to make your arrival on the date of sail no later than 2 pm.

Departure from Florida – Due to potential weather issues, we recommend that you make flight reservations for AFTER 12 N oon on the day of departure.

Q: Is transportation available from the airport to the pier? Do you need my flight itinerary?

A: Yes, we have planned for transportation from either the Miami International Airport (MIA) or Fort Lauderdale Airport (FLL) to be available on April 27, 2024, and May 4, 2024, during designated hours. More details will be sent out via email with your cruise documents and through guest communications leading up to the sail date.

Q: Can I get Internet access aboard the ship?

A : There is Internet aboard the ship. Internet access is billed at rates established by the cruise line. You can visit the Royal Caribbean website for the correct rate information.

Q: How are onboard purchases charged?

A: Royal Caribbean Cruise Line accepts VISA, MasterCard, American Express, and cash for a deposit on your account. Sea Pass i s the Royal Caribbean’s onboard cashless credit program . This a llows you to charge all your services, gratuities, and purchases during your cruise to your stateroom. All locations on board will accept your Sea Pass card for payment; the casino will also accept cash. A credit card or cash deposit is needed to establish your personal onboard account.

Q: Why haven’t I gotten my reservation agreement after I booked my cabin ?

A: Reservation Agr eements are usually sent out once per month starting near the beginning of October.

Q: What happens if I am not able to make the cruise once I have paid?

A: Troubles can occur when you least anticipate them forcing you to cancel or interrupt your trip, lose your vacation investment, and incur unplanned expenses. We strongly encourage you to consider the purchase of travel insurance from a national insurer such as  Travel Guard  (800-826-4919, reference number 98362) (or type “travel insurance” into a search engine). We earn a nominal commission from Travel Guard sales. Insurers usually require the purchase of coverage to occur near the date of booking. Please be aware that travel insurance purchased through your travel vendors (for example, your airline), may not cover your entire travel investment. We highly recommend that you purchase travel insurance from an insurance carrier that specializes in travel insurance to receive your best benefit.

Q: What types of payments will be accepted to purchase a cabin?

A: Credit cards (MasterCard, VISA, American Express, and Discover), personal checks, cashier’s checks, or money orders. Additionally, financing is available through Uplift after qualification.

Q: What if I need to cancel my trip?

A: Knowing that unforeseen situations may present themselves to our guests, we do offer a procedure for canceling your cruise. Cancellation requests must be received in writing. We make a great commitment to bringing such a luxurious cruise to our guests and, therefore, the deposit of $500 per person is non-refundable regardless of circumstances. However, the balance of your cruise commitment is refundable at declining percentages closer to the sailing date (refer to the Fantastic Voyage website for specific percentages). In fairness to our passengers that purchase travel insurance, we strictly abide by the Transfer, Cancellation, and Refund Policy regardless of personal circumstances or circumstances beyond your control that prevent or delay your participation .

Q: How much of my cabin is tax deductible?

A: Your cabin purchase benefits The Tom Joyner Foundation, and a portion of your cabin purchase may qualify as a charitable contribution. Please consult with your tax advisor for details.

Q: What are the travel dates, ports, and the name of the Cruise Ship?

A:  Saturday, April 2 7 , 202 4 – Saturday, May 4 , 202 4

Ports:  Leaving from Miami , Florid a . P orts of Call; Labadee, Haiti, Puerto Plata, Dominican Republic and San Juan, Puert o Rico back to Miami Florida for debarkation

Ship: Royal Caribbean’s  Independence of the Seas

Q: How do I submit a proposal to host an activity/fitness/seminar on the Tom Joyner Foundation Fantastic Voyage cruise?

A: Thank you but we are no t accepting submissions or presenters currently .

Q: Why didn’t I get the same drink special price as my roommate?

A: The Cruise Line offers specials to its own passengers daily , so you never know what is in the box of chocolates on that day. But once you book, you should be offered the special for that day.

