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‘This Is Extraordinary’: Why the Eras Tour Is Taylor Swift’s Greatest Live Triumph Yet

By Rob Sheffield

Rob Sheffield

“Jersey, welcome to the Eras Tour!” Taylor Swift yelled on Friday night. “There is one thing that I daydream about with the childlike enthusiasm of a hundred birthday parties, and that is MetLife Stadium Night 1.” That gets the mood about right. She spent this weekend at her long-awaited MetLife Stadium shows in New Jersey destroying the hearts and lungs of 83,000 of the planet’s most godforsaken messes. All three shows were chaotic jubilation, full of songs we’ve waited years to sing. And Taylor missed this more than any of us. 

This weekend I spent three consecutive nights at these shows, singing and weeping and suffering and agonizing through an emotional epic Tay-pocalypse every night. But it feels brutal that it’s over so soon. Nobody wanted it to stop. Not even Taylor, who paused on Sunday night at her piano during “Champagne Problems” to rave, “If you think I’m just coasting along thinking this is normal, I can assure you this is not the case. This is extraordinary.”

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The communal vibe is always intense at a Swift show, but never more than at this one. I was in the Night 1 parking lot about 10 minutes before someone I’d never met gave me a BETTY’S CARDIGAN friendship bracelet that I’m still wearing right now. I brought extra packs of pocket tissues, which came in handy when the Fearless interlude inspired a few meltdowns in my row Sunday night. When Taylor began the Evermore section into “Tis the Damn Season,” the security guy came over and said, “You the guy with the tissues?” Another couple of fans were having tear-duct emergencies, sobbing to me, “I really love this album!” ONLY at a Taylor show. 

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Over the show, she celebrates every part of her career, except her 2006 country debut, which surprisingly doesn’t even make a token appearance, though she’s done some of the songs as acoustic one-offs. (There’s no other career where such a great debut could turn out to be Not Era Enough.) Some of the eras turned into full-blown dance parties, like 1989 , Reputation , and Midnights . Fearless was the one era where she flashed her early twangy side — she made such a statement by stepping out on the catwalk after the first verse for a triumphant power twirl. It was pandemonium when she introduced “You Belong With Me” and “Love Story” by asking, “Jersey, are you ready to go back to high school with me?” 

By the time she got to the Folklore era, it was already a few hours into the show, but her emotional brutality never let up — honestly, the worst thing that she ever did was what she did to us. She sang “The One” on the roof of a mossy cottage — the line that blows up into a real audience screamer is “You meet some woman on the internet and taaaaake her hooome .” She did just the peak of “Illicit Affairs,” the “don’t call me kid” chant — a song about sordid meetings in parking lots hit hard coming an hour after “Fearless,” a very different song about a couple in a parking lot, but maybe the same girl a few years down the line. So many of the songs felt extra cathartic live, since virtually all of us in the crowd learned to sing these songs in a moment of extreme solitude and isolation. She did “Betty,” “Cardigan,” “My Tears Ricochet,” and the unstoppable “August,” pouncing on that final “get in the car!” Also, it wouldn’t be Tay’s style to forget that MetLife Stadium is literally behind a mall .

She slips acoustic surprise songs into the set list every night, one on guitar and one alone with her piano. On Friday night, she did “Getaway Car” (with Jersey boy Jack Antonoff) and “Maroon.” On Saturday, it was a pair of New York love songs, “Holy Ground” and “False God.” But the peaks were Sunday night, when she did a stripped-down “Welcome to New York,” leaning hard on the line that people chose to overlook in 2014 — “You can want who you want/Boys and boys and girls and girls.” Then she did a devastating “Clean” on piano. Her enthusiasm spilled over with quips like “You guys always give 113 per cent” or “You will get a treat for that!” Early on Friday night, she declared, “You guys are historically a great crowd. Do you think that you want to continue that tradition?” When the fans roared, she replied, “I was hoping you would say that. In case you said no, I was going to just ditch this plan completely.”

“All Too Well (Ten Minute Version)” was the coup de grace, filling up the enormous space with the sound of just Taylor and her thousands of confidantes. It couldn’t help but evoke the moment when she sang it the first time she played MetLife Stadium — 10 summers ago, in July 2013. That night, it already seemed incredibly to think of how far she’d come so fast. But 10 ears later, hearing “All Too Well” in that same venue, it seemed to sum up everywhere she’s traveled in those past 10 years. Like the rest of the Eras Tour, it was a celebration of all the holy ground she and her audience has covered.

