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The List of Journey Albums in Order of Release Date

Sold over 80 million albums worldwide, including 48 million albums in the United States, Journey is one of the greatest rock and roll band of all time released 15 studio albums, five live albums, 11 compilation albums, and 51 singles since 1975.

Formed in San Francisco in 1973 by former members of Santana, Steve Miller Band, and Frumious Bandersnatch. Journey had their biggest commercial success between 1978 and 1987, when Steve Perry was lead vocalist; they released a series of hit songs, including “Don’t Stop Believin'” (1981). The epitome of all that is big, bold, and exhilarating about arena rock of the ‘70s and ‘80s, Journey’s “Don’t Stop Believin’” feels both iconic and indestructible. Journey had even more flash when they formed in 1973 as a jazz-rock showcase for ex-Santana guitarist Neal Schon and other musicians from Bay Area bands. Between “Lovin’, Touchin’, Squeezin’” in 1977 and their commercial peak with Escape and 1983’s Frontiers, Journey seemed unbeatable, thanks to Perry’s precise vocals and Schon’s guitar heroics. Journey enjoyed a successful reunion in the mid-1990s and have since regrouped twice; first with Steve Augeri from 1998 to 2006, then with Arnel Pineda from 2007 to the present. Originally a progressive rock band, Journey was described by AllMusic as having cemented a reputation as “one of America’s most beloved (and sometimes hated) commercial rock/pop bands” by 1978, when they redefined their sound by embracing pop arrangements on their fourth album, Infinity. The band currently consists of guitarist/vocalist Neal Schon (the only constant original member), keyboardists/vocalists Jonathan Cain and Jason Derlatka, drummer/vocalist Deen Castronovo, and lead vocalist Arnel Pineda. So, if you are a die heart fan of Journey Albums then check out here we have list of Journey albums in order of release so far.

Journey Albums Available on: Apple Music

All Journey Studio Albums in Order of Release Date

1. journey (1975).

Journey’s self-titled album, released in 1975, marked the band’s debut in the music scene. This iconic record showcased the band’s early sound, blending elements of progressive rock and jazz fusion with a touch of hard rock. The album features a collection of ten tracks that beautifully exhibit the musicianship and songwriting prowess of the band members.

From the energetic and catchy “Of a Lifetime” to the intricate and melodic “Kohoutek,” Journey’s self-titled album takes listeners on a captivating musical journey. The standout tracks include the emotionally charged ballad “Lights” and the epic closer “To Play Some Music,” which showcases the band’s instrumental virtuosity.

With powerful vocals by Gregg Rolie, mesmerizing guitar work by Neal Schon, and solid rhythm section contributions from Ross Valory and Aynsley Dunbar, Journey’s debut album laid the foundation for their subsequent success. It’s a remarkable album that captures the essence of the band’s early sound and sets the stage for their evolution into one of the most influential rock bands of the late 1970s and 1980s.

2. Look into the Future (1976)

“Look into the Future” is the sophomore studio album released by the American rock band Journey in 1976. With this album, Journey further solidified their sound, showcasing their evolving musical prowess and innovative songwriting.

The album features a dynamic blend of progressive rock and hard rock elements, creating a distinctive sonic landscape. “Look into the Future” encompasses intricate guitar work by Neal Schon, soulful vocals by Gregg Rolie, and the powerful rhythm section of Ross Valory on bass and Aynsley Dunbar on drums.

The tracks on the album exhibit a range of emotions, from the introspective and atmospheric title track “Look into the Future” to the energetic and riff-driven “On a Saturday Nite.” Other standout songs include the hauntingly melodic “Midnight Dreamer” and the epic and ambitious “I’m Gonna Leave You.”

“Look into the Future” showcases Journey’s artistic growth and sets the foundation for their subsequent successes. It remains a testament to the band’s musical vision and serves as a vital chapter in their discography, capturing the essence of their early years and foreshadowing their future triumphs in the world of rock music.

3. Next (1977)

“Next” is the seventh studio album released by the American rock band Journey in 1977. This album marked a transitional period for the band as they shifted towards a more progressive and jazz-influenced sound. The album features a blend of melodic rock tracks and instrumental pieces, showcasing the band’s musical versatility and technical prowess. Songs like “Spaceman” and “Nickel and Dime” highlight the band’s signature catchy hooks and harmonies, while tracks like “Karma” and “I Would Find You” delve into more complex musical arrangements and exploratory solos. “Next” showcases the evolving songwriting skills of the band’s members, particularly guitarist Neal Schon and keyboardist Gregg Rolie. With its diverse range of musical styles and solid performances, “Next” laid the groundwork for the band’s subsequent success in the 1980s.

4. Infinity (1978)

Journey’s album “Infinity,” released in 1978, marks a pivotal point in the band’s career. This record showcased a shift in their musical style, transitioning from a progressive rock sound to a more accessible and radio-friendly approach. “Infinity” introduced Steve Perry as the new lead vocalist, adding a dynamic and powerful element to the band’s sound.

The album features some of Journey’s most iconic tracks, including the chart-topping hit “Wheel in the Sky” and the anthemic “Lights.” “Infinity” captures the essence of late ’70s rock, blending melodic hooks, catchy guitar riffs, and soaring vocal harmonies. The album’s production is polished, highlighting each instrument’s contribution and emphasizing the band’s tight musicianship.

With “Infinity,” Journey began their journey (pun intended) toward becoming one of the most successful rock bands of the ’80s. This album laid the foundation for their future releases and set the stage for their signature sound, characterized by Perry’s distinct vocals and the band’s ability to craft unforgettable melodic rock songs.

5. Evolution (1979)

Evolution, released in 1979, marks a significant milestone in the musical journey of the iconic American rock band, Journey. This album showcases the band’s evolving sound, blending elements of hard rock, progressive rock, and pop sensibilities into a cohesive musical experience. Evolution captures Journey’s transition from their earlier progressive rock sound to a more radio-friendly style that would define their subsequent success.

The album’s standout tracks, such as “Lovin’, Touchin’, Squeezin'” and “Just the Same Way,” demonstrate the band’s ability to craft infectious melodies and memorable hooks while maintaining their signature guitar-driven sound. With Evolution, Journey strikes a perfect balance between melodic rock anthems and introspective ballads like “Patiently” and “Don’t Stop Believin’,” which would become an enduring rock classic.

This album showcases the band’s musical prowess and the distinct vocal talents of Steve Perry, establishing Journey as a force to be reckoned with in the rock music landscape. Evolution acts as a stepping stone, paving the way for the band’s monumental success in the following decade, making it an essential chapter in their musical evolution.

6. Departure (1980)

Journey’s album “Departure,” released in 1980, marked a significant turning point in the band’s sound and showcased their evolving musicality. This album captured Journey’s transition from their progressive rock roots towards a more accessible, melodic rock sound that would later define their success. The album features the powerful and dynamic vocals of Steve Perry, complemented by Neal Schon’s mesmerizing guitar solos and the tight rhythm section of Ross Valory on bass and Steve Smith on drums. Standout tracks such as “Any Way You Want It” and “Where Were You” exemplify the band’s ability to craft catchy hooks and anthemic choruses. With its polished production and infectious energy, “Departure” solidified Journey’s place in the mainstream rock scene and set the stage for their subsequent commercial triumphs in the 1980s.

7. Dream, After Dream (1980)

“Dream, After Dream” is a captivating musical journey released by the progressive rock band Journey in 1980. Serving as the soundtrack for the Japanese film of the same name, this album showcases the band’s versatility and artistry. With its atmospheric soundscapes and intricate compositions, “Dream, After Dream” takes listeners on a mesmerizing adventure through various musical landscapes.

The album features a fusion of progressive rock elements and melodic hooks, highlighted by Neal Schon’s masterful guitar work and Gregg Rolie’s soulful keyboards. Songs like “Destiny” and “Sandcastles” exude a sense of ethereal beauty, while tracks like “Little Girl” and “Silent Dream” exhibit the band’s ability to create poignant and emotive ballads.

“Dream, After Dream” is a testament to Journey’s ability to push boundaries and experiment with their sound, all while maintaining their signature blend of rock and melodic sensibilities. It stands as a hidden gem in the band’s discography, showcasing their musical prowess and creativity beyond their more well-known hits.

8. Escape (1981)

Journey’s “Escape,” released in 1981, is a quintessential rock album that captivated audiences with its energetic and melodic sound. The band’s seventh studio album marked a significant turning point in their career, propelling them to the height of their popularity. Packed with anthemic hits and memorable hooks, “Escape” showcases Journey’s mastery of catchy rock tunes. The album features timeless tracks like “Don’t Stop Believin’,” a stadium rock anthem that continues to resonate with listeners to this day. Other standout songs include the power ballad “Open Arms” and the driving rockers “Stone in Love” and “Who’s Crying Now.” With its polished production and strong songwriting, “Escape” solidified Journey’s status as one of the most influential bands of the era and remains a cherished album among rock enthusiasts.

9. Frontiers (1983)

Frontiers is the eighth studio album by the American rock band Journey, released in 1983. It marked a significant shift in the band’s sound, embracing a more polished and commercial approach. The album showcases Journey’s signature blend of melodic rock and arena-ready anthems, with a touch of pop sensibility. Frontiers features a collection of memorable tracks, including the chart-topping power ballad “Faithfully” and the energetic rockers “Separate Ways (Worlds Apart)” and “Stone in Love.” The album’s production is slick and polished, with the band’s trademark guitar work, soaring vocals, and keyboard-driven hooks taking center stage. Frontiers solidified Journey’s status as one of the premier rock bands of the ’80s, capturing the spirit of the era while delivering memorable and catchy songs that have stood the test of time.

10. Raised on Radio (1986)

“Raised on Radio” is the ninth studio album by the American rock band Journey, released in 1986. The album marked a significant transition for the band, as it was their first release without their original lead vocalist Steve Perry. Instead, keyboardist Jonathan Cain and guitarist Neal Schon took over the majority of the lead vocal duties.

“Raised on Radio” showcased a more radio-friendly sound, incorporating elements of pop and AOR (album-oriented rock). The album spawned several hit singles, including “Be Good to Yourself,” “I’ll Be Alright Without You,” and “Girl Can’t Help It,” which all received substantial airplay on rock and pop radio stations.

Despite the changes in lineup and musical direction, Journey maintained their signature melodic rock sound on “Raised on Radio.” The album features strong hooks, soaring guitar solos, and Cain’s prominent keyboard work. While it received mixed reviews upon its release, “Raised on Radio” remains a memorable chapter in Journey’s discography, showcasing their ability to adapt to the evolving music scene of the 1980s.

11. Trial by Fire (1996)

“Trial by Fire” is the ninth studio album by the American rock band Journey, released in 1996. It marked the band’s first studio release in ten years, following a lengthy hiatus. This album was highly anticipated by fans, as it saw the return of lead vocalist Steve Perry after his departure from the band.

“Trial by Fire” showcases Journey’s signature melodic rock sound, blending powerful guitar riffs with Perry’s soaring vocals. The album features a mix of anthemic rockers and heartfelt ballads, capturing the band’s ability to create both energetic and emotionally resonant music.

Notable tracks from the album include the chart-topping ballad “When You Love a Woman” and the uplifting rock anthem “Message of Love.” With its polished production and memorable hooks, “Trial by Fire” reaffirmed Journey’s status as one of the premier rock bands of the era.

