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War of the Worlds

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Watch War of the Worlds with a subscription on Paramount+, rent on Fandango at Home, Prime Video, Apple TV, or buy on Fandango at Home, Prime Video, Apple TV.

What to Know

Steven Spielberg's adaptation of War of the Worlds delivers on the thrill and paranoia of H.G. Wells' classic novel while impressively updating the action and effects for modern audiences.

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Steven Spielberg

Ray Ferrier

Dakota Fanning

Rachel Ferrier

Miranda Otto

Justin Chatwin

Tim Robbins

Harlan Ogilvy

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The 40+ Best Tom Cruise Movies, Ranked By Fans

Vote up the films starring Tom Cruise that complete you.

When it comes to Hollywood royalty, few can hold a candle to Tom Cruise. Over the years, this megastar has delivered one jaw-dropping performance after another, solidifying his place as a cinematic legend. It's a formidable task to narrow down the best Tom Cruise movies of all time, but hey, someone's got to do it. From high-octane action flicks to soul-stirring dramas, Cruise's filmography is as versatile as it is impressive.

Take, for instance, Top Gun , the adrenaline-pumping story of competitive fighter pilots that catapulted Cruise to international stardom. Or A Few Good Men , where he delivered one of his most powerful performances, proving that he could handle weighty dialogues with the same ease as he does action-packed sequences. These films are just the tip of the iceberg when it comes to top Tom Cruise films that have left an indelible mark on cinema.

But how did we curate such a coveted list? Well, it started with movie experts who have an eye for performances that define careers, creating a shortlist of films that truly showcase Tom Cruise at his best. Then, we turned it over to the fans, whose votes have shaped this definitive ranking. Whether you're a die-hard Cruise fan or just a movie buff looking to revisit some cinematic gold, this list has got you covered.

As an adrenaline-pumping display of aerial combat and rivalry, this movie takes viewers into the world of elite fighter pilots, with the lead actor embodying the brash, fearless pilot Pete "Maverick" Mitchell. The audience follows Maverick's journey through the prestigious Top Gun Naval Fighter Weapons School as he battles his own ego, engages in astonishing dogfights, and learns the true meaning of teamwork. The sizzling on-screen chemistry with Kelly McGillis, the thrilling action sequences, and the beloved rendition of " Take My Breath Away " make it an unforgettable 80s classic.

• Dig Deeper... Ranker Rundown: Flying High With 'Top Gun: Maverick'
• # 109 of 264 on The 200+ Best War Movies Of All Time
• # 17 of 399 on The Best Movies Of The 1980s, Ranked

Top Gun: Maverick

Returning to the iconic role of Pete "Maverick" Mitchell after decades, the anticipation for this sequel has been immense, and it promises to deliver the same captivating thrills and aerial combat sequences of the original. As a mentor to the next generation of fighter pilots, including the son of his late best friend Goose, the protagonist guides these young talents while still facing his own personal demons and unresolved past. The combination of a compelling storyline, breathtaking stunts, and a nostalgic return to the character that made him a household name ensures this will be another hit.

• Dig Deeper... 19 Reactions To 'Top Gun: Maverick' From People That Felt The Need, The Need For Tweets
• # 19 of 164 on The Best Movie Sequels Ever Made
• # 37 of 81 on The Most Rewatchable Action Movies

A Few Good Men

In this tense courtroom drama, audiences are captivated by the exceptional performance as a young military lawyer assigned to defend two Marines accused of killing a fellow comrade. Alongside powerful performances from Jack Nicholson and Demi Moore, the film flawlessly showcases the protagonist's gradual transformation from a cocky, fresh-faced attorney into a fierce, skilled advocate determined to uncover the truth. The iconic line "You can't handle the truth!" immortalizes the film's memorable climax and solidifies the protagonist's status as one of Hollywood's most dynamic actors.

• # 25 of 50 on The Biggest Movies Of The '90s, Ranked
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• # 221 of 772 on The Most Rewatchable Movies

The lead character delivers a heart-wrenching performance as Charlie Babbitt, a hustler who discovers he has an autistic savant brother named Raymond after their father's death. Through their cross-country road trip, Charlie learns to appreciate the gentle genius of his older brother while he evolves from a selfish, money-driven man to a compassionate and loving brother. This emotional journey resulted in a Best Actor nomination, and the film itself won numerous awards, including Best Picture, highlighting the powerful and touching bond between the two main characters.

• Dig Deeper... Movies That Won Best Picture at the Oscars and Golden Globes
• # 56 of 399 on The Best Movies Of The 1980s, Ranked
• # 254 of 772 on The Most Rewatchable Movies

Mission: Impossible

In the role of super-spy Ethan Hunt, the leading man had audiences on the edge of their seats with the thrilling action and elaborate plots of this espionage thriller series. As Hunt, he displays an unrivaled level of physicality and commitment to his craft, performing most of his own stunts, resulting in a rollercoaster ride of adventure and suspense for moviegoers. The franchise has become synonymous with jaw-dropping stunts, twisty plots, and an evolving ensemble cast that perfectly complements the main character's charisma and determination.

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• # 29 of 50 on The Biggest Movies Of The '90s, Ranked
• # 92 of 379 on The Best Movies Of The 1990s

Jerry Maguire

In this romantic dramedy, the audience witnesses a sports agent's fall from grace and subsequent redemption through his relationship with his sole client and love interest. Audiences are charmed by the stunning performances, emotional vulnerability, and undeniable chemistry between the characters, as well as the classic line, "You complete me." The film earned the lead actor an Academy Award nomination and remains an enduring favorite for its heartwarming relationships, brilliant dialogue, and bittersweet exploration of ambition and love.

• # 41 of 50 on The Biggest Movies Of The '90s, Ranked
• # 557 of 772 on The Most Rewatchable Movies
• # 467 of 702 on The All-Time Greatest Comedy Films

Edge of Tomorrow

Featuring a mix of action-packed sequences, science fiction elements, and dark humor, this film showcases the protagonist as a reluctant hero, forced to live the same day repeatedly while fighting alien invaders. The compelling story of survival and personal growth, alongside the intriguing concept of time loops, make this an unforgettable cinematic experience. Supported by a strong performance from Emily Blunt, this thrilling, fast-paced adventure cements its status as a modern sci-fi classic.