*All itineraries, dates and times, cruise ports, artists, performers, appearances, locations, etc. are subject to change without notice.

• #TJFVTestimonials: Tell Us Your Experience!

Cruise Packages

Fantastic Voyage 2023: Represent Night

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40 Facts About Elektrostal

Written by Lanette Mayes

Modified & Updated: 02 Mar 2024

Reviewed by Jessica Corbett

Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to captivate you.

This article will provide you with 40 fascinating facts about Elektrostal, giving you a better understanding of why this city is worth exploring. From its origins as an industrial hub to its modern-day charm, we will delve into the various aspects that make Elektrostal a unique and must-visit destination.

So, join us as we uncover the hidden treasures of Elektrostal and discover what makes this city a true gem in the heart of Russia.

Key Takeaways:

• Elektrostal, known as the “Motor City of Russia,” is a vibrant and growing city with a rich industrial history, offering diverse cultural experiences and a strong commitment to environmental sustainability.
• With its convenient location near Moscow, Elektrostal provides a picturesque landscape, vibrant nightlife, and a range of recreational activities, making it an ideal destination for residents and visitors alike.

Known as the “Motor City of Russia.”

Elektrostal, a city located in the Moscow Oblast region of Russia, earned the nickname “Motor City” due to its significant involvement in the automotive industry.

Home to the Elektrostal Metallurgical Plant.

Elektrostal is renowned for its metallurgical plant, which has been producing high-quality steel and alloys since its establishment in 1916.

Boasts a rich industrial heritage.

Elektrostal has a long history of industrial development, contributing to the growth and progress of the region.

Founded in 1916.

The city of Elektrostal was founded in 1916 as a result of the construction of the Elektrostal Metallurgical Plant.

Located approximately 50 kilometers east of Moscow.

Elektrostal is situated in close proximity to the Russian capital, making it easily accessible for both residents and visitors.

Known for its vibrant cultural scene.

Elektrostal is home to several cultural institutions, including museums, theaters, and art galleries that showcase the city’s rich artistic heritage.

A popular destination for nature lovers.

Surrounded by picturesque landscapes and forests, Elektrostal offers ample opportunities for outdoor activities such as hiking, camping, and birdwatching.

Hosts the annual Elektrostal City Day celebrations.

Every year, Elektrostal organizes festive events and activities to celebrate its founding, bringing together residents and visitors in a spirit of unity and joy.

Has a population of approximately 160,000 people.

Elektrostal is home to a diverse and vibrant community of around 160,000 residents, contributing to its dynamic atmosphere.

Boasts excellent education facilities.

The city is known for its well-established educational institutions, providing quality education to students of all ages.

A center for scientific research and innovation.

Elektrostal serves as an important hub for scientific research, particularly in the fields of metallurgy, materials science, and engineering.

Surrounded by picturesque lakes.

The city is blessed with numerous beautiful lakes, offering scenic views and recreational opportunities for locals and visitors alike.

Well-connected transportation system.

Elektrostal benefits from an efficient transportation network, including highways, railways, and public transportation options, ensuring convenient travel within and beyond the city.

Famous for its traditional Russian cuisine.

Food enthusiasts can indulge in authentic Russian dishes at numerous restaurants and cafes scattered throughout Elektrostal.

Home to notable architectural landmarks.

Elektrostal boasts impressive architecture, including the Church of the Transfiguration of the Lord and the Elektrostal Palace of Culture.

Offers a wide range of recreational facilities.

Residents and visitors can enjoy various recreational activities, such as sports complexes, swimming pools, and fitness centers, enhancing the overall quality of life.

Provides a high standard of healthcare.

Elektrostal is equipped with modern medical facilities, ensuring residents have access to quality healthcare services.

Home to the Elektrostal History Museum.

The Elektrostal History Museum showcases the city’s fascinating past through exhibitions and displays.

A hub for sports enthusiasts.