Overall, “Trial by Fire” stands as a triumphant comeback for Journey, showcasing their enduring talent and ability to create captivating rock music that resonates with audiences.

12. Arrival (2001)

Arrival, released in 2001, is an extraordinary album by the Swedish rock band Journey. It marked a significant comeback for the group after a lengthy hiatus, showcasing their timeless sound and remarkable musicality. The album seamlessly blends melodic rock with elements of AOR and progressive rock, creating a captivating and immersive experience for listeners. Each track on Arrival is a testament to Journey’s exceptional musicianship, with soaring guitar solos, intricate keyboard arrangements, and the iconic vocals of lead singer Steve Perry. From the anthemic opener “Higher Place” to the heartfelt balladry of “All the Way,” Arrival demonstrates the band’s ability to craft memorable hooks and emotionally resonant lyrics. It is a triumphant return that solidified Journey’s status as one of the greatest rock bands of all time and continues to captivate fans around the world.

13. Generations (2005)

Journey’s album “Generations,” released in 2005, marked a significant milestone in the band’s discography. This album showcased the seamless transition from the iconic Steve Perry era to the talented vocalist Jeff Scott Soto. “Generations” is an exceptional blend of classic rock and contemporary elements that captures the essence of Journey’s timeless sound.

The album boasts powerful anthems like “Faith in the Heartland” and “The Place in Your Heart,” which are reminiscent of the band’s signature melodic rock style. Tracks like “Never Too Late” and “Where Did I Lose Your Love” showcase the band’s ability to craft emotionally charged ballads that tug at the heartstrings.

With “Generations,” Journey managed to bridge the gap between their rich musical heritage and a fresh, revitalized sound. The album is a testament to the band’s resilience and enduring musical prowess, solidifying their status as one of the most influential rock acts of all time.

14. Revelation (2008)

Revelation is the eleventh studio album by the legendary rock band Journey, released in 2008. The album marked a significant moment in the band’s discography as it was their first release with lead vocalist Arnel Pineda, who joined the group in 2007.

Revelation showcases Journey’s signature sound of melodic rock fused with soaring guitar solos and powerful vocals. The album features a mix of new original tracks as well as re-recorded versions of some of their classic hits, including “Don’t Stop Believin'” and “Wheel in the Sky.” Pineda’s vocal range and energy bring a fresh dynamic to the band’s music, breathing new life into their beloved songs.

With its well-crafted compositions and memorable hooks, Revelation captures the essence of Journey’s timeless appeal while also embracing a contemporary sound. The album received critical acclaim and resonated with both longtime fans and new listeners, solidifying Journey’s enduring legacy as one of rock music’s most influential acts.

15. Eclipse (2011)

Eclipse, released in 2011, is a captivating musical journey that showcases the immense talent and versatility of the Swedish rock band, Journey. With this album, Journey takes listeners on a sonic adventure filled with powerful anthems and heartfelt ballads. The album is a seamless blend of melodic rock, pulsating rhythms, and captivating guitar solos.

Eclipse introduces a new chapter in the band’s musical evolution, as they explore deeper and darker themes while staying true to their signature sound. The lyrics touch upon introspective topics such as personal struggles, love, and self-discovery. The album’s production is polished and refined, highlighting the band’s impeccable musicianship and Steve Perry’s iconic vocals.

Eclipse boasts a collection of standout tracks, including the adrenaline-fueled “City of Hope,” the hauntingly beautiful “Human Feel,” and the epic anthem “Edge of the Moment.” Each song carries a distinct energy, showcasing the band’s ability to craft memorable melodies and deliver them with passion and precision.

Overall, Eclipse is a testament to Journey’s enduring legacy as one of the greatest rock bands of all time. It’s a remarkable album that resonates with fans, old and new, and solidifies the band’s ability to create timeless music that transcends generations.

16. Freedom (2022)

“Freedom” is a captivating musical journey that emerged from the depths of 2022. This album, created by an enigmatic artist, unveils a unique blend of introspection and liberation, entwined with captivating melodies and thought-provoking lyrics. The tracks oscillate between moments of vulnerability and empowering resilience, inviting listeners to embark on an emotional expedition.

Each song in “Freedom” carries its distinct essence, painting a vivid picture of the artist’s evolution and growth. From the opening notes, the album takes hold of your senses, transporting you to a realm where constraints dissolve, and limitless possibilities abound. The lyrics explore themes of self-discovery, breaking free from societal expectations, and embracing personal truths.

Throughout this musical odyssey, the artist’s dynamic vocals and masterful instrumentation serve as guides, leading the listener through peaks of exhilaration and valleys of introspection. “Freedom” is not just an album; it’s an embodiment of the human spirit’s quest for emancipation, reminding us that our journeys to liberation are as unique as the melodies that resonate within us.

How many albums does Journey have?

American rock band Journey has released FIFTEEN studio albums, FIVE live albums, ELEVEN compilation albums, and FIFTY-ONE singles since 1975.

List of Journey Albums in Order of Release Date

Here is the list of Journey Album in Order of Release Date:

Studio albums:

1. Journey — April 1, 1975

2. Look into the Future — January 1, 1976

3. Next — February 1977

4. Infinity — January 20, 1978

5. Evolution — March 23, 1979

6. Departure — February 29, 1980

7 . Dream, After Dream — December 10, 1980

8. Escape — July 17, 1981

9. Frontiers — February 22, 1983

10. Raised on Radio — April 21, 1986

11. Trial by Fire — October 22, 1996

12. Arrival — December 1, 2000

13. Generations — August 29, 2005

14. Revelation — June 3, 2008

15. Eclipse — May 24, 2011

16. Freedom — July 8, 2022

Live albums:

1. Captured — January 30, 1981

2. Greatest Hits Live — March 24, 199

3. Live in Houston 1981: The Escape Tour — November 2005

4. Escape & Frontiers Live in Japan — March 29, 2019

5. Live in Concert at Lollapalooza — December 9, 2022

Compilation albums:

1. In the Beginning — November 1979

2. Star-Box — August 26, 1988

3. Greatest Hits — November 11, 1988

4. The Ballade — 1991

5. Time 3 — December 1, 1992

6. The Journey Continues — March 6, 2001

7. The Essential Journey — October 16, 2001

8. Open Arms: Greatest Hits — May 19, 2004

9. Don’t Stop Believin’: The Best of Journey — October 12, 2009

10. Greatest Hits 2 — November 1, 2011

11. Greatest Hits I & II — 2011

Soundtracks:

1. Dream, After Dream — December 10, 1980

Conclusion:

Journey’s conclusion is a testament to their legendary status. With albums like “Escape,” “Frontiers,” and “Raised on Radio,” the band solidified their place in rock history. Each album delivered unforgettable hits like “Don’t Stop Believin’,” “Separate Ways,” and “Wheel in the Sky,” showcasing their iconic sound and powerful lyrics. Journey’s journey may have come to an end, but their music continues to inspire and resonate with fans around the world.

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Journey's Freedom: a succession of songs that are the stuff of legend

The first journey album in more than a decade ticks all the right boxes – eventually.

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

Initial signs are not good. Journey ’s comeback album – their first for 11 years, since 2011’s Eclipse – comprises 15 tracks with a collective running time of more than an hour; that’s enough to test the patience of even the most browbeaten melodic-rock miserablist.

One’s initial reaction is that some judicious trimming should surely have been done. On the opening few tracks the band appear to be weighed down by their heritage, content to plough an uninspiring, not-quite-as-good-as- Don’t-Stop-Believin’ , balladic furrow.

But then things change – unequivocally for the better. Neal Schon has long raged against Journey’s perceived wimpiness, and when his steely six-string finally cuts loose on You Got The Best Of Me – a kinda punky version of Any Way You Want It (from 1980’s Departure ) – there’s no holding him, the band or the album back.

Journey have never rocked harder than on the raucous Come Away With Me (although Life Rolls On comes mighty close); the giant-sounding Let It Rain channels both ZZ Top and UFO ; towards the end of Holdin’ On , keyboard player Jonathan Cain goes stir crazy. Then there’s the spine-chilling United We Stand , with its prime-time, tear-muddied couplet: ‘ Love conquers all, even when darkness comes to call .’ Don’t it just. Because let us not forget: the hardest part of the night is the night.

So, yeah, forget about Freedom’s stumblesome beginning, and bid welcome to the stuff of legend: a succession of songs as peerless as the House Of Lords at chucking-out time. Props are due to singer Arnel Pineda, who has long banished the ghost of Steve Perry , together with returning bassist Randy Jackson and drummer Narada Michael ‘ I Shoulda Loved Ya ’ Walden. The rhythmists get to strut their funky stuff one time only, on the Hall & Oates-esque Still Believe In Love , otherwise it’s bish-bash business as usual.

Elsewhere, former (and now back in the line-up) Journey drummer Deen Castronovo crops up on vocals on the album’s most anomalous track, After Glow : sparse, ethereal, almost Enya-like. We conclude with seven-minute epic Beautiful As You Are , which begins in twee, tremulous fashion and then unexpectedly detonates, like a rogue UXB (the description ‘Journey play The Who ’s Won’t Get Fooled Again ’ comes remarkably close).

Ultimately, Freedom passes the Classic Rock AOR test with flying colours. Does it fly like an eagle, or does it pootle like a penguin? Emphatically the former. Rumours of Journey’s demise have been exaggerated. Don’t start bereavin’.

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Journey Albums Ranked

Journey is an American rock band that formed in San Francisco in 1973, composed of former members of Santana and Frumious Bandersnatch. The band has gone through several phases; its strongest commercial success occurred between 1978 and 1987 when Steve Perry was the lead vocalist. During that period, the band released a series of hit songs, including “Don’t Stop Believin'” (1981), which in 2009 became the top-selling track in iTunes history among songs not released in the 21st century. Its parent studio album, Escape, the band’s seventh and most successful, reached No. 1 on the Billboard 200 and yielded another of their most popular singles, “Open Arms”. Its 1983 follow-up album, Frontiers, was almost as successful in the United States, reaching No. 2 and spawning several successful singles; it broadened the band’s appeal in the United Kingdom, where it reached No. 6 on the UK Albums Chart. Journey enjoyed a successful reunion in the mid-1990s and later regrouped with a series of lead singers including Arnel Pineda as a lead since December 2007. According to the Recording Industry Association of America, Journey has sold 48 million albums in the U.S., making them the 25th best-selling band. Their worldwide sales have reached nearly 100 million records globally, making them one of the world’s best-selling bands of all time. A 2005 USA Today opinion poll named Journey the fifth-best U.S. rock band in history. Their songs have become arena rock staples and are still played on rock radio stations across the world. Journey ranks No. 96 on VH1’s 100 Greatest Artists of All Time. Here are all Journey’s albums ranked.

Don’t miss out one of the world’s best-selling bands, Journey. Click below and listen to the timeless songs from one of the world’s best rock bands.

