mithila tourist places

Being Maithil

রীজগ মৈথিল |  बीइंग मैथिल.

rediscovering "MITHILA" | spreading "MAITHILI" | uniting "MAITHILS"

• Sep 22, 2020

Places to Visit in Mithila

Updated: Aug 9, 2021

Mithila is a geographical and cultural region of the Indian subcontinent bounded by the Mahananda River in the east, the Ganges in the south, the Gandaki River in the west and by the foothills of the Himalayas in the north. It comprises of certain parts of Bihar and Jharkhand of India and adjoining districts of the eastern Terai of Nepal.

The region’s name "Mithila" was evolved from Mythical King ‘Miti’ which means “Soil”.

The region has its own Mithila cultural identity having its own language called ‘maithili’, and its speakers are referred to as Maithils.

Scroll down and known more about the famous historic cities of mithila and their attaraction.

1) Janki Mandir Punaura Dham , Sitamarhi (INDIA)

Punaura Dham is one of the holiest Hindu temples dedicated to Goddess Sita, located in Sitamarhi, Bihar, India. Million of pilgrims visit the temple every year and most visited religious shrine in North India.

This holy temple is about 5 km west of Sitamarhi. Saint Pundrik's Ashram was situated here. Sita-Kund place is the honour of being the birthplace of Hindu Goddess, Sita.

2) Janki Mandir Janakpur Dham , Janakpur (NEPAL)

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3) Shri Ugratara Sthan, Saharsa (INDIA)

4) Darbhanga Fort, Darbhanga (INDIA)

5) Bisfi Village, Baba Vidyapati, Madhubani (INDIA)

6) Balirajgarh, Madhubani (INDIA)

7) Ahilya Asthan, Darbhanga

8) Jalalgarh fort, Purnea (India)

• Places / Tourism

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Table of Contents

Mithila , also known as Tirhut or the Mithila region, is a historically and culturally significant area located in the northern part of India, primarily spanning across the modern-day states of Bihar and a part of Nepal. Revered for its ancient traditions, vibrant art, and profound spirituality, Mithila is a land that has captivated the hearts and minds of scholars, artists, and travelers for centuries.

Let’s explore top 10 tourist places of Mithila :

• Janakpur Dham,Janakpur
• Darbhanga Fort,Darbhanga
• Punaura Dham,Sitamarhi
• Ahilya Asthan,Darbhanga
• Chamunda Asthan,Muzaffarpur
• Mata Shyama Kali Mandir,Darbhanga
• Shri Ugratara Asthan Mahishi,Saharsa
• Chandradhari Museum,Darbhanga
• Rajnagar Ruins,Madhubani
• Vikramshila University Ruins,Bhagalpur

1. Janakpur Dham : Mithila Tourist Places

Janakpur Dham , Situated in the center of Nepal’s Mithila region, is a highly esteemed pilgrimage destination and a cultural treasure trove. For Hindu devotees and tourists wishing to fully experience the region’s spiritual and cultural legacy, Janakpur Dham, steeped in mythology and history, is of great significance.

1. Birthplace of Goddess Sita: Janakpur is widely believed to be the birthplace of Goddess Sita, the consort of Lord Rama and a central figure in the Hindu epic, Ramayana. According to legend, King Janak found Sita while plowing a field, and thus, she came to be known as Janaki. The city’s connection to Goddess Sita infuses it with profound religious significance, drawing pilgrims and devotees from all over the world.

2. Janaki Mandir: The crown jewel of Janakpur Dham is the majestic Janaki Mandir, a stunning Hindu temple dedicated to Goddess Sita. Built-in the traditional Rajasthani architectural style in 1911 by Queen Brisabhanu Kunwari of Tikamgarh, this grand structure boasts intricate carvings, ornate pillars, and vibrant paintings that depict scenes from the Ramayana. The temple’s sanctum sanctorum houses the sacred idol of Goddess Sita, attracting throngs of devotees who come to seek her blessings.

3. Ram Janaki Vivah Mandap: Adjacent to the Janaki Mandir lies the Ram Janaki Vivah Mandap, a sacred pavilion commemorating the divine marriage of Lord Rama and Goddess Sita. This ornate structure features exquisite carvings and sculptures depicting the wedding ceremony of the divine couple. Pilgrims flock to this site to witness reenactments of the Ramayana and participate in religious rituals and festivities, especially during the annual Vivah Panchami celebration.

4. Bibaha Panchami Festival: One of the most significant festivals celebrated in Janakpur Dham is Bibaha Panchami, which commemorates the divine wedding of Lord Rama and Goddess Sita. During this auspicious occasion, the Ram Janaki Vivah Mandap comes alive with vibrant decorations, cultural performances, and religious ceremonies. Devotees from far and wide gather to witness the grand festivities and seek the blessings of the divine couple for marital bliss and prosperity.

5. Mithila Art and Culture: Janakpur Dham is also renowned for its rich artistic heritage, particularly the vibrant Mithila art form. Visitors can explore the Mithila Art Gallery and witness firsthand the intricate paintings and sculptures that depict scenes from Hindu mythology and everyday life. The city’s bustling markets offer a treasure trove of traditional handicrafts, textiles, and souvenirs, providing an opportunity to immerse oneself in the local culture and craftsmanship.

2. Darbhanga Fort : Mithila Tourist Places

The Darbhanga Fort stands as a magnificent testament to the rich cultural heritage and architectural splendor of the region. With its towering walls, ornate gates, and sprawling courtyards, the fort serves as a symbol of the illustrious legacy of the Darbhanga Raj family, who once ruled over the region.

1. Historical Significance: Constructed in the 18th century by Maharaja Lakshmeshwar Singh of the Darbhanga Raj family, the Darbhanga Fort served as the ancestral seat of the royal dynasty for centuries. The fort played a pivotal role in the political, cultural, and economic life of the region, serving as a center of governance, commerce, and cultural patronage.

2. Architectural Marvel: The Darbhanga Fort is renowned for its impressive architecture, blending elements of Mughal, Rajput, and European styles. The fort’s imposing walls, built of red bricks and stone, stand as a testament to the craftsmanship and engineering prowess of the artisans of yesteryears. Intricate carvings, arched gateways, and ornamental motifs adorn the fort’s façade, showcasing the grandeur and opulence of its erstwhile rulers.

3. Cultural Patronage: Under the patronage of the Darbhanga Raj family, the fort flourished as a center of culture and learning. The royal court of Darbhanga was renowned for its patronage of art, literature, music, and dance, attracting scholars, artists, and performers from far and wide. The fort’s sprawling courtyards and majestic halls served as venues for extravagant festivals, performances, and cultural events, fostering a vibrant atmosphere of creativity and intellectual exchange.

4. Heritage Preservation: In recent years, efforts have been made to preserve and restore the Darbhanga Fort as a heritage site of national importance. Conservation initiatives have been undertaken to safeguard the fort’s architectural integrity and cultural significance, ensuring that future generations can continue to marvel at its splendor. The fort’s rich history and cultural heritage make it a popular destination for tourists, historians, and architecture enthusiasts alike, who flock to explore its storied halls and picturesque surroundings.

5. Cultural Events and Festivals: The Darbhanga Fort serves as a venue for various cultural events, festivals, and exhibitions throughout the year, showcasing the region’s rich artistic heritage and cultural traditions. From classical music concerts and dance performances to art exhibitions and heritage walks, the fort’s premises come alive with activity, offering visitors a glimpse into the vibrant cultural tapestry of Darbhanga and the Mithila region.

3. Punaura Dham : Mithila Tourist Places

Punaura Dham stands as a beacon of spiritual enlightenment and cultural heritage, embodying the timeless values of devotion, righteousness, and harmony. As pilgrims and visitors flock to its sacred precincts, they are enveloped in a sense of divine grace and tranquility, finding solace in the embrace of Raja Janak’s benevolent presence. Indeed, Punaura Dham is not merely a place of worship but a sanctuary of devotion, where the soul finds refuge and the spirit soars in reverence to the eternal truths of dharma and divinity.

1. Birthplace of Raja Janak: Punaura Dham is believed to be the birthplace of Raja Janak, the legendary king of Mithila and father of Goddess Sita. According to Hindu mythology, Raja Janak was renowned for his wisdom, righteousness, and devotion to Lord Rama. Punaura Dham thus holds a special place in the hearts of devotees who revere Raja Janak as a symbol of dharma (righteousness) and spiritual enlightenment.

2. Raja Janak Temple: At the heart of Punaura Dham lies the magnificent Raja Janak Temple, dedicated to the illustrious king and his lineage. The temple’s architecture exudes a sense of grandeur and reverence, with its towering spires, intricately carved pillars, and ornate facades. Inside the sanctum sanctorum, devotees offer prayers and seek blessings, paying homage to the revered lineage of Raja Janak and his divine connection to Lord Rama and Goddess Sita.

3. Spiritual Retreat: Punaura Dham offers a tranquil retreat for seekers of spiritual solace and inner peace. Surrounded by lush greenery and serene landscapes, the sacred precincts of the temple provide a serene ambiance conducive to meditation, reflection, and prayer. Pilgrims embark on a spiritual journey, seeking to connect with the divine essence of Raja Janak and the timeless teachings of dharma imparted by the revered king.

4. Festivals and Celebrations: Throughout the year, Punaura Dham reverberates with the joyous celebrations of festivals and religious observances. From the grand festivities of Janmashtami and Ram Navami to the solemn rituals of Guru Purnima and Diwali, the temple premises come alive with devotional fervor and cultural vibrancy. Pilgrims partake in rituals, bhajans (devotional songs), and religious discourses, fostering a sense of community and spiritual communion.

5. Cultural Heritage: Punaura Dham serves as a custodian of Mithila’s rich cultural heritage and religious traditions. The temple complex houses ancient relics, artifacts, and scriptures that bear testimony to the region’s storied past and spiritual legacy. Visitors gain insights into the customs, rituals, and folklore that have shaped the cultural fabric of Mithila for generations, deepening their appreciation for its timeless heritage.

4. Ahilya Asthan : Mithila Tourist Places

Deeply rooted in mythology and spirituality, Ahilya Asthan is located in the holy city of Darbhanga in the Mithila region of Bihar, India. This holy location is important both culturally and religiously, attracting pilgrims and followers who want to lose themselves in the age-old stories of salvation and heavenly favor.

1. Legend of Ahilya: Ahilya Asthan is associated with the mythological story of Ahilya, a virtuous and pious woman who was cursed and turned into stone by her husband, Sage Gautama, due to a misunderstanding. According to Hindu mythology, Ahilya was later liberated from her curse by the touch of Lord Rama’s feet, symbolizing the power of forgiveness, redemption, and divine intervention.

2. Ahilya Kund: At the heart of Ahilya Asthan lies the sacred Ahilya Kund, a pristine water tank believed to be the spot where Ahilya was transformed from stone back into her human form by Lord Rama’s touch. Pilgrims visit the kund to take a dip in its holy waters, seeking purification and spiritual renewal. The serene ambiance of the kund creates a tranquil atmosphere conducive to prayer, meditation, and introspection.

3. Ahilya Temple: Adjacent to the Ahilya Kund stands the Ahilya Temple, dedicated to the revered Ahilya Devi. The temple’s architecture reflects a blend of traditional Mithila and Hindu architectural styles, with intricate carvings, colorful murals, and ornate sculptures adorning its walls and pillars. Devotees offer prayers and seek blessings at the temple, expressing their reverence and gratitude to Ahilya Devi for her divine grace and benevolence.

4. Cultural Significance: Ahilya Asthan is not only a place of religious worship but also a symbol of cultural heritage and spiritual legacy. The site is steeped in folklore, rituals, and traditions that have been passed down through generations, enriching the cultural fabric of Mithila. Pilgrims and visitors gain insights into the region’s mythological tales, customs, and beliefs, deepening their understanding and appreciation of its rich cultural heritage.

5. Festivals and Celebrations: Ahilya Asthan comes alive with vibrant festivities and religious observances throughout the year. Special events are held to commemorate Ahilya’s liberation and celebrate her divine grace. Devotees gather to participate in rituals, prayers, and bhajans (devotional songs), fostering a sense of community and spiritual camaraderie. The atmosphere is imbued with joy, devotion, and reverence, as pilgrims pay homage to Ahilya Devi and seek her blessings for spiritual enlightenment and liberation.

5. Chamunda Asthan : Mithila Tourist Places

Embodying the ageless virtues of devotion, protection, and divine grace, Chamunda Asthan shines as a beacon of spiritual enlightenment and cultural legacy. Pilgrims and tourists swarm to its hallowed grounds, drawn by the peaceful, heavenly presence of Goddess Chamunda, who offers them inspiration and consolation. In fact, Chamunda Asthan is a sanctuary of devotion rather than just a place of worship, where the spirit soars to new heights of enlightenment and spiritual awakening and the soul seeks refuge.

1. Origin and Mythological Significance: Chamunda Asthan is dedicated to Goddess Chamunda, a fierce and benevolent form of the Hindu goddess Durga. According to mythology, Goddess Chamunda is believed to have emerged from the wrathful manifestation of Goddess Kali to vanquish demons and protect devotees from evil forces. The temple’s origins date back centuries, steeped in the timeless tales of mythology and divine intervention.

2. Spiritual Retreat: Chamunda Asthan offers a tranquil retreat for seekers of spiritual solace and inner peace. Surrounded by lush greenery and serene landscapes, the temple premises provide a serene ambiance conducive to meditation, reflection, and prayer. Pilgrims embark on a spiritual journey, seeking to connect with the divine essence of Goddess Chamunda and receive her blessings for protection, prosperity, and liberation.

3. Architecture and Sacred Precincts: The temple architecture of Chamunda Asthan exudes a sense of grandeur and reverence, with its towering spires, intricate carvings, and ornate facades. Inside the sanctum sanctorum, devotees offer prayers and seek blessings from the divine idol of Goddess Chamunda, adorned with sacred adornments and embellishments. The temple complex also houses shrines dedicated to other Hindu deities, creating a vibrant tapestry of religious devotion and reverence.

4. Festivals and Celebrations: Throughout the year, Chamunda Asthan resonates with the joyous celebrations of festivals and religious observances. Special events are held to commemorate auspicious occasions such as Navaratri, Durga Puja, and Kali Puja, where devotees gather to participate in rituals, bhajans (devotional songs), and religious discourses. The temple premises come alive with devotional fervor and cultural vibrancy, fostering a sense of community and spiritual communion among pilgrims and visitors.