Elektrostal is passionate about sports, with numerous stadiums, arenas, and sports clubs offering opportunities for athletes and spectators.

Celebrates diverse cultural festivals.

Throughout the year, Elektrostal hosts a variety of cultural festivals, celebrating different ethnicities, traditions, and art forms.

Electric power played a significant role in its early development.

Elektrostal owes its name and initial growth to the establishment of electric power stations and the utilization of electricity in the industrial sector.

Boasts a thriving economy.

The city’s strong industrial base, coupled with its strategic location near Moscow, has contributed to Elektrostal’s prosperous economic status.

Houses the Elektrostal Drama Theater.

The Elektrostal Drama Theater is a cultural centerpiece, attracting theater enthusiasts from far and wide.

Popular destination for winter sports.

Elektrostal’s proximity to ski resorts and winter sport facilities makes it a favorite destination for skiing, snowboarding, and other winter activities.

Promotes environmental sustainability.

Elektrostal prioritizes environmental protection and sustainability, implementing initiatives to reduce pollution and preserve natural resources.

Home to renowned educational institutions.

Elektrostal is known for its prestigious schools and universities, offering a wide range of academic programs to students.

Committed to cultural preservation.

The city values its cultural heritage and takes active steps to preserve and promote traditional customs, crafts, and arts.

Hosts an annual International Film Festival.

The Elektrostal International Film Festival attracts filmmakers and cinema enthusiasts from around the world, showcasing a diverse range of films.

Encourages entrepreneurship and innovation.

Elektrostal supports aspiring entrepreneurs and fosters a culture of innovation, providing opportunities for startups and business development.

Offers a range of housing options.

Elektrostal provides diverse housing options, including apartments, houses, and residential complexes, catering to different lifestyles and budgets.

Home to notable sports teams.

Elektrostal is proud of its sports legacy, with several successful sports teams competing at regional and national levels.

Boasts a vibrant nightlife scene.

Residents and visitors can enjoy a lively nightlife in Elektrostal, with numerous bars, clubs, and entertainment venues.

Promotes cultural exchange and international relations.

Elektrostal actively engages in international partnerships, cultural exchanges, and diplomatic collaborations to foster global connections.

Surrounded by beautiful nature reserves.

Nearby nature reserves, such as the Barybino Forest and Luchinskoye Lake, offer opportunities for nature enthusiasts to explore and appreciate the region’s biodiversity.

Commemorates historical events.

The city pays tribute to significant historical events through memorials, monuments, and exhibitions, ensuring the preservation of collective memory.

Promotes sports and youth development.

Elektrostal invests in sports infrastructure and programs to encourage youth participation, health, and physical fitness.

Hosts annual cultural and artistic festivals.

Throughout the year, Elektrostal celebrates its cultural diversity through festivals dedicated to music, dance, art, and theater.

Provides a picturesque landscape for photography enthusiasts.

The city’s scenic beauty, architectural landmarks, and natural surroundings make it a paradise for photographers.

Connects to Moscow via a direct train line.

The convenient train connection between Elektrostal and Moscow makes commuting between the two cities effortless.

A city with a bright future.

Elektrostal continues to grow and develop, aiming to become a model city in terms of infrastructure, sustainability, and quality of life for its residents.

In conclusion, Elektrostal is a fascinating city with a rich history and a vibrant present. From its origins as a center of steel production to its modern-day status as a hub for education and industry, Elektrostal has plenty to offer both residents and visitors. With its beautiful parks, cultural attractions, and proximity to Moscow, there is no shortage of things to see and do in this dynamic city. Whether you’re interested in exploring its historical landmarks, enjoying outdoor activities, or immersing yourself in the local culture, Elektrostal has something for everyone. So, next time you find yourself in the Moscow region, don’t miss the opportunity to discover the hidden gems of Elektrostal.

Q: What is the population of Elektrostal?

A: As of the latest data, the population of Elektrostal is approximately XXXX.