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At one point on Sunday night, during the Midnights finale, I heard voices and thought the security guard near me was arguing with a fan. It turned out they were just trading friendship bracelets. It’s THAT kind of show. That’s the world this woman and only this woman creates, on an epic scale, night after night. There’s no experience in music like being part of that world Taylor Swift creates for a few hours. And there’s no way not to feel joyful about taking it all with you when you leave. 

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How to Watch Taylor Swift’s Eras Tour Online: What Time Is It Streaming?

Are you ready for it?

Are you ready for it? Taylor Swift’s “Eras Tour” movie is finally hitting streaming, and fans the world over are counting down the minutes until they can relive one of 2023’s most iconic events at home – over and over and over again. “Taylor Swift: The Eras Tour (Taylor’s Version)” is the streaming version of the “Eras Tour” concert that hit theaters last fall and grossed over $260 million worldwide .

Here’s everything you need to know about how to watch Taylor Swift’s “Eras Tour” movie online.

Where is “The Eras Tour” movie streaming?

“Taylor Swift: The Eras Tour (Taylor’s Version)” will be streaming exclusively on Disney+, which won the streaming rights to the film in a competitive situation .

When is Taylor Swift’s “Eras Tour” movie streaming?

The concert film will be released on Disney+ on Thursday, March 14 at 6 p.m. PT/ 9 p.m. ET. You can start watching (and singing along) then.

What songs are in the “Eras Tour” movie?

The streaming version of the “Eras Tour” movie is the same as the theatrical version, except with four additional acoustic songs plus “cardigan” which was not included in the theatrical release.

Here’s the original set list for the film as it was presented in theaters, with footage compiled over a couple of nights of Swift’s performances in Los Angeles.

Lover (5 songs)

• “Miss Americana & the Heartbreak Prince”
• “Cruel Summer”
• “You Need to Calm Down”

Fearless (3 songs)

• “You Belong With Me”
• “Love Story”

Evermore (4 songs)

• “Champagne Problems”
• “Tolerate It”

Reputation (4 songs)

• “Ready for It”
• “Don’t Blame Me”
• “Look What You Made Me Do”

Speak Now (1 Song)

• “Enchanted”

Red (4 Songs)

• “We Are Never Getting Back Together”
• “I Knew You Were Trouble”
• “All Too Well (10-Minute Version)”

Folklore (6 Songs)

• “Last Great American Dynasty”
• “Illicit Affairs”
• “My Tears Ricochet”

1989 (4 Songs)

• “Blank Space”
• “Shake It Off”
• “Bad Blood”

Surprise (1 Guitar & 1 Piano)

• “Our Song” (Guitar)
• “You’re on Your Own Kid” (Piano)

Midnights (7 Songs)

• “Lavender Haze”
• “Anti-Hero”
• “Midnight Rain”
• “Vigilante Shit”
• “Bejeweled”
• “Mastermind”

What are the bonus songs?

The streaming version touts four bonus songs, all of which are secret songs that Swift played during her acoustic set. The ones revealed so far are:

• “You Are in Love”
• “Death by a Thousand Cuts”

Watch the trailer

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How to watch the Taylor Swift concert from the comfort of your sofa

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Each night of Taylor Swift’s blockbuster Eras tour, superfan Tess Bohne gets dressed up in her best Swift-themed outfit, paying homage to a beloved song, a red-carpet look or an album’s anniversary. By then, she’s already researched the projected set time, along with the exact minute Swift is expected to play her much-anticipated surprise songs that are unique to each concert.

But as the onstage countdown clock approaches zero, signaling Swift’s entrance, Bohne, 32, isn’t cheering from a stadium. Instead, at home in Salt Lake City, she fires up her husband’s laptop, searches for feeds from fans holding up their phones in the crowd and begins to broadcast a livestream of Swift’s three-hour-plus set on TikTok to her 160,000 (and counting) followers.

Night after night, thousands of Swifties are gathering to watch the superstar perform their favorite songs through their 5-inch phone screens. For some with tickets to future shows, it’s a chance to preview the set list and better prepare for the big day. For others who enjoyed an earlier stop of the tour, it’s a way to relive cherished memories and keep in touch with the community.

And for fans who can’t afford the lofty ticket prices or live too far from a destination city, these unauthorized TikTok livestreams are the only way to get a glimpse of her billion-dollar-grossing, Ticketmaster-crashing tour.

Bohne, the unofficial “Eras tour cruise director,” has become a one-stop shop for fans looking to watch from home.