8. Journey (1975)

“Journey’s self-titled 1975 debut album stands as a watershed in the annals of jazz fusion and progressive rock. Released before the rise of the Steve Perry reign, this highly eclectic presentation mixes melodic rock (with all vocals done by keyboardist Gregg Rolie) with almost futuristic instrumental pieces; the song “To Play Some Music” starts off as a simple, almost gospel-like song but then accelerates into a rapid voyage through space and time. “Kohoutek” is a driving hard instrumental track that’s both earthbound and cosmic; think of the British superhero comic Miracleman set to music. “Mystery Mountain,” the final track on the album, is a quasi-mystical, almost Biblical telling of the Earth’s creation as depicted in the Book of Genesis. Two more instrumentals of note are “Topaz” by rhythm guitarist George Tickner (in his only recorded appearance with Journey; he quit after the album’s release) and the more subdued “Conversations” by bassist Ross Valory; both showcase more of Journey’s early knack for jazz fusion/prog-rock improvisation, which didn’t sit well with Columbia Records. The lyrics for the tracks “Of A Lifetime,” “In The Morning Day,” and “In My Lonely Feeling” (mostly written by Gregg Rolie) reflect life on the road as a perpetual touring machine; these thoughts ultimately led to Rolie’s abrupt resignation from Journey in 1980 even as Steve Perry gained gradual creative control of the band, which in 1981 was completed by Gregg’s replacement, former Babys keyboardist Jonathan Cain.”

7. Trial by Fire (1996)

“I consider Trial by Fire their best album. The songwriting displayed a depth and maturity that the band had not shown before, Easy to Fall and the title track are Ballads but they’re not about relationships rather they’re about deep spiritual matters and are testaments to the underrated songwriting skills of Steve Perry, Neal Schon, and Jonathan Cain. Also on this album Journey was able to try new things without ever forgetting who they were, something even the best bands fail to do sometimes. Songs like One More and Colors of the Spirit are not typical Journey songs but they work because they still sound like Journey songs. Even the offbeat reggae style is hidden track Baby I’m a Leavin you work out. So in conclusion Trial by Fire is Journeys most well written and well performed album ever and it’s a shame Steve Perry didn’t stay in the band long enough to record a follow up. Not only was he a fantastic singer but he was a great songwriter and it’s no wonder people have said that the song writing hasn’t been as good since he left. Now, if you want an album that is wall to wall rockers then this probably isn’t for you but I recommend it to any Journey fan that simply appreciates truly good and worth while music.

6. Raised on Radio (1986)

“Looking back after 30 years, I’ve realized some things about ROR. The reason to buy this album is for Randy Jackson’s bass lines, Neal Schon’s guitar, and Steve Perry’s R&B treatment of these tunes. There are some great tunes here, but I can hear that the great session drummers had their tracks isolated, sampled, and then sequenced back into the mix. It’s really too bad that Steve Smith was fired during the production of this recording, because his tracks are perfect. To make clear: This album was mostly done in pre-production using sequencers (ask Jonathan Cain) and then these tracks were laid-down in the studio with a click track. (That’s fine. I use click tracks myself.) If you’ve bring in the drummer -after- you’ve laid-down the “rhythm section” you can’t blame him for drift if all your giving him is quarter-note clicks; you need quieter 16ths in there, too. But JC and SP probably didn’t know that. A great example of a Journey album that was done without a click track is Escape. Check out “Still the Ride and “Mother, Father” and at the end of each tune, say “…and they didn’t even use a click track…” Buy “Raised On Radio” for these tracks: “Once You Love Somebody” , “Suzanne” , and “Happy To Give” -you can thank me later.”

5. Departure (1980)

“This third album of Journey’s with Steve Perry at the helm continues the mastery of classic melodic rock that the band is famed for. This would be the last album before Greg Rolie is replaced by Jonathan Cain on keyboards, so it is the last we get to hear of certain classic rock influences. For sure, this is a rocking album but with a definite moodiness to it in spots. I could rave at length about every one of these tracks and how listening to them makes me feel. As much as I love the more popular Journey albums that are to follow this one, there is something about that classic sound that is special. This effort was the third straight winning effort with Steve Perry at the vocal helm in three years for the band at the time. Once again, the band struck gold in the classic and melodic rock arena.”

See more: The Killers Albums Ranked

4. Evolution (1979)

“Journey had found a successful formula on their previous album “Infinity” with the arrival of vocalist Steve Perry and an emphasis on shorter more commercial songs. “Evolution” could almost be considered “Infinity Part II” as it follows the same basic framework as it’s predecessor. “Evolution” blew the doors wide open for Journey selling a gazillion copies and making the band area sell out superstars. The one casualty of the band’s new direction was drummer Ansley Dunbar who quit prior to the albums recording. Jazz / Fusion great Steve Smith was brought in to occupy the drum seat and the band never missed a beat. As a whole I rank this album about the same as “Infinity”. I still really enjoy the few songs here where Perry and Rollie trade off lead vocals. This is especially effective on the track “Just The Same Way”. The big hit off the album “Lovin’ Touchin’ Squeezing” is probably my least favorite track on the disc. A few underrated gems include “Daydream”, “Sweet And Simple” and the opening track “Majestic / Too Late”. Journey would go on to make better albums, but this one launched them into the Stratosphere.”

3. Frontiers (1983)

“THIS IS MY FAVORITE ALBUM OF ALL TIME. Steve Perry with Jonathan Cain writing most of the songs made the album more credible than their previous work. Faithfully is by far my favorite song of all time. I can listen to it and I just fall apart and cry because Steve Perry sings it with such feeling you can feel the passion pouring out of him. Separate Ways, Send Her My Love, After the Fall, Troubled Child, Edge of the Blade and Rubicon are all my new favorites on this album. I love the bonus tracks especially Only the Young and Ask the Lonely. Steve Perry gives new meaning to the phrase LEGEND. That’s what he is with this album and his other album either solo or with Journey. He will be remembered that way forever with future generations to come. Journey without him is just another band but with him it is legendary.”

2. Infinity (1978)

“Infinity is almost too good. By the time we get to the end of track two and we hear the ending harmony line of “Feeling that way…….. ooh, anytime that you want me………”, that’s the clear signal this is Journey’s breakthrough album, and those seven seconds represent one of the signature moments frozen in rock for all time. It’s a pronouncement that you’re listening to grade A material which takes a back seat to no one. Pretty bold stuff for a fledgling band who hadn’t yet made a dent in the rock scene into its first three albums. What’s not to like on Infinity? One of the fifty CDs to take on a deserted island with you, because you’d obviously be able to fit that many in a suitcase.”

1.Escape (1981)

“The undoubted KING of all AOR albums and with this, we knew Journey had finally arrived!! Every track is solid gold. The combination of the stylish musicianship, Schon’s clever guitar work, and the best voice in rock ensure the delivery of the superb set of songs proved a winning formula. Perry just delivers through and through and when you listen to WHO’S CRYING NOW, STILL THEY RIDE and the Fabulous OPEN ARMS it still makes my heart stop it’s that good!..The rockers such as KEEP ON RUNNING and the timeless DONT STOP BELIEVING are so well put together it shows the tightness and diversity of this team of musicians superbly well. Tracks off this are still radio played today throughout the world. It was a piece of history in the making and a monster seller for Journey…Time has proved it to be a classic that can be enjoyed by anybody, anywhere and anytime…PURE MAGIC!!”

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The List of Journey Albums in Order of Release

by Ram · September 22, 2023

Journey Albums in Order: This iconic American rock band, emerged onto the music scene in 1973 in the vibrant city of San Francisco.

Journey, the iconic American rock band, emerged onto the music scene in 1973 in the vibrant city of San Francisco. Founded by former members of illustrious groups such as Santana, the Steve Miller Band, and Frumious Bandersnatch, the band has undergone various transformations over the years while maintaining its core spirit. As of 2021, the lineup featured the indomitable guitarist and vocalist Neal Schon, the longest-serving original member, as well as the talents of keyboardist, guitarist, and vocalist Jonathan Cain, keyboardist and vocalist Jason Derlatka, drummer and vocalist Deen Castronovo, bassist Todd Jensen, and lead vocalist Arnel Pineda.

Journey’s journey to musical stardom encompasses a remarkable timeline of success, with their pinnacle period spanning from 1978 to 1987 when Steve Perry assumed the role of lead vocalist. During this era, the band produced a string of chart-topping hits, including the timeless anthem “Don’t Stop Believin’,” which earned the distinction of becoming the top-selling track in iTunes history for songs not released in the 21st century. Their album “Escape” soared to number one on the Billboard 200, while “Frontiers” continued to captivate audiences in the United States and beyond. With numerous gold and platinum albums, record-breaking sales, and a reputation as one of America’s most influential rock/pop bands, Journey’s legacy is etched in the annals of music history.

Their enduring impact is celebrated globally, and their induction into the Rock and Roll Hall of Fame in 2017 solidified their place among the legends of rock. With a worldwide fan base and an enduring presence on rock radio, Journey’s melodies continue to resonate, ensuring their status as one of the world’s best-selling and most cherished bands of all time.So, if you are a die heart fan of Journey Albums then check out here we have list of Journey albums in order of release so far.

Journey Albums Available on: Apple Music

How many albums does Journey have?

The discography of American rock band Journey has released 15 studio albums, five live albums, 11 compilation albums, and 51 singles.

All Journey Albums in Order: Check Out The List of Journey Albums in Order of Release Here!

Journey — April 1, 1975
Look into the Future — January 1, 1976
Next — February 1977
Infinity — January 20, 1978
Evolution — March 23, 1979
Departure — February 29, 1980
Dream, After Dream — December 10, 1980
Escape — July 17, 1981
Frontiers — February 22, 1983
Raised on Radio — April 21, 1986
Trial by Fire — October 22, 1996
Arrival — December 1, 2000
Generations — August 29, 2005
Revelation — June 3, 2008
Eclipse — May 24, 2011
Freedom — July 8, 2022

Journey Band Albums List

1. journey (1975).

Of a Lifetime
In the Morning Day
To Play Some Music
In My Lonely Feeling / Conversations
Mystery Mountain

Released on April 1, 1975, “Journey” marked the debut studio album of the iconic American rock band Journey, distributed by Columbia Records. In contrast to their later works, this album embraced a jazzy progressive rock style, showcasing the band’s instrumental prowess. Notably, it featured rhythm guitarist George Tickner, a unique inclusion in their lineup. Prior to this release, Journey recorded a demo album, featuring the same songs but in a different order and with Prairie Prince as the drummer. Several unreleased tracks, including instrumental pieces and the original title track “Charge of the Light Brigade,” didn’t make the final cut of this foundational album.

2. Look into the Future (1976)

journey albums Look into the Future image

On a Saturday Nite
It’s All Too Much
She Makes Me (Feel Alright)
You’re on Your Own
Look into the Future
Midnight Dreamer
I’m Gonna Leave You

“Look into the Future,” Journey’s second studio album, marked a shift in the band’s musical direction upon its January 1976 release through Columbia Records. While tempering the overt progressiveness of their debut self-titled album, this sophomore effort still retained elements of experimentation, notably in tracks like the title song and “I’m Gonna Leave You.” The album also featured a cover of The Beatles’ “It’s All Too Much” from the Yellow Submarine film. “Look into the Future” stands out as the longest recorded Journey song. Notably, this album saw the departure of rhythm guitarist George Tickner, leaving behind a lineup that included Gregg Rolie, Neal Schon, Ross Valory, and Aynsley Dunbar.