• # 135 of 264 on The 200+ Best War Movies Of All Time
• # 389 of 772 on The Most Rewatchable Movies
• # 23 of 165 on The 150+ Best Futuristic Dystopian Movies

Minority Report

Set in a dystopian future where crime is predicted and prevented by a specialized police force, this Steven Spielberg-directed sci-fi thriller sees the lead actor as a detective accused of a crime he has yet to commit. With its unique premise, thought-provoking themes, and stunning visuals, the film became an instant classic and served as a showcase for the protagonist's range and versatility as an actor. The combination of gripping storytelling, groundbreaking special effects, and a strong ensemble cast cement its status as one of the best sci-fi films of the 21st century.

• # 30 of 165 on The 150+ Best Futuristic Dystopian Movies
• # 143 of 675 on The Best Movies Roger Ebert Gave Four Stars
• # 22 of 91 on The 95+ Greatest Dystopian Action Movies

The Last Samurai

Set in 19th-century Japan, this epic historical drama follows the journey of Capt. Nathan Algren, an American military officer who becomes deeply immersed in the samurai culture. The protagonist brilliantly portrays a tortured soul seeking redemption and finding it through his connection with the titular warriors, resulting in a soulful and emotional performance. Aesthetically stunning and emotionally engaging, this film is impressively crafted and features outstanding performances from Ken Watanabe and the rest of the cast.

• Dig Deeper... What A Historically Accurate Version Of 'The Last Samurai' Would Be Like
• # 94 of 264 on The 200+ Best War Movies Of All Time
• # 542 of 772 on The Most Rewatchable Movies

Risky Business

As the high school senior who turns his family's home into a brothel after getting involved with a call girl, the lead actor delivers a charming and iconic performance that launched his career as a Hollywood heartthrob. The famous scene of the character dancing in his underwear to " Old Time Rock and Roll " has become a pop-culture staple, and the film itself remains a beloved 80s classic. With its unique blend of teen angst, dark comedy, and romance, this coming-of-age story showcases the beginnings of a truly remarkable talent.

• # 37 of 113 on The 100+ Best Movies About High School
• # 103 of 399 on The Best Movies Of The 1980s, Ranked
• # 630 of 772 on The Most Rewatchable Movies

Mission: Impossible – Ghost Protocol

The fourth installment in the adrenaline-fueled franchise sees the protagonist perform even more heart-stopping stunts, including scaling the world's tallest building, Dubai's Burj Khalifa, further solidifying his reputation as a fearless action star. With a fresh team of dynamic actors, including Simon Pegg and Paula Patton, this film raises the stakes and balances its thrilling action with lighter moments of humor. Picking up where its predecessors left off, the film delivers an exhilarating, globetrotting adventure that leaves audiences eager for more.

• # 22 of 81 on The Most Rewatchable Action Movies
• # 34 of 98 on The Best Movies Based On TV Shows
• # 22 of 73 on The Greatest Movies About CIA Agents & Operatives

In this gripping adaptation of John Grisham's best-selling novel, the protagonist plays an ambitious young lawyer who becomes entangled in a dangerous web of deceit and corruption at his prestigious law firm. The intense plot and stellar performances from the ensemble cast, including Gene Hackman, Holly Hunter, and David Strathairn, keep the audience absorbed and guessing until the very end. The smart script, thrilling twists, and central performance make it a must-watch for legal thriller enthusiasts and fans of the leading man alike.

• # 39 of 50 on The Biggest Movies Of The '90s, Ranked
• # 119 of 369 on The Best Movies Based On Books
• # 46 of 81 on The 75+ Best Whodunit Murder Mystery Movies

Mission: Impossible – Rogue Nation

The fifth installment of the popular action franchise sees the protagonist reprise his role as Ethan Hunt, this time facing a powerful, clandestine organization known as the Syndicate. With incredible stunts, including a breathtaking underwater sequence and a thrilling motorcycle chase, the lead actor continues to push the boundaries of what's possible in action cinema. Alongside new additions to the cast such as Rebecca Ferguson and Sean Harris, this thrilling adventure offers non-stop excitement and intrigue that maintains the high standards of the series.

• # 15 of 99 on The Best Movies Of 2015
• # 49 of 98 on The Best Movies Based On TV Shows
• # 38 of 72 on The Greatest Movies About CIA Agents & Operatives

Interview with the Vampire (1994)

Portraying the tormented vampire Lestat in this adaptation of Anne Rice's novel, the protagonist delivers a mesmerizing and seductive performance that captivated audiences worldwide. Sharing the screen with Brad Pitt and a young Kirsten Dunst, the actor's portrayal of an immortal craving companionship and grappling with the morality of his actions is both chilling and heartbreaking. Though controversial at the time for its dark themes and explicit content, the film has since become a cult classic, showcasing a different side of the leading man's abilities.

• Dig Deeper... 10 Behind-The-Scenes Stories From 'Interview with the Vampire' That Make Us Want Some More
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• # 201 of 772 on The Most Rewatchable Movies

Mission: Impossible - Fallout

In his sixth turn as super-spy Ethan Hunt, the main character's commitment to performing his own stunts reaches new heights with a harrowing high-altitude-low-opening (HALO) jump. Additionally, the film's electric helicopter chase and intense fight sequences showcase the actor's relentless dedication to delivering pulse-pounding action. With a gripping storyline that delves deeper into the personal life of Hunt and an exhilarating finale, this entry is widely regarded as one of the best in the long-running series.

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• # 10 of 13 on 13 Movie Heroes And Villains Who Are Two Sides Of The Same Coin

In a rare turn as the villain, the lead actor plays a cold and calculating contract killer in this crime thriller directed by Michael Mann. Sharing the screen with Jamie Foxx's unsuspecting taxi driver, the actor's menacing performance offers a fascinating look into the psyche of his character and contrasts sharply with the vulnerable, heroic roles that have defined his career. With its gritty atmosphere, taut pacing, and unforgettable performances, the film stands as a testament to the versatility and range of the protagonist.