5. Cultural Heritage: Chamunda Asthan serves as a custodian of Mithila’s rich cultural heritage and religious traditions. The temple complex is adorned with ancient relics, artifacts, and scriptures that bear testimony to the region’s storied past and spiritual legacy. Pilgrims and visitors gain insights into the customs, rituals, and folklore that have shaped the cultural fabric of Mithila for generations, deepening their appreciation for its timeless heritage.

6. Mata Shyama Kali Mandir : Mithila Tourist Places

The Mata Shyama Kali Mandir is proof of the continuing force of faith, dedication, and divine providence. Its hallowed grounds are surrounded by the heavenly presence of Goddess Kali, who bestows protection, comfort, and spiritual enlightenment upon pilgrims and devotees who gather there. The Mata Shyama Kali Mandir is, in fact, more than just a place of worship—it’s a sanctuary of devotion where the spirit soars to new heights of spiritual awareness and emancipation and the soul finds refuge.

1. The Divine Presence of Goddess Kali: The Mata Shyama Kali Mandir is an embodiment of the divine presence of Goddess Kali, revered as the destroyer of evil forces and the bestower of blessings upon her devotees. According to Hindu mythology, Goddess Kali is depicted as a fearsome yet compassionate deity, symbolizing the eternal cycle of creation, preservation, and destruction. Her divine grace is believed to offer protection from malevolent forces and guide devotees on the path of righteousness and spiritual enlightenment.

2. Spiritual Significance: The temple serves as a sanctum of spiritual enlightenment and devotion, where pilgrims and visitors seek solace, guidance, and blessings from Goddess Kali. The serene ambiance of the temple premises creates an atmosphere conducive to prayer, meditation, and introspection, allowing devotees to connect with the divine essence of the goddess and find inner peace amidst the chaos of daily life.

3. Architectural Splendor: The Mata Shyama Kali Mandir is adorned with exquisite architectural details, reflecting the rich cultural heritage and artistic traditions of Mithila. The temple’s towering spires, intricate carvings, and vibrant paintings pay homage to the divine glory of Goddess Kali and create a sense of awe and reverence among devotees. Inside the sanctum sanctorum, the divine idol of Goddess Kali radiates with a divine aura, captivating the hearts and minds of worshippers who offer prayers and seek blessings.

4. Festivals and Celebrations: The Mata Shyama Kali Mandir resonates with the joyous celebrations of festivals and religious observances throughout the year. Special events are held to commemorate auspicious occasions such as Kali Puja, Navaratri, and Diwali, where devotees gather to participate in rituals, bhajans (devotional songs), and religious discourses. The temple premises come alive with devotional fervor and cultural vibrancy, fostering a sense of community and spiritual communion among pilgrims and visitors.

5. Cultural Heritage: As a custodian of Mithila’s rich cultural heritage and religious traditions, the Mata Shyama Kali Mandir plays a vital role in preserving and promoting the region’s ancient customs, rituals, and folklore. Pilgrims and visitors gain insights into the profound symbolism and spiritual significance of Goddess Kali, deepening their appreciation for the timeless heritage of Mithila and the divine grace that permeates the temple’s sacred precincts.

7. Shri Ugratara Asthan Mahishi : Mithila Tourist Places

The shrine of Shri Ugratara Asthan Mahishi is a place of great devotion, where the heavenly light of Goddess Ugratara shines with kindness and generosity. Upon arriving at its hallowed grounds, pilgrims and followers experience a feeling of divine calm and presence. They find comfort, safety, and enlightenment in the goddess’s benevolent embrace. In fact, Shri Ugratara Asthan Mahishi is a sanctum of devotion more than just a site of worship, where the spirit soars to new heights of spiritual awareness and emancipation and the soul finds sanctuary.

1. The Divine Essence of Goddess Ugratara: Goddess Ugratara, also known as Tara or Mahishamardini, is a revered deity in Hindu mythology, symbolizing the power of the divine feminine and the triumph of good over evil. She is depicted as a fearsome yet compassionate goddess, wielding weapons and slaying demons to protect her devotees from harm and suffering. The name “Ugratara” translates to “fierce star,” signifying the goddess’s radiant and formidable presence.

2. Spiritual Sanctity: Shri Ugratara Asthan Mahishi exudes a sense of spiritual sanctity and serenity, providing pilgrims and visitors with a sacred space for prayer, meditation, and introspection. The temple premises are adorned with lush gardens, ancient trees, and tranquil pathways, creating an ambiance conducive to spiritual contemplation and communion with the divine. Devotees gather at the temple to offer prayers, perform rituals, and seek blessings from Goddess Ugratara, finding solace and inspiration in her benevolent grace.

3. Architectural Splendor: The temple architecture of Shri Ugratara Asthan Mahishi reflects a blend of traditional Mithila and Hindu architectural styles, with its intricately carved pillars, ornate facades, and towering spires. The sanctum sanctorum houses the divine idol of Goddess Ugratara, adorned with sacred adornments and embellishments, radiating with a divine aura that captivates the hearts and minds of worshippers. The temple’s architectural splendor adds to the sense of reverence and awe that permeates the sacred precincts.

4. Festivals and Celebrations: Throughout the year, Shri Ugratara Asthan Mahishi resonates with the joyous celebrations of festivals and religious observances dedicated to Goddess Ugratara. Special events are held to commemorate auspicious occasions such as Navaratri, Durga Puja, and Kali Puja, where devotees gather to participate in rituals, bhajans (devotional songs), and religious discourses. The temple premises come alive with devotional fervor and cultural vibrancy, fostering a sense of community and spiritual communion among pilgrims and visitors.

5. Cultural Heritage: As a custodian of Mithila’s rich cultural heritage and religious traditions, Shri Ugratara Asthan Mahishi plays a vital role in preserving and promoting the region’s ancient customs, rituals, and folklore. Pilgrims and visitors gain insights into the profound symbolism and spiritual significance of Goddess Ugratara, deepening their appreciation for the timeless heritage of Mithila and the divine grace that permeates the temple’s sacred precincts.

8. Chandradhari Museum : Mithila Tourist Places

The Chandradhari Museum stands as a beacon of cultural preservation and heritage conservation, safeguarding the treasures of Mithila for future generations to cherish and admire. As visitors wander through its galleries, they are transported back in time to a bygone era of artistic splendor and intellectual enlightenment. Indeed, the Chandradhari Museum is not merely a place of artifacts but a living testament to the enduring legacy of Mithila’s rich cultural heritage.

1. Historical Background: Established in the early 20th century, the Chandradhari Museum was inaugurated by Maharaja Rameshwar Singh Bahadur himself, who had a keen interest in promoting art, culture, and education in his princely state of Darbhanga. The museum was initially housed within the Darbhanga Palace complex but was later relocated to its current location to accommodate its growing collection of artifacts and exhibits.

2. Architectural Splendor: The museum’s architecture reflects a blend of traditional Mithila and colonial influences, with its grand entrance, ornate columns, and spacious galleries. The building itself is a work of art, designed to showcase the museum’s extensive collection in a manner that is both aesthetically pleasing and culturally enriching. Visitors are greeted with a sense of grandeur as they step into the museum, setting the stage for a journey through the rich history and heritage of Mithila.

3. Cultural Treasures: The Chandradhari Museum houses a diverse collection of artifacts spanning various periods of Mithila’s history, including sculptures, pottery, coins, textiles, and decorative arts. Of particular note are the exquisite Madhubani paintings, for which Mithila is renowned. These vibrant artworks depict scenes from Hindu mythology, everyday life, and cultural traditions, showcasing the artistic prowess and cultural vibrancy of the region.

4. Manuscripts and Documents: In addition to its art collection, the Chandradhari Museum boasts an impressive array of ancient manuscripts, documents, and archival materials. These priceless artifacts offer valuable insights into Mithila’s intellectual and literary heritage, including texts on philosophy, religion, literature, and science. Scholars and researchers flock to the museum to study these rare manuscripts and unravel the mysteries of Mithila’s past.

5. Educational and Cultural Hub: The Chandradhari Museum serves as more than just a repository of artifacts; it is also a hub for education, research, and cultural exchange. The museum regularly hosts workshops, seminars, and cultural events aimed at promoting awareness and appreciation of Mithila’s heritage. School children, scholars, and tourists alike benefit from the museum’s educational programs, gaining a deeper understanding of Mithila’s rich cultural tapestry and its significance in the broader context of Indian history and civilization.

9. Rajnagar Ruins : Mithila Tourist Places

The Rajnagar Ruins invite tourists to take a trip back in time and investigate the mysteries of the past, serving as a monument to the continuing legacy of Madhubani’s ancient culture. In order to ensure that Rajnagar’s historical echoes live on for future generations, it is our duty as custodians of this legendary legacy to save and conserve these antiquated relics.

1. Historical Significance: The Rajnagar Ruins are steeped in historical significance, with traces of ancient settlements dating back over two millennia. Believed to have been inhabited during the Mauryan and Gupta periods, these ruins provide valuable insights into the socio-economic, political, and cultural life of ancient Madhubani. Scholars speculate that Rajnagar may have served as an important administrative or trading center, linking the region to broader networks of commerce and culture.

2. Archaeological Marvels: The ruins of Rajnagar comprise a complex network of structures, including ancient temples, stupas, monasteries, and residential buildings. The architectural remnants bear witness to the artistic prowess and engineering ingenuity of ancient craftsmen, with intricate carvings, ornate pillars, and decorative motifs adorning the ruins. Archaeological excavations have unearthed a treasure trove of artifacts, pottery, coins, and inscriptions, shedding light on the daily lives, religious beliefs, and artistic traditions of the people who once inhabited Rajnagar.

3. Cultural Heritage: The Rajnagar Ruins are an integral part of Madhubani’s cultural heritage, serving as a reminder of the region’s rich and diverse history. The site has inspired local folklore, legends, and myths, with tales of ancient kings, dynasties, and battles echoing through the ages. Visitors to the ruins can immerse themselves in the evocative atmosphere of the past, tracing the footsteps of ancient inhabitants and marveling at the enduring legacy of Madhubani’s ancestors.

4. Preservation Efforts: In recent years, efforts have been made to preserve and protect the Rajnagar Ruins as a heritage site of national importance. Archaeological surveys, conservation projects, and site management initiatives have been undertaken to safeguard the ruins from environmental degradation, vandalism, and encroachment. Interpretive signage, visitor centers, and guided tours have been introduced to enhance public awareness and appreciation of the site’s historical significance.

5. Tourism and Cultural Tourism: The Rajnagar Ruins have emerged as a popular tourist destination and cultural attraction in Madhubani, drawing visitors from across India and around the world. Tourists and history enthusiasts flock to the site to explore its ancient remnants, soak in its tranquil ambiance, and unravel the mysteries of its past. The ruins also serve as a focal point for cultural tourism, with festivals, exhibitions, and heritage walks organized to celebrate Madhubani’s rich cultural heritage and promote community engagement.

10. Vikramshila University Ruins : Mithila Tourist Places

The Vikramshila University Ruins are a monument to the great legacy of knowledge and scholarship that once flourished in the area. They are situated close to the town of Bhagalpur in the Indian state of Bihar. One of the most famous educational institutions in ancient India, Vikramshila University was founded in the eighth century CE by King Dharmapala of the Pala dynasty and drew intellectuals and students from all across the country. The ruins of this venerable institution continue to astonish and venerate tourists while providing a window into its storied past.

1. Historical Significance: Vikramshila University was established during the reign of the Pala dynasty, a period known for its patronage of Buddhism and intellectual pursuits. The university was named after King Vikramashila, a legendary ruler renowned for his patronage of learning and scholarship. Over the centuries, Vikramshila University emerged as a prestigious center of Buddhist studies, attracting scholars and practitioners from across India and beyond.

2. Architectural Marvels: The ruins of Vikramshila University comprise a complex network of structures, including monastic cells, meditation halls, lecture halls, and stupas. The architecture of the university reflects a blend of Buddhist and Indian styles, with intricately carved pillars, ornate sculptures, and decorative motifs adorning the ruins. Despite centuries of decay and neglect, the grandeur of Vikramshila’s architectural marvels continues to captivate the imagination of visitors.

3. Educational Legacy: Vikramshila University was renowned for its curriculum, which encompassed a wide range of subjects, including Buddhist philosophy, logic, grammar, medicine, and astrology. The university attracted eminent scholars such as Atisha Dipankara, Dharmapala, and Naropa, who contributed to its intellectual and spiritual legacy. The rigorous academic environment of Vikramshila fostered a culture of learning and inquiry, shaping the minds of generations of scholars and practitioners.

4. Cultural Heritage: The ruins of Vikramshila University are an integral part of Bihar’s cultural heritage, serving as a symbol of the region’s rich intellectual and spiritual traditions. The site has inspired works of art, literature, and poetry, with poets and historians extolling its virtues and lamenting its decline. Efforts have been made to preserve and protect the ruins as a heritage site of national importance, ensuring that the legacy of Vikramshila University continues to inspire future generations.

5. Tourism and Pilgrimage: In recent years, the Vikramshila University Ruins have emerged as a popular tourist destination and pilgrimage site, attracting visitors from across India and around the world. Tourists and history enthusiasts flock to the site to explore its ancient remnants, contemplate its spiritual significance, and pay homage to the scholars and practitioners who once walked its hallowed halls. The ruins also serve as a focal point for cultural tourism, with festivals, exhibitions, and guided tours organized to celebrate Bihar’s rich cultural heritage and promote community engagement.

Frequently Asked Questions (FAQ) on Mithila Tourist Places

1. What are some must-visit tourist places in Mithila?

• Mithila offers a plethora of attractions for tourists, including historical sites like Darbhanga Fort and Janakpur Dham, cultural landmarks like the Chandradhari Museum and Vikramshila University Ruins, and natural wonders like Punaura Dham and Rajnagar Ruins .

2. How can I travel to Mithila?

• Mithila is accessible by road, rail, and air. The region is well-connected by national highways and state roads, with frequent bus services from neighboring cities. Train services also operate to major towns in Mithila, while airports in nearby cities like Patna and Kathmandu provide air connectivity.

3. What is the best time to visit Mithila?

• The best time to visit Mithila is during the winter months (November to February) when the weather is pleasant and conducive to sightseeing. However, festivals like Chhath Puja and Durga Puja attract a large number of visitors during specific times of the year.

4. Are there any cultural events or festivals in Mithila?

• Yes, Mithila is known for its vibrant cultural festivals and events. Celebrations like Chhath Puja, Durga Puja, Holi, and Diwali are widely observed with great enthusiasm and fervor, offering visitors a unique opportunity to experience the region’s rich cultural heritage.