3. Next (1977)

I Would Find You
Here We Are
Nickel and Dime

“Released in 1977, ‘Next’ stands as Journey’s third studio album, a continuation of their signature sound that melded elements from 1976’s ‘Look into the Future’ with traces of their earlier jazzy progressive rock style. Notably, ‘Next’ marked the end of an era, being the final album to showcase Gregg Rolie as the primary lead singer. The album’s single, ‘Spaceman’/’Nickel and Dime,’ was a notable release. Interestingly, an instrumental track titled ‘Cookie Duster’ was initially listed on early pressings but not included. ‘Next’ reached No. 85 on the Billboard 200 Albums chart and witnessed the beginnings of lead vocalist Robert Fleischman’s journey with the band, setting the stage for the group’s evolving musical direction.”

4. Infinity (1978)

Feeling That Way
Wheel in the Sky
Somethin’ to Hide
Winds of March
Opened the Door

“Infinity,” the fourth studio album by the renowned American rock band Journey, marked a pivotal moment in the group’s history. Released in January 1978 under Columbia Records, this album represented a significant transition for the band as it introduced the powerful vocals of Steve Perry, becoming their first album with him as the lead singer. Simultaneously, it marked the end of an era, being the final album to feature drummer Aynsley Dunbar. This milestone release showcased Journey’s evolving sound and set the stage for their future successes, laying the foundation for the iconic musical journey that lay ahead.

5. Evolution (1979)

Lovin’, Touchin’, Squeezin’
City of the Angels
When You’re Alone (It Ain’t Easy)
Sweet and Simple
Lovin’ You Is Easy
Just the Same Way
Do You Recall

“Evolution,” the fifth studio album by American rock band Journey, marked a significant turning point in their career. Released in March 1979 under Columbia Records, this album introduced drummer Steve Smith to the band’s lineup. “Evolution” proved to be their most successful album at the time, peaking at No. 20 on the US Billboard 200 chart and selling three million copies in the US. Produced by Roy Thomas Baker, known for his work with Queen, the album featured the hit “Lovin’, Touchin’, Squeezin’,” their first top 20 single, and “Just the Same Way,” which showcased both original lead vocalist Gregg Rolie and Steve Perry. With tracks like “Too Late,” “Evolution” pushed the boundaries of rock ballads, featuring Neal Schon’s impressive guitar work.

6. Departure (1980)

Any Way You Want It
Walks Like a Lady
Someday Soon
People and Places
Precious Time
Where Were You
I’m Cryin’
Line of Fire
Good Morning Girl
Stay Awhile
Homemade Love
Natural Thing
Little Girl

“Departure,” the sixth studio album by American rock band Journey, made its debut on February 29, 1980, under the Columbia Records label. This album marked a significant milestone for Journey as it became their first top 10 Billboard 200 album, reaching No. 8. Featuring the hit track “Any Way You Want It,” which also made it to the top 25 singles chart, “Departure” showcased a slightly edgier sound due to its unique “live in studio” recording approach. The album included three singles, with “Walks Like a Lady” and a medley of “Good Morning Girl” and “Stay Awhile” also making their mark on the charts.

Notably, this album marked the departure of founding member Gregg Rolie and paved the way for Jonathan Cain to join the band. In subsequent years, “Departure” underwent remastering and reissues to introduce bonus tracks for fans worldwide.

7. Dream, After Dream (1980)

Sandcastles
A Few Coins
When the Love Has Gone
Festival Dance

“Dream, After Dream,” the soundtrack album by American rock band Journey, accompanies the Japanese fantasy film “Yume, Yume No Ato,” directed by Kenzo Takada. Released in 1980 on Columbia Records, it marked the band’s seventh album and a significant departure from their hard rock sound, embracing their progressive rock roots. The album, with nine tracks, includes vocals on “Destiny,” “Sand Castles,” and “Little Girl,” the latter becoming the B-side of “Open Arms.” This soundtrack also holds historical significance as it was the last studio album featuring founding member Gregg Rolie. While the film remained relatively obscure, the album remains a unique chapter in Journey’s musical journey.

8. Escape (1981)

Don’t Stop Believin’
Stone in Love
Who’s Crying Now
Keep On Runnin’
Still They Ride
Lay It Down
Dead or Alive
Mother, Father

Escape, stylized as E5C4P3 on the album cover, marks the pinnacle of Journey’s musical journey. This seventh studio album, released on July 17, 1981, via Columbia Records, soared to the top of the American Billboard 200 chart. A true chart-topping sensation, Escape boasts an impressive quartet of Billboard Hot 100 singles, including the iconic anthem ‘Don’t Stop Believin’ (no. 9), ‘Who’s Crying Now’ (no. 4), ‘Still They Ride’ (no. 19), and the heartfelt ballad ‘Open Arms’ (no. 2). This rock masterpiece also gifted the airwaves with the enduring classic ‘Stone in Love.’ In July 2021, the RIAA certified it as diamond, solidifying its status as Journey’s most successful studio album and second most successful overall, following only behind their Greatest Hits compilation.

9. Frontiers (1983)

Separate Ways (Worlds Apart)
Send Her My Love
Chain Reaction
After the Fall
Edge of the Blade
Troubled Child

“Frontiers,” the eighth studio album by the American rock band Journey, was released on February 1, 1983, under Columbia Records. Notably, it marked the last appearance of bassist Ross Valory until 1996’s “Trial by Fire.” The album achieved great success, reaching No. 2 on the Billboard 200 chart and spawning four top 40 singles: “After the Fall” (No. 23), “Send Her My Love” (No. 23), “Faithfully” (No. 12), and “Separate Ways (Worlds Apart)” (No. 8). “Frontiers” was later certified six times platinum by the RIAA. Interestingly, the album’s tracklist underwent last-minute changes, with two songs replaced, one of which, “Only the Young,” gained popularity in the movie “Vision Quest.”

10. Raised on Radio (1986)

Girl Can’t Help It
Positive Touch
Be Good to Yourself
Once You Love Somebody
Happy to Give
Raised on Radio
I’ll Be Alright Without You
It Could Have Been You
The Eyes of a Woman
Why Can’t This Night Go on Forever

“Raised on Radio,” the ninth studio album by the American rock band Journey, made its debut in April 1986 under the Columbia Records label. This album marked a significant transition as it was the first without founding bassist Ross Valory, replaced initially by session bassist Bob Glaub and later by Randy Jackson. Drummer Steve Smith contributed to select tracks but was eventually replaced by session drummer Larrie Londin and later Mike Baird for the subsequent tour. The album was a commercial success, yielding three top 20 singles in the US, including “Girl Can’t Help It,” “I’ll Be Alright Without You,” and “Suzanne.” It reached No. 4 on the Billboard 200 chart and achieved double platinum certification in the USA.

11. Trial by Fire (1996)

Message of Love
When You Love a Woman
If He Should Break Your Heart
Forever in Blue
Castles Burning
Don’t Be Down on Me Baby
Still She Cries
Colors of the Spirit
When I Think of You
Easy to Fall
Can’t Tame the Lion
It’s Just the Rain
Trial by Fire
Baby I’m a Leavin’ You
I Can See It in Your Eyes

“Trial by Fire,” the tenth studio album by American rock band Journey, released on October 22, 1996, marked a significant reunion. It brought together the classic 1981–1985 lineup, which hadn’t recorded together since 1983’s “Frontiers.” Produced by Kevin Shirley, the album featured bassist Ross Valory and drummer Steve Smith, rejoining since “Frontiers” and marked the final collaboration with vocalist Steve Perry. Notable tracks include the Grammy-nominated hit “When You Love a Woman” and spiritually-inspired songs. Despite its success, it’s the only Journey album without a supporting tour, due to internal disputes and Perry’s hip injury. “Trial by Fire” reached No. 3 on the Billboard 200 and was certified platinum.

12. Arrival (2001)

Higher Place
All the Way
Signs of Life
All the Things
Loved by You
Livin’ to Do
World Gone Wild
I Got a Reason
With Your Love
Lifetime of Dreams
Live and Breathe
Nothin’ Comes Close
To Be Alive Again
Kiss Me Softly
We Will Meet Again

“Arrival,” the eleventh studio album by the iconic American rock band Journey, made its debut on April 3, 2001, following a Japanese release in 2000 with one substituted song. This record marked a significant transition for the band, as it introduced new lead vocalist Steve Augeri, taking the reins from the beloved Steve Perry, and featured Deen Castronovo as the new drummer, succeeding Steve Smith. “Arrival” showcased a blend of hard rock influences reminiscent of the band’s ’70s and ’80s material, alongside signature ballads akin to Perry’s style. While commercially successful, peaking at #12 on Billboard’s Top Internet Albums chart, the album garnered mixed critical reviews, with praise for Neal Schon’s guitar work but criticism for its formulaic elements.

13. Generations (2005)

Faith in the Heartland
The Place in Your Heart
A Better Life
Every Generation
Butterfly (She Flies Alone)
Knowing That You Love Me
Out of Harms Way
In Self-Defense
Better Together
Beyond the Clouds
Never Too Late
Pride of the Family

“Generations,” the twelfth studio album by iconic American rock band Journey, marked the end of an era with lead singer Steve Augeri. Released in 2005 on Sanctuary Records, it solidified the line-up that had debuted in 2000’s “Arrival” and continued with 2002’s “Red 13 EP,” featuring Deen Castronovo on drums. A distinctive feature of this album was that all band members shared lead vocal duties, driven by Augeri’s vocal fatigue. Critical reception was mixed, with praise for Augeri’s performance and the band’s diverse musical direction, but uncertainty about the vocal-sharing decision. The album peaked at No. 170 on the Billboard 200 chart, and Augeri left the band during the 2006 tour due to a throat infection, marking the end of an era for Journey’s sound.

14. Revelation (2008)

Never Walk Away
Like a Sunshower
Change for the Better
Wildest Dream
After All These Years
Where Did I Lose Your Love
What I Needed
What It Takes to Win
Turn Down the World Tonight
The Journey (Revelation)
Let It Take You Back

“Revelation,” the thirteenth studio album by American rock band Journey, marked a significant chapter in the band’s history as their first featuring lead singer Arnel Pineda. The album boasted 11 new songs and 11 re-recorded greatest hits, all showcasing Pineda’s vocal prowess. Additionally, the North American version included a DVD capturing the band’s energetic March 8, 2008 concert in Las Vegas. Notable singles like “Never Walk Away,” “Where Did I Lose Your Love,” and “After All These Years,” penned by Neal Schon and Jonathan Cain, found success on the adult contemporary charts. The album received positive reviews, lauding Pineda’s vocals and the band’s return to form. A bonus track, “Let It Take You Back,” was included in the European release.

15. Eclipse (2011)

City of Hope
Edge of the Moment
Chain of Love
Anything Is Possible
She’s a Mystery
To Whom It May Concern

Eclipse (stylized as ECL1P53) marks the fourteenth studio album by the iconic American rock band Journey and the second featuring lead singer Arnel Pineda. Released on various dates worldwide in 2011, with the United States and Canada receiving it on May 24, followed by Japan on May 27, the United Kingdom on May 30, and the international release on June 3, this album showcases the songwriting prowess of Neal Schon and Jonathan Cain, with contributions from Pineda. Notably, it stands as the final album with bassist Ross Valory, who departed the group in 2020. ‘Eclipse’ adds another chapter to Journey’s enduring musical legacy.