• # 30 of 99 on The Best Movies Of 2004, Ranked
• # 45 of 51 on The Best Movies to Watch on a Home Theater
• # 8 of 13 on 13 Times Tom Cruise Came Close To Disaster Doing His Own Movie Stunts

The Outsiders

Based on the classic novel by S.E. Hinton, this coming-of-age drama set in the 1960s features the lead actor as part of an ensemble cast that includes Matt Dillon, Patrick Swayze, and Rob Lowe, among others. As the youngest member of the "Greasers" gang and the brother of Ralph Macchio's Johnny, the actor delivers a tender performance that showcases his talent at an early age. The film has since become a cult classic, with its heartfelt portrayal of friendship, loyalty, and the trials of growing up.

• # 49 of 399 on The Best Movies Of The 1980s, Ranked
• # 329 of 772 on The Most Rewatchable Movies
• # 31 of 66 on Movies You Wish You Could Still Watch for the First Time

Days of Thunder

Reuniting with the Top Gun director, the protagonist stars as hotshot NASCAR driver Cole Trickle in this high-octane racing drama. With thrilling race sequences and an exploration of the competitive world of stock car racing, the movie allows the lead character to demonstrate his undeniable screen presence and physical prowess. The electrifying on-screen chemistry between the actor and his future wife, Nicole Kidman, adds to the allure of this compelling sports drama.

• # 60 of 207 on The Best Sports Movies Ever Made
• # 28 of 90 on The Best Movies of 1990
• # 45 of 69 on The Greatest Sports Drama Movies of All Time

The Color of Money

In this sequel to the 1961 classic The Hustler, the lead character plays pool protegé Vincent Lauria, who is mentored by Paul Newman's "Fast" Eddie Felson. A dynamic on-screen duo, they brilliantly convey the tension and rivalry between their characters, making for a compelling examination of ambition, redemption, and the cost of success. The film stands as a worthy follow-up to its predecessor, with a superb performance that further cemented the protagonist's status as a versatile leading man.

• # 216 of 399 on The Best Movies Of The 1980s, Ranked
• # 77 of 207 on The Best Sports Movies Ever Made
• # 101 of 164 on The Best Movie Sequels Ever Made

Jack Reacher

Adapted from Lee Child's bestselling novels, the movie features the leading man as the tough-as-nails former Army investigator and drifter who finds himself entangled in a complex conspiracy. Showcasing his impressive range as an actor, the protagonist delivers a gritty and physical performance that captivates audiences and brings the beloved literary character to life. The film's thrilling action sequences, unexpected twists, and solid supporting cast make it a standout in the action-thriller genre.

• Dig Deeper... All the Jack Reacher Books, Ranked Best to Worst
• # 672 of 772 on The Most Rewatchable Movies
• # 12 of 16 on Movies Meant To Be Trilogies That We'll Never Get To See Completed

In this 80s drama, the leading man portrays an ambitious bartender who dreams of success and navigates the trials and tribulations of love and friendship. The role allows the protagonist to showcase his charm, charisma, and signature smile, resulting in a captivating performance that further establishes him as a Hollywood heartthrob. With memorable scenes and quotable dialogue, the film has earned a special place in pop culture nostalgia.

• # 178 of 399 on The Best Movies Of The 1980s, Ranked
• # 153 of 233 on The Best '80s Comedy Movies, Ranked
• # 63 of 99 on The Greatest Movie Soundtracks Of All Time

Mission: Impossible – Dead Reckoning Part One

The upcoming seventh installment in the blockbuster franchise promises to deliver even more breathtaking stunts, explosive action, and intriguing espionage as the lead character reprises his iconic role of Ethan Hunt. As the first part of a two-part cinematic event, the film will undoubtedly raise the stakes and further solidify the protagonist's status as an unstoppable action hero. With returning and new cast members, fans are eagerly anticipating the next thrilling chapter in the ever-evolving series.

• # 44 of 73 on The Greatest Movies About CIA Agents & Operatives
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Born on the Fourth of July

In a powerful and transformative performance, the lead actor takes on the real-life story of Ron Kovic, a disillusioned Vietnam War veteran who becomes an anti-war activist. Earning his first Academy Award nomination for Best Actor, the protagonist impeccably portrays the emotional turmoil, physical pain, and ultimate redemption of his character. The film's unflinching depiction of the war's aftermath and its impact on soldiers makes it a poignant and unforgettable viewing experience.

• # 211 of 264 on The 200+ Best War Movies Of All Time
• # 271 of 399 on The Best Movies Of The 1980s, Ranked
• # 83 of 133 on The Most Utterly Depressing Movies Ever Made

Mission: Impossible III

With J.J. Abrams at the helm, the third installment of the blockbuster franchise brings a personal and emotional depth to the series, as protagonist Ethan Hunt faces a ruthless villain with ties to his personal life. The leading man's captivating performance, along with an incredible supporting cast and intense action sequences, make this entry a standout in the spy thriller genre. Fans of the series appreciate the balance of character development, emotional stakes, and adrenaline-pumping action that this installment delivers.

• # 25 of 101 on The Best Movies Of 2006
• # 42 of 98 on The Best Movies Based On TV Shows
• # 27 of 104 on The 100+ Best Third Movies In A Film Series

Tropic Thunder

In a surprising and hilarious turn, the protagonist takes on the role of an over-the-top Hollywood producer in this satirical war comedy. Sporting a bald cap and thick prosthetic makeup, he is nearly unrecognizable as he lampoons the movie industry with biting humor and infectious dance moves. His comedic prowess and willingness to poke fun at himself contribute to the film's status as a modern classic in the comedy genre.

• # 233 of 264 on The 200+ Best War Movies Of All Time
• # 97 of 702 on The All-Time Greatest Comedy Films
• # 45 of 78 on The Greatest Movies To Watch Outside

In this gripping historical thriller, the lead actor portrays German army officer Claus von Stauffenberg, who leads a plot to assassinate Adolf Hitler during World War II. With a strong supporting cast and a suspenseful narrative, the protagonist delivers a compelling performance that highlights his versatility as an actor. The film is a riveting exploration of moral courage and determination in the face of insurmountable odds.