Q: How far is Elektrostal from Moscow?

A: Elektrostal is located approximately XX kilometers away from Moscow.

Q: Are there any famous landmarks in Elektrostal?

A: Yes, Elektrostal is home to several notable landmarks, including XXXX and XXXX.

Q: What industries are prominent in Elektrostal?

A: Elektrostal is known for its steel production industry and is also a center for engineering and manufacturing.

Q: Are there any universities or educational institutions in Elektrostal?

A: Yes, Elektrostal is home to XXXX University and several other educational institutions.

Q: What are some popular outdoor activities in Elektrostal?

A: Elektrostal offers several outdoor activities, such as hiking, cycling, and picnicking in its beautiful parks.

Q: Is Elektrostal well-connected in terms of transportation?

A: Yes, Elektrostal has good transportation links, including trains and buses, making it easily accessible from nearby cities.

Q: Are there any annual events or festivals in Elektrostal?

A: Yes, Elektrostal hosts various events and festivals throughout the year, including XXXX and XXXX.

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First refuelling for Russia’s Akademik Lomonosov floating NPP

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The FNPP includes two KLT-40S reactor units. In such reactors, nuclear fuel is not replaced in the same way as in standard NPPs – partial replacement of fuel once every 12-18 months. Instead, once every few years the entire reactor core is replaced with and a full load of fresh fuel.

The KLT-40S reactor cores have a number of advantages compared with standard NPPs. For the first time, a cassette core was used, which made it possible to increase the fuel cycle to 3-3.5 years before refuelling, and also reduce by one and a half times the fuel component in the cost of the electricity produced. The operating experience of the FNPP provided the basis for the design of the new series of nuclear icebreaker reactors (series 22220). Currently, three such icebreakers have been launched.

The Akademik Lomonosov was connected to the power grid in December 2019, and put into commercial operation in May 2020.

Electricity generation from the FNPP at the end of 2023 amounted to 194 GWh. The population of Pevek is just over 4,000 people. However, the plant can potentially provide electricity to a city with a population of up to 100,000. The FNPP solved two problems. Firstly, it replaced the retiring capacities of the Bilibino Nuclear Power Plant, which has been operating since 1974, as well as the Chaunskaya Thermal Power Plant, which is more than 70 years old. It also supplies power to the main mining enterprises located in western Chukotka. In September, a 490 km 110 kilovolt power transmission line was put into operation connecting Pevek and Bilibino.

Image courtesy of TVEL

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For the first time Rosatom Fuel Division supplied fresh nuclear fuel to the world’s only floating nuclear cogeneration plant in the Arctic

The fuel was supplied to the northernmost town of Russia along the Northern Sea Route.

The first in the history of the power plant refueling, that is, the replacement of spent nuclear fuel with fresh one, is planned to begin before 2024. The manufacturer of nuclear fuel for all Russian nuclear icebreakers, as well as the Akademik Lomonosov FNPP, is Machinery Manufacturing Plant, Joint-Stock Company (MSZ JSC), a company of Rosatom Fuel Company TVEL that is based in Elektrostal, Moscow Region.

The FNPP includes two KLT-40S reactors of the icebreaking type. Unlike convenient ground-based large reactors (that require partial replacement of fuel rods once every 12-18 months), in the case of these reactors, the refueling takes place once every few years and includes unloading of the entire reactor core and loading of fresh fuel into the reactor.

The cores of KLT-40 reactors of the Akademik Lomonosov floating power unit have a number of advantages compared to the reference ones: a cassette core was used for the first time in the history of the unit, which made it possible to increase the fuel energy resource to 3-3.5 years between refuelings, and also reduce the fuel component of the electricity cost by one and a half times. The FNPP operating experience formed the basis for the designs of reactors for nuclear icebreakers of the newest series 22220. Three such icebreakers have been launched by now.