5. Is it safe to travel to Mithila as a tourist?

• Yes, Mithila is generally considered safe for tourists. However, as with any travel destination, it is advisable to take standard precautions such as safeguarding valuables, being aware of your surroundings, and following local customs and regulations.

6. What are some popular activities to do in Mithila?

• Popular activities in Mithila include visiting historical landmarks, exploring cultural institutions and museums, participating in religious festivals and rituals, shopping for traditional handicrafts and artifacts, and enjoying the scenic beauty of the region’s natural landscapes.

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Travelling to Mithila: These Temples should not be missed

History comes alive and dances vibrantly right in front of your eyes, as you explore the sacred cities of Mithila- A region of southern Nepal and Northern India lying between the lower ranges of the Himalayas and the Ganges River, believed to be the place where Goddess Sita spent her childhood and place of her marriage with Lord Rama.

Mithila- The land famous for its unique culture, outstanding philosophy and beautiful folk traditions. From centuries the intellectuals from this region have established themselves, whether we talk about Yajnavalakya, Vachaspati, Vidyapati, Mandan Mishra, Gargi, Maitreyi, Bharti or Jagat-Janni Sita.

For uniqueness and stickiness with the art, culture, and traditions, this land of Mithila is well known.

Apart from its stickiness to culture and tradition, this region is well known for its religious practices and beliefs.

The Ramayana says the Mithila of Bihar as the home of Goddess Sita and as this region comes in the same belt of Bengal & Assam, where Shakti cult is mainly worshipped, people of Mithila too are Shakta in their original religious convictions. But since Shakti is the divine spouse of Shiva, Shaktism with the Shaivism form of convictions is mainly worshipped in the region of Mithila.

From the centuries people of Mithila are worshipping goddess, Durga in various forms. And subsequently, several temples were built supporting their beliefs by different rulers and pandits.

Here is a list of some of the well-established and must-visit Temples in Mithila, Bihar

Janki Mandir, Janakpur , Nepal

Janaki Mandir or The Temple of Goddess Janaki is a massive white marble domed building dedicated to Hindu goddess Sita in the Janakpur region of Mithila district in Nepal. In Hindu epic Ramayana, King Janak, known as Videha, a famed ruler loved and renowned for his reputation of delivering unbiased justice, is said to have ruled this area of Janakpur. Sita was King Janak's daughter whose name was Janaki and in a rather elaborate groom choosing ceremony, she decided on Lord Ram to be her husband and became Queen of Ayodhya.

A temple nearby, in the same vicinity, is said to be the exact spot where their marriage vows were solemnized.

The Janaki Mandir is a sprawling structure with palatial features, completely constructed from white marble. It is resplendent with domes at the top and the architecture, which showcase the interesting confluence of the Hindu, Nepali, Koiri and Mughal style of design.

Ugra Tara Sthan, Mahishi, Saharsa

This ancient temple dedicated to Goddes Ugra Tara has situated approx 15 Km from the district headquarter of Saharsa.

Locals worship the deity as Vashishtha Aradhita Tara, who was worshipped by saint Vashishtha, thereby associating this temple with the Ramayana period.

Locals also claim the Ugra Tara Sthan as a Shakti Peetha saying the right eye of Goddess Sati had fallen here.

Some historians, however, claim the idols of the Ugra Tara as Buddha's deity dating back to the Pala period.

They claim this Mahishi village as a pre-eminently Buddhist site known as Aapan-Nigam during the Buddha period. As a large number of Buddha images lying scattered on the temple premises and worshipped by locals as various Hindu gods and goddesses support their claims.

The temple, having the main entrance from the western side and a small opening on the eastern side of the sanctum sanctorum, was built by Rani Padmavati, the spouse of King Narendra Deo Singh some 500 years ago.

This Ugra Tara Temple, famous for the Tantrik cult of worshipping, draws devotees from different parts of the country and Nepal.

Janki Temple, Sitamarhi

The Janki Temple is believed to be the birthplace of Goddess Sita. The legends say this as a place where Goddess Sita was found as a newborn girl by King Janaka while plowing the field.

Later on, a big temple with a modern structure was built to commemorate that event. The presiding deity of the temple is Lord Rama, Goddess Sita, and Hanuman.

Nearby water pond famous as Janki Kund is believed to be the pond where King Janaka used to give a bath to the girl Sita.

As the great epic Ramayana has a predominant influence on the Hindus in India, this temple is thronged by devotees round the year. The festival Ram Navami and Janki Navami are the holy festivals of this place.

Punaura Dham, Sitamarhi

Located at a distance of 2 km from Sitamarhi, the Punarra Dham is famous for its grand Janki temple. It is believed that in ancient times, there was an ashram of the Pundariya rishi and here was the birth of Mother Sita in Janaki Kund.

However, it has been a controversy that for a year, who is the real Sita birthplace- Janaki Temple or the Punaura Dham?

But many Hindu devotees visit this temple around the year.

Uchaith Sthan, Madhubani

Uchaith Sthan has situated 25 Km from the district headquarter of Madhubani. In the garbha-griha, there is an idol in black stone of four-armed Goddess Durga, sitting in the yoga posture on the lion. Holding a Sword in the left hand and Wheel on the right hand, the goddess Durga is engraved by the Chakra( Wheel) on the sole of her feet too.

Legends say that after worshipping the Uchaith Durga, Lord Rama, Lakshman, and Vishwamithra went to Janakpur to take the part in Sita's Swayamvara (a practice of choosing a husband, from among an array of suitors) organized by King Janak. The great saint Vashishta and Parshuram also pleased Uchait Durga by penance. Pandavas too worshipped the Uchait Durga during the Navratri.

As per the legends, after getting the boon from Uchaith Durga only Kalidas became the greatest literary figure of all time. As the legend states, a group of scholars manipulated Kalidas' marriage with Princess Vidhyotma. When the princess realized that she had been betrayed, she asked Kalidas to leave and not come back until he gained authority in Sanskrit. So, Kalidas came to Uchaith Vidyapeeth in pursuit of knowledge. The Goddess blessed him with her divine power. It is believed that the original temple was built before 100 BC when the region was a jungle and Lord Rama, Sita, and King Janaka are known to have worshipped here. However, the present structure was built in 1960.

Throughout the year, a large number of devotees visit this temple for blessings.

Ahilya Sthan, Darbhanga

The temple of Ahilya Sthan is associated with the well-known legend of the sage Gautam and his wife Ahilya as told in the epic Ramayana and Puranas. Inside the Shrine there is a flat stone said to contain the footprints of Goddess Sita, wife of Ram, as the main idol of worship.

The temple is a masterpiece of art and ancient Indian architecture build between 1662-1682 during the kingdom of Maharaj Chhatra Singh and Maharaja Rudra Singh and believed to be the 1st Ram Janki Mandir of India.

According to Ramayan when Lord Rama was his way to Janakpur his feet touched a stone and it turned into a woman who was non-else but Ahilya. Her husband Gautam Rishi cursed the Ahilya to fun into stone. The temple is dedicated to Ahalya, the wife of Gautam Rishi.

Large fairs are held every year on the occasion of Ramnavami and Vivah Panchami, where a unique tradition can be seen. Devotees arrive in the temple carrying eggplant as an offering.

Kaali Temple, Madhubani

This Kaali Temple is believed to be the Gaushauni Ghar( Worshipping room) of King Madhav Singh. He was an ascetic King having a firm believe in Tantra.

The temple is an architectural marvel with beautiful carvings on the walls and ceilings. A giant Kaali idol is installed in the Garbha-griha.

Shyama Temple, Rajnagar, Madhubani

This Shyama Kali Temple lies in the ruined city of Rajnagar, showcases the panchayatan type of temple architecture. This white marble temple stands on a high stone platform of which the upper section is carved with white marble parapet which is highly decorated with carvings. The interior of the eastern wall contains the figures of rulers of Darbhanga Raj, whereas the western wall depicts the figures of some eminent pandit of Mithila. These figures surmount the twenty-two-line Sanskrit inscription in the Devanagari script.

The exterior surface is decorated with figures of the lions surmounted by lotus. The the lower portion of the wall is decorated with Ghata and flower designs.

Its Garbha-griha is square in a plan whose walls are well decorated with panels, niches, chaitya, window motifs, flower designs, etc. The garbhagriha enshrines a four-armed black Kaali of marble in standing posture, holding swords, a human skull, and krapana by her hands.

Adorned with metal crown, goddess Kaali stands by her feet upon the chest of reclining Shiva, who is adorned with serpent hoods crown and holds Damru in his left hand

Shyama Temple, Darbhanga

This grand temple of Shyama Kali is present in the Darbhanga district of Bihar. The story of the construction of this temple is astonishing to all who hear it. This temple of Maa Kali is made on the pyre of Maharaj Rameshwar Singh, the great seeker of the Darbhanga Raj family.

The people here believe that there is no such idol of Kali in India anywhere. The statue of the idol is supernatural and unforgettable.

This giant temple was founded in 1933 by Darbhanga Maharaja Kameshwar Singh, in which a huge statue of Maa Shyama is situated on Lord Shiva's thigh and the thorax. Mahakal on the right side of the mother Kali and statues of Lord Ganesha and Batuk are placed on the left.

In this magnificent statue of Kali, decorated with four hands, Khadg (Sword) in one hand on the left side of the mother and Mund (human skull) in the other, while the other hands are sitting in the position of giving blessings to their sons with both hands on the right side.

Kusheshwar Sthan, Darbhanga

The Kusheshwar place in the Darbhanga district is also known as the Baba Dham of Mithila. The place is situated about 70 km south-east of the district headquarter.

Here the temple of Kusheshwar Mahadev is located, where devotees from all over the Mithila, Nepal's neighboring districts, besides devotees from Bengal and Jharkhand continue to come here for years, but on the occasion of Shravani months, a large number of devotees came here and Jalabhishek(Water pouring on Lingam) Baba Kusheshwar Nath.

Kandaha Sun Temple, Saharsa

Chandika Sthan, Sonbarsa

Biratpur village under Sonebarsa block of this district is famous for an ancient temple of goddess Chandi. This village is also associated with King Birat of the Mahabharat age. During exile, the Pandavas had lived here for 12 years.

The tantric Scholars and devotees attach much significance to this Chandi temple, which is said to form an equilateral triangle with Katyayani temple near Dhamhara ghat and Tara temple at Mahishi.

During the Navratra people from distant places visit the village to offer prayers to the goddess of power.

Singheshwar Sthan, Madhepura

Singheshwar Sthan temple is situated in the Madhepura district of Bihar. It is said that this Shiva temple of Sinheshwar was built by Lord Vishnu himself at some age.

In the medieval period, the debate of Mandan Mishra and Shankaracharya also happened here.

This place has been named as Singheshwar, because of the ascetic of Shiringi Rishi who sacrificed his son-in-law for King Dasharath.

The temple is of old and historical importance. The lower part of the temple is connected to a mountain. There is no authentic document in relation to the Shivalinga establishment but many legends are popular in this regard.

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Mithila – An Ancient Civilization, History, Culture, Language, Festivals and More

Mithila and its culture

Mithila is an ancient civilization located in the northern part of the Indian subcontinent. The region covers the present-day Indian state of Bihar and parts of Nepal. It has a rich cultural heritage that has been passed down through generations and still holds significance in modern times.

It is the homeland of the Maithil people and their language is Maithili. It is well known for its rich cultural heritage and traditions. The people of Mithila are referred to as Maithils, and they have their own distinct language, customs, and beliefs.

The term “ Mithila ” is used to refer to the culture , language, and people of the region, as well as the artwork and paintings that are traditionally manufactured there. Mithila is known for its unique style of painting, music, dance, and literature.

Geographical Location

Darbhanga raj, british rule and mithila’s kings, mithila’s role in india’s independence movement, post-independence dynamics, modern-day mithila, maithili song, mithila dance.

Mithila is located in the northern part of India and southern Nepal, along the banks of the river Kamala. It is surrounded by the Himalayas in the north and the Ganges in the south.

The region has rich soil and is known for its fertile land, making it an important agricultural center.

The history of Mithila can be traced back to the Vedic period, and it is believed that the region was inhabited by the Indo-Aryan people. During the Mauryan period, Mithila became a center of trade and commerce, and its cultural and artistic traditions began to flourish.

Mithila, a region steeped in history, witnessed a significant division in 1816, marking the culmination of events set in motion by the Sugauli Treaty signed between the British East India Company and the Gurkha King of Nepal. This treaty played a pivotal role in shaping the destiny of Mithila.

During the British colonial period, Mithila was divided between India and Nepal, and its cultural heritage was threatened. However, efforts have been made in recent times to preserve and promote the rich cultural heritage of Mithila.

In the thirteenth century, Mithila faced an invasion by Afghan forces, leading to the deposition of the Kshatriya ruler and the rise of a Maithil Brahman who assumed control over land revenues in the region.

This family gradually declared themselves as rulers, and under their dominion, land was distributed among fellow Maithil Brahmans. During Akbar’s reign in the sixteenth century, another Maithil Brahman family, the Khandavala Dynasty, came to power.

By British times , the estate of Darbhanga Raj, situated in the town of Darbhanga, emerged as the largest and wealthiest among the Zamindari estates, effectively controlling most of Mithila. This continued until Indian Independence when the Republic of India abolished princely states.

Under British colonial rule, the East India Company, following the Battle of Buxar in 1764, assumed control over Bihar, including Mithila. The Mithila kings were granted zamindari rights for tax collection, and they reported to the British Empire until India gained independence in 1947.

Maharaja Kameswar Singh was the final ruling zamindar king of Mithila. During the 1857 insurgency in Delhi, concerns also gripped the English residents of Mithila. This period saw the rise of revolutionary fervor throughout the region.

Notably, the visit of Mahatma Gandhi to Mithila, particularly Motihari, in December 1920 and January 1927, left a significant political impact, spurring the local population to actively participate in the struggle for Indian independence.

As India approached independence, discussions took place within the Constituent Assembly regarding the potential creation of several states, including Mithila. However, it was not until 2000 that Jharkhand was carved out of Bihar, leading to the division of Mithila.

In the wake of these changes, organizations like the Antarrashtriya Maithili Parishad (1993), Mithila Rajya Sangharsh Samiti (1995), Mithila Vikas Party (2008), and Akhil Bharatiya Mithila Party (2009) emerged, dedicated to the promotion of Mithila’s cause.

Over the years, Mithila has witnessed peaceful protests, dharnas, and movements, notably on dates such as 22 December 2008, 22 December 2009, 10 December 2011, and 21 January 2012, reflecting the region’s ongoing struggle for recognition and its place in the socio-political landscape.