• # 67 of 264 on The 200+ Best War Movies Of All Time
• # 89 of 240 on The 200+ Best Movies Based On A True Story
• # 269 of 308 on The 300+ Best Epic Movies Of All Time

In this visually stunning sci-fi thriller, the protagonist plays a drone repairman tasked with maintaining Earth's defense system after an alien invasion. Unraveling a twisted web of secrets and lies surrounding his mission, the lead actor delivers a gripping and emotional performance that keeps audiences engaged from start to finish. With its breathtaking cinematography, thought-provoking themes, and memorable score, the film solidifies its place as a captivating entry in the science fiction genre.

• # 61 of 165 on The 150+ Best Futuristic Dystopian Movies
• # 61 of 178 on The 150+ Best Movies With Aliens
• # 45 of 91 on The 95+ Greatest Dystopian Action Movies

War of the Worlds

In this modern adaptation of H.G. Wells' classic novel, the protagonist portrays a divorced father who must protect his children during a sudden alien invasion. Under the direction of Steven Spielberg, the lead actor excels in conveying the terror, desperation, and determination of his character while navigating a world on the brink of destruction. The film's riveting storyline, impressive special effects, and powerful performances create a thrilling and suspenseful ride for viewers.

• # 11 of 143 on The Best Movies of 2005
• # 31 of 178 on The 150+ Best Movies With Aliens
• # 213 of 369 on The Best Movies Based On Books

Far and Away

Starring alongside Nicole Kidman, the protagonist takes on the role of an Irish immigrant seeking his fortune in America in this sweeping romantic epic. The film's lush landscapes and stirring score provide an exquisite backdrop for the passionate love story between the main characters. Despite some mixed critical reception, the undeniable chemistry between the lead actors and the film's grand scope make it a memorable viewing experience.

• # 33 of 80 on The Best Period Romance Movies
• # 218 of 228 on The 200+ Best Film Scores Of All Time
• # 45 of 98 on The Best Movies of 1992

American Made

Based on a true story, the protagonist plays a commercial airline pilot turned drug smuggler and CIA informant in this fast-paced crime drama. The lead actor's charismatic performance, combined with a fascinating real-life plot and a vibrant 80s aesthetic, makes for an entertaining and thrilling ride. The film showcases the protagonist's ability to tackle complex characters and deliver engaging performances in diverse roles.

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• Rolling Stone Peter Travers H.G. Wells wouldn't recognize his 1898 alien-invasion novel, The War of the Worlds, in Steven Spielberg's updated film version. But Wells could probably relate to the ensuing fear and panic.
• St. Louis Post-Dispatch Joe Williams It's a thrilling ride...[but] this bountiful pot of signifiers leaves a caustic aftertaste.
• Austin Chronicle Marc Savlov War of the Worlds is pure popcorn escapism of the highest order if you want it to be, or more, but it's never less than thrilling.
• Zap2it.com Dan Fienberg An intense sci fi experience that should satisfy viewers who crave both expensive special effects and intimate human drama, assuming that such an audience exists.
• Lessons of Darkness Nick Schager A summer spectacular in which human relationships and emotions refuse to be overwhelmed by (admittedly awesome) computer-generated mayhem.
• Beliefnet Nell Minow The story is affecting, the action scenes are thrilling, the issues are resonant.
• MovieFreak.com Sara Michelle Fetters As it is, I admire the brilliance of the majority of this picture to no-end; it's just that pesky literal ending I walked out wanting to declare war on.
• Chicago Reader Jonathan Rosenbaum Spielberg's calculations turn out to be more prominent than any effects they could possibly produce, and the less pretentious 1953 version by producer George Pal emerges as more likable.
• New York Magazine/Vulture Ken Tucker Steven Spielberg's War of the Worlds is huge and scary, moving and funny-another capper to a career that seems like an unending succession of captivations.
• AV Club Scott Tobias There likely won't be a more gripping film this year than Spielberg's War Of The Worlds, which at its best glides along like choreography with a camera, slowly parsing out information while shrouding the rest in shadow and suggestion.
• Observer Andrew Sarris Overall, the film is too lacking in feeling to provide a recognizably human experience.
• Washington Post Michael O'Sullivan War of the Worlds is taut, gripping and surprisingly dark filmmaking.
• Observer Rex Reed There's stuff to make you go 'Wow!' but nothing you'll remember the next day.
• New Yorker David Denby It's as if the aliens landed and everyone died so that Tom Cruise could grow up one more time.
• Ebert & Roeper Richard Roeper [B]y far the biggest, loudest and most elaborate adaptation of the H.G. Wells classic.
• Entertainment Weekly Owen Gleiberman War of the Worlds is an attack-of-the-aliens disaster film crafted with sinister technological grandeur -- a true popcorn apocalypse.
• Decent Films Steven D. Greydanus Rather grim, joyless excitement… 9/11 imagery gives the film some topical cache, but there's no commentary or catharsis here.
• ReelViews James Berardinelli War of the Worlds may not stand up well to careful inspection and it may not be the smartest science fiction film brought to the screen, but it is an intense, visceral experience.
• Salon.com Stephanie Zacharek Extravagant in movie terms but stingy in emotional ones, it embodies all of Spielberg's bad impulses and almost none of his good ones.
• San Jose Mercury News Bruce Newman War of the Worlds' is a picture without a thought in its pretty head: the Tom Cruise movie to end all Tom Cruise movies.

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An iconic star, a legendary filmmaker and an all-time sci-fi classic come together with spectacular results in War of the Worlds. Tom Cruise stars as Ray Ferrier, an ordinary man who summons extraordinary courage to protect his children when a global army of alien invaders set their sights and their devastating war machines upon Earth and the entire human population. The masterful direction of multi-Academy Award-winning filmmaker Steve Spielberg dazzles the eye and touches the heart in this astonishing adventure based on the original story by H.G. Wells.

Special Features:

• English Dolby Atmos, French/Portuguese/Spanish 5.1 Dolby Digital
• Revisiting the Invasion
• The H.G. Wells Legacy
• Steven Spielberg and the Original War of the Worlds
• Characters: The Family Unit
• Previsualization
• Production Diaries
• Designing the Enemy: Tripods and Aliens, & More!