For the first time the power units of the Akademik Lomonosov floating nuclear power plant were connected to the grid in December 2019, and put into commercial operation in May 2020. The supply of nuclear fuel from Elektrostal to Pevek and its loading into the second reactor is planned for 2024. The total power of the Akademik Lomonosov FNPP, supplied to the coastal grid of Pevek without thermal energy consumption on shore, is about 76 MW, being about 44 MW in the maximum thermal power supply mode. The FNPP generated 194 million kWh according to the results of 2023. The population of Pevek is just a little more than 4 thousand, while the FNPP has a potential for supplying electricity to a city with a population of up to 100 thousand people. After the FNPP commissioning two goals were achieved. These include first of all the replacement of the retiring capacities of the Bilibino NPP, which has been operating since 1974, as well as the Chaunskaya TPP, which has already been operating for more than 70 years. Secondly, energy is supplied to the main mining companies in western Chukotka in the Chaun-Bilibino energy hub a large ore and metal cluster, including gold mining companies and projects related to the development of the Baimsk ore zone. In September 2023, a 110 kilovolt power transmission line with a length of 490 kilometers was put into operation, connecting the towns of Pevek and Bilibino. The line increased the reliability of energy supply from the FNPP to both Bilibino consumers and mining companies, the largest of which is the Baimsky GOK. The comprehensive development of the Russian Arctic is a national strategic priority. To increase the NSR traffic is of paramount importance for accomplishment of the tasks set in the field of cargo shipping. This logistics corridor is being developed due regular freight voyages, construction of new nuclear-powered icebreakers and modernization of the relevant infrastructure. Rosatom companies are actively involved in this work. Rosatom Fuel Company TVEL (Rosatom Fuel Division) includes companies fabricating nuclear fuel, converting and enriching uranium, manufacturing gas centrifuges, conducting researches and producing designs. As the only nuclear fuel supplier to Russian NPPs, TVEL supplies fuel for a total of 75 power reactors in 15 countries, for research reactors in nine countries, as well as for propulsion reactors of the Russian nuclear fleet. Every sixth power reactor in the world runs on TVEL fuel. Rosatom Fuel Division is the world’s largest producer of enriched uranium and the leader on the global stable isotope market. The Fuel Division is actively developing new businesses in chemistry, metallurgy, energy storage technologies, 3D printing, digital products, and decommissioning of nuclear facilities. TVEL also includes Rosatom integrators for additive technologies and electricity storage systems. Rosenergoatom, Joint-Stock Company is part of Rosatom Electric Power Division and one of the largest companies in the industry acting as an operator of nuclear power plants. It includes, as its branches, 11 operating NPPs, including the FNPP, the Scientific and Technical Center for Emergency Operations at NPPs, Design and Engineering as well as Technological companies. In total, 37 power units with a total installed capacity of over 29.5 GW are in operation at 11 nuclear power plants in Russia. Machinery Manufacturing Plant, Joint-Stock Company (MSZ JSC, Elektrostal) is one of the world’s largest manufacturers of fuel for nuclear power plants. The company produces fuel assemblies for VVER-440, VVER-1000, RBMK-1000, BN-600,800, VK-50, EGP-6; powders and fuel pellets intended for supply to foreign customers. It also produces nuclear fuel for research reactors. The plant belongs to the TVEL Fuel Company of Rosatom.

Rosatom obtained a license for the first land-based SMR in Russia

On April 21, Rosenergoatom obtained a license issued by Rostekhnadzor to construct the Yakutsk land-based SMR in the Ust-Yansky District of the Republic of Sakha (Yakutia).

ROSATOM and FEDC agree to cooperate in the construction of Russia's first onshore SNPP

ROSATOM and FEDC have signed a cooperation agreement to build Russia's first onshore SNPP in Yakutia.

Rosatom develops nuclear fuel for modernized floating power units

Rosatom has completed the development of nuclear fuel for the RITM-200S small modular reactor designed for the upgraded floating power units.