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After attending the second show of the tour in Glendale, Ariz., Bohne watched livestreams on TikTok night after night, looking to recapture the magic of seeing Swift in the flesh. Often, the experience paled in comparison to the real thing — choppy feeds would cut in and out or drop entirely, or an overly eager fan’s earnest singing would drown out the notes from the stage. But instead of giving up, Bohne resolved to curate and improve the livestream viewing experience.

She first went live on TikTok when the tour stopped in Atlanta at the end of April. At one point, her control center included multiple iPads, allowing her to track down alternate streams and switch back and forth when videos cut off midset.

“We called it the iPad Shuffle,” Bohne said. “In the beginning it was just a place where people could see where to find these streams. It wasn’t a great concert experience. But then it turned into a seamless watching experience.”

These days, Bohne goes live from her husband’s work computer while using an iPhone and iPad to scour TikTok, as well as sites like swiftstream.gay and various Twitch accounts, for backup streams. As her reach has grown, a number of brands have reached out seeking collaboration opportunities; she’s typically more excited to hear directly from Swift fans expressing their gratitude for her work.

“I had two different people message me and say they had panic attacks during the shows, and sitting down to watch the stream has been healing for them,” Bohne said. “Others had really bad anxiety trying to track down these streams, and I’ve been able to alleviate that for them. It makes me feel like I’m doing something worthwhile.”

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Aug. 4, 2023

An essential part of the ersatz Eras-watching experience is Swiftball, a Taylor-fied fantasy football game started by Twitter user @reckedmaserati , in which fans attempt to predict outfits, surprise songs and other goings-on. Winners have received prizes ranging from Swift CDs to merchandise to handcrafted art, all of which are donated by other Swiftball players.

The most recent Swiftball on July 29 received more than 11,000 submissions on Twitter, and on a typical TikTok stream, you’ll find a jumble of fans erupting with digital cheers or boos each time an answer is revealed.

“TikTok is the pinnacle of this,” said Russ Crupnick, managing partner at marketing research and industry analysis company MusicWatch and a professor at New York University. “It helps to magnify everything that’s going on around a tour. In the old days, if you didn’t have a ticket, you didn’t get to participate. Now you can.”

At the outset of the tour, it was harder to avoid the Swift livestreams on TikTok than it was to find them. In its quest to push the most engaging live videos to its For You page, TikTok’s algorithm boosted bootleg streams of the concert nearly every night, as Swifties locked in for hours and commented away.

Eventually, TikTok removed streamers while they were live and suppressed them from the For You page.

“I feel like it’s become a lot harder to find streams,” Bohne said. “I got suspended once by TikTok, about two weeks ago, for intellectual property. That’s what’s been a little bit frustrating. I can have permission from someone who’s at the show to [use their stream], but if they’re not supposed to be streaming, I don’t know.”

The Digital Millennium Copyright Act, created in 1998, protects platforms from being held liable for content that infringes on copyrighted material, as long as the platform has a mechanism for rights holders to report and take down the offending content. During the internet’s early years, it was easier for copyright holders to locate and remove such items. Now, the proliferation of content has made that game of whack-a-mole virtually impossible.

“There are dozens if not hundreds of these videos popping up,” said Tatiana Cirisano, senior music analyst at Midia Research. “There’s a sentiment that this law was built before social media really existed, and it was meant to allow for creativity, and allow platforms to host things other people had made, without worrying about liability. But this was before there was so much content posted all the time, so now, it doesn’t really work.”

Representatives for Swift and TikTok did not return a request for comment.

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Since the pandemic shuttered live music in 2020, authorized concert livestreams have grown in popularity. Just about every major festival streams the majority of its sets on platforms such as YouTube or Twitch, and according to a report from Midia Research, the amount of people watching shows from home nearly doubled in the past two years, from 9.3% at the end of 2020 to 17.7% at the end of 2022.

Fans who consume the raw, user-generated streams on TikTok typically skew younger than YouTube audiences drawn to professional-quality recordings, but Cirisano believes that livestreams, whether authorized or bootleg, won’t cannibalize ticket sales.

“There’s obviously overlap between [ticket-buying and livestreaming audiences],” Cirisano said. “But there’s nothing that can replace the in-person concert.”

Crupnick argues that labels and music publishers shouldn’t prioritize filing copyright strikes against fans who are providing free promotion for their favorite acts. Instead, he says, the growth of user-generated livestreaming could become another negotiating chip in the copyright owners’ fight to extract more money from the social platform.

“At some point, they could take it all down, but fans will put it back up just as fast,” Crupnick said. “I think what the labels really want is fair compensation from TikTok.”