Today’s Mithila regions of Nepal and India, encompass various districts and zones. In Nepal, Mithila constitutes the zone of:

• Sunsari districts of Kosi Zone
• Saptari and Siraha districts of Sagarmatha Zone
• Dhanusa, Mahottari, and Sarlahi districts of Janakpur Zone

In India, Mithila includes the following districts:

• East Champaran
• West Champaran
• Muzaffarpur

Cultural Significance

Mithila has a rich cultural heritage that has been passed down from generation to generation. The most famous of these is the Mithila painting, also known as the Madhubani painting.

These paintings are made using natural dyes and depict everyday life, nature, and religious themes. Mithila is also known for its music and dance, which are an integral part of the region’s culture.

The people of Mithila speak the Maithili language, which is one of the oldest Indo-Aryan languages. Maithili has a rich literary tradition and is considered to be one of the 5 most expressive and beautiful languages of Bihar . It is also one of the 22 official languages of India.

The people of Mithila follow many different religions, including Hinduism, Buddhism, Jainism, Sikhism, Christianity, and Islam. However, Hinduism remains the dominant faith, celebrated fervently during festivals such as Holi.

The Maithils are known for their hospitality, and their celebrations and festivals reflect the deep-rooted traditions and customs of the region. Kojagara, Jur-Sital, Jitiya, and Chhath Puja, which is a Hindu festival dedicated to the Sun God, is one of the most widely observed and celebrated festivals in Mithila. Some others include Chaurchan, Ghari, and more.

In addition to festivals and traditions, Mithila is also known for its cuisine, which is characterized by the use of locally grown ingredients, such as rice, lentils, and vegetables. The traditional Mithila dishes are often vegetarian and are prepared with a blend of spices and herbs unique to the region.

The region’s cuisine is characterized by simplicity, with staples like rice, lentils, and vegetables forming the basis of many dishes. Mithila is renowned for its delectable sweets, including laddu, peda, and jalebi, crafted from milk, sugar, and ghee.

One of the most notable aspects of Mithila culture is the Mithila painting or Madhubani painting , known for its simple forms, vivid colors, and intricate details.

The style of painting is characterized by simple forms, vibrant colors, and intricate details and is often inspired by religious and cultural themes that are made on walls, floors, and cloth, depicting religious and cultural motifs.

Mithila Cultural Songs, also known as Maithili Geet (Maithili songs), are a vibrant and significant part of the cultural heritage in the Mithila region of India. These songs are deeply rooted in the traditions and folklore of the Maithili-speaking people.

Maithili songs are known for their melodic tunes and meaningful lyrics. They cover a wide range of themes, from love and nature to the daily lives of the people in the region. These songs often feature simple, catchy melodies that are easy for people to sing and enjoy.

They are performed during various occasions, including weddings, festivals, and cultural events, bringing a sense of joy and togetherness to the community. Maithili songs not only entertain but also help preserve and promote the rich cultural heritage of the Mithila region.

Another important aspect of Mithila culture is its classical music, which is an integral part of festivals and rituals.

Jhijhiya , the cultural dance of Mithila, is a vibrant and joyful traditional dance form that originates from the Mithila region of India. It is a significant part of the rich Mithila culture, often performed during festivals and celebrations.

In Jhijhiya, dancers, often women, come together in a circle and move to the rhythm of traditional folk music. The dance is characterized by intricate footwork and graceful hand movements, creating a captivating visual spectacle. Dancers often wear colorful and traditional attire, which adds to the beauty of the performance.

Jhijhiya is not only a form of entertainment but also an integral part of Mithila’s cultural heritage. It represents the spirit and unity of the community, and it’s a way of preserving and passing down their traditions from one generation to the next. This dance form is a celebration of life, happiness, and the unique identity of the Mithila region.

Mithila is an ancient civilization with a rich cultural heritage that still holds significance in modern times. Its unique style of painting, music, dance, and literature, along with its fertile land, has made it an important center of culture and commerce.

Dedicated efforts ensure the preservation and promotion of Mithila’s rich cultural heritage, ensuring that future generations continue to draw inspiration from its history and traditions. Mithila’s culture is a tapestry of customs, traditions, art, music, and cuisine, a testament to the region’s diverse history and heritage.

Overall, Mithila culture is a rich tapestry of customs, traditions, art, music, and cuisine, which reflect the diverse history and heritage of the region.

What is Mithila?

Mithila is an ancient Indian culture, primarily located in the Indian states of Bihar and Jharkhand. It is known for its distinctive form of art and painting, known as Mithila art or Madhubani art.

What are the main characteristics of Mithila art?

Mithila art is characterized by its vibrant colors, intricate geometrical shapes, and bold lines. It often depicts scenes from Hindu mythological stories and folk tales.

What is the origin of Mithila art?

It is believed that the origin of Mithila art can be traced back to the time of Lord Rama and Sita, who were married in the region of Mithila. Since then, the art form has been passed down through generations and has evolved over the centuries.

What is the process of creating Mithila art?

The process of creating Mithila art involves using natural colors and natural elements like mud, cow dung, and leaves. The colors are derived from vegetables and other natural sources. The shapes and designs are created using bamboo sticks and pens.

What is the significance of Mithila art?

Mithila art is very significant in Indian culture. It is believed to bring good fortune to the artist and to bring luck and prosperity to the family. It is also used to decorate homes and is an important part of Indian weddings.

What is the history of Mithila?

Mithila is an ancient civilization that dates back to the Vedic period in India. It has a rich cultural and historical heritage, including being the birthplace of the Hindu philosopher and saint, Janaka, as well as being associated with the Hindu epic, the Ramayana. Mithila has been an important center of learning, arts, and religion over the centuries.

What is the origin of the Mithila culture?

The Mithila culture has its roots in ancient India and has been influenced by various dynasties, including the Mauryan, Gupta, and Pala Empires, as well as the Mughal Empire. It has evolved to incorporate local customs and traditions, leading to a unique and rich cultural heritage.

What is the traditional dress of Mithila?

The traditional dress of Mithila for women is known as the “Sari” or “Mithila Painting Sari.” It is a brightly colored sari that is hand-painted with traditional Mithila art, including floral patterns and religious symbols.

What is the language of Mithila?

The language of Mithila is Maithili, which is an Indo-Aryan language spoken by millions of people in India and Nepal.

What is the traditional cuisine of Mithila?

The traditional cuisine of Mithila is characterized by simple yet flavorful dishes that are often made with locally grown ingredients. Some popular dishes include “dal-bhat,” which is a lentil soup served with rice, “Tarkari,” which is a vegetable dish, and “Litti,” which is a type of baked thick bread filled with spices and lentils.

Is Mithila part of India?

Yes, Mithila is primarily located in the Indian states of Bihar and Jharkhand, but there are also significant populations of Maithili-speaking people in Nepal.

The history of Mithila is rich and dates back to ancient times. It was a center of power and culture in ancient India and was known for its advanced civilization and cultural achievements.

During the medieval period, Mithila was ruled by several powerful kingdoms and was a hub of political, cultural, and economic activity. In modern times, the region has become part of India and Nepal and continues to maintain its unique cultural heritage and traditions.

The origin of the Mithila culture is not known, but it is believed to have originated in the ancient period and has been shaped by several cultural and historical influences over time. The culture is deeply rooted in Hinduism and has been influenced by Buddhism, Jainism, and Islam, as well as various regional and local traditions.

The traditional dress of Mithila for women is known as the “Sari” and for men, it is the “Dhoti”. The sari is typically made of cotton or silk and is decorated with intricate embroidery and painting in the traditional Mithila style. The dhoti is a long piece of cloth worn around the waist and legs and is often tied in a specific manner that is unique to Mithila.

The language of Mithila is known as Maithili, which is an Indo-Aryan language spoken by millions of people in India and Nepal. It is one of the officially recognized languages in India and is taught in schools and used in literature and media.

The traditional cuisine of Mithila is characterized by its use of locally grown ingredients and spices, as well as its focus on vegetarianism. Some of the most popular dishes include “Dal-bhat”, “Tarkari”, “Chokha”, and “Pitha”.

These dishes are often prepared for special occasions and festivals and are considered an important part of Mithila’s cultural heritage.

What are the main festivals and celebrations of Mithila?

Some of the main festivals and celebrations in Mithila include Chhath Puja, Saraswati Puja, Holi, and Diwali. These festivals are celebrated with great fervor and enthusiasm and are an important part of Mithila’s cultural heritage.

What are the major art forms of Mithila?

The major art forms of Mithila include the Mithila painting, the Madhubani painting, and the Terracotta sculptures. These art forms are characterized by their vibrant colors, intricate details, and use of traditional symbols and themes.

They are an important part of Mithila’s cultural heritage and are highly valued by collectors and enthusiasts around the world.

What are the major tourist attractions of Mithila?

Some of the major tourist attractions of Mithila, a cultural region in India, are the Sita Temple, Ram Chandra Shahi Museum, the historic city of Janakpur, and the Darbhanga Palace.

What is the traditional art of Mithila called?

The traditional art of Mithila is known as the Madhubani painting.

What is the traditional song of Mithila?

The traditional song of Mithila is referred to as “Maithili Geet”.

What is the traditional dance of Mithila?

The traditional dance of Mithila is called the “Jhijhiya Dance”.

What is the traditional clothing of Mithila?

The traditional clothing of Mithila for women includes the Sari and Lehenga, while for men it includes Dhoti and Kurta.

What is the traditional handicraft of Mithila?

The traditional handicrafts of Mithila include Madhubani paintings, wooden toys, masks, and various forms of bamboo work.

What is the traditional architecture of Mithila?

The traditional architecture of Mithila is known for its grand and ornate brick Temples, Palaces, and Havelis, as well as the intricate carvings on the doors, windows, and walls of these buildings.

What are the traditional beliefs of Mithila?

The people of Mithila are known for their deep devotion to Hinduism, and they also have a rich tradition of folklore and mythology.

What is the traditional jewelry of Mithila?

The traditional jewelry of Mithila includes a wide range of items, such as necklaces, earrings, bracelets, and ankle chains, made of gold, silver, and other precious materials.

What are the traditional festivals of Mithila?

Some of the traditional festivals of Mithila include “Chhath Puja,” a Hindu festival dedicated to the sun god, and “Diwali,” the festival of lights. Other popular festivals include “Holi,” the festival of colors, “Saraswati Puja,” a Hindu festival dedicated to the goddess of knowledge, and Vijaya Dashmi.

What is the traditional folk art of Mithila?

The traditional folk art of Mithila is known as “Mithila Painting,” which is a style of painting that is unique to this region. The paintings typically depict Hindu gods and goddesses, as well as scenes from Hindu mythology, and are characterized by vibrant colors and intricate details.

What is the traditional music style of Mithila?

The traditional music style of Mithila is known as “Maithili Geet” or “Maithili Songs,” which are characterized by their devotional themes and use of classical Indian instruments such as the sitar and tabla.

Who are the famous people from Mithila?

Some famous people from Mithila include the Hindu philosopher and saint, Janaka, as well as the Hindu epic poet, Vidyapati.

What are the traditional rituals of Mithila?

The traditional rituals of Mithila are diverse and influenced by Hinduism, Buddhism, and other religious traditions. Some common rituals include “Puja,” which is a form of worship, and “Havan,” which is a ritual offering made to the gods.

What are the traditional martial arts of Mithila?

The traditional martial arts of Mithila are not well documented.

What is the traditional painting style of Mithila?

The traditional painting style of Mithila is known as “Mithila Painting,” which is a form of folk art that is characterized by intricate designs and vibrant colors.

What are the traditional religious beliefs of Mithila?

The traditional religious beliefs of Mithila are diverse and influenced by Hinduism, Buddhism, and other religious traditions. Hinduism is the dominant religion, with a strong tradition of devotion to gods and goddesses such as Lord Shiva and Devi.

What are the traditional musical instruments of Mithila?

Some traditional musical instruments of Mithila include the sitar, tabla, and harmonium.

What is the traditional literature of Mithila?

The traditional literature of Mithila includes devotional songs, poetry, and mythological stories that are written in the Maithili language.

What is the traditional dance form of Mithila?

The traditional dance form of Mithila is not well documented.

What is the traditional pottery of Mithila?

The traditional pottery of Mithila is characterized by its simple yet functional designs, with pots and other vessels being made from clay and decorated with traditional Mithila designs.

What is the traditional weaving style of Mithila?

The traditional weaving style of Mithila is characterized by the use of natural fibers such as cotton and silk, as well as traditional designs and patterns.

What is the geographical location of Mithila?

Mithila is a historical and cultural region in northern India and southern Nepal, encompassing the territory of the modern-day Indian states of Bihar and Jharkhand, as well as some parts of West Bengal and Uttar Pradesh.

What are the notable temples in Mithila?

Some of the notable temples in Mithila include the Mahavir Mandir in Patna, the Ram Chandra Shahi Museum in Darbhanga, the Baba Garibnath Temple in Madhubani, and the Jagdish Temple in Udaipur.

What is the history of the Mithila painting?

Mithila painting, also known as Madhubani painting, is a traditional style of Indian painting originating from the Mithila region of India and Nepal. It is characterized by vibrant colors and intricate designs, often depicting Hindu mythology and nature scenes. The practice dates back to at least the 16th century and is still popular today.

What is the traditional Mithila cuisine?

Traditional Mithila cuisine includes a variety of dishes, including vegetarian and non-vegetarian options. Some popular dishes include Litti-Chokha (a type of bread stuffed with spicy lentils), Bihari Kebab, and Malpua (a type of sweet fried dough).

What is traditional Mithila jewelry?

Traditional Mithila jewelry is known for its intricate designs and use of colorful beads, shells, and coins. Necklaces, earrings, bracelets, and anklets are common forms of jewelry worn by women in the Mithila region.

What is the traditional Mithila embroidery?

Traditional Mithila embroidery is a type of needlework that is typically done by women in the region. It is characterized by vibrant colors and intricate designs, often incorporating elements of nature, Hindu mythology, and village life.

What is the traditional Mithila pottery?

Traditional Mithila pottery is characterized by its use of vibrant colors and intricate designs. Potters in the region create a variety of functional and decorative items, such as cups, bowls, and vases.

What are the main attractions in Mithila?

Some of the main attractions in Mithila include the Mahavir Mandir in Patna, the Ram Chandra Shahi Museum in Darbhanga, the Baba Garibnath Temple in Madhubani, the Jagdish Temple in Udaipur, and the traditional Madhubani paintings.