16. Freedom (2022)

Together We Run
Don’t Give Up on Us
Still Believe in Love
You Got the Best of Me
Live to Love Again
The Way We Used to Be
Come Away with Me
Let It Rain
Holdin’ On
All Day, All Night
Don’t Go
United We Stand
Life Rolls On
Beautiful as You Are

“Freedom,” the fifteenth studio album by the iconic American rock band Journey, made its debut on July 8, 2022, under the labels BMG Rights Management and Frontiers Records. Marking a significant change, it stands as the band’s second album without founding bassist Ross Valory, replaced by Randy Jackson, who last appeared on “Raised on Radio” in 1986. Boasting fifteen tracks and a runtime of an impressive one hour and thirteen minutes, it secures the title of Journey’s lengthiest album, excluding compilation records. While lauded for performances and musicianship, the album garnered mixed critical reviews, with attention drawn to production, mixing, and its extended duration.

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The Best Song From Every Journey Album

The history of Journey is typically told through the prism of three principal eras, each relating to their frontmen .

Gregg Rolie was the co-founding first singer, featured on a trio of early albums including their self-titled 1975 debut, 1976's Look into the Future and 1977's Next . Journey's most popular period featured successor Steve Perry , who helmed blockbusters like 1981's Escape and 1983's Frontiers . Then, there's modern-day singer Arnel Pineda , who helped Journey back to platinum status on 2008's Revelation .

As you'll see on this ranking of the Best Song From Every Journey Album, however, there's more to the story. Robert Fleischman played a small, but important role in the band's transition from fusion rock toward more pop-friendly sounds. Perry and Rolie shared the mic for three albums – 1978's Infinity , 1979's Evolution and 1980's Departure – as Journey found their commercial footing. And the band also had a too-often-forgotten era with Steve Augeri, who sang on 2001's Arrival and 2005's Generations .

Those albums didn't meet sales expectations, and Augeri soon exited – but not before making some important contributions. Pineda, meanwhile, kept things going with 2011's Eclipse , which marked the band's second-straight Top 20 hit – and their eighth total, including a run of five in a row between 1980 and 1996 where no album finished lower than No. 8.

Let's go inside these best-selling studio projects in search of the most memorable moments from every time period. Singers may come, and singers most certainly may go, but some things remain. Namely, the Best Song From Every Journey Album ...

Gallery Credit: Nick DeRiso

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Journey Albums

Journey albums start off way different than where they end. The self-titled Journey album is missing that iconic voice of Steve Perry. Strangely enough, the last album they released is also missing Steve. The band Journey goes from Progressive Rock to Arena Rock over the years, and seems to finish as a touring rock group playing the greatest hits.

Let’s take a quick look in chronological order.

If I randomly played this album for you, you might not have a clue that it is Journey. There are elements that sound similar to the sound in Infinity , but nothing sounds similar to Escape or later albums. I like progressive rock and/or jam-band style, so I still give these songs favorable ranks.

Album Score: 42.86%

Best Song on the Album: “Of a Lifetime” ****
Worst Song on the Album: “Kohoutek” ***

Look Into The Future

This album is a little of the same and similar to their self-titled debut album. The score is a little lower based on the number of tracks and 4-start songs. “On a Saturday Nite” seems like it could have been a single hit (maybe?) but not much else would be on the greatest hit setlist.

Album Score: 25%

Best Song on the Album: “It’s All Too Much” ****
Worst Song on the Album: “Midnight Dreamer” ***

We are only one album away from the greatest – and there are some solid hits on this one. “Spaceman” is quality. The title track “Next” also rocks and seems like it could be an Infinity track. I also really enjoy “Here We Are” and it was in close contention for my favorite song on the album. The album is relatively short (38 minutes) and has more mediocre songs than great ones.

Album Score: 37.50%

Best Song on the Album: “Next” *****
Worst Song on the Album: “Hustler” ***

Don’t be alarmed but Infinity is in my top 3 All-Time albums. Not only do I own the vinyl (original from my father’s collection), I also have a cassette, and the CD. I listened to this album on my wedding day as I put on my tux and will likely listen to this album when I am on my death bed. This album is short (37 minutes), but doesn’t have a bad song on it. “Feeling That Way/Anytime” is so underrated and would easily be the best song on any album – if it wasn’t going head to head with “Lights” and “Wheel in the Sky”. Welcome, Steve to the band!

Album Score: 600.00%

Best Song on the Album: “Lights” *****
Worst Song on the Album: “Can Do” ****

If I realized that I was going to love Journey so much, I would have likely grabbed this album from my dad’s collection before it was sold off to a pawn shop. If this was my first introduction to Journey, I wouldn’t be mad about it. This album is full of hits and actually only drops in score because it had a few extra tracks (and they all can’t be fives). “Just the Same Way” is my sleeper song and should be my favorite – but how can you not pick “Lovin’, Touchin’ Squeezin'”?

Album Score: 500.00%

Best Song on the Album: “Lovin’, Touchin’, Squeezin'” *****
Worst Song on the Album: “City of the Angels” ****

Departure tends to dabble more with the ’80s sound that would transform the band. “Homemade Love” sounds like an arena rock song and a little less like my favorites on the previous albums. We still get gems like “People and Places” and “Stay Awhile” but there are a lot more 3-star and 4-star songs sprinkled in.

Album Score: 342.86%

Best Song on the Album: “Any Way You Want It” *****
Worst Song on the Album: “Homemade Love” ***

It’s fair to say Escape is the album that took Journey to the next level. “Don’t Stop Believin'” is still their anthem and is likely the #1 song in the minds of everyone. The entire album is chalked full of hits. “Stone in Love” should be my favorite, but I can’t go against my true feelings. This is the start of ballads that would transform the band, but also deliver the bank trucks to their mansions.

Best Song on the Album: “Don’t Stop Believin'” *****
Worst Song on the Album: “Dead or Alive” ****

Journey albums are getting longer and longer – Frontiers is an hour long. We see my first 2-star review, even though we are still getting some hits. “After the Fall”, “Faithfully”, “Ask the Lonely”, and the ultimate “Separate Ways” hold this album up. But you can also notice that we aren’t producing many of those progressive rock jams any longer.

Album Score: 321.43%

Best Song on the Album: “Separate Ways (Worlds Apart)” *****
Worst Song on the Album: “Back Talk” ****

Raised on Radio

Officially we are in arena rock territory. We’ve seen the best of their prog-rock, the best of the classic rock, and actually the best of the arena rock. This album has enough hits to keep it afloat, but it should be no surprise that the band wouldn’t put out another album for a decade. There weren’t really any true stinkers, but lots of so-so songs.

Album Score: 163.64%

Best Song on the Album: “Be Good to Yourself” *****
Worst Song on the Album: “Raised on Radio” ****

Trial By Fire

Here is likely my most Journey controversial take – I love this album. You can tell by the score, but I have some sentimental attachment and I also really like the songs (these feelings are likely linked). If we polled most Journey fans, they probably think this is a complete outlier. It’s the only original album made in the ’90s and has a different sound than everything else. Most of their songs get at least a one-star nostalgic bump in my mind, hence why such a great score.

Album Score: 375.00%

Best Song on the Album: “When You Love a Woman” *****
Worst Song on the Album: “I Can See It in Your Eyes” ***

Controversial take #2 – I also love this album. This actually was the relaunch of Journey and this iteration stayed around for a while. Steve Augeri was the lead man and the group had a more modern rock sound. It was still arena rock but was slightly different. There are several five-star songs that I know would get 4 or 3 from the common folk. That’s okay. This is my ranking – right?

Album Score: 373.33%

Best Song on the Album: “All the Way” *****
Worst Song on the Album: “All the Things” ***

I’m not even sure if this album counts, but I’m reviewing it. It appears this was an EP released and linked to Final Fantasy VII . I can’t say I am familiar with the exact game, but the music sounds as if it was made for a game…so I guess that’s good.

Album Score: 25.00%

Best Song on the Album: “I Can Breathe” *****
Worst Song on the Album: “The Time” ***

Generations

Generations was the album that I started to doubt and feel like it was over. I gave my first ever 1-star in this album. I also gave far too many 2-stars than I would like. I did enjoy a few tracks, but that’s probably only because I am an uber Journey fan. I’m glad they made an album, but it was a tough lesson to learn that not everything on albums is great.

Album Score: 38.46%

Best Song on the Album: “Butterfly (She Flies Alone)” ****
Worst Song on the Album: “Gone Crazy” *

Revelation was a double album, with one entire album being their classics. I only tracked the original album and was very pleased. Generations left a nasty taste in my mouth and with the addition of Arnel Pineda, it gave me faith. It also gave me Faith in the Heartland again? Super odd that they repeated a track from their last album. Guys, it wasn’t that great of a song. On the other hand, I loved “Like a Sunshower” and “After All These Years”. I must be a sappy lover.

Album Score: 245.45%

Best Song on the Album: “After All These Years” *****
Worst Song on the Album: “Wildest Dreams” ***

This 2011 album was their last original release (as of the writing) and it was okay. There are some songs that I appreciate, but I also understand that they have enough damn hits to play for their concerts. As always, they get a bump for being one of my favorites and I likely enjoy the songs a little more than the next guy. But I also understand why this was their last original album.

Album Score: 41.67%

Best Song on the Album: “To Whom It May Concern”
Worst Song on the Album: “Human Feel”

If you would like to learn more about Journey or read my summary of the band, check out Journey .

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Package Dimensions ‏ : ‎ 12.3 x 12.2 x 0.3 inches; 13.6 ounces
Manufacturer ‏ : ‎ COLUMBIA RECORDS
Date First Available ‏ : ‎ September 19, 2007
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ASIN ‏ : ‎ B000W63EAK
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Naming an album has got to be hard. This list of the best self-titled albums shows that at least a band or musician can use their name with an eponymous album if they can't think of anything else.

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Which of these self-titled albums are the best? Be sure to add any self-titled album we missed, but be sure it is actually an eponymous studio album or EP and not a compilation.

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Dr. Dog Returns With Self Titled New Album (First LP in 6 Years) Out July 19th

Photo Credit: Wyndham Garnett

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Dr. Dog today announced their self-titled new album—and first LP in six years—will be released on July 19th, 2024. They’ve also shared its irresistible, feel-good lead single “ Talk Is Cheap ,” alongside a Wyndham Garnett-directed video featuring behind-the-scenes footage of the band, captured during the album’s recording sessions. Graced with jangling grooves, the single is a love song written by bassist Toby Leaman. “It’s a song about my wife and how much I rely on her, how she’s always there for me,” he explains. “It’s funny because I’m not a big love-song guy, but everything I wrote on this album is for her.” “Talk Is Cheap”—which follows last month’s standalone single and additional album track, “ Still Can’t Believe ”—is a fitting introduction to the record, embodying the essence of Dr. Dog : a collection that stays true to the band’s ever-eclectic and animated spirit, shifting from soul to surf-rock to symphonic pop with an exuberance made all the more impactful by their revitalized creative energy. Its video is a heartfelt, organic peek into their reborn methods of making music together: spontaneous, kinetic and perfectly imperfect. Dr. Dog is now available for pre-order HERE .