For Bohne, the TikTok livestreams are another way to feel connected to Swift.

“If I could talk to Taylor, my message to her would just be a giant thank you,” Bohne said. “She’s given us a community where we can find people who understand one another.”

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Kenan Draughorne is a reporter at the Los Angeles Times and was a member of the 2021-22 Los Angeles Times Fellowship class. When he’s not writing a story, you can find him skating across Dockweiler Beach, playing the drums or furiously updating his Spotify playlists.

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When to stream taylor swift’s ‘the eras tour (taylor’s version)’ on disney+ — and how to score free concert tickets.

Marriott Bonvoy is giving Swifties a chance to win a once-in-a-lifetime experience to see the 14-time Grammy winner in Vancouver, complete with air travel, hotel accommodations and more.

By Danielle Directo-Meston

Danielle Directo-Meston

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Surprise, Swifties: Taylor Swift ‘s The Eras Tour (Taylor’s Version) is dropping early.

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“For the first time, we’ll be showing the entire concert (including “cardigan”, plus 4 additional songs from the acoustic section!!) and I’m calling it, huge shock, “Taylor Swift | The Eras Tour (Taylor’s Version),” the 34-year-old singer announced on Instagram on Feb. 7.

Those who still can’t get enough of The Eras Tour can enter to win Marriott Bonvoy’s sweepstakes for a chance to win an all-inclusive four-day, three-night trip for two to Taylor Swift’s concert in Vancouver, Canada; or two concert tickets (without flights and hotel) to select cities in Europe, the United States or Canada. Tour stops included in the concert package contest include Stockholm, Madrid, Zurich, Milan, Miami, New Orleans, Toronto and more; learn more here .

The announcement follows Swift’s big reveal during her recent Grammys speech that her 11th studio album, The Tortured Poets Department , will be released on April 19. (Take advantage of Target’s pre-order deal by March 16 online here .)

Related: Where to Buy Sold-Out Tickets for Taylor Swift’s Eras Tour Dates in Canada

Last year, Swift released an approximately three-hour extended version of her blockbuster concert film , which is available to rent online for $19.89 on Prime Video (which offers exclusive bonus content), Apple TV and other transactional video-on-demand (TVOD) streaming platforms. It includes performances of “Long Live,” “The Archer” and “Wildest Dreams,” which were not in the theatrical run.

In addition to becoming the top-grossing concert movie of all time in North America, the AMC Theatres-distributed Taylor Swift: The Eras Tour earned a Golden Globe nomination for cinematic and box office achievement.

Where to Watch Taylor Swift: The Eras Tour (Taylor’s Version) Concert Film Online

Taylor Swift: The Eras Tour (Taylor’s Version) will be available to stream on-demand on Disney+ on March 14 at 6 p.m. PT/9 p.m. ET. Although the streamer doesn’t currently offer a free trial, Verizon Wireless subscribers with eligible Unlimited plans can get Disney+ for free for six months when they sign up by May 17 — so you can technically stream The Eras Tour (Taylor’s Version) online for free; learn more here .

Disney+ costs $7.99 per month for the ad-supported plan, but one of the best deals on the streamer is the Disney Bundle . New or returning subscribers save 44 percent off the Disney+, ESPN+ and Hulu bundle compared to paying for each service separately. That brings the price to $14.99 per month, compared to $26.97 monthly separately.

You can also upgrade to the  ad-free version of the Disney Bundle for $24.99 — a 42 percent savings over paying for each service without ads individually. Lock in the price to get all three streamers mentioned above, with no ads on Hulu or Disney+. The plan also lets you download content to watch on the go (say, for when you don’t have a WiFi connection).

Fans don’t need to be a member of Amazon Prime or Prime Video to stream the movie on the platform; however, those who want to watch on Apple TV will need an Apple TV+ subscription to buy or rent on that service. If you stream The Eras Tour on Prime Video , you’ll get access to additional X-Ray content that will showcase each song as it plays in the film and the ability to connect to Amazon Music to listen to more tracks from the tour.

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You can watch Taylor Swift's Eras Tour on Disney+ today

Time to bring your Wildest Dreams home

Updated March 15, 2024

Recommendations are independently chosen by Reviewed's editors. Purchases made through the links below may earn us and our publishing partners a commission.

In February, Disney+ announced that it will serve as the film's streaming home. Viewers can start streaming the concert film on March 15, 2024 with a Disney+ subscription.

Where will you be able to stream Taylor Swift: The Eras Tour ?