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Product details.

• Aspect Ratio ‏ : ‎ 1.78:1
• MPAA rating ‏ : ‎ PG-13 (Parents Strongly Cautioned)
• Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 3.39 ounces
• Item model number ‏ : ‎ BR59210493
• Director ‏ : ‎ Steven Spielberg
• Media Format ‏ : ‎ 4K, Subtitled
• Release date ‏ : ‎ May 19, 2020
• Actors ‏ : ‎ Tom Cruise, Dakota Fanning, Morgan Freeman, Tim Robbins, Miranda Otto
• Dubbed: ‏ : ‎ French, Portuguese, Spanish
• Subtitles: ‏ : ‎ Polish, English, Italian
• Producers ‏ : ‎ Kathleen Kennedy, Daniel Dare, Colin Wilson, Bob Hope
• Language ‏ : ‎ German (Dolby Digital 5.1), English (Dolby Digital 5.1), Polish (Dolby Digital 2.0)
• Studio ‏ : ‎ PARAMOUNT
• ASIN ‏ : ‎ B0863S81HM
• Country of Origin ‏ : ‎ USA
• Number of discs ‏ : ‎ 2
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Movie Reviews

Tv/streaming, collections, great movies, chaz's journal, contributors, creaking havoc.

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"War of the Worlds" is a big, clunky movie containing some sensational sights but lacking the zest and joyous energy we expect from Steven Spielberg . It proceeds with the lead-footed deliberation of its 1950s predecessors to give us an alien invasion that is malevolent, destructive and, from the alien point of view, pointless. They've "been planning this for a million years" and have gone to a lot of trouble to invade Earth for no apparent reason and with a seriously flawed strategy. What happened to the sense of wonder Spielberg celebrated in " Close Encounters of the Third Kind ," and the dazzling imagination of " Minority Report "?

The movie adopts the prudent formula of viewing a catastrophe through the eyes of a few foreground characters. When you compare it with a movie like "The Day After Tomorrow," which depicted the global consequences of cosmic events, it lacks dimension: Martians have journeyed millions of miles to attack a crane operator and his neighbors (and if they're not Martians, they journeyed a lot farther). The hero, Ray Ferrier ( Tom Cruise ), does the sort of running and hiding and desperate defending of his children that goes with the territory, and at one point even dives into what looks like certain death to rescue his daughter.

There's a survivalist named Ogilvy ( Tim Robbins ) who has quick insights into surviving: "The ones that didn't flatline are the ones who kept their eyes open." And there are the usual crowds of terrified citizens looking up at ominous threats looming above them. But despite the movie's $135 million budget, it seems curiously rudimentary in its action.

The problem may be with the alien invasion itself. It is not very interesting. We learn that countless years ago, invaders presumably but not necessarily from Mars buried huge machines all over the Earth. Now they activate them with lightning bolts, each one containing an alien (in what form, it is hard to say). With the aliens at the controls, these machines crash up out of the Earth, stand on three towering but spindly legs and begin to zap the planet with death rays. Later, their tentacles suck our blood and fill steel baskets with our writhing bodies.

To what purpose? Why zap what you later want to harvest? Why harvest humans? And, for that matter, why balance these towering machines on ill-designed supports? If evolution has taught us anything, it is that limbs of living things, from men to dinosaurs to spiders to centipedes, tend to come in numbers divisible by two. Three legs are inherently not stable, as the movie demonstrates when one leg of a giant tripod is damaged, and it falls helplessly to the ground.

The tripods are indeed faithful to the original illustrations for H.G. Wells' novel The War of the Worlds, and to the machines described in the historic 1938 Orson Welles radio broadcast. But the book and radio program depended on our imaginations to make them believable, and the movie came at a time of lower expectations in special effects. You look at Spielberg's machines and you don't get much worked up, because you're seeing not alien menace but clumsy retro design. Perhaps it would have been a good idea to set the movie in 1898, at the time of Wells' novel, when the tripods represented a state-of-the-art alien invasion.

There are some wonderful f/x moments, but they mostly don't involve the pods. A scene where Ray wanders through the remains of an airplane crash is somber and impressive, and there is an unforgettable image of a train, every coach on fire, roaring through a station. Such scenes seem to come from a kind of reality different from that of the tripods.

Does it make the aliens scarier that their motives are never spelled out? I don't expect them to issue a press release announcing their plans for world domination, but I wish their presence reflected some kind of intelligent purpose. The alien ship in "Close Encounters" visited for no other reason, apparently, than to demonstrate that life existed elsewhere, could visit us, and was intriguingly unlike us while still sharing such universal qualities as the perception of tone. Those aliens wanted to say hello. The alien machines in "War of the Worlds" seem designed for heavy lifting in an industry that needs to modernize its equipment and techniques. (The actual living alien being we finally glimpse is an anticlimax, a batlike, bug-eyed monster, confirming the wisdom of Kubrick and Clarke in deliberately showing no aliens in "2001").

The human characters are disappointingly one-dimensional. Cruise's character is given a smidgen of humanity (he's an immature, divorced hotshot who has custody of the kids for the weekend) and then he wanders out with his neighbors to witness strange portents in the sky, and the movie becomes a story about grabbing and running and ducking and hiding and trying to fight back.

There are scenes in which poor Dakota Fanning , as his daughter, has to be lost or menaced, and then scenes in which she is found or saved, all with much desperate shouting. A scene where an alien tentacle explores a ruined basement where they're hiding is a mirror of a better scene in " Jurassic Park " where characters hide from a curious raptor.

The thing is, we never believe the tripods and their invasion are practical. How did these vast metal machines lie undetected for so long beneath the streets of a city honeycombed with subway tunnels, sewers, water and power lines, and foundations? And why didn't a civilization with the physical science to build and deploy the tripods a million years ago not do a little more research about conditions on the planet before sending its invasion force? It's a war of the worlds, all right -- but at a molecular, not a planetary level.