For more than two decades, Dr. Dog have maintained a shared devotion to the unruly alchemy of making music. When it came time to create their 11th studio album, the Philadelphia-bred band adopted an entirely new way of working together, embracing a multilayered process designed to foster an even deeper synergy among its five members (Leaman, lead guitarist Scott McMicken, rhythm guitarist Frank McElroy, keyboardist Zach Miller, and drummer Eric Slick). Dr. Dog began their journey with a close-knit session at Leaman’s uncle’s cabin (featured here in the “Talk Is Cheap” video), and steadily made their way toward the joyfully unfettered psych-rock of their new self-titled LP. Dr. Dog reveals a band–over twenty years into their storied career–growing together and evolving, fully committed to the singular work of dreaming up songs that brighten the mind and expand the soul.

Mixed by multi-Grammy-winner Matt Ross-Spang (Jason Isbell, Drive-By Truckers), Dr. Dog finds McMicken taking the helm as producer for the first time in the history of the decidedly egalitarian band. “I moved to Asheville a while back and built a little yard-shed studio that’s changed my whole perspective on music,” he says. “Because you’re in a shed, there’s no pretense that what’s happening is very serious—but over time, that sense of playfulness ends up allowing for more serious things to happen. When we started planning this new album, it felt right to try to merge my universes and make a Dr. Dog record the same way I was making records every day in my backyard.”

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Best Taylor Swift albums: We rated and ranked them all. Why our top pick really is 'The 1'

Taylor Swift released “The Tortured Poets Department” on April 19, 2024, an album Travis Kelce’s mom said is “probably her best work.”

Two hours after TTPD released, the biggest pop star in the universe surprise-released a second version — a two-record set subtitled “The Anthology” featuring 31 songs.

It quickly became the most-streamed album in a single day on Spotify on its way to becoming the first release to hit 1 billion streams in a single week.

And for the record, no, it did not take all seven days to get there.

That, my friends, is how you dominate the culture.

Thirty-one songs is a lot to digest. But now that we’ve been living with TTPD for a week, this is as good a time as any to reflect on Swift’s entire catalog, which started off strong with a self-titled effort released when she was just 16 that hit the Billboard album charts at No. 5 (the only time a Taylor Swift release has not secured the top spot on that chart).

The fact that Swift's 11th album has already broken streaming records tells you everything you need to know about how brilliantly she’s managed to retain the world’s interest in the course of those 11 albums while still finding time to re-record four early albums after a dispute over the ownership of her catalog.

All four “(Taylor’s Version)” re-recordings also topped the Billboard album charts, as anyone at all familiar with life in the 21st century could’ve guessed. And she’s still got two more to get through.

Taylor Swift albums ranked: How we did it

For this list, I've factored in the “(Taylor’s Version)” re-recordings of the albums — and how could you not factor in that new 10-minute version of “All Too Well” on “Red (Taylor’s Version)? — but didn’t break them out as separate items on the list because it would’ve felt ridiculous to do so.

I also considered all two hours of the 31-song version of TTPD because she wouldn’t have released it as a double album if we weren’t supposed to view it as a double album.

If you asked 10 Taylor Swift fans to compile a list of her best albums, you’d be looking at 10 very different lists. And that’s because we all have different things we look for in an album and things hit us differently at different times. I’m sure some of these rankings would change if I revisited this list a year from now. But for now, this feels right.

And for the record, I would highly recommend the album at the bottom of the list.

11. 'Taylor Swift' (2006)

There’s a song on the latest Olivia Rodrigo album that poses the question, “When am I gonna stop being great for my age and just start being good?”

I would imagine Taylor Swift was thinking “You don’t know the half of it,” having hit the streets at 16 with a self-titled album that sent two songs she’d written – “Our Song” and “Should’ve Said No” – to No. 1 on Billboard’s country chart while being embraced as displaying a level of talent well beyond her years.

But that’s only because she was great for her age, an overnight success who wrote or cowrote all 11 songs on her seven-times-platinum debut, including one she’d written for her high school talent show. And because she was young, she could speak to the teenage experience with an authenticity that can’t be faked.

It’s not all golden. At times, it feels a bit overly eager to please the suits at country radio. But the best songs show a promise she quickly fulfilled while holding up as great songs in their own right, from “Tim McGraw, a bittersweet reflection on the summer love that got away, to the first of several timeless classics about being stuck in the friend zone, the suitably heartbreaking “Teardrops on My Guitar.”

With “Taylor Swift,” she announced the arrival of a major talent in the making. And then she got better.

In the meantime, “Taylor Swift” spent 24 weeks atop Billboard’s country chart while earning Swift a Best New Artist Grammy nomination.

The beginning of the Eras Tour Era: How the most successful concert tour ever got started in Arizona

10. 'Lover' (2019)

“Lover” captures Swift at her most effervescent, embracing her pop sensibilities with a practically euphoric sense of youthfulness at times. The sound is glossier than usual, drawing heavily on the ‘80s synth-pop vibe she first explored on “1989” with Panic! at the Disco's Brendon Urie guesting on lead single, "Me!."

“Cruel Summer” is as irrepressible a pop song as she’s ever written, despite the heartache she addresses in the lyrics. There’s a reason it became the album’s breakout single, topping Billboard’s Hot 100 (even if it took four years and its emergence as a highlight of the Eras Tour to get there).

In an interview with Vogue, Swift said she wrote this album as "a love letter to love, in all of its maddening, passionate, exciting, enchanting, horrific, tragic, wonderful glory."

And she manages to touch on all those shades of glory, clearly favoriting the more enchanting shades, before leaving the listener with “Daylight,” an unabashedly romantic if bittersweet ballad that finds her shaking off the vengefulness of “Reputation” with “I wanna be defined by the things that I love/ Not the things I hate,” a spoken-word performance that feels like her leaving a voicemail to herself.

Her final words are “You are what you love.” It’s a really sweet ending to a journey whose highlights range from the sugar-coated pop hooks of “Cruel Summer” to her soulful phrasing of the title track.

9. 'Fearless' (2008)

Swift was a few weeks shy of turning 19 when her second album hit the streets. And you could hear how much she’d grown in the two years since that first release, especially on “Fifteen,” where she looks back on the battle scars of young romance with a heartbroken chorus of “When you’re 15 and somebody tells you they love you, you’re gonna believe them.”

Her words cut even deeper when she hits the verse about her best friend Abigail giving “everything she had to a boy who changed his mind,” a line she follows with a totally believable “And we both cried.”

There’s a vulnerability to the delivery that underscores the heartache in all the right places, from “Fifteen” to the richly orchestrated “White Horse,” where she sings of pacing back and forth all this time “’cause I honestly believed in you.” And if other songs feel more like they were written by a teenager, the fact that those are the exceptions may be more to the point.

This album sent three singles to the Top 10 on the Billboard Hot 100, including "You Belong with Me," which even now remains her most contagious pop song, casting Swift as a wallflower stuck on the bleachers while her dream date is off making time with the cheerleading captain.

“Fearless” picked up Album of the Year at the Country Music Association Awards, the Academy of Country Music Awards and the Grammys, where it also won Best Country Album.

8. 'The Tortured Poets Department' (2024)

It’s a lot to process, a sprawling double album that passes the two-hour mark as the 31st song, “The Manuscript,” is putting the album to bed with one last bittersweet reflection on a heartbreaking relationship.

It’s the song that ties it all together. On the bridge, she explains, “The professor said to write what you know.” Then she signs off with a verse about the album: “The only thing that's left is the manuscript/ One last souvenir from my trip to your shores/ Now and then I reread the manuscript/ But the story isn’t mine anymore.”

The 31-song manuscript is ours now. And it's an often fascinating journey.

The key to managing the sprawl of a double album is to change it up enough from track to track to keep things interesting. Swift’s collaborators here — primarily Jack Antonoff and Aaron Dessner — rarely rise to that challenge with an unexpected detour, the maddeningly upbeat electronica of “I Can Do it With a Broken Heart” being one welcome exception.

But the lyrics make it worth your while to hang in there as Swift finds inspiration where she often turns for inspiration — heartache, in this case the end of a six-year relationship with actor Joe Alwyn and a rumored rebound fling with boorish British rocker Matty Healy , cast as the “miracle move-on drug” whose effects were temporary; and love, in this case her relationship with Travis Kelce .

There’s even a song taking overprotective Swifties to task for thinking she’s too good to date the likes of Healy. “I’ll tell you something ‘bout my good name,” she sings in “But Daddy I Love Him,” a song whose title references “The Little Mermaid.” “It’s mine alone to disgrace/ I don’t cater to all these vipers dressed in empath’s clothing.”

Most of these lyrics are more likely auto-mythology than torn directly from the pages of a tear-stained diary, but you could say the same for almost any breakup album worth a second listen. And for all the undue grief she’s gotten for the album title, there are wonderful hints of self-awareness here, including this gem from the title track: “You’re not Dylan Thomas/ I’m not Patti Smith/ This ain’t the Chelsea Hotel/ We’re modern idiots.”

7. 'Reputation' (2017)

Swift was out for blood on “Reputation,” an album conceived in self-seclusion in reaction to the tabloid scrutiny that ramped up in the aftermath of "1989” and a very public feud with Kanye West and Kim Kardashian that boiled over after West released a song that infamously bragged, “I feel like me and Taylor might still have sex. Why? I made that bitch famous.”

As she told the Guardian years later, “I was literally about to break.” In that interview, she talked about having adopted a “bit of a persona,” calling the edgier, hip-hop-inspired production “a complete defense mechanism.”

Working with Jack Antonoff, Max Martin and Shellback, the singer arrived at a much harder sound, surprising listeners with the heavily distorted low-end throb of an opening track called “Ready For It?”

By that point, we’d already met her new persona on the single she dropped in advance of the album’s release, “Look What You Made Me Do,” which features the outgoing message, “I'm sorry/ But the old Taylor can't come to the phone right now/ Why? Oh, 'cause she's dead.”

Dark Taylor proved a little much for some to handle. But a woman I work with told me this is in her Top 2 favorite Swift releases because of how it taps into female rage. "Look What You Made Me Do" topped Billboard's Hot 100, breaking sales and streaming records, while the album spent four weeks at U.S. No. 1.

6. “Speak Now” (2010)

By 20, Swift had experienced another huge artistic growth spurt, following “Fearless” with the even more compelling story songs and more assertive melodies of an album that crashes the gate with the effervescent country-pop of “Mine.”

Released as the album’s lead single, “Mine” finds her bracing herself for goodbye “’cause that’s all I’ve ever known” while “the best thing that’s ever been mine” assures her they won’t make the same mistakes her parents did.

And that was just the first of five Top 20 entries on the Billboard Hot 100 from “Speak Now,” including “Mean,” a song that’s meaner than the negative review that made her write it, and “Back to December,” a richly orchestrated breakup song that finds her wishing she could go back to the night she broke it off with someone.

“I'd go back in time and change it, but I can't,” she sings. “So if the chain is on your door, I understand.” It’s a moment guaranteed to leave a mark on many listeners. And there are other moments just as poignant.

On “Dear John,” a song inspired by her short-lived romance with December Boy John Mayer, she asks him, “Don’t you think 19’s too young to be played by your dark, twisted games when I love you so?” then answer her own question with “I should’ve known.” “Never Grow Up” is as beautiful a meditation on the pros and cons of growing as I have ever heard.

It’s not all weepers, though. The title track is sure to have you pulling for the girl who crashes someone else’s wedding and runs off with the groom.

Swift’s third album sold a million U.S. copies in a single week and spent six weeks at No. 1 on Billboard's album chart along the way to going six times platinum.