What is the traditional Mithila handicraft?

Traditional Mithila handicrafts include a variety of items, such as pottery, embroidery, jewelry, and weaving. These items are known for their intricate designs and use of vibrant colors, reflecting the rich cultural heritage of the region.

What is the traditional Mithila architecture?

Traditional Mithila architecture is characterized by its use of mud, bamboo, and thatch. Houses in the region typically feature sloping roofs and spacious courtyards, with intricate designs and carvings decorating the walls and doorways.

What are the culture and traditions of Mithila?

The culture and traditions of Mithila are rich and diverse, reflecting the long history and mix of different cultural influences in the region. Some of the key aspects of Mithila culture include its traditional music, dance, and art forms, as well as its customs, rituals, and festivals.

What is the significance of Mithila in Indian history?

Mithila has a rich and varied history, with evidence of human habitation in the region dating back to prehistoric times. In more recent history, Mithila has been an important center of culture and learning, with a vibrant tradition of music, dance, and the arts. It is also known for its historical significance as the birthplace of Sita, the wife of Lord Rama in Hindu mythology.

What are the main customs and rituals of Mithila?

The customs and rituals of Mithila are deeply tied to its Hindu religious heritage, with many practices and beliefs specific to the region. Some of the key customs and rituals include Hindu festivals such as Holi, Diwali, and Dussehra, as well as wedding and childbirth rituals, and the honoring of ancestors and local deities.

What is the significance of Madhubani paintings from Mithila?

Madhubani paintings from Mithila are widely recognized as a unique and important form of Indian folk art. The vibrant colors and intricate designs used in these paintings reflect the rich cultural heritage and religious beliefs of the region, and they have been celebrated both in India and internationally for their beauty and cultural significance.

What is the food culture of Mithila?

The food culture of Mithila is characterized by its use of simple, wholesome ingredients, with a focus on locally-grown vegetables and grains. Some popular dishes include Litti Chokha (a type of bread stuffed with spicy lentils), Bihari Kebab, and Malpua (a type of sweet fried dough). There is also a tradition of sweets and confectionaries, made with ingredients such as milk, ghee, and sugar.

What is the language spoken in Mithila?

The primary language spoken in Mithila is Maithili, a language in the Indo-Aryan language family. Hindi and English are also widely spoken in the region.

What are the traditional Mithila dance forms?

There are several traditional dance forms in Mithila, including Jat-Jatin, Bihula, and Bhawai. These dances are characterized by their energetic movements and use of music and song, and they are typically performed during festivals and other celebratory events.

What is the religious significance of Mithila?

Mithila has a rich and diverse religious heritage, with Hinduism being the dominant religion in the region. There are also smaller communities of Muslims, Buddhists, and Christians, each of which contributes to the religious tapestry of the region. Some of the key religious sites in Mithila include the Baba Garibnath Temple in Madhubani and the Ram Chandra Shahi Museum in Darbhanga.

What is the traditional food of Mithila?

The traditional food of Mithila is simple and wholesome, with a focus on locally-grown ingredients such as rice, lentils, vegetables, and spices. Some popular dishes include Litti Chokha (a type of bread stuffed with spicy lentils), Bihari Kebab, and Malpua (a type of sweet fried dough). There is also a strong tradition of sweets and confectionaries, made with ingredients such as milk, ghee, and sugar.

What are the traditional art forms of Mithila?

The traditional art forms of Mithila are diverse and rich, reflecting the long history and cultural heritage of the region. Some of the key art forms include Madhubani paintings, Mithila calligraphy, and traditional pottery, as well as music, dance, and jewelry making.

What is the traditional wood carving of Mithila?

Wood carving is a traditional art form in Mithila, with a long history of craftsmanship and skill in the region. The intricate carvings are typically created from the light-colored wood of the sal tree, and they are used to decorate a wide variety of items, from household objects to religious icons.

What is the traditional jewelry making of Mithila?

Jewelry making is an important traditional craft in Mithila, with a rich history of techniques and styles. The jewelry is typically made from gold, silver, and other precious metals, and it is often decorated with intricate designs and precious gems. Some popular forms of traditional Mithila jewelry include necklaces, earrings, and bracelets.

What are the traditional customs of Mithila?

The traditional customs of Mithila are deeply tied to the Hindu religious heritage of the region, with many practices and beliefs specific to the area. Some of the key customs include wedding and childbirth rituals, honoring ancestors and local deities, and participating in festivals such as Holi, Diwali, and Dussehra.

What are the traditional myths of Mithila?

The traditional myths of Mithila are an important part of the region’s cultural and religious heritage, reflecting the beliefs and values of the local people. Some of the key myths include the Hindu epic Ramayana, which is said to have its roots in Mithila, as well as local legends and stories about the gods, goddesses, and other supernatural beings.

What is the traditional metalworking of Mithila?

Metalworking is an important traditional craft in Mithila, with a long history of skill and expertise in the region. The metalworkers create a wide range of items, from household objects to religious icons, using techniques such as casting, forging, and engraving.

What is the traditional textile of Mithila?

The traditional textile of Mithila is known for its intricate designs and rich colors, reflecting the artistic heritage of the region. Some popular forms of traditional Mithila textiles include sarees, shawls, and fabrics used in clothing and household items.

What is the traditional calligraphy of Mithila?

The traditional calligraphy of Mithila is an important part of the region’s artistic heritage, with a long history of skill and expertise in the craft. The calligraphers create intricate designs using a variety of tools and techniques, and the calligraphy is used to decorate a wide range of items, from books and manuscripts to religious icons and household objects.

What is the traditional architectural style of Mithila?

The traditional architectural style of Mithila is characterized by its use of simple, functional forms, combined with intricate and ornate decorative elements. The buildings are typically constructed from mud and thatch, with walls and roofs that are adorned with colorful designs and patterns.

Some of the key elements of traditional Mithila architecture include carved doors and windows, painted or sculpted walls, and intricate designs on the roof.

What are the traditional sports of Mithila?

The traditional sports of Mithila are diverse and reflect the cultural heritage of the region. Some popular traditional sports include Kabaddi, a fast-paced contact sport that is played with a ball and two teams, and Mallakhamb, a gymnastics-style sport that involves performing various feats on a vertical pole. Other traditional sports in Mithila include wrestling, archery, and horse riding, among others.

Greetings, I'm the founding editor of Mithila Today. Writing is my lifelong passion, and I'm dedicated to creating content that educates and inspires. My goal is to foster understanding and dialogue through storytelling, providing a platform for meaningful discourse. Together, let's connect, inform, and inspire change in our society. Best regards, Shivam Singh

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• 2 Other destinations
• 3 Understand
• 6 Get around
• 11 Stay safe

Mithila (मिथिला Mithilā ), also called Tirhut , Tirabhukti and Mithilanchal , is the northern region of Bihar , India .

Cities [ edit ]

• 25.42 86.13 1 Begusarai —
• 26.80139 84.50278 2 Bettiah —
• 25.25 87 3 Bhagalpur —
• 26.11187 85.896 4 Darbhanga — Cultural capital of Bihar
• 25.69 85.22 5 Hajipur —
• 25.533333 87.583333 6 Katihar —
• 26.34685 86.07155 7 Madhubani — the arts capital of Mithila, famous for culturally exporting the vivid Madhubani style of painting
• 25.381 86.465 8 Munger —
• 26.12089 85.36472 9 Muzaffarpur —
• 26.59018 85.49427 10 Sitamarhi — the birthplace of Mata Sita (wife of Lord Rama)
• 25.87056 86.60139 11 Saharsa —

Other destinations [ edit ]

• Rajnagar — the nearest small town to Madhubani. This place is famous for the ruins of the Navlakha Palace (one of the famous palaces of Maharaja of Darbhanga), which was destroyed in an earthquake in 1934. Simari Navtola is the closest village to Rajnagar.
• Ratupar — a very remote village and home of the legendary teacher Shri Thakur Singh Das, a renowned freedom fighter and social worker. Still, there is no continuous supply of electricity or piped water and the water is taken from hand pumps or ponds. Farming is the major source of livelihood. The majority of the shops are located in Araria Chowk. Kharowa, Bistol and Nawani are the nearby villages to this chowk. Nawani is the ancestral village of Shri Shobhakant Das. Nawani also is the paternal village of Shri Prakash Kumar Das alias Lallan.
• 25.986594 85.125592 1 Vaishali — archaeological and Buddhist pilgrimage site

Understand [ edit ]

Mithila is bounded by the Mahananda River in the east, the Ganges in the south, the Gandaki River in the west and by the foothills of the Himalayas in the north.

Talk [ edit ]

Although most people of Mithila understand Hindi , which is the lingua franca of Bihar, the mother tongue of the region is Maithili , which is more closely related to Bhojpuri and Bengali than Standard Hindi. It is also the basis of Brajabuli , a literary language used by Vidyapati and his peers to write Vaishnava Padavalis (hymns dedicated to Krishna).

Get in [ edit ]

Get around [ edit ], see [ edit ], do [ edit ], eat [ edit ].

Maachh (fish), makhana (Prickly water lily) and paan (betel leaf) are part of the identity of Mithila. Fish is the most popular food in Mithila, used as a main dish on any occasion. Chuda, dahi (yogurt) and chini (sugar) are also important components of the cuisine. Paan is an important refreshment item on every occasion.

Drink [ edit ]

Stay safe [ edit ], go next [ edit ].

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Janakpur: Ancient Mithila Kingdom and City of Ponds

Last Updated on April 22, 2022 by Alpha Adventure Treks

Mithila civilisation’s heartland is Janakpur. Janaki temple , one of Hinduism’s most important pilgrimages, and 70 more Hindu temples can be found in the city. The city is a popular destination for religious and cultural travelers. Janakpur is the capital of Madhesh Province and the headquarters of the Dhanusha district. The city was established in the early 1800s. According to legend, an older city in the area known as Janakpurdham existed, which was allegedly the capital of the Videha dynasty that dominated the Mithila region in ancient times. Janakpur is Nepal’s most populous sub-metropolis at the moment. Nepal Railways connects India’s Jaynagar and Janakpur.

The Janakpurdham, a prominent Terai plain tourism site, is located in Janakpur’s Dhanusha district, which is part of the Central Development Region. The historical town, which is home to several deities’ ancient temples, monasteries, and arts and crafts, is also revered as a major religious center. Mother Sita, the consort of Lord Ram, the perfect man, was born in Janakpur, the ideal lady of the Hindus . Every town square has at least one deity associated with the epic Ramayana.

Table of Contents

Janakpur: Most Visit Places:

Janakpur was the capital of King Janak and the birthplace of his daughter, Goddess Sita (also known as Janaki), who married Lord Ramchandra of Ayodhya, India, according to the Hindu epic Ramayana. Every year, Hindu worshippers from all over the world flock to the temple to pay their respects to Ram and Sita, who are thought to be avatars of Lord Bishnu and goddess Laxmi. Apart from temples, Janakpur has over 90 ponds, the most famous of which are Ganga Sagar and Dhanush Sagar.

Janaki Mandir :

The Nau Lakha Mandir is the mandir’s popular name (meaning “nine lakhs”). The temple was built for about the same amount of money: rupees nine lakhs or nine hundred thousand rupees, hence the name. The temple was established in 1910 AD by Tikamgarh’s Queen Vrisha Bhanu. It is built in a fusion of Mughal and Hindu architectural styles. There are 60 rooms with exquisite lattice windows and turrets, as well as the Nepalese flag, colored glass, engravings, and Mithila paintings. A golden statue of the Goddess Sita was discovered in 1657, and Sita is claimed to have resided there. Pilgrims and travelers from all over the world go to this sacred Hindu temple during the Vivah Panchami festival in November and December.

Ram Mandir :

Amar Singh Thapa constructed this shrine in honor of Ram, the prince of Ayodhya. The Ram Mandir is a 10-minute walk from Janaki Mandir, and is located directly across from Dhanusagar. Many stone idols of Lord Shiva can be found on the temple’s right side. Ram Navami and Vivah Panchami are the two most important festivals at Ram Mandir. Special bhajans are sung on Ram Navami because it is the birth tithi (date) of Ram. On Vivah Panchami, various specific traditional codes are conducted as marriage codes to be observed between Ram Mandir and Janaki Mandir.

Ratna Sagar Temple :

From Ramanada Chowk, it takes about 10 minutes to walk to the Ratna Sagar Temple. The deities’ idols are also housed at the temple, which is devoted to Lord Ram and Mother Sita. The temple stands tall and is encircled by a beautiful landscape. The sacred pond Ratna Sagar, which is located near the temple and is considered one of Janakpur’s most sacred ponds in the city.

Gangasagar:

The holy pond of Gangasagar is located near Ram Mandir in Janakpur. The water for this pond is thought to have been carried from the Ganga. At night, this pond takes on a wonderful appearance. During the Chhath festival, it is attractively decorated. Even during the aarti, visitors can take a boat ride on the pond .

Swargdwar :

It is situated on the Gangasagar’s west bank. Swargdwari is a combination of the words Swarg (Heaven) and Dwar (Lord) (gate). As a result, this location is regarded as a portal to paradise for the deceased.

Shree Sankat Mochan Temple :

The Sankatmochan Temple is well-known not just in Janakpur but also in the surrounding areas, as it is said to relieve devotees of their troubles. Lord Hanuman, the Monkey God, is honored in this shrine. Worshipping at the temple is historically thought to provide relief from all worries and to grant any wish. Every Saturday and Tuesday, as well as other Hindu holidays, a large crowd of believers congregates at the temple. People come from all around the world to pray at the temple. The temple is within a 10-minute walk from the Janaki Temple.

Women Development Center :

It is a non-profit organization that provides skills and business training to women in order for them to be self-sufficient. Initially, women were taught traditional Mithila paper craft, but now they are also taught sewing, screen printing, ceramics, and painting.

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Places to see in Janakpur

Janaki mandir, dhanushadham, ponds of janakpur, temple tours, mithila art.

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Experience Mithilanchal: Mithilahaat

Scenic beauty of nature and architectural masterpiece.

Mithilahaat

Welcome to Mithilahaat: Celebrating Culture, Cuisine, and Community

Discover the essence of Mithilanchal's rich heritage and culinary marvels at Mithilahaat, an enchanting theme-based park brought to life by the Bihar State Tourism Development Corporation (BSTDC). Inaugurated by Bihar Chief Minister Nitish Kumar on January 11th, 2023, Mithilahaat stands as a testament to Bihar's commitment to preserving its cultural legacy.