All of this is just a way of leading up to the gut reaction I had all through the film: I do not like the tripods. I do not like the way they look, the way they are employed, the way they attack, the way they are vulnerable or the reasons they are here. A planet that harbors intelligent and subtle ideas for science fiction movies is invaded in this film by an ungainly Erector set.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Film credits.

War of the Worlds (2005)

Rated PG-13 for frightening sequences of sci-fi violence and disturbing images

116 minutes

Miranda Otto as Mary Ann

Tom Cruise as Ray Ferrier

Justin Chatwin as Robbie

Tim Robbins as Harlan Ogilvy

Dakota Fanning as Rachel

Based on the novel by

• David Koepp
• Josh Friedman

Directed by

• Steven Spielberg

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Tom Cruise Is Remaking A Wild Clint Eastwood Action Thriller | GIANT FREAKIN ROBOT

A few months ago the trades announced that Tom Cruise signed a strategic partnership with Warner Bros. to develop and produce original and franchise theatricals for Cruise to star in. At the time, what exactly he was planning to develop remained unknown.

Now GIANT FREAKIN ROBOT can exclusively report that one of those movies will be a remake of the 1977 Clint Eastwood action thriller The Gauntlet . Tom Cruise will take over the role originally played by Eastwood in the movie, that of alcoholic Detective Ben Shockley.

The original version of The Gauntlet was also directed by Clint Eastwood, but our source tells us Christopher McQuarrie will direct the Tom Cruise version. Tom Cruise will, of course, produce as part of his new deal with Warners.

McQuarrie has become Tom Cruise's go-to director over the years. He directed Tom Cruise on movies like Jack Reacher and three Mission: Impossible (soon four) movies. Now Christopher McQuarrie is working with Cruise on The Gauntlet .

This information comes from the same proven source that has broken several other, now confirmed , WB-related stories for us. GIANT FREAKIN ROBOT ‘s editorial policy prohibits me from printing stories submitted by sources without a proven track record.

The Gauntlet is not one of Eastwood's better-known projects. It received mixed to favorable reviews on its release. The story involves a detective ordered to escort a prostitute to a trial, where she's expected to testify against the mob.

As you'd expect, things don't go well, and Detective Shockley ends up under attack and on the run. The movie's filled with some pretty big action set pieces, including high-speed pursuits with helicopters and motorcycles. There's even a road warrior-style chase in a hastily armored bus. It's easy to imagine Tom Cruise turning that into one of his stunt-laden action flicks, only with perhaps a grittier twist than what we've come to expect from him in the Mission: Impossible films.

GIANT FREAKIN ROBOT

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10 Best Michael Mann Movies, Ranked

From Heat to The Last of the Mohicans, Michael Mann has directed some of the most memorable films of all time.

Over the past ten years, legendary director Michael Mann has dramatically reduced his filmmaking output. He's only made two films since 2010: Blackhat in 2015 and Ferrari in 2023. Now that he's nearly 81 years old, letting up on the gas is only natural, especially considering how visually distinctive and rigorously researched every Michael Mann film has been.

While some critics would assert that Michael Mann's filmography is hit-and-miss, one thing is abundantly clear. Each one of Mann's movies is irrepressible, with brooding characters who only slow down to occasionally stare into the depths of a cool blue ocean before ramping back up to engage in an energetic action sequence designed to get an audience's blood pumping.

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10 ali was almost a knockout.

One of the few times Michael Mann may have bitten off more than he could chew was in Ali , the ambitious boxing biopic that chronicled the life of the most famous boxer of all time, Muhammad Ali. Remembered best as one of Will Smith's finest big-screen performances, he and Michael Mann reportedly spent countless hours studying Ali's fighting style and interviews. As such, Ali feels incredibly accurate.

The first hour of Ali is the most engaging, embracing all the heroics, controversy, and flaws that make up a man as mythological as Muhammad Ali. Michael Mann masterfully balances the sanctioned in-ring violence with the chaos that unfolded in Ali's personal life after he took a stance on the Vietnam War. Ali was a graceful film that floated like a butterfly. Unfortunately, it wasn't powerful enough to sting like a bee.

*Availability in US

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A biography of sports legend Muhammad Ali, focusing on his triumphs and controversies between 1964 and 1974.

9 Public Enemies Sees Michael Mann Retread Old Themes

When released in 2009, Public Enemies featured two of Hollywood's most in-demand leading men, Johnny Depp and Christian Bale. This duo plays bank robber John Dillinger and FBI agent Melvin Purvis, respectively, showcasing the story of the man tasked with bringing America's most prominent public enemy to justice. While this sounds like a surefire formula for success, the problem was that these two dynamic actors barely shared any screen time.

What sets Public Enemies apart from other films in Michael Mann's oeuvre is how it blends his two favorite genres: the gangster movie and the biopic. However, combining history with the digital clarity of gangster shootouts should have resulted in more fun. With its focus on good versus bad distilled into the essence of two distinct characters, Public Enemies was a story that Michal Mann had told many times before.

Public Enemies

8 the keep was clearly outside of michael mann's comfort zone.

The Keep was the only horror film Michael Mann has ever directed; unfortunately, it was also wildly compromised. While the film's production design and special effects are incredibly realized, the rest of the movie falls apart under scrutiny. The plot, which follows a group of Nazis awakening an ancient spirit, is mysterious, the dialog is next to impossible to decipher, and the vibes, atmospheric as they are, can only do so much of the heavy lifting.

That said, The Keep strikes an impressively distinct mood that sticks with an audience long after it's over. Aided by a classic Tangerine Dream score, the film is an exciting failure, even in its 96-minute form (cut down from Mann's original 210- and 120-minute versions). Today, The Keep is slowly growing a robust cult audience — so much so that a remake is apparently in the works. However, fans shouldn't expect Mann to be thrilled about that development since he disowned the film in 2009.

Nazis are forced to turn to a Jewish historian for help in battling the ancient demon they have inadvertently freed from its prison.

7 Miami Vice Was Ahead of Its Time

Perhaps no other movie in Michael Mann's canon has experienced a more significant increase in its reputation since its release than his film adaptation of Miami Vice . This version of the popular '80s television series was more complex, filthier, and much more abstract than its predecessor, subsisting on a formula of atmosphere, mood, and breath-taking Miami landscapes.