Viewers of the concert film will be able to experience the Eras Tour, along with five brand new songs that didn't feature in the film's theatrical release. You'll be able watch the film through your Disney+ subscription, which starts at $7.99 per month for new subscribers.

Sign up for Disney+ starting at $7.99, or bundle with Hulu for just $9.99 per month to get access to both services for $5.99 less than the ordinary price.

If you want to catch the tour before then, you can rent the film from a variety of places:

Where can you stream other Taylor Swift films and series?

Prices were accurate at the time this article was published but may change over time.

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Taylor Swift Expert Tells Us How to Stream 'Eras Tour' Live Shows Online

By Crystal Aminzadeh

July 24, 2023

Taylor Swift is wrapping up the US leg of her Eras Tour in the next couple of weeks. But if you weren't able to get tickets, you can still catch the last few shows she has this year! Reagan Baylee is a Swiftie online that has been guiding other Taylor Swift fans on how to watch each show online.

She starts her Taylor videos with “It’s another great day to be alive at the same time as Taylor Swift!”

So how can you watch the Eras Tour live shows from your home?

Reagan says although all the streams are fan-created, there are some great spots she recommends:

• SwiftStream.gay
• Search “Taylor Swift Eras Tour” on TikTok and the choose the live option. From there, you can see dozens of audience members going live on TikTok, livestreaming the show.
• @TessDear on TikTok posts other people’s TikTok Live’s on her account and puts a countdown on the videos to important moments of the show, notably the two acoustic and piano surprise songs Taylor does every night that people like to tune in for.

Listen to what Reagan has to say below and try using these for her shows this weekend and her final US stops in Los Angeles!

© 2024 iHeartMedia, Inc.

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Taylor Swift ‘Eras Tour’ resumes in May 2024 in France: How to get tickets to sold-out shows

• Updated: Apr. 17, 2024, 10:04 a.m. |
• Published: Apr. 17, 2024, 9:51 a.m.

Taylor Swift will resume her "Eras Tour" on May 9, 2024, in Nanterre, France, for four concerts. The tour returns to the U.S. for concerts in October 2024. Here, she performs at the Tokyo Dome, Wednesday, Feb. 7, 2024, in Tokyo. AP File Photo/Toru Hanai

• Deb Kiner | [email protected]

Swifties are eagerly awaiting the resumption of Taylor Swift’s “Eras Tour.”

After a two-month break, the pop star will hit the stage again in Nanterre, France, for four concerts - May 9 , May 10 , May 11 and May 12 at Paris La Defense Arena.

Her next album, “The Tortured Poets Department,” is scheduled to be released on Friday, April 19.

May 17, 18 and 19 the “Cruel Summer” singer will be in Stockholm, Sweden, followed by concerts in Portugal, Spain, the United Kingdom, Netherlands, Switzerland, Italy, Germany, Poland, Austria and Wembley Stadium in London through Aug. 20.

This fall, she returns to the United States for concerts in Miami, Florida; New Orleans, Louisiana; Indianapolis, Indiana; and Canada.

Most of her concerts are sold out but fans can still buy tickets from secondary market sites (tickets are expensive):

Friday, Oct. 18 - Hard Rock Stadium, Miami Gardens, Florida

• Tickets: Stubhub , Vivid Seats , SeatGeek

Saturday, Oct. 19 - Hard Rock Stadium, Miami Gardens, Florida

Sunday, Oct. 20 - Hard Rock Stadium, Miami Gardens, Florida

• Tickets: Stubhub, Vivid Seats , SeatGeek

Friday, Oct. 25 - Caesars Superdome, New Orleans, Louisiana

Saturday, Oct. 26 - Caesars Superdome, New Orleans, Louisiana

Sunday, Oct. 27 - Caesars Superdome, New Orleans, Louisiana

Friday, Nov. 1 - Lucas Oil Stadium, Indianapolis, Indiana

• Tickets: Stubhub, Vivid Seats, SeatGeek

Saturday, Nov. 2 - Lucas Oil Stadium, Indianapolis, Indiana

Sunday, Nov. 3 - Lucas Oil Stadium, Indianapolis, Indiana

Swift then will head to Canada for concerts Nov. 14-16 and 21-23 in Toronto and Dec. 6-8 in Vancouver.

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Streaming Ratings: ‘Eras Tour (Taylor's Version)' Scores for Disney+

Taylor Swift made her chart debut in Nielsen's streaming rankings, as her concert movie The Eras Tour (Taylor's Version) had a strong showing over its first four days of release on Disney+.