Our Vision and Purpose

Mithilahaat is more than a park – it's an experience that encapsulates the heart and soul of Mithilanchal. Our vision is to provide a platform for both locals and tourists to explore, indulge, and immerse themselves in the vibrant tapestry of Mithila's traditions, flavors, and creativity.

Trees Inside Mithilahaat

8000+ Sq. Ft.

Banquet & Party Hall

Craft Bazar Shops

11,000 Sq. Ft.

Resort with Jacuzzi

Exploring the Attractions

Journey through a world of taste at our Foodcourt, where local flavors take center stage. Delight in regional delicacies that reflect the true essence of Mithilanchal's culinary heritage.

Live Kitchen

Witness the magic of Mithila's traditional cuisine come alive in our Live Kitchen. Experience the artistry of our skilled chefs as they prepare authentic Mithila dishes, using age-old recipes passed down through generations.

Kids Play Zone

Let your little ones' imaginations run wild in our Kids Play Zone, specially designed to entertain and educate. Interactive activities and engaging games ensure a day filled with laughter and learning.

Resort and Banquet

Extend your stay at our premium resort and host unforgettable events in our well-equipped banquet facility, surrounded by Mithilahaat's serene ambiance.

Craft Bazar

Immerse yourself in the vibrancy of Mithilanchal's craftsmanship. Our Craft Bazar showcases intricate artwork, textiles, and artifacts, each telling a story of the region's cultural legacy.

Set sail on our tranquil waters and take in the breathtaking scenery that surrounds you. A serene boating experience awaits, harmonizing nature's beauty with your relaxation.

Salon for Men and Women

Pamper yourself with our professional salon services, offering the perfect blend of modern luxury and Mithila's traditional beauty practices.

Amphitheater

Gather at our Amphitheater for cultural performances, showcasing the dynamic and colorful traditions of Mithilanchal.

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Calling All Young Adventurers: Let the Fun Begin at Mithilahaat's Kids Play Zone!

Attention kids and the young at heart! Brace yourselves for an exhilarating journey into a world of endless fun and excitement at Mithilahaat's dedicated Kids Play Zone. We've packed this zone with thrilling attractions that guarantee laughter, smiles, and unforgettable memories.

Battery-Operated Toy Trains: Choo-Choo Fun for Everyone...

All aboard the battery-operated toy trains for a delightful ride around the zone! Kids, hop on and experience the joy of a mini-train adventure. Wind through charming pathways, take in the sights, and feel the wind in your hair as you steer your own adventure on these adorable trains.

Tora Tora Single Axis: Spin, Twirl, and Thrill...

Ready for some heart-pounding action? Our Tora Tora Single Axis ride promises spins, twirls, and giggles galore! Feel the thrill as you spin around in this exciting ride designed for young thrill-seekers.

Pendulum Ride: Reach for the Skies! Hold on tight, young adventurers...

Our Pendulum Ride is here to take you on an exciting journey to new heights. Swing back and forth, soaring through the air, and feel the rush of the wind. It's a gravity-defying experience that guarantees screams of excitement and endless fun.

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Boating at mithilahaat: a serene adventure.

Enhance your pondside experience with a leisurely boating session. Glide along the calm waters, absorbing the beauty of nature that envelops you.

The serene ambiance, combined with the mesmerizing sights, creates a feeling of rejuvenation and tranquility. Whether you're on a romantic date, enjoying family time, or seeking solace, our boating experience adds an extra layer of charm to your visit.

Where every ingredient tells a story.

Step into Mithilahaat Bhasan Ghar : Where Tradition Meets Culinary Artistry Experience the heart of Mithila's rich culinary heritage at Mithilahaat Bhasan Ghar, a unique gem nestled within our theme park. Here, we cherish and celebrate the age-old traditions of Mithila, presenting them through the art of cooking that's deeply rooted in local culture.

Savor the Moment: Pondside Bliss with Delectable Delights and Scenic Serenity

Immerse yourself in a symphony of flavors as you feast on a variety of delectable dishes from our Sachar Open court. Our culinary experts have curated a menu that celebrates local and international cuisines, promising a delightful gastronomic journey.

From savory street food to gourmet delicacies, every bite is an explosion of taste, prepared with love and passion. And the best part? You can enjoy this culinary bliss right by the side of the tranquil pond, creating a truly enchanting dining experience.

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Join us in the journey.

Mithilahaat invites you to be a part of its mission to celebrate and preserve Mithilanchal's culture, cuisine, and community. Experience the heart of Bihar's cultural heritage at every corner of our park. Come, explore, and create lasting memories with us.

What our Fantastic Clients Says

A newly opened park,with food outlets,the type is crazy and can't be recommended for weekends. Food is good there at reasonable prices and especially dosas are best sellers. Boating charges are reasonable but wait times are too much. The restaurant has just opened and the service is good going. Overall a nice place to hangout with kids and family.

Karan Kumar

It was good experience to visit Mithila Haat. A variety of foods were available. Bhansa Ghar serves traditional food of mithilanchal. Motor boating, train travel, jhulas and cultural programs were the point of attraction.

It is must visit place for all with famiy ,for kids it's fun place near darbhanga ,ll gives u kwoledge abt village culture of mithila ,have boat ride and train ride ,and for food lover South Indian with local food like litti dahi chura marua roti and local preparation of non veg and veg also available there Staff are well mannered and having ample space for 2 and four wheeler parking

Ashutosh Jha

Had a delightful experience at Mithila Haat! The food was delicious, and the boat ride added a perfect touch to the overall ambiance. A pleasant combination of great cuisine and a serene boat journey. Highly recommend!.....Still more to come.

Sunehri kalam

It's a very nice place to know about mithila painting , art and it's culture. And also u can enjoy boating and some special kind of food items at food court, and #bhansaghar.

Shubham Mishra

Good place for 1 day vacation. We can enjoy boating. Multiple restaurants ha e serving delicious food. We can buy there mithila artcrafts.

Harsh Bhardwaj

Something good and diffrent in Mithila. It will be best if the management will upgrade it with time. Thanks to all the founders who involved in this.

Md Saddam Hussain

Exploring the vibrant charm of Mithila Haat in Madhubani, Bihar – where art, culture, and tradition come alive. A must-visit to immerse yourself in the beauty of Mithila's rich heritage!

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Tourist or Visiting Places of Mithila (Madhubani in first post)

After a very long interval, today I am taking an initiative towards the promotion of tourism in Mithila or (Madhubani & its nearby areas) by writing about them. I will write a series of articles about the various visiting places of various districts coming under the so-called “ Mithila ”.

Today I am writing about Madhubani. The district of Madhubani was carved out of the old Darbhanga district in the year 1972 as a result of the reorganization of the districts in the state. It is bounded on the north by a hill region of Nepal and extending to the border of its parent district Darbhanga in the south, Sitamarhi in west and Supaul in the east. Madhubani fairly represents the center of the territory once known as Mithila and the district has maintained a distinct individuality of its own. Its main rivers are Kamla, Kareh, Balan, Bhutahi Balan, Gehuan, Supen, Trishula, Jeevachh, and Koshi. 

The important towns are Jhanjharpur and Jaynagar. This is the center of Mithila, a region where the main language is Maithili. The people of this district are peace-loving .  Bhauara Garh  was once the capital of Mithila. The Madhubani style of painting derives its name from the reason as the style originated here in the early 17th century. These paintings are made using vegetable dyes, lamp black and the canvas is usually cloth or paper.  Madhubani  is also famous for  Makhana  and sweet water fish.  Madhubani Lokgeet (folk song)  is based on Hindustani classical ragas.

Darbhanga, Madhubani  and  Samastipur  have their importance from the era of Lord Buddha.  Madhubani paintings  have made their own identity on international platform. There are approx twenty  Tourist places  in  Madhubani  where people are coming to visit during their tour to  Janakpur . But a lot of things have to be done to make those places as tourist places like making arrangements for the accommodation and hospitality and providing the basic facilities there. The tourist places are:-

(a) Balirajgarh  – Established by the king named  Bali.  It is in 200 acres. People also call it the  “Hadappa of Mithila”.

(b) Bheeth Bhagwanpur  – Once known as the capital of  Malladev , the second son of the founder of  Karnat Dynasty.

(c) Rajnagar Fort  – The 300 year old fort made by King  Rameshwar Singh.

(d) Bhauara Gadh  – It is 400 years old made before making  Darbhanga  as the kingdom.

(e) Kapileswar Sthan  – Established by  Kapil Muni.  The proof of the arrival of king  Janak  and  Sita  for worship can be taken from  Puranas.

(f) Goddess Uchhaith  -The great poet  Kalidasa  worshipped there.

(g) Raj-Rajeswari of Dokhar

(h)  Mangrauni Ekadash Rudra and Bhuvneswari Shakti Sthal

(i) Ugranath Shiva

(j) Goddess Vishweswari

(k) Yagyavalkya Ashram

(l) Girija Sthan

(m) Gandiveshwar Shiv Dham

(n) Kalyaneswar Shiv Dham

(o) Videshwar Sthan

(p) Parsa Suryadham  –  Ministry of Tourism, Bihar  has taken step towards the development of this place.

(q) Parasmani Shiv-Kali Temple

(r) Tapneswar Shiv-Kali Temple

(s) Lakshminath Gosai Kuti

(t) Goddess Koilakh

(u)  Saurath Sabha Gachhi

In the next blog post I will try to write about the above written tourist places/visiting places.

Sources:- Dainik Jagaran,Dhanakar Thakur,Wikipedia,madhubani.bih.nic.in

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Guide to madhubani paintings from mithila, bihar.

Madhubani paintings are the most prominent art from the Mithila region of Bihar. Madhubani is a town in Mithila that played its role in taking this local art form global so Madhubani Paintings is the name that the world knows.

Brief History of Mithila

The Mithila region of Bihar lies mostly between the north banks of the Ganga and the foothills of the Himalayas in Nepal.

It is best known for being home to Mata Sita, who was also known as Maithili as she hailed from his region. Her father’s kingdom was in a place called Janakpur which is now in Nepal but just a few kilometers across the border.

Sita was born or rather found in a place called Sitamarhi. However, she first met and then married Sri Ram at Janakpur. Ram-Janaki wedding is a popular theme in Mithila Paintings.

Mithila region is known for innumerable ponds that are found here, fish that is fondly eaten here, Makhana or foxy nuts that grow here in abundance, sweet language, and smiling people. It is primarily an agrarian society.

Legacy of Mithila or Madhubani Paintings

Mithila paintings were traditionally wall art, that the women painted on their walls. They were also ritual paintings that would be painted during weddings, childbirth, or different festivals.

Paintings were not meant to be permanent. They painted again every time there was a new event in the family demanding a new painting.

Like every folk art, there is a lot of stylistic and content coding within the paintings. Every community has its own motifs and icons that they painted.

The distinction has gone away with the severe commercialization of the art form. Today, individual artists do have their signature styles but most of the themes are dictated by market demand.

Modern Avatar of Madhubani Paintings

Madhubani Art was first noticed outside the region when British Surveyors visited the region after an earthquake in the 1930s. However, it would need another earthquake in the 1960s for these paintings to become the face of Mithila.

In the 1960s earthquake Pupul Jayakar assigned photographer Bhaskar Kulkarni to survey the Madhubani area. They thought taking the wall art to paper would create a source of livelihood during these tough times for this agrarian community.

This was when artists started painting on paper instead of walls, something that they could sell easily. Exhibitions were organized to take this art to the world. Lalit Narayan Mishra who was a foreign minister then, and who hails from this region, applied his push to take it to international platforms. Organizations like Ethnic Arts Foundation stepped in to help.

Slowly and firmly, Madhubani paintings made their presence in the global art world. You could see them on walls around the globe. Since most outsiders interacted with Madhubani, it came to be known as Madhubani paintings. Traditionally it was a ritual art form practiced across Mithilanchal.

They may have never realized this would become their signature art form for the rest of the world.

Different Types of Madhubani Paintings

Madhubani paintings can be divided into two bases.

The first is based on the Jati or the communities. Each community would use its own heritage and socio-culture to paint on its walls. What joins all of them is that be it Brahmins, Kshatriyas, Kayasthas, or Paswans, all of them practice this art form.

Second, is based on the painting styles. This has three main components

Kachhni – The line drawing that is made in free hand by the artist.

Bharani – It literally means filling. So, this is the filling of colors in the line drawings.

It is the combination of Kachhani and Bharani that creates a Madhubani Painting. Most scenes are depicted using these two techniques.

Godana – Godana is the traditional art of tattoo that was practiced across communities in India. There are traditional motifs that were engraved on the skin. Since they were primarily made on the exposed parts of the body like hands and neck, these motifs are usually small in size.

When these small motifs, were transferred on paper, a lot of them were drawn to create a painting. These paintings tend to be more geometrical and have a fuller effect on paper.

Tantrik Paintings – These are paintings drawn by those who follow the Tantra path of worship, mostly Shakta worshippers. They typically paint deities like Dash Mahavidyas along with the Yantras. Sometimes they draw just the yantras.

These paintings are used for Sadhana and worship.

Kohbar – Ritual Painting for Weddings

This is a ritual wedding painting created in the room of the bride and groom by all the communities in Mithila. It carries various fertility and prosperity symbols. It is usually drawn on the eastern wall of the room.

The key elements include:

• A lotus flower in the center with its expanding petals
• Flora and Fauna like Bamboo, Peacock
• Shiva and Parvati
• Wedding Rituals like Puja by the couple
• Sun, Moon, and other planets as a witness or to bless

The nuances may differ in different communities and different families. Overall, the objective of this painting is to seek protection and blessings for the newlywed couple.

Earlier Kohbar used to draw fresh on the wall. Now, most people get it made on paper and paste it on the wall. Even at the homes of legendary artists, we saw the paper ones in practice.

Individual Styles

Every painter or artist also has their own choice of motifs and colors. While the styles of prominent artists like Ganga Devi have been studied and documented, each one of them has a distinctive signature.

Colors Used in Madhubani Paintings

If I ask you to close your eyes and think about the most used colors in these paintings, you may see black lines prominently with small blobs of different colors. You may see the dominance of black and red color on a beige or off-white background.

The dull beige background is created by applying a layer of cow dung on paper and allowing it to dry in sun.

Like most Indian painting traditions, the colors in Mithila also came from natural sources like plants, flowers, and home products like soot. Only some artists continue to use colors like Gerua or rust color. Most have shifted to easy-to-use, readily available, and long-lasting acrylic colors.

India is a country that loves colors, that too vibrant colors. So, the traditional paintings used to be in bright Holi colors like – Magenta, Bright Yellow, Sparkling Green, etc.