An early foray into the digital world of grainy pixels, Miami Vice's mise-en-scene was ominous and foreboding, walking the thin line between cheesiness and high-concept. Any other filmmaker would have failed to pull it off successfully, but the more audiences can stand back and look at this film removed from its quintessential 2000s style , the more apparent it is that a haunting, thrilling, and sexy movie is lingering just underneath the surface.

6 The Last of the Mohicans Became Michael Mann's Calling Card

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Michael Mann's most successful historical film was The Last of the Mohicans , which starred Daniel Day-Lewis as a white man raised by a Native American chieftain stuck in the middle of the French and Indian War. Typical of Mann, the romance between Day-Lewis' Nathaniel Hawkeye and Madeleine Stowe's Cora Munro is rather uninspired, while the action sequences are anything but.

Thanks in large part to its sensational, action-packed final stretch, The Last of the Mohicans' most significant accomplishment was how it broadened Michael Mann's cinematic perspective. Having previously spent most of his career in the world of television, The Last of the Mohicans was such a gigantic hit that Mann wouldn't return to the small screen for decades. In short, The Last of the Mohicans cemented Michael Mann's place as one of Hollywood's most famous filmmakers.

The Last of the Mohicans

Three trappers protect the daughters of a British Colonel in the midst of the French and Indian War.

5 Manhunter Crystalizes Michael Mann's One-of-a-Kind Aesthetic

Michael Mann was the first director to bring Hannibal Lecter to life in Manhunter , an adaptation of Thomas Harris's Red Dragon . Although received at the time with mixed reviews, Manhunter has seen a resurgence in critical appreciation thanks to its hyper-aesthetic allure, which is now much easier to digest than it was in the mid-80s. By combining deadly-serious stakes with some brooding dream-like imagery, Mann crafted a meticulous police procedural that perfectly encapsulates the harrowing emotional experience of being an FBI profiler tasked with bringing down serial killers.

In Manhunter, Michael Mann, aided by his cinematographer, Dante Spinotti, struck the perfect balance between the gritty aesthetic of a police investigation and the abstract, cerebral horror of the crimes on display. Much like how the film's central killer, Francis Dollarhyde, kills only to be seen, this film grows all the more impressive with each subsequent viewing.

4 Thief Is The Quintessential Michael Mann Film

Very few directors knock their first picture as far out of the park as Michael Mann did with Thief . Featuring a true-to-reality atmosphere, Thief is a hard-boiled thriller about a lone wolf safe cracker whose resolve to find a more respectable way of life is underscored poetically by Mann's choices. Shot in a rain-soaked Chicago, lit by neon signs, and scored by Tangerine Dream, Thief practically distills every one of Michal Mann's cinematic interests to their absolute essence.

Serving as our first real glimpse into Michael Mann's cinematic brain, Thief presents its audience with a thriving criminal underworld populated by character actors like James Caan and real-life cops (like Dennis Farina in his acting debut), shot in the cool blue hues and striking nightscapes that would soon become Mann's calling card. After Thief , Mann would refine his palette further, but it never felt as natural as it did here.

3 The Insider Is Michael Mann at his Most Cerebral

Based on the true story of a tobacco industry whistleblower, The Insider is a film that focuses on more than journalism. The movie is less concerned about getting the story right and more about simply getting it out in the first place. Starring Al Pacino as a producer on 60 Minutes who must go to great lengths to nail the tobacco industry with the help of ex-executive turned whistleblower Jeffrey Wigand, played by Russell Crowe, the Insider is a masterclass in both ambition and determination.

In his first-ever nonfiction narrative film, Michael Mann's surreal flourishes elevate what would otherwise have been a rote and dreary by-the-numbers procedural. Epic in scale and typically rigorously detailed, The Insider turns a battle against capitalism into one for the soul of America in a two-and-a-half-hour film that continually raises the stakes while remaining grounded enough to always feel prescient. Now's the time to rediscover this classic .

The Insider

Directed by Michael Mann, the film dramatizes the true story of a whistleblower in the tobacco industry. Al Pacino plays a seasoned journalist who teams up with a former tobacco executive, portrayed by Russell Crowe, to expose the harmful effects of smoking. The narrative delves into the personal and professional risks faced by those who dare to reveal the truth.

2 Collateral Unleashes Michael Mann's Creative Vision

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Collateral could have easily turned into a lesser Michael Mann picture. This pared-down thriller in which a meek cab driver must go one-on-one against a seemingly unshakable hitman could have come and gone without much fanfare had any other filmmaker directed it. Luckily, that wasn't the case. By casting Tom Cruise and tapping into his effortless psychotic intensity, then juxtaposing that with a panicked Jaime Fox, Mann constructed one of cinema's all-time great cat-and-mouse games.

Of course, Michael Mann's incredible stylistic flourishes set Collateral apart from other films in the genre. Highlighting a rarely-seen cross-section of Los Angeles that includes alleyways and subway trains, Mann breathtakingly shoots LA while working with a digital camera for the first time. The action scenes are among the absolute best of his career, and when compared to Mann's more intricately epic crime films, this story is more entertaining than any other.

A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles.

1 Heat Will Never Be Topped

Heat is, without a doubt, Michael Mann's undisputed masterpiece. Essentially a crime movie , Heat doesn't tell a story audiences haven't experienced before. Instead, it tells the best and most epic version of the classic cops-and-robbers tale on the most enormous scale imaginable. Spearheaded by Al Pacino and Robert DeNiro, delivering two of the finest performances of their lauded careers, Heat channels the dichotomy of the two characters at its center by crafting a story of revenge and justice throughout its expansive three-hour runtime.

Exploring the complicated dynamics between cops and robbers is not unique to Heat , but by implementing his trademarked surgical precision and attention to detail like never before (or since, for that matter), Michael Mann crafted the ultimate version of that story. With its haunting cinematography, moody score, incredible performances, and one of the greatest shootouts of all time as its central crisis, Michael Mann will never top Heat .

A group of high-end professional thieves start to feel the heat from the LAPD when they unknowingly leave a verbal clue at their latest heist.