The film racked up 677 million minutes of viewing in the United States in the week of March 11-17 (it debuted on Disney+ on March 14), finishing second among movies and eighth among all titles for the week. Disney had previously said that The Eras Tour (Taylor's Version) had 4.6 million views (defined as total viewing time divided by running time) worldwide over its first three days; the four days of Nielsen measurement translate to about 3.22 million views of the 3 1/2-hour film.

Guy Ritchie's Netflix series The Gentlemen took the No. 1 overall spot for the week, moving up from third place a week earlier as it improved to 1.86 billion minutes of watch time from 1.21 billion. Millie Bobby Brown's movie Damsel stayed in second place with 1.54 billion minutes, while the previous week's leader, Love Is Blind , dropped to third overall with a still-strong 1.44 billion minutes of viewing.

Peacock's Apples Never Fall , which had a binge release on March 14, debuted in sixth place among original series with 476 million minutes of viewing. Both Poor Things (376 million minutes) and Oppenheimer (286 million minutes) made the top 10 movies a week after winning multiple Oscars.

Nielsen's streaming ratings cover viewing on TV sets only and don't include minutes watched on computers or mobile devices. The ratings only measure U.S. audiences, not those in other countries. The top streaming titles for March 11-17, 2024, are below.

1. The Gentlemen (Netflix), 1.86 billion minutes viewed

2. Damsel (Netflix), 1.54 billion

3. Love Is Blind (Netflix), 1.44 billion

4. Bluey (Disney+), 1.06 billion

5. Grey's Anatomy (Hulu/Netflix), 830 million

6. Brooklyn Nine-Nine (Netflix/Peacock), 819 million

7. NCIS (Netflix/Paramount+), 797 million

8. The Eras Tour (Taylor's Version) (Disney+), 677 million

9. Turning Point: The Bomb and the Cold War (Netflix), 621

10. Young Sheldon (Max/Netflix), 618 million

Original Series

1. The Gentlemen , 1.86 billion minutes

2. Love Is Blind , 1.44 billion

3. Turning Point: The Bomb and the Cold War , 621 million

4. Avatar: The Last Airbender (2024) (Netflix), 502 million

5. Blown Away (Netflix), 489 million

6. Apples Never Fall (Peacock), 476 million

7. Shogun (Hulu), 408 million

8. The Signal (2024) (Netflix), 377 million

9. The Program: Cons, Cults and Kidnapping (Netflix), 357 million

10. Masters of the Air (Apple TV+), 330 million

Acquired Series

1. Bluey , 1.06 billion minutes

2. Grey's Anatomy , 830 million

3. Brooklyn Nine-Nine , 819 million

4. NCIS , 797 million

5. Young Sheldon , 618 million

6. The Big Bang Theory (Max), 570 million

7. Suits (Netflix/Peacock), 563 million

8. Cocomelon (Netflix), 556 million

9. Criminal Minds (Hulu/Paramount+), 493 million

10. Avatar: The Last Airbender (2005) (Netflix/Paramount+), 464 million

1. Damsel , 1.54 billion minutes

2. The Eras Tour (Taylor's Version) , 677 million

3. Irish Wish (Netflix), 583 million

4. Wonka (Max), 526 million

5. Poor Things (Hulu), 376 million

6. Ricky Stanicky (Prime Video), 336 million

7. The Super Mario Bros. Movie (Netflix), 327 million

8. Moana (Disney+), 324 million

9. Oppenheimer (Peacock), 286 million

10. Dune (2021) (Hulu/Max), 285 million

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How Taylor Swift inspired a new generation of singer-songwriters, in their own words

• We're living in the era of musicians raised by Taylor Swift.
• Gayle, Maisie Peters, Baby Queen, and Gus Dapperton told BI about her impact on their songwriting.
• Stars like Sabrina Carpenter, Olivia Rodrigo, and Troye Sivan also count Swift as an influence.

Sabrina Carpenter said working with Swift is "a childhood dream come true."

Back when Sabrina Carpenter was 9 years old, still years away from becoming a Disney Channel star, she uploaded a video of herself singing Swift's country hit " Picture to Burn " on YouTube.

Now, at 24 years old, Carpenter said she thinks of Swift as an "older sister" after opening for her monumental Eras Tour, playing international shows from Mexico City to Melbourne.

"That is one of my main inspirations ever since I was a little girl," Carpenter also told Billboard of Swift. "Watching her in and of itself is how you learn. I admire her work ethic and her talent and she's just so amazing."

Gayle was greatly influenced by "Picture to Burn" and "I Knew You Were Trouble."