Black and White Madhubani Paintings

However, when the commercialization happened, it was the customer demand that dictated the colors. After the 1960s, we see a prominence of black and white and other subtler colors. It was probably driven by the demand in the West.

Curators, who were the mediators between the artist and the rest of the world, also dictated the color schemes. In fact, at times they told different communities to use certain colors and motifs so that they could clearly define different styles.

Folk art as we know evolves organically and has no clear boxes or boundaries to limit it. However, the art market needs clear boxes to be able to create a demand. This is how paintings in Mithila paintings evolved in the last few decades.

Visiting Madhubani Paintings Villages in Mithila

On our trip to Mithila, we were looking forward to visiting the villages that have produced no less than seven women artists decorated with the Padma Shree award.

My imagination was walking into the villages with paintings all around. I hardly saw any paintings in Darbhanga, where we were based except on the Government buildings where both traditional and modern scenes were painted. We could not find any such villages.

We thought of visiting Madhubani town, where I knew that the railway station has been painted very meticulously. I had visuals of Ratnagiri railway station in Maharashtra that has Warli paintings on its walls.

Finally, a stroke of luck has us meet the historian Dr. Narendra Narayana Singh ‘Nirala’ ji, who is an expert on Madhubani Paintings. He spoke to us in detail about the modern avatar of Mithila Paintings and how organizations like Ethnic Arts Foundations played the role.

Nirala ji told us about many institutes that have been established to formally teach the art form. He said – Mithila paintings are found everywhere in Mithila but what is sold to the outside world are Madhubani Paintings.

Nirala ji took us to different villages to meet different artists and also different styles painted by them. After this, he also shared his personal collection of old paintings with us.

Jitwarpur Village

Jitwarpur village is best known for Madhubani Paintings.

We first visited Krishna Kant Jha ji at his home. He is a Mahapatra Brahmin and works primarily on scenes from epics like Ramayana and Mahabharata. Currently working on paintings of Hanuman, he very kindly allowed us to watch him paint.

He first drew on the border with multiple straight lines. Then he created a border between the lines using triangles. After watching him, I noticed that indeed every Mithila painting has a similar border.

Then he drew the outline of Hanuman ji holding a mountain in his hand. His hands moved with ease as he drew lines with his free hand, without using anything but a pen dipped in black ink.

Once complete, he or someone else in his family will fill the colors and the painting is complete. Yes, most paintings are a teamwork of family members. The master artists draw the outline and others help by filling in the colors.

If you pass by his home, you may never imagine that it is the home of a successful commercial artist. He not only sells his paintings from home but also visits different places to teach the art form to students. He also gets invited to paint walls in public or private places.

Shanu Paswan’s House

We then went inside the village to see the Paswan community paintings. Here we did find some houses painted. At the home of Shanu Paswan ji, we saw a lot of Godna-style paintings. We met Sheela Devi ji whose out-house was full of paintings with a part still work in progress.

Here we saw the local rituals of the community being painted like Rahu Puja and the stories of the folk deity Raja Salhesh or Sailesh. Paintings feature animals like tigers prominently.

It reminded me of the Cherial Paintings of Telangana.

Tantrik Paintings of Krishnanand Jha

To visit this artist’s home, we had to literally walk through the fields to reach the house at the end. The wife of the Late Krishnanand Jha ji greeted us and showed us the album with photographs of all the paintings done by her husband.

She then opened a bundle of paintings that included Dash Mahavidya , Dashavatar of Vishnu prominently among other paintings. Since these paintings are used for worshipping, they are mostly made on order.

Padmashri Godavari Dutt

In the end, we visited the home of Padma Shri Godavari Dutt in Ranti Village. She has one of the best Kohbar drawn on the wall of her living room. In her 90s, Godavari ji was not very mobile, but she still welcomed us with open arms, with motherly affection.

Her daughter-in-law Anjani Devi ji showed us the paintings around the house and explained the Kohbar to us. She represents the Kayastha community and her paintings have dominant black, red, and white colors.

Godavari Dutt’s work is exhibited at the Mithila Museum in Tokamachi in Japan. She has visited Japan multiple times to create the museum collection there.

Madhubani Sarees Studio in Darbhanga

In Darbhanga, we visited the studio of national award-winning Madhubani artist Asha Jha ji. Besides paintings, she specializes in painting Madhubani Saris and Dupattas.

Her daughters gifted me a Paag and a Dupatta which is traditionally offered to guests. It is worn by Maithili Brahmins during formal occasions. You can not move your head much when you wear it.

Her designs are in demand as much as her customized Saris are in demand. Check out the Madhubani Paints’ website or IG Handle.

Travel Tips for Madhubani

Madhubani is well connected by Rail and Road. Darbhanga is the closest big city and airport.

Jitwarpur is best known as the village of Madhubani artists.

It is not easy to go there on your own. I do not think there are any organized tours that take you to these villages. So, get in touch with a local who can take you to these artists.

If you are not keen on meeting the artists, but only want to buy Madhubani paintings, Dilli Haat in Delhi is a better bet. Most of these artists participate there on a regular basis.

A lot of them sell online, so look out for them on Amazon .

To learn, you can contact Upendra Maharathi Shilp Anusandhan Sansthan in Patna who conducts free courses to teach Madhubani Paintings.

You can stay in Darbhanga where there are few options to stay.

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Beautiful! Traditional and so exquisite!!This art should be kept alive. The details and depth in these paintings are breathtaking.

“Wow, what an incredible adventure you had! Your description of the breathtaking scenery and cultural experiences you encountered on your trip has me feeling both inspired and envious.

Thanks for sharing very useful information on Madhubani Paintings with us. It is very important for everyone .

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Travelling to Mithila: These Temples should not be missed

History comes alive and dances vibrantly right in front of your eyes, as you explore the sacred cities of Mithila- A region of southern Nepal and Northern India lying between the lower ranges of the Himalayas and the Ganges River, believed to be the place where Goddess Sita spent her childhood and place of her marriage with Lord Rama.

Mithila- the land famous for its unique culture, outstanding philosophy and beautiful folk traditions. from centuries the intellectuals from this region have established themselves, whether we talk about yajnavalakya, vachaspati, vidyapati, mandan mishra, gargi, maitreyi, bharti or jagat-janni sita..

For uniqueness and stickiness with the art, culture, and traditions, this land of Mithila is well known.

Apart from its stickiness to culture and tradition, this region is well known for its religious practices and beliefs.

The Ramayana says the Mithila of Bihar as the home of Goddess Sita and as this region comes in the same belt of Bengal & Assam, where Shakti cult is mainly worshipped, people of Mithila too are Shakta in their original religious convictions.  But since Shakti is the divine spouse of Shiva, Shaktism with the Shaivism form of convictions is mainly worshipped in the region of Mithila.

From the centuries people of Mithila are worshipping goddess, Durga in various forms. And subsequently, several temples were built supporting their beliefs by different rulers and pandits.

Here is a list of some of the well-established and must-visit Temples in Mithila, Bihar

Janki Mandir, Janakpur, Nepal

Janaki Mandir or The Temple of Goddess Janaki is a massive white marble domed building dedicated to Hindu goddess Sita in the Janakpur region of Mithila district in Nepal. In Hindu epic Ramayana, King Janak, known as Videha, a famed ruler loved and renowned for his reputation of delivering unbiased justice, is said to have ruled this area of Janakpur. Sita was King Janak’s daughter whose name was Janaki and in a rather elaborate groom choosing ceremony, she decided on Lord Ram to be her husband and became Queen of Ayodhya.

A temple nearby, in the same vicinity, is said to be the exact spot where their marriage vows were solemnized.

The Janaki Mandir is a sprawling structure with palatial features, completely constructed from white marble. It is resplendent with domes at the top and the architecture, which showcase the interesting confluence of the Hindu, Nepali, Koiri and Mughal style of design.

Ugra Tara Sthan, Mahishi, Saharsa

This ancient temple dedicated to Goddes Ugra Tara has situated approx 15 Km from the district headquarter of Saharsa.

Locals worship the deity as Vashishtha Aradhita Tara , who was worshipped by saint Vashishtha, thereby associating this temple with the Ramayana period.

Locals also claim the Ugra Tara Sthan as a Shakti Peetha saying the right eye of Goddess Sati had fallen here.

Some historians, however, claim the idols of the Ugra Tara as Buddha’s deity dating back to the Pala period.

They claim this Mahishi village as a pre-eminently Buddhist site known as Aapan-Nigam during the Buddha period. As a large number of Buddha images lying scattered on the temple premises and worshipped by locals as various Hindu gods and goddesses support their claims.

The temple, having the main entrance from the western side and a small opening on the eastern side of the sanctum sanctorum, was built by Rani Padmavati, the spouse of King Narendra Deo Singh some 500 years ago.

This Ugra Tara Temple, famous for the Tantrik cult of worshipping, draws devotees from different parts of the country and Nepal.

Janki Temple, Sitamarhi

The Janki Temple is believed to be the birthplace of Goddess Sita. The legends say this as a place where Goddess Sita was found as a newborn girl by King Janaka while plowing the field.

Later on, a big temple with a modern structure was built to commemorate that event. The presiding deity of the temple is Lord Rama, Goddess Sita, and Hanuman.

Nearby water pond famous as Janki Kund is believed to be the pond where King Janaka used to give a bath to the girl Sita.

As the great epic Ramayana has a predominant influence on the Hindus in India, this temple is thronged by devotees round the year. The festival Ram Navami and Janki Navami are the holy festivals of this place.

Punaura Dham, Sitamarhi

Located at a distance of 2 km from Sitamarhi, the Punarra Dham is famous for its grand Janki temple. It is believed that in ancient times, there was an ashram of the Pundariya rishi and here was the birth of Mother Sita in Janaki Kund.

However, it has been a controversy that for a year, who is the real Sita birthplace- Janaki Temple or the Punaura Dham?

But many Hindu devotees visit this temple around the year.

Uchaith Sthan, Madhubani

Uchaith Sthan has situated 25 Km from the district headquarter of Madhubani. In the garbha-griha, there is an idol in black stone of four-armed Goddess Durga, sitting in the yoga posture on the lion.  Holding a Sword in the left hand and Wheel on the right hand, the goddess Durga is engraved by the Chakra( Wheel) on the sole of her feet too.

Legends say that after worshipping the Uchaith Durga, Lord Rama, Lakshman, and Vishwamithra went to Janakpur to take the part in Sita’s Swayamvara (a practice of choosing a husband, from among an array of suitors) organized by King Janak. The great saint Vashishta and Parshuram also pleased Uchait Durga by penance. Pandavas too worshipped the Uchait Durga during the Navratri.

As per the legends, after getting the boon from Uchaith Durga only Kalidas became the greatest literary figure of all time. As the legend states, a group of scholars manipulated Kalidas’ marriage with Princess Vidhyotma. When the princess realized that she had been betrayed, she asked Kalidas to leave and not come back until he gained authority in Sanskrit. So, Kalidas came to Uchaith Vidyapeeth in pursuit of knowledge. The Goddess blessed him with her divine power. It is believed that the original temple was built before 100 BC when the region was a jungle and Lord Rama, Sita, and King Janaka are known to have worshipped here. However, the present structure was built in 1960.

Throughout the year, a large number of devotees visit this temple for blessings.

Ahilya Sthan, Darbhanga

The temple of Ahilya Sthan is associated with the well-known legend of the sage Gautam and his wife Ahilya as told in the epic Ramayana and Puranas. Inside the Shrine there is a flat stone said to contain the footprints of Goddess Sita, wife of Ram, as the main idol of worship.

The temple is a masterpiece of art and ancient Indian architecture build between 1662-1682 during the kingdom of Maharaj Chhatra Singh and Maharaja Rudra Singh and believed to be the 1st Ram Janki Mandir of India.

According to Ramayan when Lord Rama was his way to Janakpur his feet touched a stone and it turned into a woman who was non-else but Ahilya. Her husband Gautam Rishi cursed the Ahilya to fun into stone. The temple is dedicated to Ahalya, the wife of Gautam Rishi.

Large fairs are held every year on the occasion of Ramnavami and Vivah Panchami, where a unique tradition can be seen. Devotees arrive in the temple carrying eggplant as an offering.

Kaali Temple, Madhubani

This Kaali Temple is believed to be the Gaushauni Ghar( Worshipping room) of King Madhav Singh. He was an ascetic King having a firm believe in Tantra.

The temple is an architectural marvel with beautiful carvings on the walls and ceilings. A giant Kaali idol is installed in the Garbha-griha.

Shyama Temple, Rajnagar, Madhubani

This Shyama Kali Temple lies in the ruined city of Rajnagar, showcases the panchayatan type of temple architecture. This white marble temple stands on a high stone platform of which the upper section is carved with white marble parapet which is highly decorated with carvings. The interior of the eastern wall contains the figures of rulers of Darbhanga Raj, whereas the western wall depicts the figures of some eminent pandit of Mithila. These figures surmount the twenty-two-line Sanskrit inscription in the Devanagari script.

Its Garbha-griha is square in a plan whose walls are well decorated with panels, niches, chaitya, window motifs, flower designs, etc. The garbhagriha enshrines a four-armed black Kaali of marble in standing posture, holding swords, a human skull, and krapana by her hands.

Adorned with metal crown, goddess Kaali stands by her feet upon the chest of reclining Shiva, who is adorned with serpent hoods crown and holds Damru in his left hand

Shyama Temple, Darbhanga

This grand temple of Shyama Kali is present in the Darbhanga district of Bihar. The story of the construction of this temple is astonishing to all who hear it. This temple of Maa Kali is made on the pyre of Maharaj Rameshwar Singh, the great seeker of the Darbhanga Raj family.

The people here believe that there is no such idol of Kali in India anywhere. The statue of the idol is supernatural and unforgettable.

This giant temple was founded in 1933 by Darbhanga Maharaja Kameshwar Singh, in which a huge statue of Maa Shyama is situated on Lord Shiva’s thigh and the thorax. Mahakal on the right side of the mother Kali and statues of Lord Ganesha and Batuk are placed on the left.

In this magnificent statue of Kali, decorated with four hands, Khadg (Sword) in one hand on the left side of the mother and Mund (human skull) in the other, while the other hands are sitting in the position of giving blessings to their sons with both hands on the right side.

Kusheshwar Sthan, Darbhanga

The Kusheshwar place in the Darbhanga district is also known as the Baba Dham of Mithila. The place is situated about 70 km south-east of the district headquarter.