‘Civil War’ Refuses To Surrender Domestic Box Office Crown to ‘Abigail'

'Abigail' is the third Dracula-adjacent under-performer in a row, after 'Renfield' and 'The Last Voyage of the Demeter'.

The Big Picture

• Civil War is one of A24's five biggest hits of all time, currently sitting at $44 million at the domestic box office.
• Abigail debuted with $10 million domestically in its debut weekend.
• The Ministry of Ungentlemanly Warfare punched up $9 million for its debut weekend.

Three movies — one a holdover hit and two new releases — fought a closely contested battle for the top spot at the domestic box office this weekend. A24’s dystopian thriller Civil War ended up narrowly out-performing Universal’s horror offering Abigail , and Lionsgate’s World War II spy comedy The Ministry of Ungentlemanly Warfare . Touted as A24’s first major box office play, Civil War set new records for the indie outfit in its debut week and has already emerged as one of the five biggest hits in the company’s history.

Directed by Matt Bettinelli-Olpin and Tyler Gillett — better known as Radio Silence — Abigail debuted with an estimated $10 million across its first three days of release, underperforming in a manner similar to fellow Universal release Monkey Man . Directed by Dev Patel , Monkey Man also opened to $10 million a couple of weeks ago, and has so far made around $20 million domestically. This is a worryingly low potential total for a Radio Silence film — the filmmaker duo is coming off of the two latest installments in the Scream franchise, which grossed a combined total of $190 million domestically. The silver lining here is the dependably strong critical reception that Abigail has earned — the movie currently sits at a “fresh” 83% score on the aggregator website Rotten Tomatoes .

Civil War grossed an estimated $11 million this weekend , taking its running domestic total to $44 million in 10 days, and overtaking Ari Aster ’s Hereditary to become A24’s fifth-biggest release of all time. Produced on a reported budget of $50 million, Civil War has earned mostly positive reviews but has proven to be divisive among audiences . The film follows a group of journalists on a cross-country road trip across a divided America in a vaguely defined future. Civil War also debuted in a handful of overseas markets this weekend, as it commences on its quest to become A24’s biggest-ever release.

Total Business This Weekend Failed to Crack the $70 Million Mark

The latest entry in writer-director Guy Ritchie ’s dazzlingly prolific mid-career period, The Ministry of Ungentlemanly Warfare debuted with an estimated $9 million . While also positively reviewed — the movie has a 73% RT rating and an A CinemaScore — The Ministry of Ungentlemanly Warfare cost a reported $60 million to produce, and is coming off of two consecutive under-performers by Ritchie. But none of this appears to have affected the filmmaker, who already has two new movies in different stages of production lined up. The Ministry of Ungentlemanly Warfare is also shaping up to be the second box office underperformer in a row for Henry Cavill , who last starred in former Ritchie collaborator Matthew Vaughn 's Argylle .

The third and fifth spots this weekend went to Godzilla x Kong: The New Empire and the latest Crunchyroll anime release, Spy x Family Code: White . While the monster mashup film added an estimated $9.5 million in its fourth weekend, taking its running domestic total to around $171 million and becoming the second-biggest MonsterVerse movie , Spy x Family Code grossed around $5 million domestically, having already made around $45 million in overseas markets.

Stay tuned to Collider for more updates and grab your tickets for Abigail below.

Abigail (2024)

After a group of criminals kidnap the ballerina daughter of a powerful underworld figure, they retreat to an isolated mansion, unaware that they're locked inside with no normal little girl.

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The Tomorrow War

A family man is drafted to fight in a future war where the fate of humanity relies on his ability to confront the past. A family man is drafted to fight in a future war where the fate of humanity relies on his ability to confront the past. A family man is drafted to fight in a future war where the fate of humanity relies on his ability to confront the past.

• Chris McKay
• Chris Pratt
• Yvonne Strahovski
• J.K. Simmons
• 4.1K User reviews
• 222 Critic reviews
• 45 Metascore
• 8 nominations

• Dan Forester

• Colonel Muri Forester

• James Forester

• Emmy Forester

• Young Muri Forester

• Major Greenwood

• (as Dave Maldonado)
• All cast & crew
• Production, box office & more at IMDbPro

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Did you know

• Trivia This film was made by Paramount Pictures for a theatrical release but due to the Covid-19 pandemic, Paramount sold the film to Amazon Prime Video for $200 million.
• Goofs The following goof was marked as incorrect: "The soldiers from 2051 come from a time when 99.99% of the human population is dead and the war is nearly lost. Nevertheless, the governments from the present devote tremendous resources to sending millions of drafted civilians to 2051 to die almost certain deaths. There is no discussion of using the knowledge from the future to fight the impending war differently and prevent human extinction. Only at the end does it seem to occur to anyone to send the toxin back in time to change the future." Reason for it being incorrect was said to be: "However, it is possible to develop the toxin only with a female specimen available, i.e. in the future, and it cannot be possible to bring her back in the present for studies." Still, this does not explain why no effort was taken in 2022 to use knowledge from 2051 to alter the course of history.

Dan Forester : If there's one thing that the world needs right now, it's scientists. We cannot stop innovating. That's how you solve a problem.

• Crazy credits Alien sounds can be heard at the end of the credits.
• Connections Featured in Beyond the Trailer: The Tomorrow War Trailer Reaction: Amazon 2021 Chris Pratt (2021)
• Soundtracks Christmas Wrapping Written by Chris Butler (as Christopher Butler) Performed by The Waitresses Courtesy of Republic Records Under License from Universal Music Enterprises

User reviews 4.1K

• paul_haakonsen
• Jul 27, 2021
• How long is The Tomorrow War? Powered by Alexa
• Is this movie related to Edge of Tomorrow?
• Is there any connection to "The Great Wall" movie?
• July 2, 2021 (United States)
• United States
• Cuộc Chiến Tương Lai
• Skydance Media
• Paramount Pictures
• New Republic Pictures
• See more company credits at IMDbPro
• $200,000,000 (estimated)
• $14,400,000

Technical specs

• Runtime 2 hours 18 minutes
• Dolby Atmos

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