Gayle, 19, shot to fame with her viral hit "Abcdefu" and earned a Grammy nomination for song of the year .

During a 2023 interview with Business Insider, she reminisced about growing up with Swift's "iconic" songs, specifically citing "Picture to Burn," which was released when Gayle was just 2 years old.

"Some of her music videos when I was younger, she looked like a fairy princess to me," Gayle said. "Oh my gosh, she is, wow. Just fangirling here."

The singer-songwriter also said Swift's hit single "I Knew You Were Trouble" is associated with one "very big core memory"  after watching the music video "every day" at summer camp.

Taking notes from Swift's hit songs eventually led to a cosign from Swift herself; Gayle joined The Eras Tour last year as a supporting act , opening several shows ahead of Paramore and Haim.

Gracie Abrams described Swift as "one of the blueprints for vulnerability as a young woman."

Abrams, a longtime admirer of Swift, recently began working with the superstar's "Folklore" and "Evermore" collaborator Aaron Dessner. She has repeatedly covered Swift's songs , including "You're On Your Own, Kid" from "Midnights" and the revered 10-minute version of "All Too Well."

"I just respect the shit out of her with everything that she does," the 23-year-old singer-songwriter told Teen Vogue . "I've always been so inspired at every stage of my life as a fan of hers."

In fact, the respect is mutual. Abrams appeared as the opening act for dozens of stops on The Eras Tour, and in 2021, Swift publicly praised Abrams' haunting single "Rockland."

"I definitely don't believe that happened. I had a crazy physical reaction," Abrams said of the praise. "I don't know how to operate, or function ever again. But I'm her biggest fan. Everything that she does is fucking unbelievably inspiring, motivating, it makes me want to do better and be the best version of myself as a writer and a person."

Abrams will return to The Eras Tour stage when Swift returns for the second North American leg this year, playing a string of shows in New Orleans, Toronto, and more.

Phoebe Bridgers praised Swift as "an incredible businessperson and an incredible writer."

Bridgers, who was also tapped to open for Swift on The Eras Tour, said it was a "dream" to collaborate on "Nothing New," one of the vault tracks released on " Red (Taylor's Version) ."

"I just am so excited to have people take it at face value the day that it comes out, because I got teary recording it. I just couldn't be more excited," she told Billboard last October.

"She is an incredible businessperson and an incredible writer," Bridgers continued. "What she's been able to build just from writing adeptly from a young age is insane."

Upon the song's release, the 28-year-old Grammy nominee took to Twitter to express her gratitude and disbelief.

"I was 18 when red came out," she wrote . "How is this real."

Maisie Peters has described herself as "the biggest Swiftie ever."

Maisie Peters, 23, told BI that Swift is "formative to everything I make."

"I remember listening to 'Back to December' for the first time and just being like, 'This is incredible,'" Peters said.

Asked if it gets tiresome to field questions about being a Swiftie, Peters responded with a definitive, "No."

"With somebody like Taylor, there's so much you can draw on," she continued. "She's so inspiring in so many different aspects of what she's done. So I'm here to talk about Taylor Swift all day."

Although said she Peters hadn't met her idol just yet, she did sign to Gingerbread Man Records , the label run by noted Swift pal Ed Sheeran. He also cowrote three songs on her debut album, "You Signed Up for This."

"I've never met Taylor Swift and everyone always goes, 'Oh aren't you so excited?' And I am so excited, but also it's going to be crazy because she's been so important to my life that it's sort of like meeting an otherworldly being," Peters said.

Read our full interview with Maisie Peters here .

Baby Queen was inspired to pursue a career in music after seeing the "Love Story" music video.

"I just decided from the age of 12 after discovering Taylor Swift," Baby Queen told BI. "I was like, 'This is what I'm doing.'"

The pop-rocker, 26, whose birth name is Bella Latham, also revealed that her brutally honest single " These Drugs " was partially inspired by Swift — namely the gut-punch bridge, a craft that Swift is famous for mastering.

"It's like where you put all the emotions, what Taylor does. She puts all the emotions into the bridge," she said. "You hear the story and then the bridge comes and it's like, 'OK, I know Taylor's going to shoot me through the heart and she's going to kill me.'"

Read our full interview with Baby Queen here .

Gus Dapperton has also cited "Love Story" as a major influence.

Gus Dapperton, 27, told BI that his music is heavily inspired by artists like Odd Future and King Krule — fellow skater kids who had "weird voices" and no inhibitions — as well as supermassive stars like Britney Spears and Swift.