Here the temple of Kusheshwar Mahadev is located, where devotees from all over the Mithila, Nepal’s neighboring districts, besides devotees from Bengal and Jharkhand continue to come here for years, but on the occasion of Shravani months, a large number of devotees came here and Jalabhishek(Water pouring on Lingam) Baba Kusheshwar Nath.

Kandaha Sun Temple, Saharsa

The idol installed in the Sanctorum is huge though considerably defaced and fragmented. However, door jambs and frames are still well preserved. The frame of the door jambs, with a rich, tasteful decoration of floral creepers and divine beings, represents the golden period of art and architecture in Mithila under the Karnata dynasty.

The temple still has the inscriptions in Sanskrit though the script is Tirhuta and Mithilakshar. The main statue carved out of black stone is 3.5 feet in height.

Chandika Sthan, Sonbarsa

Biratpur village under Sonebarsa block of this district is famous for an ancient temple of goddess Chandi. This village is also associated with King Birat of the Mahabharat age. During exile, the Pandavas had lived here for 12 years.

The tantric Scholars and devotees attach much significance to this Chandi temple, which is said to form an equilateral triangle with Katyayani temple near Dhamhara ghat and Tara temple at Mahishi.

During the Navratra people from distant places visit the village to offer prayers to the goddess of power.

Singheshwar Sthan, Madhepura

Singheshwar Sthan temple is situated in the Madhepura district of Bihar.  It is said that this Shiva temple of Sinheshwar was built by Lord Vishnu himself at some age.

In the medieval period, the debate of Mandan Mishra and Shankaracharya also happened here.

This place has been named as Singheshwar, because of the ascetic of Shiringi Rishi who sacrificed his son-in-law for King Dasharath.

The temple is of old and historical importance. The lower part of the temple is connected to a mountain. There is no authentic document in relation to the Shivalinga establishment but many legends are popular in this regard.

Disclaimer: Reproduction of any of the contents, including the photographs without prior consent/permission of the writer is strictly prohibited and a violation of the same will attract legal action.

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Happy Travelling !!

Very informative. Most of the places, i have visited. If you can give it a book shape after adding some marvelous temples of Mithila region. Like Bhadra Kali temple, Koilakh (Madhubani), Kapileshwar Asthan temple (Madhubani), Rajeshwari temple, Dokhar, Baba budhanath temple, Bhagalpur. There are so many other temples.

Thanks a lot for connecting. Yes, we traveled and explored various temples throughout the Mithila. Compiled a few only and will try our best to give it in Book forms. I hope any publisher will take an interest. Thanks again.

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Tourist Places Of Mithila

Tourist places of mithila (india).

Tourist Places Of Mithila (NEPAL)

Ahalyasthan

Ahalyasthan, situated in the village Ahiyari of Darbhanga is of great mythological importance to the Hindus. . The Valmiki Ramayana has a detailed description of this place and tales associated with it.

Ahalya , as the name suggests was a lady with flawless angelic beauty . She was created from the ashes of the sacrificial fire ( Hawan ) by the Saptarishi and was gifted to Rishi Gautama. Some believe that she was created by the Lord Bramha as the most charming woman , in order to break the pride of Urvashi (a heavenly nymph).

As the tale suggests , Ahalya , who was gifted to Gautama as his wife, was staying in the hermitage, meanwhile Gautama was away for a ritual bath . Indra ( the king of heaven ) , who was already spellbound by Ahalya's beauty, seized this opportunity and disguised himself as Rishi Gautama. He entered the hermitage and forced Ahalya to satisfy him . Being a dutiful modest wife, she unwillingly

agreed it (as she couldn't recognise the cunning Indra disguised as her husband).

Meanwhile, the actual sage returned and caught them. He cursed Ahalya of infidelity, turning her to stone until Lord Ram (major hindu deity, avatar of Lord Vishnu) who was on his way to Janakpur , Mithila , accompanied by Lakshman ( Ram's younger sibling , avatar of Sheshnaag ) and Rishi Vishwamitra ( a venerated sage of Ancient India) , brushed his foot across the stone- turned Ahalya. She was finally rescued by Lord Ram after a long wait of 60,000 years.

The hermitage (ashram) of Rishi Gautama and Ahalya is now what is established as the Ahalyasthan. As a matter of fact, every year, thousands of devotees visit this place, offerings of 'Brinjal' is made to the Goddess Ahalya,who signifies purity and chastity. Also, the Ahalyasthan temple has only female Poojaris (priests). Auspicious occasions like Mundan and Janew ceremonies also take place in the temple premises.

Sita Kund, also known as Ram Janki Mandir or Punaura Dhaam is a Hindu temple located in Sitamarhi district , Bihar and is dedicated to Goddess Sita ( Lord Ram's wife, avatar of Goddess Lakshmi).

It is believed that Punaura Dhaam is the birthplace of Goddess Sita , however, Janakpur temple also asserts the same. So basically, there are two shrines battling for the identity of Sita's motherland.

The temple premises has a small reservoir . It is said that steriles could have children , once they take a dip in the holy Kund on Sita Jayanti, which is celebrated on the Krishna Paksh Ashtami of Falgun . There exists Haleshwar Temple devoted to Mahadev , near Sita kund which is believed to be constructed by King Janak (Sita's father )himself .

Apart from Sita kund in Sitamarhi district , Munger district has Sita kund as well , which has an engrossing history. The history of Sita kund, Munger belongs to the golden period of Ramayana according to which , after Sita was rescued from the clutches of Ravana ( the 10-headed king of demons) , she was asked to prove her chastity by performing Agni Pareeksha (Fire Ordeal) , which she passed unscathed followed by a bath in the reservoir ( later called as Sita kund) to release the heat of her body which she had absorbed from the fire.

At present ,the hot spring is grilled and a small channel of water comes out of the Kund and flows outward. There are 4 other Kunds namely Ram Kund in the west , Lakshman Kund , Bharat Kund and Shatrughna Kund.

Kusheshwar Asthan Bird Sanctuary

.....to be edited

India's varied climate and topography play host to whopping population of birds and the best place to see these amazing creatures are the various bird sanctuary situated in almost all the states of the country....

"Kusheshwar Asthan Bird Sanctuary " is unification of fourteen villages of Kusheshwar Asthan block which comes under 'BIRAUL' division of Darbhanga town in north Bihar .

Kusheshwar Asthan bird sanctuary name after the famous Shiva temple situated nearby . This bird sanctuary remains water logged most of the time and blessed with abundant varities of flora and fauna . This sanctuary is Paradise for bird watchers and byrnithologists and one of the best tourist spot for all bird lovers .

Kusheshwar asthan bird sanctuary sprawling across 7019.75 acres have been declared as bird sanctuary under the wildlife protection act of 1972. This sanctuary is breeding ground for many territorial and migratory birds from Siberia, Mongolia and other central Asiatic counties such as Pied kingfisher , Great egret, Indian pond heron and little cormorant Hariyal , Rtwa , Gairi. We also noticed folks of migratory birds such as Dalmatian Pelican, Indian Darter, Bar-headed goose, Siberian Crane , Nakta , Lalshar , mail , Dighouch , chacha , karan , Gaiber(white and black) and many more between November and March.

The natural scenery attract visitors and they completely mesmerize with sanctuary beauty . This Kusheshwar Asthan Bird Sanctuary is topmost tourist destination in Darbhanga, Bihar .

Navlakha Temple, Rajnagar

Navlakha temple.

Navlakha Palace or the Rajnagar Palace near Madhubani, is built by the then Darbhanga Maharaja's younger brother , Maharaj Rameshwar Singh [1898-1929] .

The bewitching architecture including the carved arches ( standing on four elephants) and the spiral staircases allures the visitors. The Gasauni Ghar ( room where the family deity is placed) of the palace has the oldest (known) existing Mithila Painting,which was made in Maharaja's daughter's wedding (1919)

The palace had undergone a significant damage in the 1934 earthquake.

Unfortunately , the majestic Navlakha Palace is day by day losing it's magnificence due to lack of maintenance.

Kapileshwar Temple, Rahika

Kapileshwar temple.

Kapileshwar Temple of Rahika , Madhubani is pre-eminent of all the other temples, among the locals. It is devoted to Mahadev ( the great god of Hinduism ; known as the 'Destroyer' within the Trimurti) and thus has a Shiv Linga ( abstract representation of Shiva) in its Garbhgrih (Sanctum Sanctorum )

The fact that the Shiv Linga was placed there by a sage named Kapila , justifies the name of the temple i.e, the Kapileshwar Mahadev Temple. Every year Shravan Mela ( a spiritual fair for the devotees) is organised in the month of Shravan (5th month of Hindu calendar) in the temple premises. Huge number of devotees visit then , to pay obeisances by performing 'Jalabhishek' . It has a vast campus including other temples like Parvati ( Mahadev's wife; also known as Aadishakti ) temple, Hanuman temple, e.t.c.

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We are here to navigate you through Moscow and beyond. We specialize in private and customer-tailored tours for individuals and groups.

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• Moscow tours in 1 day/2days/3days (Red Square tour, Kremlin tour, metro tour, panoramic city tour, etc);
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We are officially endorsed by Moscow Government to guide in most iconic tourist attractions of Russia’s capital such as Red Square, St. Basil’s Cathedral, museums of the Moscow Kremlin, the Tretyakov Art Gallery, etc.

We love our city and are ready to share with you our in-depth knowledge of Moscow, this old but very dynamic and amazing city. We will be glad to provide context and fun in equal measure opening up your eyes to Russian history, culture and art.

We know how to make the most of your time while you are here and will be delighted to turn your stay in Moscow into a life experience.

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Time to Do: To do everything listed below will take approximately 3 days.

1)      What to do in Moscow – Red Square

2)      What to do in Moscow – The Kremlin

It started as a humble wooden garrison on a hill and turned into one of the biggest and best known fortresses in the world. This is both a very impressive tourist attraction and also the seat of power for Russia with the office of the president inside its walls. It is home to several 500 hundred year old cathedrals, the world renowned Faberge Eggs and also the world’s biggest sapphire (not to mention a 160 carat diamond!). If you want to know more I have a separate post on visiting the Red Square and the Kremlin in Moscow .  Nearest metro: Aleksandrovksy Sad- Dark Blue, Red or Grey lines.

3)      What to do in Moscow – Novodevichy Convent and Cemetery

4)      What to do in Moscow – State Tretyakov Gallery

This is the best collection of Russian Art in the world and was started in the 19 th century by Pavel Tretyakov. If you go and you see how many great paintings he managed to get by himself you can’t help but be impressed. The collection today has 130,000 items! Like most museums it is not possible to see everything in a day and as I don’t know much about art I looked at the more famous painters and some of the paintings and icons are amazing. Even being from poor old Ireland I recognised some of the paintings and here they were in Moscow! Artists such as Repin, Vereshchagin, Surikov, Serov etc etc.  They may not be household names to people not in the know in the west but they still are very impressive. The older paintings of landscapes etc are hard to get excited about but the late 19 th century stuff of poverty and social issues are excellent. The State Tretyakov Gallery is not to be confused with the New Tretyakov Gallery (modern art) which is situated close by. Even to spend 3hrs to half a day here is well worth it. Admission is 400 Ru and 200Ru for photography. http://www.tretyakovgallery.ru/en/

5)      What to do in Moscow – Moscow Metro

If you are visiting Moscow you will undoubtedly be riding the metro unless you are crazy enough to contend with the randomness and traffic of the streets. Moscow’s Metro stations are one of the fanciest in the world. They have tributes to war, peace, women, Ukraine, agriculture, the list goes on and each metro is unique. There are no modern contemporary stations built of glass or modern art but they still are a sight to behold. It is well worth giving yourself more time when going somewhere so you can get off when you see a fancy stop. For more info and the best stations see my other post on the beautiful Moscow Metro.

6)      What to do in Moscow – Park Pobedy / Victory Park

This park doesn’t appear high on many lists but you should definitely pay it a visit. Like many memorials in Moscow it commemorates war and this one is victory in WWII or the Great Patriotic War as they call it in Russia. The large park is great to walk around but the main highlight and close to the metro station is the central avenue which has a fountain for everyday of the war and 10cm for each day on a 142mtr (520ft) high obelisk. Behind the obelisk is the Great Patriotic Museum which goes through artefacts and history of the war including plenty of surviving examples of guns, artillery, coats etc etc. There are some English translations for the main parts but not everything is covered. Admission 250Ru. Just outside Park Pobedy metro is the Triumphal Arch which is a huge arch in the middle of the road to commemorate Napoleon’s defeat in 1812. It was this same hill where Napoleon waited in vain to receive the keys to the Kremlin. Nearest Metro: Park Pobedy – Dark Blue line.

7)      What to do in Moscow – Christ the Saviour Cathedral

8)      What to do in Moscow – Peter the Great Statue and Statue Park (Fallen Monument Park)

The statue park is over the Moskva River to the east in Park Rayon Yakimanka and contains weird statues as well as old USSR statues of the heroes.  Nearest Metro: Kropotkinskaya on the red line or Polyanka on the grey line. Both attractions are in-between the two.

9)      What to do in Moscow – Bolshoi Theatre

The most famous theatre in Moscow and one of foremost theatres in the world and even adorns the 100 Rubles banknote. The company also has the largest ballet in the world. Originally built in 1824 and after a very expensive upgrade in 2011 the Bolshoi is very grand indeed (Bolshoi means grand or big in Russian). The theatre is worth a look from the outside but you cannot get in unless you buy a ticket which without the help of touts outside you must do it well in advance online. It is only a 5 min walk north of the Kremlin so very central. http://www.bolshoi.ru/en/ . Nearest Metro: Teatralnaya on the dark green line

10)   What to do in Moscow – Moscow’s Viewpoint

One of the highest points in Moscow is on the south west of the city close to Moscow State University. This point is located in front of one of Stalin’s huge ‘7 sisters’ buildings and is immediately above where the 1980 Olympic Stadium is.  The view point has free viewing telescopes and it is possible to see both the new and old sides of the city. This is not an unbelievable view or anything but it is good and if you get off at Vorobyevy Gory metro station then there is a pleasant 10min walk up the hill through a park which runs alongside the Moskva River. The viewpoint is on (street) Ul. Kosygina and the Nearest Metro is Vorobyevy Gory on the Red line.

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About Ross Travellingforfun

When I visited Moscow I visited the Fallen Monument Park. I saw the boat with rabbits as pictured above and I wonder if you know what the story is behind it. Thank you!

Judith, the short answer is I don’t know. I tried to find out but couldn’t find anything on it. They do have works from other artists there so maybe it has some obscure meaning. Sorry I can’t be of help.

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