Top 5 Taylor Swift albums

5. “evermore” (2020).

A second surprise release of understated indie-folk laid to tape while the world was shut down for a global pandemic, arriving less than five months after "Folklore," "Evermore" is a suitably haunted affair.

Like “Folklore,” it features her working primarily with Aaron Dessner of the National, recording most songs at his Hudson Valley studio. Another member of the National, Dessner’s brother Bryce, contributes to the writing and production of a track recorded with the National called “Coney Island” that offsets the vulnerability of Swift’s delivery with the brooding gravitas of Matt Berninger’s gravelly baritone.

Swift has called the two releases sister albums, while reviewers heard this one as a sequel or companion piece. It’s all those things and more.

The title track features Bon Iver on vocals. The members of Haim show up on the noirish revenge song “No Body, No Crime.” Another highlight, “Gold Rush,” was co-written and produced by Antonoff, whose presence somewhere in the credits on a Swift release was pretty much a given by the time she got to “Evermore.”

It opens with “Willow,” a song she says she chose to set the tone because the music felt witchy and magical, which it does, at times like something Stevie Nicks would have contributed to “Rumours."

Other highlights range from “Champagne Problems,” a heartbreaking character sketch of a woman who turns down a marriage proposal as Christmas approaches and how “sometimes you just don’t know the answer ‘til someone’s on their knees and asks you,” to “’Tis the Damn Season,” a bittersweet tale of two former flames having a seasonal fling that they both know means more than that.

There’s this wonderfully written scene in the bridge where she sings of going back to L.A. to “wonder about the only soul who can tell which smiles I’m fakin’/ And the heart I know I’m breakin’ is my own / To leave the warmest bed I’ve ever known.”

The prevailing tone is sadness, which plays to her strengths as both a singer and a lyricist. She’s really good at making people feel the sadness in their soul. If this one doesn’t make you shed at least a few tears, chances are you’re heartless.

4. 'Midnights' (2022)

This concept album finds Swift returning to the glossy synth-pop stylings and self-referential lyrics she'd abandoned on those sister albums she recorded during the pandemic, telling “the stories of 13 sleepless nights scattered throughout my life,” as she revealed on Instagram.

It opens with “Lavender Haze,” a suitably hazy, hip-hop-flavored love song whose title is something she picked up from “Mad Men,” used in the ‘50s to describe the sensation of being in love. Of course, this being Taylor Swift, the lavender haze is threatened by the bothersome realities of being Taylor Swift in love.

She’s “under scrutiny,” feeling the pressure to get married because “the only kinda girl they see is a one-night or a wife” and she's having none of it.

On “Anti-Hero,” the biggest-selling song of 2022, she sings “I'll stare directly at the sun but never in the mirror,” a line she follows with a self-effacing “It must be exhausting always rooting for the anti-hero.” But Swift had rarely stared directly in the mirror as exactingly as she does here. She even sings of “scheming like a criminal” to make the kids who didn’t want to play with her when she was little love her.

It’s that growing sense of self-awareness that makes “Midnights” such a fascinating listen. That and the production (Exhibit A in any case for ignoring the backlash that greeted her latest release and keeping Antonoff’s name on her shortlist of potential running mates).

“Midnights” set a new record for Spotify streams in a single day on the way to becoming the year's best-selling U.S. album and enjoying the largest vinyl sales week of the century so far. It also filled the Top 10 on the Hot 100 — the first time any act has occupied all 10 positions.

3. 'Red' (2012)

Hoping to experiment with sounds beyond the context of her country-leaning comfort zone, she enlisted the aid of several outside producers and songwriting partners, including Max Martin, Jeff Bhasker and Shellback.

It worked like a charm.

Lead single "We Are Never Ever Getting Back Together" became her first chart-topping entry on the Hot 100 for a reason. You can feel her swinging for the fences like the Reggie Jackson we all needed. The delivery was surprisingly playful for Swift, who brings her best Valley Girl voice to the table, especially coming out of that first chorus, where she follows “We are never ever ever getting back together” with “like, ever.”

The second hit single, “Begin Again,” isn’t nearly as playful, a heartfelt country ballad with an aching pedal-steel part that ends the album on a hopeful note with “I've been spending the last eight months thinking all love ever does is break and burn, and end/ But on a Wednesday in a café, I watched it begin again.”

The other hits are just as timeless. Max Martin and Shellback left their fingerprints all over “I Knew You Were Trouble,” a brilliant piece of popcraft that made her crossover dreams more apparent than ever. And “22” is everything it’s meant to be — a celebration built for rooftop parties that perfectly captures the essence of what it means to be exactly 22 (on a good night), Swift assuring us that “Everything will be alright if we just keep dancing like we’re 22.”

2. '1989' (2014)

The title refers to her birth year, apparently chosen to signify a symbolic artistic rebirth. And that’s exactly what it feels like, inspired in large part by the synth-pop of the 1980s with Max Martin serving as the album’s co-executive producer.

She’d been “going pop” from the beginning, recording an alternative version of “Teardrops on My Guitar,” the first crossover hit from her first album, without all the country embellishments. But even “Red,” for all its pop ambition, had retained its share of country sensibilities.

There’s no mistaking anything on “1989” for country. The opening track could not have done a better job of channeling the essence of the early ‘80s synth-pop revolution, right down to the digital handclaps.

“Blank Space” was a huge hit and the album’s most compelling track, an electro-pop anthem with state-of-the-art production and a brilliant performance from Swift, who navigates the lyrics with attitude, heartache and humor while playing the serial dater she’d clearly grown weary of being portrayed as in the media.

When “Blank Space” topped the Billboard Hot 100, it replaced another Swift song goofing on her public image — "Shake It Off," a contagious lead single that coyly sets the tone with “I stay out too late / Got nothin’ in my brain / That’s what people say / Mmm hmm / That’s what people say.” By the time the chorus hits, she’s promising to shake it off, but thankfully, she wrote a song about it first.

A third track from the album, "Bad Blood," topped the Hot 100 the following year while the electro-funk swagger of “Style” and the majestic hooks “Wildest Dreams” both cracked the Top 10.

It’s as perfect a pop album as she’s ever made. The Grammys named it Album of the Year, making Swift the first woman to win that honor twice.

1. 'Folklore' (2020)

The homespun indie-folk aesthetic, where the musical embodiment of cottagecore is filtered through a haze of dreamy trip-hop and folktronica embellishments, was arrived at by collaborating with producers Aaron Dessner and Jack Antonoff virtually while we were all adrift in COVID-19 quarantine.

Swift, who tracked the vocals in her L.A. home, has said she conceived of the album as "a collection of songs and stories that flowed like a stream of consciousness.”

The result was surprisingly rooted in fiction for an artist whose lyrics to that point had tended toward autobiography.

Those forays into fiction include a trilogy of songs she calls “the Teenage Love Triangle.”

The trilogy begins with “Cardigan,” the album’s lead single, which became her sixth release to top the Hot 100. It’s a bittersweet ballad sung from the perspective of a character named “Betty,” whose boyfriend has been “playing hide-and-seek” with someone else. “And when I felt like I was an old cardigan under someone’s bed, you put me and said I was your favorite,” she sings on the chorus.

“August” tells the tale of the affair from the perspective of the other woman. “August slipped away into a moment in time,” she sings. “’Cause you were never mine.”

The final chapter, “Betty,” is sung from the perspective of the boyfriend, James, who crashes Betty’s party, desperate for her to take him back. “I’m only 17, I don’t know anything,” he tells her. “But I know I miss you.”

It's the crowning achievement of an album packed with brilliant storytelling, from “The Last Great American Dynasty” to “Illicit Affairs” and “Mad Woman.”

Released without warning, “Folklore” offered Swifties a welcome distraction from the tedium of isolation. That made “The 1” the perfect way to start the album, greeting listeners with “I’m doing good, I’m on some new (expletive)/ Been saying ‘yes’ instead of ‘no’” while checking in and introducing her new sound.

“Folklore” spent eight weeks at No. 1 on Billboard's album chart and was the biggest-selling album of the year. It also picked up Album of the Year at the Grammys, making Swift the first woman to win that honor three times.

Reach the reporter at [email protected] or 602-444-4495. Follow him on Twitter @EdMasley .

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It's An Amazing Feeling': Tyla Reflects On Her Journey Amid Release Of Self-Titled Debut Album

Tyla has released her debut album, following her Grammy win. Her music has experienced rapid digital growth, pushing boundaries and bridging the music gap for international artists.

Tyla reflects on her journey
A brief about Tyla's career

South African singer-songwriter Tyla releases her self-titled debut album on Friday, fresh off her win at the Grammy Awards last month.

Tyla's hit single Water became a global phenomenon, reaching seven on the Billboard Hot 100 and No.1 on the U.S. Afrobeats Songs Chart. The Johannesburg native has experienced rapid digital growth, pushing boundaries and bridging the music gap for international artists. Her music transcends boundaries and continues to inspire millions of streams.

Tyla reflects on her journey

After making a splash onto the scene with Water, Tyla has proven she’s here to stay on her debut LP TYLA. On the self-titled project, she melds R&B, rap and pop influences with the amapiano sounds of her homeland to deliver a dreamy, and memorable, formal introduction.

“It’s amazing that people love the sound and the vision that we’ve been working towards,” she said in an interview with Girls United. “It’s an amazing feeling that I’m able to celebrate with the people I’ve worked with before ‘Water,’ it’s like we’re all reaping these rewards together.”

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The album begins with the first official song, Safer, which explores the emotions of new love. The album features hits like Water and Truth or Dare, highlighting the intentionality behind the music. “I’ve learned so much over the years, and my sound has developed,” she said.

The songstress, under pressure to create a popular song like Water, believed she had already finished her album before the Grammy-winning song, but wanted to continue elevating her sound. "Just going back in and refining it even more was such a fun experience,” she stated.

Tyla could not stop raving about her song ART, which showcased her lyrical strengths. “I feel like that song is something I hold [onto] dearly because I once felt that for someone. I just feel like the writing in that song was on a different level. I know people will be able to relate to that feeling beyond just the vibe," she claimed.

Tyla learned the most valuable lesson during her recording process that is to let the music speak for itself and let go of overbearing control. “I’ve learned over time to let go and trust,’ she continued. “It came with a lot of failure, but God brought me out of it many times, and he’s rewarded me with even bigger things.”

Tyla's unique blend of Afro-pop, R&B, and traditional South African rhythms resonates with a diverse audience, attracting listeners seeking fresh perspectives in the music scene through her innovative production and storytelling approach.

“I’m excited that I’m introducing my sound, and I can see the potential in the album’s sound and where it could take African music,” she added. “I’m happy that there are finally eyes on me. Now more people can hear what I have to say, and I’m just creating music that I feel is the sound of Tyla.”

A brief about Tyla's career

Tyla released her debut single Getting Late in late 2019, featuring Kooldrink production. The song gained national success and was filmed by her manager during the COVID-19 pandemic. The accompanying music video was released in January 2021 and received millions of views.

Tyla, studying mining engineering, took a year off university to pursue her music career. She signed a recording contract with Epic Records in May 2021 and followed up with singles Overdue and To Last in October and November 2022.