"When I hear my sister sing those big pop songs, it's impossible to deny how beautiful they sound," he said. "My family would all be in the car chanting Taylor Swift songs and stuff. I think 'Love Story' by Taylor Swift is one of my favorite songs of all time. My dad would just turn up the volume as loud as possible."

"That's why I never denied the pleasures of pop music growing up," he added.

Read our full interview with Gus Dapperton here .

Troye Sivan has long been inspired by Swift's songwriting prowess.

Troye Sivan, 27, has been naming Swift as his ideal cowriter since 2016.

"I really, really, really want to write with Taylor Swift," he told Billboard . "I'm sure that everyone would say that, but for me… as a student of pop music, I feel like I have so much that I could learn from her."

Two years later, when asked about his "dream duet partner," Sivan said Swift again, joking that he "may as well reach for the stars."

"We [already] performed live," he told Variety , referring to his cameo appearance on her "Reputation" tour in 2018 . "I admire her so much as a writer. So even if we didn't duet and we just wrote together, I would be totally into that idea — so I could watch her work. She's a master of pop."

More recently, Sivan listed "This Is Me Trying," "You Are In Love," and "Clean" as his top three favorite songs by Swift.

"When she hits that stride, I get so jealous, and I just want to listen to the song over and over and over again," he told Jared Frieder for Interview magazine . "I'm always like, 'Damn, Taylor Swift is so good.'"

Clairo said she "cried uncontrollably" when she met Swift.

Clairo, 25, managed to team up with Swift's longtime collaborator Jack Antonoff to create her 2021 album "Sling." However, the year prior, she was "shocked" when Swift initiated contact with her at the 2020 NME Awards.

"I crouched down with her, so we were both on the floor talking to each other," the celebrated indie songwriter later told NME . "It looked so ridiculous. No one could talk to me after that happened, I was crying so much."

Indeed, the year before their meeting, Clairo had made a bold declaration on Twitter : "I would let taylor swift punch me any day."

According to Conan Gray, Swift "raised an entire generation of songwriters."

Back in 2020, Swift shared Conan Gray's debut album "Kid Krow" on her Instagram story, praising the track "Wish You Were Sober" as a "masterpiece."

The duo's mutual respect is so well-documented that Swift enlisted Gray, 25, to help promote the release of her first rerecorded album, "Fearless (Taylor's Version)," in 2021.

"I've never met her, but she's been kind to me," Gray later told GQ . "Taylor raised an entire generation of songwriters. She taught a lot of people how to write pop songs."

The " Superache " singer also revealed that "Teardrops on My Guitar" was the first song he heard by Swift that changed his outlook on songwriting.

"It was one of the first YouTube videos I ever watched too. I remember that day so vividly," Gray said. "My family had one computer that we all would use and I remember we all huddled around it and watched together. I remember thinking, 'Wow, Taylor Swift is the coolest person on the earth.'"

Olivia Rodrigo hailed Swift as her "all-time idol" and "the best storyteller of our generation."

These days, Olivia Rodrigo, 21, is taking more cues from rockers like No Doubt , The Breeders, and The White Stripes .

But during her breakneck rise to fame, Rodrigo gushed about Swift on countless occasions and even sampled Swift's music on her acclaimed debut album "Sour."

Rodrigo even received a "really sweet" handwritten letter from her idol  after the success of her single "Drivers License."

"I don't want to divulge too much because it's really sweet and personal," Rodrigo told Billboard .

"But she talks a lot about how, I think, you make your own luck in the world. And when you do kind things to others, good things come your way," she added.

Indeed, Rodrigo has already taken some of Swift's career advice: She previously told The Guardian that  she has retained control of her master recordings  because she was inspired by Swift's public battle to own her music.

Griff said there's "a new wave of young pop musicians" that evoke Swift in their songwriting.

"She's probably one of the No. 1 people that I look up to in terms of being a songwriter and being a top female in the music industry and being so consistent and coming back, time after time after time, with incredible songs," Griff, 23, told Nylon . "I even said that to her."

Griff met her hero at the 2021 Brit Awards , where she received the annual rising star award and performed her single "Black Hole."

"Taylor sent flowers, which was really nice. And we got to hang out after the show in her dressing room, so that was pretty crazy," she told Billboard .

Griff also told Harpers Bazaar that Swift gave her advice about handling the "pressures of industry and business and writing my next album — just [to] take my time and do it on my own terms."

Swift even gave Griff a shout-out when she accepted the global icon award that evening. More recently, Swift shared Griff's song "Vertigo" on Instagram, writing, "I love this one."

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