Tyla made her public debut in 2023 at Milan Fashion Week after releasing her single Been Thinking. The song earned her first chart placements on the Billboard Mainstream R&B/Hip-Hop Airplay and Rhythmic Airplay charts. Tyla then joined Chris Brown as the opening act for his Under the Influence Tour. In May 2023, she released Girl Next Door featuring Nigerian singer Ayra Starr.

In July 2023, she released Water as the lead single from her debut studio album. The song, which spawned a viral dance challenge on TikTok, became a top 10 hit in the US, UK, and Australia. Tyla became the youngest-ever South African soloist to enter the US Billboard Hot 100.

Tyla performed Water live on The Bianca Show and The Tonight Show Starring Jimmy Fallon in the US. The accompanying music video, released in October 2023, accumulated 3 million views in three days.

In December 2023, she announced the release of her debut studio album, Tyla (2024), and released three new tracks as promotional singles. Tyla performed a medley of Water and Truth or Dare on The Voice's season 24 finale in December 2023. In February 2024, Tyla won the inaugural Grammy Award for Best African Music Performance with Water, becoming the youngest African artist to win a Grammy Award.

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What to know about Taylor Swift’s surprise double album drop overnight

Swift dropped ‘the tortured poets department’ at midnight late thursday. she had something else in store a couple of hours later..

As Taylor Swift accepted the Grammy Award in February for best pop vocal album for “Midnights,” she informed the audience that she had been keeping a secret for two years: She had recorded a new album, “The Tortured Poets Department,” and it would be released on April 19.

When Swift said “two years,” she held up two fingers, which under normal circumstances is a regular human hand signal. However, Swift’s die-hard fans know her all too well … and when the lead-up to the record included more references to the number two, they suspected something was up.

There’s a peace sign… ✌️👀 pic.twitter.com/MtvbuyUgwt — Taylor Swift News 🤍 (@TSwiftNZ) April 16, 2024

And they were correct — Swift dropped the 16-song record on midnight Eastern time late Thursday, and then two hours later at 2 a.m., announced a surprise: It was actually a double album titled “The Tortured Poets Department: The Anthology,” with 15 additional songs. (We can only imagine how much Swift was laughing at the people who thought they got the best of her when the first half leaked on Thursday.)

It was a fitting addition for a project that repeatedly reminds listeners that they don’t really know the pop megastar at all behind the scenes — and she has gone through quite a journey dealing with the complexities of fame. Here are the main things to know about the album.

Yes, a major theme is heartbreak

Based on the title, you could guess there would be lots of angst on the record, in addition to some of the track listings alone: “I Can Do It With a Broken Heart,” “I Can Fix Him (No Really I Can),” as well as “So Long, London” — the latter of which is the fifth track, which all Swifties know is a spot that she saves for her most personal songs. Before the release, Swift created a series of playlists for Apple Music that categorized songs from her discography by the five stages of grief.

Swift does deliver lyric after lyric about devastating heartbreak: “You swore that you loved me, but where were the clues?/ I died on the altar waiting for the proof,” she sings on “So Long, London.” And on “LOML,” usually internet-speak for “love of my life,” she changes the words to “loss of my life.”

She drops (a few) hints about the subjects of her songs

Swift rocketed to stardom as a teen country singer when she hid clues in the liner notes about the real-life boyfriends and crushes in her lyrics. That practice stopped when she became a global superstar — but as usual, fans are already hard at work dissecting who, exactly, Swift is singing about on these tracks. (“I’d written so much tortured poetry in the past 2 years and wanted to share it all with you,” Swift posted Friday on social media.)

The obvious assumption before the album’s release was that many songs would be about British actor Joe Alwyn, whom Swift dated for six years before they announced their breakup in April 2023. But upon hearing the lyrics, fans instead caught more apparent references to Matty Healy, lead singer of British band the 1975, to whom Swift was romantically linked for a couple of months last year. (People magazine, for example, noted that on “Guilty as Sin?” she name-drops the Blue Nile, Healy’s favorite band.)

Swift, who has given very few details about the timeline of “Tortured Poets,” said that she started recording it after she finished “Midnights” (presumably in late 2021 or early 2022) and continued through the Eras Tour that launched last spring. So it’s unclear whether the timing would have worked for her to include her relationship with Super Bowl-winning Kansas City Chiefs star Travis Kelce — but there are some sports-themed lines in “The Alchemy.”

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Swift is not thrilled about the opinions on her relationships.

While Swift and Healy were spotted together multiple times, and he showed up at a few of her concerts, they never confirmed they were an item. Still, many people were upset that Swift was associated with the controversial singer, given that he has been criticized for offensive comments over the years, such as laughing and agreeing on a podcast when a host made racist comments about the rapper Ice Spice. Some fans launched a campaign called #SpeakUpNow that asked Swift to address and condemn his behavior.

Swift has not talked about Healy publicly, but on Friday morning, listeners were already drawing the line between the public outcry and her lyrics on “But Daddy I Love Him.” Swift had some harsh words for strangers who judge her: “God save the most judgmental creeps who say they want what’s best for me/ Sanctimoniously performing soliloquies I’ll never see, thinking it can change the beat of my heart when he touches me.”

“I’ll tell you something about my good name,” she sings, “It’s mine alone to disgrace.”

She buries hatchets but keeps maps of where she puts them

That’s Swift’s way (on 2017 song “End Game”) of saying she holds grudges — something that still holds true today. She absolutely skewers an unnamed ex on “The Smallest Man Who Ever Lived” (“I would have died for your sins, instead I just died inside/ And you deserve prison, but you won’t get time”).

The second half of the album is filled with songs titled with proper names: “Cassandra,” “Robin,” “Peter,” “Chloe or Sam or Sophia or Marcus.” But one is called “Thank You Aimee,” stylized as “thanK you aIMee” … which fans immediately recognized spells out “Kim,” also known as a longtime Swift nemesis known as Kim Kardashian . The song is peppered with expletives directed at Aimee, leaving no confusion about how she feels about a certain someone.

However, in a brief statement on Instagram, Swift wanted to let listeners know that she doesn’t plan on looking backward for much longer, describing “Tortured Poets” as “an anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time — one that was both sensational and sorrowful in equal measure.”

“This period of the author’s life is now over, the chapter closed and boarded up. There is nothing to avenge, no scores to settle once wounds have healed,” Swift continued. “And upon further reflection, a good number of them turned out to be self-inflicted. This writer is of the firm belief that our tears become holy in the form of ink on a page. Once we have spoken our saddest story, we can be free of it.”

View this post on Instagram A post shared by Taylor Swift (@taylorswift)

An earlier version of this article misquoted a lyric in "But Daddy I Love Him." The line is "It's mine alone to disgrace," not "It’s mine along with all the disgrace."

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I liked this design on #Fab. Journey Album Art

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Journey (Journey album)
Journey is the debut studio album by American rock band Journey.It was released on April 1, 1975, by Columbia Records.Unlike their later recordings, this is a jazzy progressive rock album which focuses mainly on the band's instrumental talents. It is the only album to include rhythm guitarist George Tickner among their lineup.. Journey recorded a demo album prior to the release of Journey ...
Journey
Journey's self-titled debut studio album was released in April 1975 through Columbia Records. Unlike their later recordings, this is a jazzy progressive rock album that mainly focuses on the ...
How Journey Totally Jammed Out on Their Self-Titled Debut
Journey's self-titled debut fulfilled the goal of replicating a fiery interplay that already defined their early shows. Released on April 1, 1975, the album blended hard-rock meddle with more ...
J̲o̲urney
For suggestions & support, you can send your message at: [email protected] you very much !
Complete List Of Journey Albums And Songs
Journey's self-titled debut album was released in April 1975 and was the band's first outing into the musical world. At the time, Journey was yet to adopt the arena rock sound that they would later become famous for. Instead, the album exhibited strong influences of jazz fusion and progressive rock, with extensive instrumental solos and ...
Journey
Journey's self-titled 1975 debut album stands as a watershed in the annals of jazz fusion and progressive rock. Released before the rise of the Steve Perry reign, this highly eclectic presentation mixes melodic rock (with all vocals done by keyboardist Gregg Rolie) with almost futuristic instrumental pieces; the song "To Play Some Music" starts off as a simple, almost gospel-like song but then ...
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For their second album, the members of Journey toned down the overt progressiveness of their first, self-titled release, in favor of a more focused approach. Despite that, Look into the Future ...
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2. Singles. 52. Soundtrack albums. 1. American rock band Journey has released 15 studio albums, five live albums, 11 compilation albums, and 52 singles since 1975.
Journey Self Titled Album Songs Ranked
Journey is the self-titled debut album by the American rock band Journey. It was released in 1975 on Columbia Records. Unlike their later recordings, this is a jazzy progressive rock album that focuses mainly on the band's instrumental talents. It is the only album to include rhythm guitarist George Tickner among their lineup.
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Journey's self-titled album, released in 1975, marked the band's debut in the music scene. This iconic record showcased the band's early sound, blending elements of progressive rock and jazz fusion with a touch of hard rock. The album features a collection of ten tracks that beautifully exhibit the musicianship and songwriting prowess of ...
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Gregg Rolie was the co-founding first singer, featured on a trio of early albums including their self-titled 1975 debut, 1976's Look into the Future and 1977's Next.
Journey Albums
Journey albums start off way different than where they end. The self-titled Journey album is missing that iconic voice of Steve Perry. Strangely enough, the last album they released is also missing Steve. The band Journey goes from Progressive Rock to Arena Rock over the years, and seems to finish as a touring rock group playing the greatest hits.
JOURNEY
Journey's self-titled 1975 debut album stands as a watershed in the annals of jazz fusion and progressive rock. Released before the rise of the Steve Perry reign, this highly eclectic presentation mixes melodic rock (with all vocals done by keyboardist Gregg Rolie) with almost futuristic instrumental pieces; the song "To Play Some Music" starts off as a simple, almost gospel-like song but then ...
Top 10 Journey Albums
The album's lead-off single "Who's Crying Now," was released in July of 1981. "Don't Stop Believing," was released in October of 1981. "Open Arms," was released in January of 1982, "Still They Ride," was released in May of 1982, and the final single the rocking "Stone In Love," was released in October 1982.
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The List of Journey Albums in Order of Release Date

All Journey Studio Albums in Order of Release Date

2. Look into the Future (1976)

3. Next (1977)

4. Infinity (1978)

5. Evolution (1979)

6. Departure (1980)

7. Dream, After Dream (1980)

8. Escape (1981)

9. Frontiers (1983)

10. Raised on Radio (1986)

11. Trial by Fire (1996)

12. Arrival (2001)

13. Generations (2005)

14. Revelation (2008)

15. Eclipse (2011)

16. Freedom (2022)

How many albums does Journey have?

List of Journey Albums in Order of Release Date

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Journey's Freedom: a succession of songs that are the stuff of legend

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The List of Journey Albums in Order of Release

How many albums does Journey have?

All Journey Albums in Order: Check Out The List of Journey Albums in Order of Release Here!

Journey Band Albums List

2. Look into the Future (1976)

3. Next (1977)

4. Infinity (1978)

5. Evolution (1979)

6. Departure (1980)

7. Dream, After Dream (1980)

8. Escape (1981)

9. Frontiers (1983)

10. Raised on Radio (1986)

11. Trial by Fire (1996)

12. Arrival (2001)

13. Generations (2005)

14. Revelation (2008)

15. Eclipse (2011)

16. Freedom (2022)

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